Rajasthan Culture PDF

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Culture & Heritage of Rajasthan Index
Index
Language & Literature of Rajasthan
Rajasthani Language .................................................................................................................................. 1

Literature of Rajasthan .............................................................................................................................. 4

50 Major Compositions of Literature of Rajasthan .................................................................................... 9

Rock Inscriptions of Rajasthan ................................................................................................................. 12

Art & Crafts of Rajasthan
Fairs & Festivals of Rajasthan ................................................................................................................... 15

Painting Art of Rajasthan ......................................................................................................................... 19

Handicraft of Rajasthan ........................................................................................................................... 28

Folk Arts of Rajasthan .............................................................................................................................. 34

Folk Dances of Rajasthan ......................................................................................................................... 36

Folk Dramas of Rajasthan ......................................................................................................................... 46

Folk Musical Instruments of Rajasthan .................................................................................................... 50

Saints & Lok Devta’s of Rajasthan
Bhakti Saints of Rajasthan ........................................................................................................................ 56

Lok Devta & Devis of Rajasthan ............................................................................................................... 60
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Culture & Heritage of Rajasthan Index
Architecture & Monuments of Rajasthan
Forts & Palaces of Rajasthan .................................................................................................................... 68

Temples & Mosques of Rajasthan ............................................................................................................ 87

Cenotaph & Tombs Rajasthan .................................................................................................................. 92

Havelis & Sculptures of Rajasthan ........................................................................................................... 94

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Culture & Heritage of Rajasthan Rajasthani Language
Rajasthani Language
Rajasthani Language:
• Rajasthani is name given to group of dialects spoken in Rajasthan.
• Recognized as a distinct literary language by Sahitya Academy (National Academy of letters) &
University Grants Commission (UGC).
• Script is Devanagri.
• 10 vowels and 31 consonants.
• Two genders
• Fund of folk literature consisting of ballads, songs, proverbs, folk tales and panegyrics.
• In 2003 the Rajasthan Legislative Assembly - passed a unanimous resolution to insert

recognition of Rajasthani into the Eighth Schedule of the Constitution of India. Present Status:
Not included.
• Reasons for less propagation: lack of comprehensive reference grammar and latest dictionary
prepared based on a thorough linguistic survey of Rajasthan.
History & Evolution of Rajasthani language:
• Rajasthani is an Indo-Aryan language having its roots in Vedic Sanskrit and Sauraseni Prakrit.
• Suaraseni Prakrit – initially language of Mathura region – spread westwards (towards modern
Gujarat & Saurashtra) and developed modification and called Gurjara Apabhramsa or Gurjari
• From Gurjari developed Maru-Gurjar, a common language of Rajasthan & Gujarat. It started
taking definite linguistic pattern from 1050 AD.
• From 1450, Rajasthani & Gujarati, started to get differentiate and in subsequent centuries
distinct Rajasthani language (Maru-Bhasha) (Dingal) developed.
• In eastern region Dingal mixed with Braj-bhasha of Mathura and formed
• While Dingal was used for composing songs for war & ceremonies, Pingal was used for
composing poems of love & devotional nature.
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• The use of Dingle & Pingal continued freely for 4 centuries (15 -19 ) but from 1818 Rajasthani
th th
language declined.
• Cause of decline? Development of Khadi boli (both language & literature)
Dialects of Rajasthani:
Marwari
• Most spoken dialect of Rajasthan
• Region: Jodhpur, Jaisalmer, Bikaner, Nagaur, Shekhawati & Sirohi
Mewari
• Mewar region: Udaipur, Bhilwara & surrounding region.
Dhundhari
• Second most spoken dialect of Rajasthan
• Region: Dhundhar - Jaipur, Tonk, Kishangarh
Mewati
• Mewat Region: Alwar, Bharatpur, Dhaulpur & Karauli region
Harauti
• Region: Bundi, Kota, Tonk
• Suryamal Mishran composed in hadauti dialect.
Malvi
• Region: Near to Malwa of MP – Kota, Jhalawar & Pratapgarh
Bagri(Bagdi)
• Bagar Region: Banswara & Dungarpur
• Influenced by Gujrati
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Nimadi
• North Nimach and Bhansawar
Bhili
• Spoken by bhils – Dungarpur
Ahirwati
• Dialect of junction area of Bangru(Haryanavi) & Mewati.

• Region: Behror, Kothputli
• Historically called as Rath or Rathi dialect.
Other Rajasthani Dialects are Dhatki, Godwari, Gujari, Gurgula, Goaria and Lambadi.
Sahitya Academy Winners for Rajasthani:
• 2015 Gawaad (Novel) Madhu Acharya 'Ashawadi'
• 2014 Sundar Nain Sudha Rampal Singh Rajpurohit
• 1975 Pagfero (Poetry) Mani Madhukar
• 1974 Batan Ri Phulwari Vol. X (Folk-tales) Vijaydan Detha
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Culture & Heritage of Rajasthan Literature of Rajasthan
Literature of Rajasthan
“Literature in Rajasthan” means all the literature works that has been created within geographical
boundary of Rajasthan from start of time till now. As a result, it includes Sanskrit, Prakrit, Rajasthani,
Hindi and other Language works. History of Literature in Rajasthan includes:
• Sanskrit & Prakrit Literature
• Rajasthani Literature
o 1. Early Period (1100-1450)
o 2. Medieval Period (1450-1850)
o 3. Modern Period (1850-)
• Hindi Literature
1. Sankrit & Prakrit Literature of Rajasthan:
The literature history of Rajasthan goes back to 1500 years and ancient astronomer and mathematician
Brahmagupta belonged to Bhinmal (jalore) town composed Brahsfut Siddhanta.
• Poet Magha, who also belonged to Bhinmal and wrote Shishupal Vadh in 8 th
• Hari Bhadra Suri of Cheetore wrote Samaraichcha katha
• Udhyotan Suri wrote Kuvalaya Mala partly in Prakrit & partly in Aprabransh in 779 A.D
• Sidha Rishi wrote Upmiti Bharva Prancha Katha
• Vigrah Raj Chauchan IV of Ajmer wrote drama named Harkaili
• Somdeva, poet of Court of Vigrah Raj, wrote drama Lahit Vigrah Raj
• Court poet of Prithviraj Chauchan III wrote Prthvi Raj Vijay
• Maharana Khumbha wrote treatise of Jai Deva’s Geet Govinda and a book on musicology –
Sangeet Raj.
2. Rajasthani Literature
Rajasthani Literature dates back to the 11th century, with development of Maru-Gurjari as language in
early 11 century. On basis of time Rajasthani Literature cane be divided into:
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1. Early Period (1100-1450)
2. Medieval Period (1450-1850)
3. Modern Period (1850-1950)
And on basis of distinct forms Rajasthani Literature can be divided into:
• Rajasthani Jaina Literature
• Rajasthani Charan Literature
• Rajasthani Saint Literature
• Rajasthani Folk Literature
Now, we shall first discuss in detail, Rajasthani Literature division on basis of time.
2.1 The Early Period of Rajasthani Literature (1100 -1450)
• Till 1169, Rajasthani language was essentially oral and so significant literature works does not
exist before 1169 AD. Hence, the early period of Rajasthan Literature begins from 11 Century
th
and continues till 1450 AD.
• This early period was dominated by Jaina Scholars, Acharyas & Monks and important works
include:
o Bharatvarsh war Bahubali Ghor written by Vijrasen Suri
o Bharateshwar Bhaubali raas authored by Shalibhadra Suri
o Jiyadarya Raas by Asig
o Padmavati Chaupai by Jinprabha Suri
o Stulibhadra Phag by Hemraj
o Gyan Manjari by Vijhana
• Non- Jaina works
o Prithviraj Raso by Chandbardai – 12 Century

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o Achaldas Khichi ri Vachanika by Gadan Shivdas
o Visaldeo raas by Narpati Nath
o Ranmall Chanda by Shridhan
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• The literature works belonging to early period are common heritage of Rajasthani and Old-
Gujarati.
2.2 The Medieval Period of Rajasthani Literature (1450-1850)
The medieval period of Rajasthani Literature starts from 1450 and continues till 1850. The period is
considered as Golden age of Rajasthani Language and literature based on the amount and variety of text
written.
• 1455 – Padmanabh wrote Kanhadade Prabandh – regarded as the link between Gujarati and
separated Rajasthani. The work is considered as an encyclopedia of life in Rajasthan during
those times.
• 1473 – Dhola Maru ra Doha was composed by Kallol.
• 1481- Bhandari Vyas – wrote Hammirayan
• 1568 – Buddhi Raso written by Jallah
• 17 Century – Khuman raso written by Dalpat

th
• 17 Century – Binhai raso written by Mahesdas

th
• Halan Jhalan ra Kundaliya written by Baraith Isardas.
2.3 The Modern Period of Rajasthani Literature (1850-1950)
This includes literature works in Rajasthani after 1850. The main difficulty in surveying Rajasthani
Literature is that a large number of literary works have remained unpublished.
• The traditional heroic poetry consisting of Kavya & Raso declined by end of 18 th
• In middle of 19 century, Surya Mal Mishran of Bundi (also called as Bhushan of Rajasthan)
th
attempted to revive heroic poetry and wrote Vansh Bhaskar & Veer Satsai.
• Another great poet of the same period was Ramnath Kaviya of Alwar who wrote Draupadi
Vinaya & Pabuji ra Soratha.
• Another poet a champion dadupanthi scholar Swarup Das wrote Pandava Yashendu
Chandrika.
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• Maharaja Chatur Singh translated Geeta, Patanjali’s Yogasutra into Mewari language.
• Atyudhan Mahariya also wrote Veer Satsai
• Chandra Singh wrote Kah-Mukrani & the famous book – Badli in 1940.
• Meghraj Mukul composed poem Sainani.
3. Hindi Literature of Rajasthan:
The National movement gave new life to literature in Rajasthan and large number of poets and writers
expressed fury of people against British rule. The poets also reprimanded Rajput rulers of their suicidal
policies.
• Important writers of this period included Surya Mal Mishran, Girvardhan, Bhopaldan, Keshri
Sibh Barhat,
Important Literary traditions of Rajasthani Language:
Rajasthani Jaina Literature.
The literature is related to Jaina Religion.
• Hemchandra Suri – Deshinaammala, Shabdanushasan
• Hrishivardhan Suri – Nal Damyanti Raas
• Hemratna Suri – Gora Badal ri Chaupayi
Rajasthani Charan Literature
• Lifestyle & Valor of Rajput era is represented beautifully by Charan literature.
o Badar Dhaadhi – wrote Veer Bhayan
o Chandbardayi – wrote Prithviraj Raso
o Nainsi wrote – Nainsiri Khyat
o Baankidas – Baankidas ri Khyat
o Dayaldas – Dayaldas ri Khyat
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o Achaldas Khichi ri Vachanika by Gadan Shivdas
• In Poetry (Doha)
o Dhola maru ra Doha
o Sajjan ra Doha
• Prithviraj Rathore (Bikaner) wrote Valley Krishan Rukamani ri
• Surajmal Misrana (1815-68) – Bundi State Poet.
o Vansh Bhaskar: Ram Singh (Bundi)
o Vir Satsai:
o Balwant Vilas:
o Chhandomayush:
Rajasthani Saint Literature:
• Meera ki Padavali
• Daddu ki Vaani
• Narsingji ro maheero
• Ram Charan ji ki Vaani
Rajasthani Folk Literature:
• Faad Literature
o Shahpura in Bhilwara is famous
o Happening from life of Lok Devta like Pabuji, Dev Narayan ji, Ramdev ji etc are
depicted in Faad.
o Padam Shri Lal Joshi ji from Bhilwara – gave international recognition to Fad
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Culture & Heritage of Rajasthan 50 Major Compositions of Literature of Rajasthan
50 Major Compositions of Literature of Rajasthan
S.No Work Author
1 Kanhad-de-Prabandh Padmanabh
2 Munhot Nainsi Ri Khyat Munhot Nainsi
3 Achaldas Kheechi Ri Bachnika Gardan Shivdaas
4 Ganga Lahari Prthivi Raj Rathore
5 Varagya Sagar Nagaridaas
6 Roothi Rani Kesari Singh Barhat
7 Raj Rupak Veerbhan
8 Rao Jaitsi Ro Chand Suja ji
9 Dayaldas Ri Khyaat Dayaldas Sidayach
12 Vansh Bhaskar Sati Raso Suryamal Mishran
13 Leeltans | Patal & Peethal | Dharti Dhora Ri Kanhaiyalal Sethia
14 Prthviraj Raso Chand Bardai
15 Bisaldev Raso Narpati Nalha
16 Hammir Raso | Hammir Kavya Jodhraj Sarangdev
17 Ram Raso Madhodas
18 Khumman Raso Dalpat Vijay
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19 Vijaypal Raso Nall Singh
22 Rajasthani kahawatein Murlidhar Vyas
23 Prthviraj Vijayam (Sanskrit) Jayanak
24 Hammir Mahakavya Nayan Chand Suri
25 Hammir Mad-mardan Jai Singh Suri
26 Raag Manjari | Ragmala Pundareek Vitthal
27 Padmavat Malik Mohammad Jaisi
28 Kuvlyayamala Udhyotan Suri
29 Bharteshwar Bhaubali Ghor Vajrasen Suri
30 Panch Pandav Charit Rasu Shailendra Suri
31 Marwari Grammar | Nainsi ki Khyati Pt. Ramana Asopa
Sangitraj | Ekling Mahamtyq (Sanskrit)| Nritya

32 Rana Kumbha
Ratnakosh (Sanskrit)
33 Bhasha Bushan Jaswant Singh
34 Rana raso Dayal (Dayaram)
35 Karmachand Vanshokeertanakam Kavyam Jaisom
36 Rukmani Haran Vitthaldas
37 Rajasthani Shabdakosh (vocabulary) Sitaram Lalas
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38 Pabuji Ra Chand | Gogaji Rasavla Bithu Meha
39 Suraj Prakash Karanidaan
40 Prabandh Kosh Rajshekhar
41 Revantgiri Raas Vijay Sen Suri
42 Dingle Kosh Muraridan
43 Ajitodaya (Sanskrit) Jagjiwan Bhatt
44 Amarkavya Vanshavali (Sanskrit) Ranachorr Bhatt
45 Raj Vinod (Sanskrit) Sadashiv
46 Raj Vallabh (Sanskrit) Mandan- Architect of Kumbha
47 Bankidas Ri Khyaat Bankidas
48 Marwar Ra Pargana Ri Vigat Munhot Nainsi
49 Shatrusaal Raso Dungar See
50 Pashavnath Charitra Shreedhar
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Culture & Heritage of Rajasthan Rock Inscriptions of Rajasthan
Rock Inscriptions of Rajasthan
The rock inscriptions of Rajasthan serve as a very authentic evidence for the reconstruction of the
history and culture of Rajasthan. They offer reliable pieces of information that has helped in building
up the chronology and political history of Rajasthan.
S.No Year Inscription Facts to Remember
• Brahmi Script
1 443 BC Barli, Ajmer • Reveals that Jaina cult was prevalent in
Madhyamika.
• Mentions Asvamedha Yajna by King Sarvatata.

2 1 - BC
St
Gosundi, Chittor
• Mentions about Krishna & Sankarshana (Balram)
Nandsa Yupe • Nandsa (Bhilwara)

3 225 AD
Stambha, Bhilwara • Lanuguage Sanskrit
• Language Sanskrit
Barnala Yupe • Presently preserved at Amer museum
4 227 AD
Stambha, Jaipur • Mentions establishment of 7 pathshalas
Badwa Stambha, • Describes triratra yajna performed by three
5 238-239 AD
Baran brothers.
• Mentions performance of Yajna – without any
6 274 AD Bichpuria, Tonk name
• Dharak described as Agnihotra
7 278 AD Vijayagarh • Describes Pundreek yajna performed by
Yashovardhan
8 423 AD Gungdhar, Jhalawar • Mnetions construction of Vishnu temple by
Mayuraksha minister of Vishwakarma
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Culture & Heritage of Rajasthan Rock Inscriptions of Rajasthan
9 424 AD Nagari • Presently preserved at Ajmer museum
• Evidence about Vishnu worship.
Bharamar Mata, • Mentions punyashobha, Rajyavardhana &
10 490 AD
Chittor Yashogupta of Gaur dynasty.
• Two parts: one is 3-line & other is 8-line
11 6 AD
th
Khand, Chittor • First part mentions Vishnudatta
• Second part mentions Manohar Swamy: Vishnu
mandhir
12 625 AD Basantgarh, Sirohi • Raujil, son of Vajra Bhatt has been mentioned
ruler of Arbud region.
13 646 AD Shamboli, Mewar • Information on Guhil Dynasty of mewar
• Language Sanskrit in Kutil Script

14 661 AD Nadi Village, Mewar
• Bravey of Guhil ruler Aparajit has been described
15 685 AD Mandore, Jodhpur
• Engraved on rock in Bawadi
ShaknerGhatta, • Language Sanskrit

16 713 AD
Chittor • Mentions Raja Manbhanga or Manmori
17 738 AD Kanaswan, Kota
• Informs regarding Maurya ruler Dhawal
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Culture & Heritage of Rajasthan
• Language Sanksrit
18 861 AD Ghatiyala, Jodhpur • Information related to political, social & religious
policies of Pratihara dynasty.
• Language Marathi Verses with meaning in

Sanskrit
19 861 AD Ghatiyala, Jodhpur
• About Harishchandra, a Brahmin – supposed to
be father of Pratihara dynasty.
20 865 AD Osian, Jodhpur • Vatsraj given title of Ripudaman
• Varna System described
21 946 AD Pratapgarh • Language Sanskrit
• Presently preserved at Bhartiya Mandir,
22 971 AD Chittor Ahmedabad.
• Desribes prosperity of chitter & achivements of
Parmar rulers.
• Launguage Sanskrit
• Description of 3 Kings- Allat, Narwahan &
Shaktikumar
23 977 AD Aahad
• Also gives information regarding military system
of mewar.
• Col Tod took the inscription to England
• Placed at Sarvasukhia Kothi

24 1086 AD Jhalarapatan
• Engraved by Pandit Harsukh in Sansrkit
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Culture & Heritage of Rajasthan Fairs & Festivals of Rajasthan
Fairs & Festivals of Rajasthan
Rajasthan is a land of fairs & festivals, but before we can get understanding of these it is essential to
learn the names of Indian Seasons & months, as the India festivals & fairs are organized based on Hindi
calendar, which is LUNAR.
• In Hindu calendar, year begins with 1- Chaitra:
• First day after new moon (Amavsya)
• New Year of Vikram Samvat (2073 in 2016)
• New Year of Saka Samvat (Official Government calendar)
• 1 Chaitra = 22 march (Normal year) & 21 March (Leap year)
• Chaitra = 30 days (normal year) & 31 days (Leap year)
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The festival according to the months:
Festivals and Fairs of Rajasthan in Chaitra:

Festivals
Gangor
• Worship of Eser ji & Gauri ji made of clay.
• 16 days festival
• Main Celebration: Jodhpur, Jaipur, Udaipur, Kota
• Colonel Tod described Gangor of Udaipur.
Sheetlastami
• Chaitra Shukla Astami
Fairs:
• Karni Mata Mela (I) - Bada - in Nokha, Bikaner - from Shukla – 1 -10
st th
• Mahavir Mela at Mahavir Ji, Karauli from Chaitra Shukla 13th to Vaisakha Krishna 3 rd
• Kaila Devi Mela at Kaila Devi, Sawai Madhopur from Chaitra Krishna Ashtami (8 ) to Chaitra
th
Sukhla Astami. Also called as Lakkhi Mela.
• Kesariyanath ji ka Mela at Rishabhdev, Udaipur on Astami (8 ).

th
• Sheetla Mata mela is held at Sheel ki Dungari, Jaipur on Krishna Ashtami.
Festivals & Fairs of Rajasthan in Vaisakha:
Festivals
Akshay Tritiya
• Vaishakha Shukla tritiya
Fairs:
• Brith Hari Mela in Alwar
• Mata Kundalini mela is held at Rashmi, Chittorgarh on Vaisakh Poornima.
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Festivals & Fairs of Rajasthan in Shravana:
Festivals:
Teej Festival
• Shravana Shukla Tritiya – Chotti Teej
Fairs:
• Kalyan Ji ka Merla at Diggipuri-Malpura- Tonk on Amaysya
• Teej ka Mela at Jaipur(Famous), rest rajasthan also - on Shukla –Tritya (3 rd)
Festivals & Fairs of Rajasthan in Bhadra:
Festivals:
Teej Festival
• Bhadra Shukla Tritiya – Badi Teej
Ganesh Chaturthi
• Shukla Chaturthi
Fairs:
• Baba Ramdev Ji ka Mela at Runicha – Pokaran- Jaiselmer from Shukla Paksh – Dooj(2 ) -11
nd th
• Gogaji Mela at Nohar, Hanumangarh from Krishna Ashtami to Ekadashi
• Goga Ji Mela at Dadrewa, Churu from Krishna Navami to Shukla Navami.
• Brithari Mela(II) in Alwar
• Karjali Teej mela in Bundi on 3rd
• Ganesh Mela at Ranthmabore, Sawai Madhopur on Ganesh Chaturthi (4 ) th
• Charbhuja mela at Charbhuja, Udaipur on Shukla Ekadashi.
Festivals & Fairs of Rajasthan in Ashwin:
• Karni Mata Mela - in Nokh, Bikaner – from Sukla 1 -10

st th
• Jambeshwar Mela at Nokha, Bikaner
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Festivals & Fairs of Rajasthan in Kartik:
Festivals:
Deepawali:
• Kartik Amavasya
Fairs
• Kapil Muni Mela in Kolayat Bikaner on Kartik Purnima
• Puskar Mela in Pushkar, Ajmer from Kartik Shukla Ekadashi to Purnima.
• Neelapani mela at Hathod village, Dungarpur on kartika Poornima.
Festivals & Fairs of Rajasthan in Magha:
• Beneshwar Mela in Beneshawar, Dungarpur – from Shukla Ekadashi to Purnima (Shivratri).

This fair is called kumbha of tribals.
Festivals & Fairs of Rajasthan in Phalguna(Falgun):
Festivals:
Holi:
• Falugun Poornima
Fairs:
• Khatu Shyam ji Mela - in Sikar - from Shukla 10 -12

th th
• Jambeshwar Mela at Nokha, Bikaner
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Culture & Heritage of Rajasthan Painting Art of Rajasthan
Painting Art of Rajasthan
Painting is mentioned as 1 of 64 Kalas in ancient Indian texts. Historical art of Paintings in India can be
classified into two different segments:
• A. Murals or Wall Paintings
• B. Miniature Paintings.
A. Mural Painting:
1. A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large
permanent surface
2. Architectural elements of the given space are harmoniously incorporated into the picture.
Method Of Paintings
• True Fresco Method-
o The paintings are done when the surface wall is still wet so that the pigments go deep
inside the wall surface.
o Technique of mural painting executed upon freshly-laid, or wet lime plaster.
o Water is used as the vehicle for the pigment to merge with the plaster, and with the
setting of the plaster, the painting becomes an integral part of the wall.
• Tempora or Fresco-Secco-
o Method of painting on the lime plastered surface which has been allowed to dry first
and then drenched with fresh lime water.
Shekhawati Paintings:
• It is covered by the two modern districts of Jhunjhunu and Sikar
• Geometric and floral designs.
• The interior work is usually painted secco, using tempera, onto dry plaster.
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B. Miniature Paintings of Rajasthan:
• Besligre has supported the name of “Rajput School of Painting” for Rajasthani Painting.
• Rajasthani Painting Themes - events of epics like the Ramayana and the Mahabharata, Krishna’s
life, beautiful landscapes, and humans
• Precious stones, Gold and silver were used
• Mughal Influence
• Dominance of Chaurapanchasika group style in Indian Rajasthani Paintings.
Styles of Rajasthani Painting:
Starting from the 16th century, when the Rajasthani Painting originated, the main schools emerged,
including:
Mewar School Chavand, Nathdwara, Devgarh, Udaipur and Sawar
Marwar school Jodhpur, Kishangarh, Bikaner, Nagaur, Pali and Ghanerao styles
Hadoti school Kota, Bundi and Jhalawar styles
Dhundar school Amber, Jaipur, Shekhawati and Uniara styles
MEWAR Style
• Considered to be place of origin of Rajasthani acrt of of Painting.
• Drawing is bold and the colours are bright and contrasting.
• Text of the painting is written in black on the top against the yellow
ground.
• Maharana Kumbha contributed a lot to its development. After this

Mewar style developed during Maharana Amar Singh-I (1572-1620),
Karna Singh & Jagat Singh I (1628-52).
• Shravak Pratikramansutra Chumi – 1260 –is the oldest painted volume of this style.
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• Chitron Ki Ovari (Tasviron ka Karkhana) – was established during reign if Jagat Singh I.
• Nuruddin – painted Kaliya Damana (most famous painting) – during reign of Maharana
Sangram Singh II (1710-34).
• Famous Painters – Nuruddin, Manohar, Sahibdin, Kriparam, Jivaram etc.
• Features:
o Appearance of men & women in healthy & attractive height.
o Pointed nose, round face, large eyes, small neck, open lips.
o Imposing moustache, decorative figures of women with tender body.
o Elegant display of Nature.
NATHDWARA Style
• Nathdwara style is a sub-style of Mewar School of painting, but as such it is a peculiar mixture
of Mewar & Kishangarh styles.
• Rana Raj Singh I brought idol of Shrinath ji from Mathura during

Aurangzeb reign, hence, artist from Mathura followed and gave
birth to new style called as Nathdwara sub-style.
• Depiction of natural scenery is a distinct feature of the Nathdwara

style.
• Nathdwara is famous for the pichwai paintings in Rajasthan. Pichhwai paintings are painted in
permanent natural colors that do not lighten for years.
• Famous painters included Ilaychi & kalma among women and Ghasiram, Chaturbhuj, Udairaj,
& Champalal among men.
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BUNDI Style
• Very close to the Mewar style
• Rich and glowing colours, the rising sun in golden colour, crimson-red
horizon, overlapping and semi-naturalistic trees
• Mughal influence is visible in the refined drawing of the faces.
• Style flourished mostly during reign of Rao Surjan Singh.
• Chitrashaala (colored paintings) – made during reign of Maharao Ummed

Singh depict this style clearly.
• Features:
o Pointed nose, receding foreheads, full cheeks, small stature
o Use of red-yellow colors
o Use of fine clothes.
o Domes in background architecture, indicate Mughal influence.
o In female figures in Bundi style, the upper & lower lines of eyes meet in parallel.
o Lush landscapes painted in vibrant colors and massed with a variety of forms of trees
and floral creepers, water ponds with lotus flowers in the foreground, fish and birds.
KOTAH Style
• Though a distinctive Kota Style evolved in mid 17th century, similarities between Bundi and
Kota painting continued in many respects. Later, visible
variations appeared in details, costumes and methods of
shading the faces.
• Themes of tiger and deer hunt were very popular at Kotah.
• During the period of Shatrusal, a concise volume of Bhagwat

was painted in Kota Style.
• Credit for establishment of this style goes to Maharawal Ram Singh.
• Features:
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o Animals painted in this style include deer, tiger, lion and pig.
o Stout bodies, shining faces, bulging eyes.
JAIPUR Style
• This school of painting originated at Amber but later shifted to Jaipur, the new capital.
• Because of close proximity to Mughals, the Jaipur style is strongly influence

by Mughal school.
• The style got patronage under reign of Sawai Jai Singh I (1622-88). Under Jai
Singh II (1693-1743), Ishwari Singh (1743-1750) and Madho Singh I (1750-
1767), a new style was adopted for the female face. Under Pratap Singh (1779-
1803), there was a complete transformation of painting in Jaipur. The Mughal
influence was eliminated and a genuine Jaipur- Rajpur style emerged.
• There are a fairly large number of portraits of the Jaipur rulers.
• Dominant themes of painting included Mahabharat, Ramayan, Krishna Leela, Geet Govinda &
Kama Sutra.
• Features:
o Large size canvas, ornate backgrounds and bright gorgeous borders.
o Female figures are depicted with large eyes, bunch of long hair, stout physique and
pleasant mood.
JODHPUR Style
• An independent Jodhpur style came into existence during reign of Rao Maldev. Paintings on
Uttaradhyayan Sutra were made during his reign.
• Executed in a primitive and vigorous folk style
• Paintings in Mughal style developed under the patronage of Jaswant

Singh (1638-1681), who served as the Viceroy of the Mughals for
Malwa, Gujarat and the Deccan.
• Paintings of the legendary lovers like Dhola-Maru on camelback, hunting scenes are famous.
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• Ajit Singh (1707-1724) & Abhai Singh (1724-1750) continued the patronage of painting.
• The late Jodhpur style, characterized by the lavish use of yellow, blue and green colors, spiral
clouds on the horizon, reached its climax in the reign of Man Singh (1823-1843).
• Beautiful and attractive paintings were painted in the palace of Nagaur during the reign of
Bhakhat Singh.
• Features:
o Despite being influenced by the Mewar School, the Jodhpur style has its own striking
features.
o Males are stoutly built and tall, with curved mustaches, touching their throats.
BIKANER Style
• Some of the Mughal artists were given patronage by the Bikaner court. So, Bikaner style has has
more Mughal elements than other schools of Rajasthani paintings.
• Apart from Mughal, there is considerable influence of Deccani style.
• Bhagwad Purana painted during period of Rai Singh is considered to be an early

painting of this style.
• Developed peaked during reign of Maharaja Anoop Singh.
• Most of the paintings are made on the Ramayana, on the Mahabharata, lord Krishna legends,
Ragmala and love scenes of Radha and Krishna.
• Features:
o Slim and attractive females with eyes resembling those of deer.
o Frequent application of blue, green and red colors.
o Turbans of the style of Shahjahan and Aurangzeb along with the high turbans of
Marwari fashion.
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KISHANGARH Style
• Developed under the patronage of Raja Sawant Singh (1748-1757 A.D.), who
wrote devotional poetry in praise of Krishna.
• Most common theme of this style consisted of the depiction of the love
between lord Krishna and Radha
• Master painter Nihal Chand who, in his works, has been able to create visual
images of his master's lyrical compositions. He is also credited with making Bani-Thani during
Sawant Singh’s reign.
• Features:
o Paintings are endowed with lakes, mountains, gardens and various birds.
o Principal colors were white, pink, rose, cream and deep red.
o Male figures are tall, attractive physique with blue aura-like bunch as of hair, elevated
turbans.
o Female figures are fair in complexion with wide eyes.
Facts to remember for Rajasthani paintings:
Trees:
Kadambh tree Udaipur Style
Banana tree Kishangarh Style
Khajur (Date Palm) Kota, Bundi Style
Peepal tree Alwar, Jaipur Style
Mango tree Jodhpur, Bikaner Style
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Animals
Crow, Eagle, Horse, Camel Jodhpur, Bikaner Style
Elephant & chakor Udaipur Style
Peacock, Horse Alwar, Jaipur Style
Cow Nathdwara style
Type of Eyes:
Fish like eyes Udaipur, Jaipur Style
Deer like eyes Nathwara Style
Bow shaped eyes Kishangarh Style
Almond shaped eyes Jodhpur Style
Upper & lower lines of eyes meet in parallel Bundi Style
Colors
Yellow Marwar, Devgarh, Bikaner
Yellow-green Nathwara Style
White- Pink Kishangarh Style
Yellow-Red Mewar Style
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Yellow-Red-Green-Purple Ajmer Style
Yellow-Green-Blue Kota Style
Red-Yellow-Green Bundi Style
Kesariya-Green-Red Jaipur Style
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Culture & Heritage of Rajasthan Handicraft of Rajasthan
Handicraft of Rajasthan
Sculpture Art in Rajasthan
• Sculpture Art in Rajasthan started from Maurya Period.
• Different areas in Rajasthan are famous for Different Color

Stones. A state that has so many varieties of stones is
bound to have progressive sculpture art.
• Different Stones:
o Dungarpur – Green Black
o Dhoplur - Red
o Bharatpur - Pink
o Makrana – White
o Jodhpur - Badami/Brown/Buff
o Rajsamand – White with tint of Black
o Jalore – Granite
o Kota – Slate
• Sangmarmar
o Sculpture art of Sangmarmar Stone – Jaipur
o Meenakari on Sangmarmar stone – Jaipur
o Picchikari on Sangmarmar stone- Bhilwara
o Sagmarmar mines – Makrana
• Stone Scuplture
o Sompura Caste people of Dungarpur & Talwara(In Banswara)
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Terracotta:
• Teracota essentially means baked earth.
• Molela near Nathdwara is especially famous for its Teracota

toys.
• Harji Village in Jalore famous for Terracotta Horses
• Nagaur district – Banuravta Village
Blue Pottery:
• Origin – First developed by Mongol artisans who combined Chinese glazing technology with
Persian decorative arts.
• With Turks & Mughals conquests came to India
• Rajasthan – Jaipur is famous.
• Started in Rajasthan – Raja Man Singh I reign
• Credit for development goes to - Sawai Ram Singh II (1835-80).
• However by 1950, Blue Pottery vanished. Post Independence,

redeveloped through efforts of Kripal Singh Shekhawat.
• His efforts were recognized by GOI, received Padamshri (1974).
Ivory Works ( Haathi dant)
• Items include: Jewellery, Powder boxes, jewellery boxes,

cufflinks, lamps, artistic decorations, idols of gods and
goddess, brooches.
• Udaipur – most famous.
• Jodhpur – Black, green & Red strips bangles.
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Meenakari:
• Jaipur is famous worldwide for Meenakari on Jewellary.
• Meenakari Art was imported from Lahore for first time under reign of Man Singh I (1589-1614)
• Nathdwara is also famous
• Raitwali area of Kota – Meenakari is done on glass
• Bikaner & Pratapgarh also has significant skills.
Usta Art
• Golden Meenakari work on Camel leather is known as Usta Art.
• The art was developed by Padam Shri Hissayamuddin Usta from Bikaner.
• Camel hide training Center in Bikaner is an institution for Usta Art.
Lac Works
• Famous: Jaipur & Jodhpur
• Sawai madhopur, Laxmangarh (Sikar), Indragarh (Bundi) – Lac work on Wooden toys.
• Jaipur, Hindon, Karauli – Lac bangles.
Mat & Carpet Works:
• Jaipur and Tonk are famous
• Cotton & Wool are used for making fabric
• For better quality and strong mattress the thread & knots used for making fabric should be very
fine(thin).
• Carpets are also manufactured in Jaipur & Bikaner jails.
• Salawas Village of Jodhpur is famous for carpets
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• While carpet manufacturing is enthusiastically followed in Jodhpur, Nagaur, Tonk, Barmer,

Bhilwara, Shahpura, Kekari & Malpura.
Textile Art of Rajasthan:
• Gota Work:
o Jaipur & Khandala (Sikar) are famous
• Zari Work
o Jaipur
• Kota Doria
o Kota Doria is a fabric with unique blend of cotton and silk in a square check pattern.
o The checked pattern is termed as ‘khat’
o The silk provides the shine while the cotton provides strength to the fabric.
o Craft originated in Mysore and then shifted to Kaithun Village near Kota. Hence, the
Saris came to be known as Kota-Mansuria.
• Jaipuri Quilt (Rajai)
o Specialty: Very Low Weight but high Insulating (very warm).
• Applique Work:
o In this art different pieces of cloth are fixed together.
o The interesting colour, shape and pattern combinations

against contrasting background catch the eye.
• Hand-block prints:
o Bagru Print, Jaipur
§ This print is similar to Sanganeri print but while Sanganeri print has white field,
Bagru prints have green fields.
§ Only Natural colors are used in Bagru Prints
o Alijarin (Ajrak) Print, Barmer
§ Mostly red and blue colors are used for printing
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Tie and dye:
• Bandani, Batik, Mothra, Ekdali, Shikari, Cheent.
• Bandhej, Jaipur
o Cloth is tied and then colored and when the knot is opened different designs appear on
cloth.
• Jhajam (Carpets)
o Printed in Chittor are famous.
• Lehriya – Jaipur
• Chunri - Jodhpur
• Dabu Print
o Akola Village in Chittorgarh is famous for Dabu Prints
o In Dabu, particular portion of cloth where color is not

required, that portion is pressed with Loi or Lugadi.
This same material lui or lugadi is called as Dabu as
it is pressed on part of cloth where is not required.
o Apart from skills, Akola also has suitable conditions

including water, Soil, natural vegetation that favors
printing
o Dabu Prints from Akola include Bedsheets, Cloth, Chundari, and Fantiyan.
o In different areas of Rajasthan, different materials are used as Dabu
o Sawai madhopur – Wax is used as Dabu
o Baltora – Soil/Mud is used as Dabu
o Bagru & Sanganer – Bighan made from wheet is used as Dabu
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• Sanganeri Print - Sanganer
o Done on Lattha or Malmal clothes.
o Post printing, clothes are washed in river
o Aminshah Nalla has been traditionally associated with this print

and use of only Red and black color is seen.
o Munna Lal Goyal made Sanganeri prints famous worldwide.
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Culture & Heritage of Rajasthan Folk Arts of Rajasthan
Folk Arts of Rajasthan
Rajasthani folk art has been divided into following types:
• Wall & ground paintings: Devra, Pathwari, Sanjhi , Mandav etc.
• Cloth Paintings: Pat, Pichhwai, Phad etc
• Painting on Paper: Paane
• Painting made on Wood: Kavad
• Painting on Human body: Mehandi, Godana
Thape:
• Thape is a form of drawings on walls.
• In Rajasthan it is made up turmeric, geru, henna and kumkum.
• Pictures are drawn on the both side of the door, to invoke deities, Prevalent in Rajasthan
Badaley
• In Jodhpur, metal utensils used for drinking water have a layer of cloth or leather wrapped
around them. These are called as Badaley.
• They are provided with beautiful designs & colors.
Thewa Art
• Thewa art is minute painting on glass using gold.
• Glass used is colored Belgium glass.
• Different colors are used to make it attractive
• The art is limited to Pratapgarh
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Culture & Heritage of Rajasthan Folk Arts of Rajasthan
Mandana Art
• Mandana is an art of the tribal wall and floor paintings found in Rajasthan and Madhya Pradesh
• It is derived from the word 'Mandan' referring to decoration and

beautification and comprises simple geometric forms like triangles,
squares and circles to decorate houses.
• In tribal ideology they are famed for warding off evil and acting as a
good luck charm.
• It uses white khariya or chalk solution and geru or red ochre.
• The design may show Ganesha, peacocks, women at work, tigers, floral motifs, etc
Phad
• Phad is a painted scroll, which depicts stories of epic dimensions about

local deities and legendary heroes.
• Bhopas (local priests) carry these scrolls on their shoulders from village to
village for a performance
• Represents the moving shrine of the deity and is an object of worship.
• Most popular & largest Phad - local deities Devnarayanji and Pabuji.
• Shahpura, Tehsil in Bhilwara is famous for Phad.
• 2006, Shri laal Joshi – was awarded Padamshri for contribution to Phad.
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Culture & Heritage of Rajasthan Folk Dances of Rajasthan
Folk Dances of Rajasthan
Folk dances of Rajasthan trace their origin to rural customs and traditions. These dances form an
integral part of people's lives and are performed on important occasions and festivals. The rise of
princely states during medieval times, also added to growth of folk dances, as the rulers gave
patronage to art & crafts. Jaipur Gharana is supposedly the first gharana of Kathak dance. Its pioneer
was Bhanuji.
Bhavai Folk Dance:
• Location:
o Udaipur, Chittorgarh, Banswara, Dungarpur
• Performed By:
o Skilled male or female dancers
• Performance Occassion:
o Marriages
• Features:
o Bhavai dance basically involves women dancers balancing 8 to 9 earthen-pots

(matki's) on their heads and dancing simultaneously.
o Additionally, dancers also put their feet on the top of a glass pieces or on the edge of a
naked sword or on the rim os a brass thali (plate) during the performance.
• Famous Persons associated with dance form:
o Mrs.Krishna Vyas Chhangani, from Jodhpur (Rajasthan).
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Chari Folk Dance:
• Location:
o Kishangarh
• Performed By:
o Women from Gujjar Community
• Performance Occasions:
o Marriage occasions, on the birth of a male child or any big festival celebration.
• Features:
o This dance describes the art of collecting water in a chari or pot by the Rajasthani
women in their day to day life.
o These ladies carry brass pots on their heads balancing it to perfection. These pots are
kept ignited with the cotton seeds dipped in oil. These lit pots display beautiful effect in
the dark night.
o Falku Bai
Chakri Folk Dance
Chakri dance is believed as same as the Raai dance of ‘Beriyas’

tribe of Madhya Pradesh. Devi Lal Sagar made this dance
popular.
• Location:
o Hadoti region of Bundi, Kota & Baran District.
• Performed By:
o Women of Kanjar tribe
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o Marriages & Festivals of Hadoti Region.
• Features:
o As the name suggests, Chakri dance involves a series of fast and vigorous spinning
movements with the beats of the Dholak.
o Shanti Devi, Phulwa Filma
Drum Folk Dance:
The Credit for bringing this dance to limelight goes to Jay Narayan Vyas.
• Location:
o Jalore
• Performed By:
o Only Men
o Marriages
• Features:
o In this dance, five men beat huge drums that are tied around their necks.
o One dancer holding a huge cymbals in their hands, also accompany the drummers.
o One dancer holds a naked sword on his mouth and juggle with other three dancers.
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Fire Folk Dance:
• Location & Performed By:
o Jasnathis of Bikaner and Churu districts of Rajasthan

India.
o On the festive occasions like Holi, Janmashtami etc.
• Features:
o Jasnathi men and boys jump on to the fire with the accompaniment of drum beats.
o The dance involves breathtaking fire stunts wherein the dancers perform by holding fire
rods in their hands and filling up their mouths with kerosene.
o The fire rods are also moved on their heads and legs by the dancers.
o Dancers move on top of flaming bed of charcoal.
Gair Folk Dance:
• Location:
o Performed in Mewar region. However, its variations like the Dandi Gair is found in the
Marwar region and Geendad is found in the Sehkhawati region
• Performed By:
o Both men and women dance together of Bhil tribe
o Holi
• Features:
o The Gair dance is performed by both Men and Womenfolk holding wooden sticks
o It is group dance consisting of two circles where groups of dancers moving in and out a
big circle.
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o According to rhythm, they perform various steps, striking their sticks & take turns in-
between.
Gawri Folk Dance:
• Location:
o Udaipur, Rajsamand and Chittorgarh districts of

Rajasthan
• Performed By:
o Gawri is a dance drama of Bhil Tribe
o After the monsoons, in the months of September and October
• Features:
o This tribal dance has a troupe which travel through village to village with their dance
for a month.
o Gawari expresses the devotion and faith to Lord Shiva and his wife Parvati through Folk
Dance, Music and Folklores.
o It also symbolizes human love for forests, animals and people.
o Women do not take part in Gavri and all the female roles are played by men.
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Ghoomar Folk Dance:
• Location:
o Across Rajasthan
• Performed By:
o Originally by Bhil Community, adopted by different

communities including Rajputs (Women).
o Rajput Marriages
• Features:
o Ghoomar is a very simple dance where the dancers move gently and gracefully in
circles.
o Dancing includes pirouetting, which displays the spectacular colors of the flowing
‘ghaghara’, the long skirt of the Rajasthani women.
Kachi Ghodi Folk Dance:
• Location:
o Shekhawati
• Performed By:
o Men
o Generally performed for the entertainment of the bridegroom’s party, Holi.
• Features:
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o This dance is performed by mens on dummy horses. Men wear elaborate costumes- red
turbans and dhotis and kurtas, embellished with brilliant mirror-work and ride the
dummy horses. These dancers move rhythmically to the beating of drums and fifes by
holding a naked sword on the hand while a singer narrates the exploits of the Bavaria
bandits of Shekhawati region through his song.
Kalbelia Folk Dance:
Kalbelia dance is included in UNESCO’s list of the Cultural Heritage of Humanity from the year 2010
• Location:
o Pali district, Ajmer, Chittorgarh and Udaipur district.
• Performed By:
o Women from Kalbelia community.
o Kalbelia songs are based on stories taken from folklore and mythology and special
dances are performed during Holi.
• Features:
o The dancers are women in flowing black skirts who dance and swirl, replicating the
movements of a serpent.
o The cloths are mixed in red and black hues and embroidered in unique patterns.
o Kalbelia dance has a traditional musical instruments which is Poongi also called Been.
Other traditional musical instruments used by Kalbelia tribe in Kalbelia dance are Dufli,
Morchang, Dholak, Khanjari and Khuralio.
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Kathputli Folk Dance:
Kathputli Dance means the dances of puppets. It is a traditional dance of Indian state of
Rajasthan. Kathputli is a join of two rajasthani language words Kath meaning wood and Putli meaning
a doll which has no life , hence Kathputli means a doll made of wood. Kathputli are usually made of
mango wood and stuffed with cotton. These puppets are generally one and half feet in height and are
made in Sawai-Madhopur, Bari, and Udaipur.
• Location:
o Performed across Rajasthan.
• Performed By:
o Kathputli Art & Dance is believed to be initiated

1000 years back by Bhat Community.
o All Festive Occasions
• Features:
o Kathputli is not just source of entertainment but also they taught society the social and
moral education.
o These acts of puppetry portrayed major social issues like stories from mythology,
folklores, historical heroes.
o Organisations: Rupayan Sansthan in Jodhpur founded by Vijaydan Detha and Komal

Kothari in 1960 and Bharatiya Lok Kala Mandal, Udaipur, founded by Devilal Samar in
1952, are working in the field preserving and promoting the art of Kathputli.
o New Delhi also has an area known as 'Kathputli Colony', in Shadipur Depot, where
puppeteers have lived long.
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Terah Taali Folk Dance:
• Location:
o Ramdevra, Dindwana, Dungarpur, Udaipur
• Performed By:
o Woman from Kamad tribe while sitting on the floor

before Baba Ramdeo's image.
o In honor the folk hero, Baba Ramdeo
• Features:
o The women have 13 'manjeeras' (little brass discs) tied to the various parts of their body,
which they strike with the ones they hold in their hand.
o Often a swords is also used by the professional Terah Taali dancer and also a pot on her
to make the dance more attractive.
o Male artists sings local Rajasthani folk songs as a background music and play different
instruments like pakhwaja, dholak jhanjhar, sarangi, harmonium etc.
o Mangi Bai, Mohni Narayani, laxman das kamad
Walar Folk Dance:
• Location:
o Udaipur, Pindwara(Sirohi), Abu Road
• Performed By:
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o Women from Garasia community
o On occasion of gangaur & teej festivals.
• Features:
o Involves simple circular movements of dancers on beats.
o Generally accompanied by the beats of the mandal, chang and a variety of other musical
instruments.
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Culture & Heritage of Rajasthan Folk Dramas of Rajasthan
Folk Dramas of Rajasthan
Rajasthan is a hub of folk art, theatre, music, dance and craft. The tribal culture of Rajasthan has done
much to preserve and nurture the folk theatre tradtion of Rajasthan. Khayal is the most prominent form
of folk theatrical form of Rajasthan. Other important folk theatre includes Swang, phad, Rammat,
Nautanki, Bhawai, Gavari etc.
Khayal
• Khayal theatre emerged near about 18th century and remained same in coming 200 years
• The subject of Khayal is usually mythological story or an ancient epsisode.
• Due to the diversity of culture in Rajasthan, Khayal theatre has different forms in the name of
the city, acting style, the community or the author’s name such as:
• Kuchamani Khayal
• Shekhawati khayal
• Jaipuri Khayal
• Ali Bkashi khayal
• Turra Kalangi Khayal
• Kishangarhi Khayal
• Hathrasi Khayal
• Nautanki Khayal
Tamasha
• Tamasha a folk-drama began in Jaipur state during the times of Maharaja Pratap Singh for the
first time.
• The Bhatt family of Jaipur included Jaipuri Khayal and Dhrupad Gayaki (style of singing) in
Tamasha Theatre.
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• The dialogues of Tamasha are poetic in nature and predominantly include music dance and
singing
• Tamasha is perfomed in an open stage called as Akhada.
Rammat
• This drama originated about 140 years ago in Bikaner region through a folk-poetry competition.
• The characters playing this musical drama are known as Khelar.
• A devotional song in praise of Ramdev ji is usually sung before starting Rammat.
• The main instruments of Ramat are Nagada and Dholak.
• The songs of this drama are mainly connected with Chaumasa, rainy season, Lavani and
Ganapati Vandana.
• Mani Ram Vyas, Tulsi Ram, Phagh Maharaj, Sua Maharaj etc. were main rammat - Writers
• This type of drama is mostly performed in Bikaner, Jaisalmer & Phalaudi regions.
Phad
• Phad is a life-sketch of Some Lok Devta depicted on a cloth.
• While reciting Phad, Bhopa plays Jantar or Ravanhathha musical instrument.
Swang
• Swang theatre is considered its origin near about the 15th centuary A.D
• Braj language (Dialect of Hindi language) text ‘Hasyarnava’ written by Rasarup or Kamarup is
considered the first written text written for Swang theatre between 1686 and 1689.
• Swang thaetre has good combination of dance, songs, dialogues, mimicry (Nakal) and
presentation of dance-drama.
• The performer of Swang is called Behrupiya.
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Gavari
• Gavar is style of drama of Bheels of Mewar region.
• Gavari is played as part of festival that continues for 40 days during months of July-August.
• Hero of Gavari dance is an old man who is supposed to be incarnation of Shiva.
• Major themes of Gavari are - Devi Ambad, Badshah Ki Sawari, Banjara, Khadaliya Bhoot and
fight lion & pig.
Nautanki
• Nautanki is performed in the region of Bharatpur, Karauli, Dholpur, Alwar and Gangapur city.
• The story plot of the Nautanki is generally based on mythology, historical narrations, folklores,
romances and contemporary Socio-Political issues.
Bhawai (Bhavai)
• Bhavai folk theatre of Rajasthan is very similer to ‘Swang’ folk theatre and considered its origin
near about 13-14th century in ApabhramsaJain religious verses.
• ‘Abul Fazal’ also mentioned in his book ‘Ain-e-Akbari’ regarding the Bhavai
• Baagha ji was the father of modern Bhawai in Rajasthan.
• Bhawai Natak is presented by Bhopa & Bhopi in the form of Saga Ji and Sagi in the areas of
Rajasthan adjacent to Gujrat
• A major play written in Bhawai style is Shanta Gandhi’s – Jasma Oden.
Gandharva
• Gandharvas are resident of Marwar.
• Their themes are based on Jain Sect.
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• Anjan Sundari & Maina Sundari are two dramas performed in this style.
Raas leela
• Raas Leela is staged based on stories of Puranas.
• Leela’s or acts of Krishna are performed.
• The main character is called Raasdhar.
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Culture & Heritage of Rajasthan Folk Musical Instruments of Rajasthan
Folk Musical Instruments of Rajasthan
The vast array of Rajasthani folk insturments are made ingeniously from a variety of materials
available in Rajasthan, that give them peculiar sound. Both percussion instruments and stringed
instruments have been used in Rajasthani folk songs. Shells of dried gourds of all shapes and sizes are
used forgorse stems or bamboos segments for flutes and baked clay pots for drums. The folk music
instruments are classified into following major types:
• String Music Instriments
o Sarangi, ravanhathha, Kamaycha, ektara, Moochang
• Wind Instruments
o Pungi, Satara, Algoza, Murla, Nad and Shehnai
• Autophonic Instruments
o Ghanti, Ghungroo, Manjeera, Khartal & Jhalar
• Percussion Instruments
o Dhol, Chang, Moisang, Nagara
Tatya Vadya - String Music Instruments of Rajasthan
• Instruments having strings fall under this category.
• Sound is produced by the vibration of a string or chord.
• Vibrations are caused by plucking or by bowing on the string which has been pulled taut.
• Length of string/wire, degree to which it has been tightened, determines the pitch of the note
and also to some extent the duration of the sound.
Sarangi
• Most well-known string instrument of Rajasthan.
• Multi-stringed instrument that is played by using a bow drawn across the

strings and running of fingers on the strings.
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• Langas of Jaisalmer, Barmer and Jogis of Marwar use Sarangi.
Jantar
• Jantar resembles Veena in form and has two tumbas.
• Its Daand is made up of Bamboo with 5-6 wires.
• This instrument is used by Bhopas of Gurhars when singing story of Bagadawats.
Ravanhathha
• Ravanhatta is also a kind of sarangi.
• The Instrument is made from a belly of half coconut shell and has a body of bamboo.
• It has two main strings(horse hairs) and a variable number of

supporting strings
• The Rawanhathha of the Thori or Nayak Bhopas is probably the earliest

instrument played with a bow, and this humble instrument could well
be the precursor of the violin.
• The bow has ghungroos (bells) attached to it.
• Ravanhattha is main instrument used while reciting Phad of Pabuji.
Kamaycha
• Kamachya has three main strings of gut, besides nine supplementary

and four sympathetic steel strings all passing through a broad bridge.
• The long wooden curved bow of horse-tail hair moving on all the
strings is characteristic of this instrument.
• It is used exclusively by the Manganiyars in the Jaisalmer-Barmer

region.
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Iktara
• Iktara is generally played by Nath, Kalbelia saints.
• It is a single string instrument, mounted on the belly of a gourd attached to a body made of
bamboo.
• Versions: The Galaleng Jogis of Dungarpur and Banswara have twin gourded Kendru appears
akin to the ancient Kinnari Veena, and it has often been called the Keengri in Rajasthan
literature. The Chautara, also called the Tandoora or Nissan , is also a popular five stringed
drone and beat instrument used as an accompaniment to devotional music and for the Terathali
dance.
Rawaj
• This instrument is similar to Sarangi.
• It is played by using nails and had 12 strings.
• It is usually played by Raos and Bhats of Mewar
Bhapang:
• Bhapang is a single stringed instrument & is also known as 'talking drum'.

• Bhapang is mainly played by jogis of Alwar region.
• The instrument is made up of tumba made out of long gourd. The lower part of tumba is
covered by animal skin while upper part is empty.
SUSHIRA VADYA - Wind Music Instrumenst of Rajasthan
• Instruments, where air is blown by mouth for music. Sound is produced by blowing air into an
hollow column.
• Pitch of the note is determined by controlling the air passage and the melody is played by using
the fingers to open and close the in the instrument.
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• The simplest of these instruments is the flute. Generally flutes are made of bamboo or wood and
the Indian musician prefers these due to the tonal and musical attributes of these materials.
• Excavations of the Indus civilizations have shown bird whistles of clay, and seals which show
wind and percussion instruments.
• There is reference in the Vedas to an instrument-the Venu which was used as an

accompaniment to chanting and recitation. There is also mention of a kind of a flute called the
Nadi.
Pungi
• Pungi or Poongi is made of gourd or tumbi.
• Pungi is generaly played by Snake charmers (Kalbelias & Jogis.)
Algoza
• Algoza is a flute made of Bamboo tube.
• Algoza are favourite instrument of Bheels & Kalbelias.
Satara
• Satara is an integrated form of Algoza, Flute and Shehnai.
• It has two long tubes and has six holes like shehnai.
Shehnai
• Shehnai is made out of wood, with a double reed at one end and a metal or wooden flared bell
at the other end.
• It usually has between six and nine holes.
• By controlling the breath, various tunes can be played on it.
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GHANA VADYA - Autophonic Music Instrumenst of Rajasthan
Earliest instruments invented by man are said to be the Ghana Vadya.Once constructed, this variety of
instrument do not need special tuning prior to playing.
These are principally rhythmic in function and are best suited as accompaniment to folk and tribal
music and dance.Instruments made of metal.
Manjeera
• It is round in shape and made of brass & bronze mixed together.
• The shape of hemispherical metal cups struck against each other. They have different kinds like
jhanit and the taala.
• Manjeera is the main instrument in Terah Talli dance.
Khadtaal
• Khadtaal is made of small cymbals incrustated into wood blocks.
Jhalar
• Jhalar is another variety of musical instrument ,which is formed by a single metal plate, the
thali.
• This is struck in various ways producing different kinds tones and rhythms.
Ghungroo
• Ghungroo is one of many small metallic bells strung together to form ghungroos.
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AVANADDHA VADYA - Percussion Music Instrumenst of Rajasthan
A percussion instrument produces a sound by being hit with an object. Sound is produced by striking
the animal skin which has been stretched across an earthern or metal pot or a wooden barrel or frame.
The earliest references to such instruments have been found in the Vedas where there is mention of
Bhumi Dundhubhi; this was a hollow pit dug in the ground and covered with the hide of a buffalo or
ox which was stretched across the pit.
Nagara
• The Nagara is a folk drum played with the Surnai and Nafeeri (the two sticks).
• During ancient times, they were usually played during important ceremonies.
• The Tasha and Shehnai usually accompany this instrument.
Matkas
• The Matkas of Pabuji and the Ghada are a pair of huge earthenware pots, their mouths covered
with membrane.
• One player plays each Matka, and the Bhopas use it to accompany their singing. The whole
effect is heightened by the graceful dance of the player.
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Culture & Heritage of Rajasthan Bhakti Saints of Rajasthan
Bhakti Saints of Rajasthan
Bhakti movement originated in ancient Tamil Nadu during12th Century. It began to spread to the
north during the late medieval ages when north India was under Islamic rule. The main period of
Bhakti Movement in Rajasthan is early 16th Century to late 18th Century.
Important Bhakti Saints of Rajasthan:
• Dadu Dayal
• Sundar das
• Meera Bai
• Bhakhan
• Wajind
• Raghavdas
• Lal Das
• Charan Das
• Mavaji
• Khwaja Moinuddin Chisti
Dadu Dayal
• Believed to be born in 1544 in Samvat near Ahemdabad, Gujarat
• In 1568, came to Sambhar & began to give sermons and “Dhunia”
• Followers of Dadu Dayal made – Dadu Panth.
• Naraina is the prinicipal seat of Dadu Panthis. Here clothes & pothis of Dadu ji are kept.
• His teachings have been consolidated by his disciples - Dadudayal Ki vani & Dadudayal-Ra-
Duha.
• Contemporary of Rana Pratap & Akbar. In 1575, met Akber and influenced him by his views.
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• Dadu Dayal stressed on faith in God and Guru, knowledge of Self, love, morality, futility of
casteism, truth and simple life.
• Virakt: Community of nomad disciples of Dadu.
• Dadukhol: Cave on Bhairana hill in Naraina, where Dadu Dayal enetered into Samadhi.
• Followers of Dadu Dayal can be classified into 5 types:
o Khalsa
o Virakta
o Sthandhari
o Uttaradev
o Khaki
Sunder Das
• He was a disciple of Dadu Dayal.
• Born in: 1596 in Dausa.
• Sunderdas ji established Naga sect.
• Wrote: Sunder vilas, Sunder Granthavali, Gyan Samudra, Sundersar.
• He is also knows as Shankarachrya of Rajasthan.
• Died in: 1707 (or in 1689) in Sangner, Jaipur.
Meera Bai
• Born in Samvat 1573 at Kudki, Nagaur and was married to Bhojraj, eldest son of Rana Sanga.
• Her compositions include Teeka Raag Govind, Rukmani mangal, Teeka on Geet-Govind, and
Narsi Mehta ni Mund.
• Meera Bai established Pasi sect in Brindhavan (UP).
• Meera was devotee of Krishna and treated him as her husband.
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Lal Das
• Born: In 1540 at Dholidoov village of Mewat on Shravana Krishna Panchami.
• Opposed superstitions prevalining in society & stressed on devotion & purity.
• Sermons are available in Laldas ji ki chetavaniyan.
• Died: At Nagla village of Bharatpur. His Samadhi is at sherpur of Alwar.
• Major sites are in Alwar, Sherpur & Nagla.
Charan Das
• Born in: Derha, near Alwar, in Rajasthan.

• Author of around twenty works. Many of these are in verse and deal with aspects of devotion,
particularly relating to the worship of Krishna.
• Wrote commentaries on various Upanishads, particularly the Katha Upanishad, and on specific
yoga practices, especially Pranayama, control of the breath.
• Belived in harmony between Hinduism & Islam.
Mavaji
• Considered incarnation of Vishnu.
• Two disciples of Mavaji, Aji & Vaje built Laxmi Narayn temple at confluence of Som & Mahi
Rivers.
Rajjab Ji
• Disciple of Dadu Dayal ji.
• Born in: Pathan Patwar, Sanganer
• Ancient seat in Sanganer known as Rajjab Dwar.
• Authored Rajjab vani, Sarvangi.
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Bhakhan
• Born in Narena
• Low caste Muslim singer, entertain Dadu with his fascinating songs.
Wajind
• Initially, a Pathan hunter.
• Came under influence of Dadu and became follower.
• Created literature for Dadu Panth.
Raghavdas
• Dadu Panthi scholar
• In 1660 A.D. wrote Bhaktamal.
Khwaja Moinuddin Chisti
• Born in: 1143 in Sanjar, Iran
• He became disciple of Khwaja Usman Harooni of Chistiya Order (Silsila).
• Came to India during reign of Illtutmish and settled in Ajmer in 1233 A.D.
• His shrine is open to all irrespective of religion, caste or creed and especially for poor & needy,
hence he is popularly knows as Garib Nawaz.
• Died in Ajmer, his tomb is popularly known as The Dargah Sharif.
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Culture & Heritage of Rajasthan Lok Devta & Devis of Rajasthan
Lok Devta & Devis of Rajasthan
Rajasthan has a strong tradition of venerating righteous warriors as deities. Legends and anecdotes
relate folk deities with supernatural power impressing & evoking faith and beliefs of people in these
local deities. This post is an attempt to consolidate information of such folk deities (Lok Devtas and
Devis) into single piece.
Panchpir: Of the numerous lok devtas and devis, the five greatest are worhsipped throughout the
Rajasthan, these are - Goga Ji, Ramdevji, Pabuji , Mehaji and Harbuji. (Note: Vir Tejaji is not part of
this)
Goga Ji
Birth • 1003 A.D. at Dadrewa in the Churu district of Rajasthan
• Protects from Snakes bites (Jaharpeer).

Legend • Saint Gogaji fought with Mahmood Gajnavi for protection of
cows.
Died (Samadhi) • Gogamedi in Hanumangarh District
• Main Temple: Gogamedi, built by King Ganga Singh.

• Villages in Rajasthan has a Than dedicated to him, Than is
Worship
always under Khejri tree.
Fairs • Organised every year at Gogamedi from 9th day of dark-half

(Krishna Paksh) of Bhadra month to eleventh of the month.
Phad • Musical Instruments - Damru & Madal
• Farmers tie 9 Knot - Goga Rakhadi - to their plough for good

harvest.
Other Facts
• Goga Ji indentification - Blue Horse, Spear and Snake
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Teja Ji
• 1074 A.D. at Khadnaal in the Nagaur district of Rajasthan.

Birth
• Day was Magh Shukla Chaturdashi
• Snake Diety.
Legend • Tejaji sacrificed life while recovering cows of Lachha Gujri from
cluthes of meenas.
• Kala & Bala – benefactor in agricultural activities.
• Tejaji’s major Than are located at Sursura, Beawar, Saindaria &

Bhanwata in Ajmer district.
Worship • Saindaria – Main place – as this is supposed to be place he was
bitten by snake.
• Parbatsar, Nagaur cattle fair is organized from Bhadra Shukla

Fairs Dashmi to Poornima.
• Tejaji Ji indentification – Horse-back, with Sword and Snake

Other Facts
Pabu Ji
Birth • 1239 A.D. at Kolu Village, Phalodi in the Jodhpur district of

Rajasthan.
• Associated with rathore family of Marwar.

• Snake Diety.
Legend • Tejaji sacrificed life while recovering cows of Lachha Gujri from
cluthes of meenas.
• Kala & Bala – benefactor in agricultural activities.
• Tejaji’s major Than are located at Sursura, Beawar, Saindaria &

Worship Bhanwata in Ajmer district.
• Saindaria – Main place – as this is supposed to be place he was
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bitten by snake.


Other Facts
Ramdev Ji
Birth • Undookasmer Village, Shiv Teshil in the Barmer district of

Rajasthan.
• After giving away Pokharan in dowry for his niece Ramdev Ji

Legend made Runeecha (Ramdevra) his new residence.
Died (Samadhi) • Runeecha, Jaisalmer
• Temples located at Runicha (Jaisalmer), Barathia (Ajmer),

Suratkheda (Chittorgarh).
Worship • Ramdevji started Kamadia Panth.
• As symbol, his pagaliya (Foot prints) are worshipped.
• Runeecha (Jaisalmer) – Bhadrapada Shukla Dwitya to Ekadashi.

Fairs
• Terah Taali dance is presented by kamadias.

Other Facts • Ramdev ji composed – Chaubis Vaniya.
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Dev Narayan Ji

Rajasthan.
Legend • The brave warrior and his Sadhak are considered incarnation of lord
Vishnu.
• Devmali near Asind (Bhilwara), Devdham Jodhpuria (Tonk).

Worship • Leaves of Neem are essential for worship.
• Fairs are held at Ajmer, Bhilwara, Tonk & Chittaurgarh on

Fairs Bhadrapad Shukla Shasthi & Saptami.
• Leeelagar is name of his horse.

Other Facts
Veer Kalla Ji
Birth • Vikram Samvat 1601, Merta in the Jodhpur district of Rajasthan.
Legend • Kallaji is famous as “Lok Devta with four hands”
• Ranela is sacred peeth.

• Temples are located at Bhauraigarh, Mahiyadham varda,
Worship
Salumbar, Samalia, Gatroad.
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Baba Tallinath
Birth • Shergarh, Jodhpur
• Nature loving Lok Devta

Legend • Held at high esteem in Jalore district.
• When a person is bitten by poisionous creature, taken to baba’s place
& thread is tied.
• Panchmukhi hill of Panchota Village (Nagaur Diastrict)

Worship
Hadbu Ji Sankhla (Harbunji)
Birth • Bhudole in the Nagaur district of Rajasthan. (Contemporary of

Rao Jodha)
• One of Panch Peers (Goga ji, Ramdevi ji, Pabu ji, Hadbu Ji,
Manglia Meha ji) of Marwar.
Legend
• Well versed in Shakun Shastra.
• Cousin of Baba Ramdev.
• Main Temple: Baingti Village, Phalodi, Jodhpur

• In the temple, Sankhla Rajput act as priests and worship
Worship
Harbhuji ki gaadi.


Other Facts
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Meha Ji Manglia
Birth • Bapni Village, Jodhpur
Legend • Manglias are main worshippers.
• Main Temple: Bapni Village, Jodhpur

Worship
• Bapni village – Bhadrpada Krishna Ashtami

Fairs
Mallinath Ji

Rajasthan.
Legend • Defeated army of Subedar Nizamuddin of Malwa in 1378 AD.
• Main Temple: Tilwara, Barmer

Worship
• Tilwara, Barmer – Chaitra Krishna Ekadashi to Chaitra Shukla

Ekadashi.
Fairs
• Tharparkar Cow is traded most in his fair.
• Malani pargani in Barmer is named after him.

Other Facts
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Other Lok Devta’s of Rajasthan
Bhomiaji • Worshipped in villages as a protector of land.
Mamadev • Lok Devta of rain
Eloji • Lok Devta of Love (Cupid).
• Waged war with robbers in Santhu village in Jalore District.

Fatta ji • Fair – every year on Bhadon Sudi Navami.
• Protector & savior of Gurjars.

Dev Baba • Temple: Nagla Jahag village of Bharatpur District.
• Born – Naga Village, Jaisalmer

Panraj Ji • Two fairs every year at panrajsar, Jaisalmer.
Lok Devis of Rajasthan
• Tutelary (Kuldevi) of Karauli’s royal family, worshipped as

form of durga.
Kaila Devi
• Lakkhi fair – Chaitra Shukla Ashtami – on Trikut hill at Kaila
Devi.
Shila Devi • After victory over East Bengal, Maharaja Man Singh of Amer
installed Shila Devi in Amer in 16 Century.
th
• Temple: Deshnok, Bikaner

• Goddess of Rats, white rats in temple are called as kaba.
Karni Mata
• Kuldevi of Rathore
• Charan communit also considers her as their Kuldevi.
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• Temple: Rewasa Village, Sikar

• According to inscription found in Harsh Mountain – Temple of
Jeen Mata Jeen Mata was built during period of Prthviraj Chouchan I.
• Jeen Mata is considered Kuldevi of Chouchans.
• Main Temple – udaipurwati, Jhunjhunu.

• Kuldevi of Khandelwals.
Sakrai Mata • She is also called as Shakmbhair devi & temple of Shakambhari
devi is located at Sambhar & Saharanpur of UP.
• Temple: Bavadi, Tonk District.

Jal Devi
Rani Sati • Marble temple in Jhunjhunu.
• She protects children from Chicken Pox.

• Donkey is her vehicle & Kumhar (Potter) is her Pujari.
Sheetla Mata
• Main Temple: Sheel ki Dungari, Chaksu, Jaipur
• Also known as Sedhal mata.
• Worshipped as protector of children.

Mahamaya
(mahamai) • Pregnant women worship Mahamaya of Mavli (Udaipur) for
safe delivery & well being of their children.
• Sirvi Community of Kshatriyas consider her as their Kuldevi.

Aai Mata • Temple: Bilada
• Temple: Barva Doongri, Rajgarh, Alwar

Narayani Mata • Barbers consider Narayani Mata as their kuldevi.
• Considered incarnation of Hinglaj mata

• Kuldevi of Chauhan dynasty.
Ashapura Mata • Shakmbhari in Sambhar, Chamunda in Ajaymeru Merwara,
Asapura in Nadole are famous temples.
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Culture & Heritage of Rajasthan Forts & Palaces of Rajasthan
Forts & Palaces of Rajasthan
The extensive and majestic hill forts of Rajasthan together reflect the elaborate, fortified seats of power
of Princely States that flourished between the 8th and 18th centuries and their relative political
independence. Scattered all around in the state, these forts have a uniqueness of their own, with each
one of them narrating a story about its kings, kingdom and colourful culture. Their beautiful structures,
enchanting edifices and stunning architecture are beyond any comparison. Recognizing their value, six
of thes Hill Forts of Rajasthan have been declared UNESCO World Heritage Sites. They are, Chittorgarh
Fort, Kumbhalgarh Fort, Ranthambore Fort, Gagron Fort, Amber Fort and Jaisalmer Fort.
In this elaborative article, we shall deal with most prominent Forts & Palaces of Rajasthan and take
them up District-wise beginning with Ajmer:
Taragarh Fort, Ajmer
Taragarh fort was first built by Chauhan king Ajaipal on Taragarh Hill. It is
also said that Rana Sanga's brother Prthvi Raj made a portion of for his wife
Tara and named it Taragarh. The fort guarding Ajmer, was the seat of the
Chauhan rulers and was again believed to be built by Mughal ruler Akbar.
Taragarh is reputed to be one of the oldest hill forts in India and the
world.The battlements run along the top of the hill. The walls are two miles (3 km) in circumference
and the fort can only be approached by way of a very steep slope. When it fell to the British Raj, the fort
was dismantled on the orders of Lord William Bentinck and was converted into a sanatorium for the
British troops.
Akbari Fort & Museum, Ajmer
This fort was constructed in 1570 by Akbar and is also called as Daulat-
khanna or Magazine. Plans for battle of Haldighati were finalized in this
fort in 1576 and Jehangir camped in the fort for 3 years to bring mewar
under mughal control. This fort is a magnificent example of Mughal
architecture and it is the location from where Salim, as the Emperor
Jahangir read out the farman permitting the British East India Company to trade with India. In 1801,
control of fort passed to British who converted it into magazine (armory).
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Currently, the fort is converted into a state museum and houses a collection of Mughal, Rajput armor
and sculpture. The fort also has beautiful paintings and Janana portion has excellent picchkari works.
Kesroli Hill Fort, Alwar
This 14th century fort is best known for its turrets, ramparts and arched
verandas. The Yaduvanshi Rajputs, who are said to be descendants of
Lord Krishna, built it. Today, the fort has been converted into a heritage
hotel.
Bala Quila, Alwar
The Bala Qila (meaning young fort) was built on the foundations of a
10th century mud fort and is a towering structure set atop a hill.
Strong fortifications, graceful marble columns and delicate latticed
balconies make up the fort. Bala Qila can be entered through six gates,
namely Jai Pol, Suraj Pol, Laxman Pol, Chand Pol, Krishan Pol and
Andheri Gate.
Alwar City Palace
Raja Bakhtawar Singh built the city palace in 1793 AD. The palace is
an amazing mélange of the Rajputana and Islami styles of
architecture. The highlight of this palace is graceful marble pavilions
set on lotus flower bases in the central courtyard. The palace that
once belonged to the Maharaja has been converted into the District
Collectorate. Its grand halls and chambers now house government offices.
Neemrana Fort, Alwar
History says that Neemrana Fort was built by the Yaduvanshis,

believed to be the descendants of Lord Krishna. Its story is rife with
conquests and defeats and it has passed from the Rajputs to the
Mughals and the Jats, before finally coming back to the Rajputs in 1775.
Today, it is being run as a famous heritage hotel.
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Shahbad Fort, Baran
Shahabad fort is one of the strongest forts in Hadoti area. It is located at

about 80 km. from Baran. The Chauhan Vanshi Dhandhel Rajput
Mukutmani Dev constructed Shahbad fort in the 1521 A.D. (Samvat
1577). This is situated in the dense forest area on the high mountain
ranges and is surrounded by Kundakoh valley, waterfalls and a lake.
The Topkhana (artillery) has Nawalbaan tope(cannon), Barudkhana and some temples in the forts are
still secure.
Shergarh Fort, Baran
Shergarh fort is situated in Atru tehsil, about 65 km. from Baran district
headquaters. The fort is located atop a hillock on the bank of Parban river.
Shershan named the fort as Koshvardhan. A stone edict of 790 AD proves
the antiquity of the place.
Nahar Garh Fort, Baran
The fort is about 73 km. from Baran in Kishanganj tehsil. Fort is an impressive structure in red stone
and a fine example of the Mughal architecture.
Siwana Fort, Barmer
Siwana Fort was constructed in 10 century by Narayan Panwar. In

th
local language its name is Gadh Siwana. After the battle of Giri Summel
Rao Maldeo took refuge in this fort from Sher Shah. During 1308-09
under reign of Sataldev, the fort was attacked by Allaudin Khilji which
resulted in first Jauhar/Saka. In 1597, Akbar with Motaraja Udai Singh
attacked Siwana fort at the time of Kalyanmal which resulted in 2 Jauhar.
nd
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Lohagarh Fort, Bharatpur
Lohagarh fort was built by Jat Raja Surajmal in 1733. True to its name,
Lohagarh Fort has withstood many attacks by the British, but was
ultimately captured by Arthur Wellesley. The famous door of Lohagarh
fort was brought by Maharaja Jawahar Singh from Delhi in 1765.
Lohagarh Fort differs from others by its aura of rugged strength. The
fort is surrounded by a moat which used to be filled with water to keep
enemies out. Interesting monuments inside the fort are Kothi Khas, Mahal Khas, Moti Mahal and
Kishori Mahal. Raja Suraj Mal built Jawahar Bhurj and Fateh Bhurj to commemorate victories over the
Mughals and the British.
Bharatpur Palace and Museum
Located within the premises of the Bharatpur Palace is Kamra Khas, a

museum that contains a vast number of antiques, over 581 stone sculptures,
861 local art and craft wares and ancient scriptures that depict the art and
culture typical of Bharatpur. The palace itself was built in stages by various
Maharajas and is a fine fusion of Mughal and Rajput architecture. The
various apartments in the palace have a variety of richly patterned floor tiles decorated with exquisite
designs.
Mandalgarh Fort, Bhilwara
Mandalgarh Fort Bhilwara is believed to have been built by Rana

Kumbha and is the 3rd fort of Mewar region, the other two being
Chittoragrh and Kumbhalgarh.However, According to Veer Vinod, the fort
had been constructed by Mandiya Bhil and Chanana Gurjar. The fort is
located on a part of Aravali hill range along confluence of Banas, Berach &
Menali.
Badnore Fort, Bhilwara
Badnore Fort is situated at asind road and distance is 70 km from Bhilwara.
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Junagarh Fort, Bikaner
Junagarh Fort was constructed in the year 1588 A.D by Raja Rai Singh,
one of Emperor Akbar’s most distinguished generals.. It is believed that
crocodiles were bred in the water moat surrounding the formidable
fort. The construction is a fine blend of Mughal, Gujarati and Rajput
style of architecture. The picturesque courtyards beautify the fort. The
fort complex houses some magnificent palaces constructed in red
sandstone and marble like Anup Mahal, Chandra Mahal, Hawa Mahal, Dungar Mahal, Diwan-e-khas
and Ganga Mahal.
The fort also houses a Prachina Museum which contains royal costumes, textiles and accessories of
Rajasthani royalty.
Lalgarh Palace, Bikaner
Lalgarh Palace was built by Maharaja Ganga Singh in the year 1902 in
memory of his father Maharaja Lal Singh Ji. The red sandstone
construction is a fine blend of Mughal, Rajput and European
architectures styles. The design was conceptualised by Sir Swinton
Jacob.
The first floor of the Palace houses Sadul Singh Museum. The lives and
the passions of the three successive kings of Bikaner are reflected in the art museum. The rare artifacts,
Georgian paintings, and the photographs seen here stand proof of the interests and the heroics of the
three kings namely Maharaja Ganga Singh, Sadul Singh and Karni Singh.
Gajner Palace, Bikaner
The Gajner Palace was founded by Maharaja Gaj Singh ji of Bikaner in

the year 1784, and then completed by the great Maharaja Ganga Singh
of Bikaner on the banks of the lake. The palace served as retreat after
hunting for the royal family. The red sandstone construction is a
glowing example of stunning architecture. The palace is situated in the thick of forest and you could
view migratory birds flock in great numbers.
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Taragarh Fort, Bundi
Taragarh Fort was constructed by Rao raja Bair Singh in 1354

on a hilltop 1426 feet high. In the centre of the fort is located
Bhim Bhurj on which was once mounted a particularly large
cannon called Garbh Gunjam, or ‘Thunder from the Womb’.
With its curved roofs topping pavilions, excess of temple
columns and elephant and lotus motifs, the palace is a tribute
to Rajput style. The fort includes Hazari Darwaza, Haathi Pol, Nau Dhaan, Ratan Daulatkhana,
Darikhana, Ratan Niawas, Chatra mahal, Badal Mahal & Moti Mahal.
Sukh Mahal, Bundi
Sukh Mahal, a small, two-storied palace was a summer retreat of past

rulers. Located on banks of JaitSagar lake, the palace was constructed by
Rao raja Vishnu Singh in 1773 A.D. Today, it is quite famous for being the
place where Kipling wrote ‘Kim’. Many credit the palace as a having
played muse to the renowned novel. In fact, part of a movie based on the
novel was even shot here.
Chittorgarh Fort
Chittorgarh Fort is the largest fort in Asia. The Fort of Chittorgarh is

strategically located on the top of a high hilly outcrop of the Aravallis about
180 mabove the plains of the valley drained by the Berach River. The fort
also contains Gaumukh Reservoir, which is a deep tank fed by a spring. The
spring emerges from a rock formation resembling a Gaumukh or ‘cow’s
mouth’. The tank is considered sacred by the locals. It is said of Chittorgarh that – “Garh toh
Chittorgarh baaki sab Gaddhaiyan hain”.
Padmini’s Palace, Chittorgarh
The Padmini palace is Amazing place to visit in Chittorgarh. It was the

residence of Rani Padmini who was known for her gorgeous beauty.
The palace is a popular tourist attraction because of its rich architecture
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and association with the Rajput heritage and history. There is a lotus pond near this palace.Ala-ud-din
saw the reflection of Queen Padmini in this pool. He was so captivated and entranced by her that he
fought a furious battle with Maharana Ratan Singh (husband of Maharani Padmini). This battle
changed the history of Chittorgarh.
Rana Kumbha Palace, Chittorgarh
Rana Kumbha palace is 15th century palace where Rana Kumbha lived
and spent his royal life. This historic monument is very popular among
tourists due to its charming and artistic architecture.The founder of
Udaipur, Maharana Udai Singh was born in this same palace. Rana
Kumbha palace have the cellar where brave Rani Padmini performed an
act of jauhar along with other women during an attack of Khilji.
Bhainsrorgarh Fort, Chittorgarh
Bhainsrorgarh is an impregnable fort, inhabited from at least the 2nd

century BC. It is dramatically positioned between two rivers, the
Chambal and Bamani. It had passed through the hands of several clans
before becoming the seat of a premier noble of Mewar, the large region
around Udaipur and Princely State of the Sisodia clan. It contains five tanks, temples to Devi Bhim
Chauri, Shiva, and Ganesh. The present fort is around 260 years old and was built in the 1740s.
Churu Fort
Churu Fort was constructed by Thakur Kushal Singh in 1649 A.D. In 1814,
Surat Singh of Bikaner attacked this fort and after ammunition was
exhausted, Thakur Shiv Singh fired Cannon balls made of silver in defense
of fort. Shiv Singh also constructed Gopinath temple inside the fort.
Dausa Fort
Dausa Fort was constructed on Devgiri Hill, probably first by Badgurjars and subsequently by
Kachawahas when they made Dausa as their first capital.
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Madhorajpura Fort, Dausa
Sawai Madho Singh-I after defeating marathas, established the township of Madhorajpura and
constructed the fort. According to historians, this fort was used as the headquarters by the Swathi,
during the fight between Marathas and Swathi Pratap Singh.
Khawaraoji, Dausa
Khawaraoji is famous for residence of the then rular Raoji and natural beauty. It is
situated at about 25 Kms from the district headquarter towards Sikrai. Though, it
has typical way to reach this place, the fort like residence is converted into the
Khawaraoji Heritage Hotel. Surrounded by hills at the three sides, and having Amol
Ghati nearby with natural beauty, this place has worth to visit by tourists.
Shergarh Fort, Dholpur
Located on Banks of river Chambal, Shergarh fort is, said to be first

constructed by Raja Maldev during Kushan Period. In 1540, Shershah
reconstructed the fort and named it Shergarh.
Juna Mahal, Dungarpur
Juna Mahal (Old Palace) is a 13th century, seven-storeyed edifice. It is built on a high
platform constructed from Pareva stone and its rugged exterior gives it a resemblance
of a citadel. It has been elaborately planned with fortified walls, watchtowers, narrow
doorways and corridors to delay the enemy for as long as possible. What lies inside is
a complete contrast to the exterior. Visitors will be spellbound by the beautiful murals,
miniature paintings and delicate glass and mirror work that adorn the interiors.
Udai Bilas Palace, Dungarpur
The Udai Bilas Palace has been named after MaharawalUdai Singh II. Its striking
design follows classic Rajput architectural style and boasts of detailed designs in
its balconies, arches and windows. A beautiful wing built of the local bluish grey
stone called Pareva overlooks the lake. The palace is segregated into Raniwas, Udai
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Bilas and Krishna Prakash, also known as Ek Thambiya Mahal. The EkThambiyaMahal is a veritable
marvel of Rajput architecture featuring intricate sculptured pillars and panels, ornate balconies,
balustrades, bracketed windows, arches and frieze of marble carvings. Today, Udai Bilas Palace
functions as a heritage hotel.
Badal Mahal, Dungarpur
The Badal Mahal, built using Pareva stone, is another splendid palace of
Dungarpur. Located on the banks of GaibSagar Lake, it is renowned for its
elaborate design and a fusion of the architectural styles of the Rajputs and
the Mughals. The monument comprises two stages, three domes and a
veranda. Each dome sports a carved half ripe lotus while the largest dome sports three.
Bhatner Fort, Hanumangarh
The Bhatner Fort, otherwise known as the Hanumangarh Fort, is located

on somewhat elevated land with gigantic barricades along the banks of
the River Gaggar in the centre of Hanumangarh. In 295 AD, Bhupat, son
of Jailsamer’s King Bhatti built this strong fort. Since then, rulers like
Timur, Ghaznavis, PrtihviRaj Chauhan, Akbar, Qutub-ud-din-Aybak and
Rathores had captured this fort. The strength of this fort has been mentioned in the autobiography
written by Timur called “Tuzuk- e- Timuri.” Even Mughal Emperor Akbar described this fortification
in his book “Ain- I- Akbari”.
It has many towering gates surrounding the fort and many big rounded bastions that stand at intervals.
There are three statues, which bear inscriptions, and an ancient building called “Jain Pasara” is situated
inside the fort. There is also a tomb inside this fort, where Sher Khan is kept. Sher Khan was the
nephew of Sultan Ghiyas-ud-din-Balban (1266 – 1290) as well as the Governor of the Fort.
Amber Fort, Jaipur
Amer Fort is the complex of palaces, halls, pavilions, gardens and temples,
which were built by Raja Man Singh, Mirza Raja Jai Singh and Sawai Jai
Singh over a period of about two centuries. It is made of red sandstone and
white marble and incorporates both Rajput and Mughal architecture.
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The palace complex rises from the placid waters of the Mootha lake, which contains Mohan Bari or
Kesar Kyari in the center.
Jaipur City Palace, Jaipur
Jaipur City Palace was built by Maharaja Sawai Jai Singh II, the founder
of Jaipur. he palace is a beautiful blend of Mughal and Rajput styles of
architecture. The previous royal family continues to reside in one section
of the palace. Located within the walls of the City Palace, Chandra Mahal
is a seven-storeyed tower. However, the ground and first floors have now
been given over for the Maharaja Sawai Man Singh II Museum.
Hawa Mahal, Jaipur
The Palace of Wind or Hawa Mahal was constructed in 1799 by the poet-
king Sawai Pratap Singh. The five-storied structure is made of pink
sandstone and has 356 intricately carved jharokhas (windows). It was
designed for the women of the royal family to sit in privacy while
observing life on the street.
Nahargarh Fort, Jaipur
The northern frontier of Jaipur is fortified by Nahargarh Fort. Situated on a

rough crest of the Aravalli range, the fort, which literally means ‘abode of
the tigers’, was built in 1734 by Jai Singh to further defend Amber. Later, in
1868, the fort was extended to its present size.Much of the original
structures are now in ruins, but the lovely building added by sawai Ram
Singh II and Sawai Madho Singh II still survive.
Jaigarh Fort, Jaipur
It is one of the few military structures of the medieval India preserved almost
intact containing palaces, gardens, open and covered reservoirs, a granary, an
armoury, a well-planned cannon foundry, several temples, a tall tower and a
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giant mounted cannon-the Jai Ban – the largest in the country. Jaigarh Fort was built by Sawai Jai Singh
II sometime in the early 18th century amidst the arid, rocky and thorn-scrub covered hills.
Jal Mahal, Jaipur
Jal Mahal is a tiny palace located in the middle of small Man Sagar lake.
Jaisalmer Fort
Also called as Golden Fort or “Sonar Kila”, it is a world heritage site. It

was built in 1156 AD by Rawal Jaisal and stands on Trikuta Hill ( the
tripple peaked hill ) among an undulating sea of sand. The fort is built
in Sandstone, protected by high walls, approachable through four
successive gates, the Akhaiy Pol, the Ganesh Pol, the Suraj Pol and the
Hawa Pol.
Jalore Fort
Jalore Fort is one of the nine castles of the Maru’, under the Paramaras
in the 10th century. It has been known through history as the Sonagir
or the ‘golden mount’. The precise year of its construction is not known
however it is believed to be built between the 8th and 10th centuries.
Jalore fort is located atop a steep and perpendicular hill 336m high,
fortified with a wall and bastions with cannon mounted upon them.
The fort has four gigantic gates and is approachable only from one side, after a two-mile long
serpentine ascent.
Gagron Fort, Jhalawar
Gagron Fort is an example of ‘Jal Durg’, or Water Fort surrounded by

waters of Ahu, Kali and Sindh rivers on three sides. It is included in the
list of the UNESCO World Heritage Site. The foundation of this
impregnable, magnificent fort was laid in the 7th century. Outside the
fort is a Durgah of Sufi Saint Mitheshah, where a fair is held every year
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during the islamic month of Moharram. Nearby is a monastery of Saint Pipa, a contemporary of Saint
Kabir.
Jhalawar Fort
Situated in the centre of the town, the Jhalawar fort or Garh Palace, was
built by Maharaj Rana Madan Singh and his successors added beautiful
paintings inside the rooms. The Zenana Khas or the ‘Women’s Palace’ has
some excellent frescoes on both, walls and mirrors and they are prime
examples of the Hadoti school of art.
Mehrangarh Fort, Jodhpur
Situated on a steep hill, Mehrangarh fort is one of the largest forts in

India. The beauty and the grandeur of numerous palaces in the fort
narrates a saga of hard sandstones yielding to the chisels of skilled
Jodhpuri sculptures. The fort is known for its exquisite latticed windows,
carved panels, intricately decorated windows and walls of Moti Mahal,
Phool Mahal and Sheesh Mahal.
Moti Mahal, Jodhpur
Moti Mahal, as the name suggests, is the Pearl Hall where the royal
families held their audience. The hall is known to have glass windows
and five nooks that enabled the queens to listen to the proceedings
taking place in the Sringar Chowki, The Royal Throne of Jodhpur.
Phool Mahal, Jodhpur
Going by the name, the Phool Mahal or Flower Hall is the most
exorbitant of all the halls in the palace. This beautiful chamber is said to
be the pleasure dome for the Maharajas. The gold used for constructing
the Mahal came from Ahmedabad, Gujarat.
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Khejarla Fort, Jodhpur
Located 85 kilometres from the main city, the 400-year old Khejarla
Fort is situated in a rural setting. The stunning red sandstone
monument, now a hotel, is an example of Rajput architecture. Visitors
will be mesmerized by the fort’s picturesque settings, latticework
friezes and intricate Jharokas.
Ummaid Bhawan Palace, Jodhpur
Umaid Bhawan Palace was built by Maharaja Umaid Singh in

1929 to counter a famine which had hit the state at the time. It
was also known as the Chittar Palace while being constructed
thanks to the use of stones drawn from the Chittar hill. The
palace was designed by HV Lanchester, a renowned British
architect, and was completed in 16 years. Built with sandstone and marble, the architecture of the
palace is described as a blend of lndo-Saracenic, Classical Revival and Western Art Deco styles. It is
recognised as one of the largest private homes in the world and also one of the more spectacular
buildings. It is the only palace built in the 20th century.
Sardar Samand Palace, Jodhpur
Built on the banks of the Sardar Samand Lake by Maharaja Umaid

Singh in 1933, the Sardar Samand Lake Palace is a spectacular hunting
lodge. It remains the royal family’s favourate retreat and houses a
vast collection of African trophies and original watercolour paintings.
Fort of Timangarh, Karauli
Timangarh fort is situated in Masalpur village. According to prevaling

believes in Samvat (Hindu Calendar) 1244 Yadhuvanshi ruler Timanpal
constructed this Fort. On all four side of this fort, there exists unique
sample of 5 feet wide and 30 feet high battledore architecture. It seems
as a complete city is enclosed within fort. Market inside fort wall,
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flooring, garden, temples and remains of well are still available.
Unt Giri Fort, Karauli
This fort was established during 15 Century in Kalyanpura village on a tunnel shaped high mountain
th
range. The fort is spread over 4 Km of area, and has a 100 feet high waterfall which directly drop water
over a Shivlinga. Till last Mughal Empire, this fort remained in ownership of Yadhuvanshi.
Dev Giri Fort, Karauli
The Fort is located on east of Unt Giri on bank of Chambal River. In year 1506-07 attack of Sikander
Lodhi caused major damage to this fort. In present it has one Bavdi, ransacked stone scriptures and few
remains of palace are available.
Mandrayal Fort, Karauli
In south of Karauli, on the bank of Chambal River and between the mountain
ranges, Mandrayal fort made of red stone is situated on a small hill. Due to its
location near Gwalior, from the view of a monument it is considered important.
The Surya Pol of Fort receives direct sunlight starting from sunrise to sunset. In
year 1327 Maharaja Arjun Dev had acquired this fort, which remained under custodianship of Karauli.
Bahadurpur Quila (fort), Karauli
This fort is located on Mundrayal Route, near forest of Sasand Village and deserted environment.
‘Bahadurpura Ka Quilla’ stands like an insuppressible warrior is an actual example of inseparable
Mughal art. Double storied Narp Gopal Bhawan, Saheliyon Ki Bavdi, Artistic Jharokha, 18 feet long
girder of common and VIP courts, 5 warriors, Magadh Rai Ki Chatri are worth watching. The fort was
constructed by Nagraj was son of Yadhuvanshi King Timanpal, expansion of this fort was done
throughout 1566 to 1644. Ruler of Jaipur Sawai Jaising also resided in this fort.
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Ramthera Fort, Karauli
The Ramthera fort is Situated in Sapotara Subdivision of Karauli district between

Ranthambore Wildlife Sanctuary and Bharatpur Bird Reserve; it is just 15
kilometers away from Kailadevi Sanctuary.
Rawal Palace, Karauli
Established during 13 century Palace (Rawal Palace) made out of Red and
White Stone is an example of stone craft. Artistic pictures and carving on
huge gate, reticulated vents, artillery, Nahar Kathara, Suri Gurj, Gopalsingh
Akhada, Bhanwar Bank, Nazar Bagichi, Manik Mahal, Fountain Pond, Gopal
Temple, Deewan-e-Aam, Fauj Kachari, Kirkiri Khana, Giyan Bangla, Sheesh Mahal, Moti Mahal,
Harvillas, Ranglal, Teda Kuwa, Jannani Dayothi and others along with effective establishment are also
part of its culture and traditions.
Jagmandir Palace, Kota
The Jagmandir Palace was built by one of the queens of Kota between
1743 and 1745, and is situated in the middle of the Kishore Sagar Lake.
Built in red sandstone, it is a monument of exquisite beauty. The palace is
open to tourists who can enjoy boat rides in the Kishore Sagar Lake and
the panoramic view of the palace from the lake. The Keshar Bagh, situated near the Jagmandir Palace is
well known for its royal cenotaphs.
Garh Palace, Kota
This large complex, also known as the City Palace, is built in a

predominantly Rajput style of architecture. The palace is a sprawling
complex of suites and apartments built by different rulers of the Rajput
dynasty at different times in history.
Situated within the walls of the Garh palace is Maharao Madho Singh Museum which houses a
splendid collection of Rajput miniature paintings of the Kota school.The exquisite sculptures, frescoes
and murals present a breathtaking view.
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Nagaur Fort
It is said that Nagaur fort was initially built by ruler of Nag dynasty in
2nd century and was then rebuilt in the early 12th century. This fort has
witnessed several battles and has also been altered multiple times.
Being one of the first Mughal strongholds in North-India it is an
outstanding example of Rajput-Mughal architecture.
Khimsar Fort, Nagaur
It is said that the Nagaur fort was initially built by the ruler of the Nag
dynasty in 2nd century, and this 500 year old fort, located on the
eastern edge of the Thar Desert was built in about 1523. Mughal
Emperor Aurangzeb used to stay at this fort. Black deer roam in herds
around this fort.
Kuchaman Fort, Nagaur
Kuchaman Fort is the oldest & most inaccessible forts of Rajasthan.

Situated on top of a straight hill, it possess unique water harvesting
system, a beautiful palace and stunning wall paintings. The rulers of
Jodhpur used to mint their gold and silver currency here.
Devgarh, Pratapgarh
Devgarh is located in Pratapgarh sub-divsion on a small hill. It is also

known as “Devliya”. This palace is surrounded by small hills and
situatated at average elevation of 1809 feet from sea level. Rajmahal,
old Bawadia, Jain temples are located in Devgarh. A famous temple of
“Beejamata” is also situated here, where a fair takes place every year.
A temple of lord Raghunath is placed in Rajmahal itself, where a solar clock is placed on the top of it.
The clock tells time according to the light of sun. The Palace and its vicinity also contain some ponds
including Tejsagar and Sonela.
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Kumbhalgarh Fort, Rajsamand
The Kumbhalgarh Fort was built by Rana Kumbha between A.D. 1443
and 1458 on the site of a still older castle which tradtion ascribes to
Samprati, a Jaina prince of the second century B.C. It is the second
most important fort of Mewar after Chittaurgarh. It is defended by a
series of walls with battlements and bastions built on the slope of the
hill which is reached through seven great gateways viz. Aret Pol, Halla Pol, Hanuman Pol, Ram Pol,
Nimboo Pol, Bhairon Pol. Among important temples are those of Mahadeva, Pitaliya Dev, Neelkantha,
etc. Bawan Devri and Golerao temples (nine in numbers) are Jaina temples. The most important
building, though of later period, is the Badal Mahal or Cloud Palace.
Ranthambore Fort, Sawai Madhopur
Ranthambore Fort was built by the Chauhan rulers in the 10th century. It has
been declared a UNESCO World Heritage Site under the group Hill Forts of
Rajasthan. The fort is characterized by temples, tanks, massive gates and
huge walls. The fort is well protected by a massive fortification wall provided
with stepped and Z-shaped gateway with two strong and massive doors. An
architectural marvel, the fort includes includes the Hammir Badi Kachahari,
Chhoti Kachahari, Battis Khambha Chhatri, Hamir Palace, Rani Palace, Toran Dwar, Mahadeo Chhatri
and Sametonki Haveli within its premises. Among temples, the Ganesa temple is important besides a
few Jain temples.
Khandhar Fort, Sawai Madhopur
The imposing Khandar Fort is a place worth visiting and is situated just
45 kms from Sawai Madhopur. Located on top of a strategic vertical
hill,could never come under an easy attack and thus was truly regarded
as invincible. This magnificent fortification was long ruled by the Sisodia
Kings of Mewar after which it was taken over by the Mughals.
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Laxmangarh Fort, Sikar
Laxmangarh town is a popular tourist place that is known for the Laxmangarh Fort. The fort was built
on the hill in 1862 by Laxman Singh, Rao Raja of Sikar. It is believed that the foundation of the
Laxmangarh town was based on the planning system of the capital city Jaipur.
Anoopgarh Fort, Sri Ganganagar
Anoopgarh Fort is a ruin in the city of Anoopgarh. It was built by Anoop Singh Rathore.
Udaipur City Palace
City Palace, Udaipur, was built over a period of nearly 400 years, with
contributions from several rulers of the Mewar dynasty. Construction
began in 1553, started by Maharana Udai Singh II of the Sisodia Rajput
family as he shifted his capital from the erstwhile Chittor to the new
found city of Udaipur.
Lake Palace, Udaipur
Now a hotel, The Lake Palace was originally called Jag Niwas Palace
and served as a summer palace. Built between 1743 and 1746 on the
island near Jagmandir Palace in Lake Pichola, the palace, which faces
east, is a wondrous sight to behold. The walls made of black and white
marbles are adorned by semi-precious stones and ornamented niches. Gardens, fountains, pillared
terraces and columns line its courtyards.
Jag Mandir, Udaipur
Jag Mandir is a palace built on an island on the Lake Pichola. Also called
the ‘Lake Garden Palace’, the construction for this began in 1551 and was
completed around 1652. The royal family used the palace as its summer
resort and for hosting parties. Interestingly, Prince Khurram – later
Emperor Shah Jahan – was given shelter here when he rebelled against his
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father Emperor Jahangir. The palace had such an impact on Emperor Shah Jahan that it went on to
become the inspiration for one of the most magnificent Wonders of the World, the Taj Mahal.
Monsoon Palace (SajjanGarh), Udaipur
This 19th century palace is built by Maharana Sajjan Singh on top of

Bansdara Mountain . Built with white marble, the palace offers a panoramic
view of the city’s lakes, palaces and surrounding countryside.
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Culture & Heritage of Rajasthan Temples & Mosques of Rajasthan
Temples & Mosques of Rajasthan
Adhai din ka Jhopra, Ajmer
Adhai din ka Jhopra is actually a Masjid built by Qutub-ud-Din-Aibak, first

Sultan of Delhi, in AD 1199 . Sultan Iltutmish had subsequently beautified it in
AD 1213 with a screen pierced by corbelled engrailed arches which appears in
this country for the first time. However, a large number of architectural
members and sculptures of temples are lying inside the verandah of the
complex for safety and security purposes by the department which shows the existence of a Hindu
temple in its vicinity during circa 11th-12th Century AD. This mosque, built from the dismantled
remains of temples, is known as Adhai-din-ka-Jhonpra possibly from the fact that a fair used to be held
here for two and a half days.
The Ajmer Sharif Dargah:
Ajmer Sharif, situated at the foot of the Taragarh hill, is the shrine of
Khwaja Moinuddin Chishti. It contains the domed tomb of the saint and
several white marble buildings arranged around two courtyards, including
a massive gate donated by the Nizam of Hyderabad and the Akbari
Mosque, built by the Mughal emperor Shah Jahan.
Akbar used to come here by foot on pilgrimage from Agra every year in observance of a vow when he
prayed for a son. The large pillars called "Kose ('Mile') Minar", erected at intervals of two miles (3 km)
along the entire way between Agra and Ajmer mark the places where the royal pilgrims halted every
day.
Soni ji ki Nasiyan, Ajmer
Soniji ki Nasiyan is a Jain Temple located in Ajmer and is a wonderful

example of ornate architecture, dedicated to Risabhadev or Adinath. Its
entrance is made of red stone and the marble staircase inside is
engraved with images of the holy Tirthankars – omniscient teachers of
Jain faith who taught righteousness. The temple was constructed in the
late 19th century. Its main chamber, Swarna Nagari (City of Gold), is
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aptly named so because of the several gold-plated wooden figures it houses within its walls. This
famous architectural marvel is also mentioned in Kurt Titze's book, ‘Jainism: A Pictorial Guide to the
Religion of Non-Violence.’
Tijara Jain Temple, Alwar
About 60 kilometres from the Alwar-Delhi route lies this important centre of Jain pilgrimage. The
exquisitely decorated ancient temple was built to commemorate the eighth Tirthankar, Shri Chandra
Prabha Bhagwan. The son of King Mahasen and Queen Sulakshana, he ruled his kingdom for several
years before receiving Diksha and being initiated. After serving mankind for several years, he
meditated for a month and attained Nirvana.
Bhand Devara, Baran

Ramgarh-Bhand Devra temples are situated about 40 km. from Baran. The
Shiv Mandir of Ramgarh was built in 10th century on the Khajuraho style.
Due to the Maithun Statues, the place is named as Bhand Devra. This temple
is situated on the bank of pond and is now under the Archaeological
department. This temple is known as Rajasthan’s mini Khajuraho.
Kiradu Temple , Barmer
Keradu Temple might have been constructed before the 6th century at the time of “Parmar” Dynasty.
There are five temples in all and most remarkable of them is
Someshvara Temple .These temples feature impressive
sculpture and a Solanki style of architecture. There are 4-5 Big
Temple structure of Golden colour and a Sun Temple. The
temple is well entitled as “Khajuraoh of Rajasthan”. The design
of the temple are identicle to the Khajuraoh Temple and Sun Temple at Orrisa. The temple is ruin and
with lack of images of God and Goddess. The Keradu was earlier Headquarter of Barmer and it was
attacked by Mohammad Gauri in 1140AD who had destroyed the temple structure and its images.
Vankal Mata Temple, Barmer
Vankal Mata Temple is situated at the west end of the city on a 675 feet high hill, the ancient citadel of
the 16th century ( fortress ), which was called Barmer citadel , whose remains still exist.
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Shri Parshwanath Jain Temple, Barmer
Shri Parshwanath Jain temple was originally a temple of Mahavira. This temple was renovated in the
fifteenth century. 120 idols were brought here from Kalidrah and this beautiful and miraculous idol
was installed here as Mulnayak (main idol of the temple) in the year 1429 of the Vikram era (1373 AD).
It is among the hills in the distant forest at a distance of 13 kilometers from Balotra.
Jain Temple Bhandasar , Bikaner
Jain Temple was commissioned by Bhandasa Oswal in the year 1468 and
completed in the year 1514. The structure is influenced by Rajputana
architecture and includes unique and intricately sculpted pillars, frescos
and the gold leaf work, with a blend of red sandstone and white marble
used in the construction. The mirror work in the temple is unique as well.
Meerabai Temple, Chittorgarh
Meerabai, an ardent devotee of Lord Krishna’s, worshipped him at this

temple. The structure is designed in the classic North Indian style of temples.
It rises from a raised plinth and its conical roof can be seen from far. The
temple houses a beautiful shrine surrounded by an open porch with four
small pavilions in four corners.
Deo Somnath, Dungarpur
On the banks of Som river, there is an old and beautiful Shiva temple
called Deo Somnath built in the 12th century. Built of white stone, the
temple has imposing turrets. One can see the sky from within the
temple. Though there is a perfect adaptation of parts in the masonry,
yet it gives the impression that individual stones are crumbling. The
temple has 3 exits, one each in the east, the north and the south. The
entrance gates are two storied The Garbha Garah has a high dome. In
front of it is the Sabha Mandap – built on 8 majestic pillars. There are Twenty Torans of which four still
exist. Others were destroyed by the flood waters of the Som. The idol of the deity is in a chamber, eight
steps below and the entrance is from the Sabha Mandap. There are several inscription by pilgrims and
the oldest belongs to 1493 A.D. Several warriors were cremated near the temple and memorials have
been raised in their honour.
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Nagfanji, Dungarpur
Nagfanji is renowned for its Jain shrines and not only does it attract
devotees from Dungarpur but also tourists who travel from far to see the
temple. The temple houses statues of Devi Padmawati,
NagfanjiParshwanatha and Dharnendra.The Nagfanji Shivalaya,which is
located close to this temple, is also a tourist attraction.
Shrinathji Temple, Dungarpur
MaharawalPunjraj built this temple in the year 1623. The idols of Shri Radhikaji and GoverdhanNathji
are the main attractions. The complex also houses several shrines dedicated to Shri BankeBihariji and
Shri Ramchandraji.
Surpur Temple, DUngarpur
This ancient shrine is located on the banks of the Gangdi River about 3
kilometres from Dungarpur. The area around the temple also houses
other attractions such as Bhulbhulaiya, Madhavrai Temple, Hathiyon Ki
Agad and several inscriptions.
Mandore, Jodhpur
Towards the north of Jodhpur is the ancient capital of Marwar, Mandore.

This area is of major historical importance and you will find the dewals or
cenotaphs of Jodhpur’s former rulers. Unlike the original chhatri-shaped
cenotaphs that are typical patterns of Rajasthan architecture, these are
built along the lines of Hindu temples.
Osian:
65 Kms from Jodhpur, lies ruins of an ancient city called Ossian. This city is
famous for Brahmanical and Jain temples, which belong to 8th and 11th
century. The shikhar of Sachiya temple is clustered by two rows of turrets, an
ambulatory and a large assembly hall with an elaborate ceiling. This town
which was once a great trading centre is an oasis and houses an abundance of
peacocks. The largest of the 16 Jain and Brahmanical temples is dedicated to Mahavira.
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Bhanwar Mata Temple, Pratapgarh
Bhanwar Mata temple was built by King Gori of “Manvaiyani genus” in year 491 AD. Temple is also
known as “Bhanwar Mata Shakti Peeth”. It is located in Chhoti Sadri Teshsil of Pratapgarh district.
Ghumeshwar Temple, Sawai Madhopur
Enshrined in the Puranas, the Ghushmeshwar Temple is believed to be

12th or the last of the Jyotirlingas of Lord Shiva. Situated at the Siwar
village in Sawai Madhopur, this temple has many mythological stories
weaved around it.
Alanpur Jain Temple, Sawai Madhopur
The early medieval Jaina temple, known as Chamatkarji, is situated outside

the city and dedicated to lord Adinatha. The temple compound is enclosed
by a modern high parapet wall with small cells all round and is entered from
the west. The main shrine is situated in the centre of the courtyard and is
enclosed by high wall with entrance in the north. The garbhagriha facing east,
is pancharatha on plan with circumambulatory passage around. The sikhara is
curvilinear.
Harshnath Temple, Sikar
The 10th century, Harshnath temple, belonging is located on the Aravalli

Hills near Sikar. It is an ancient site containing remnants of old Shiva Temple
of 10th Century . Another Shiva temple, constructed in the 18th century by
Shiv Singh of Sikar, is situated near the Harshnath temple.
Jagdish Temple, Udaipur
An example of the Indo-Aryan style of architecture, Jagdish Temple was built in 1651
and continues to be one of the most famous temples in Udaipur. Dedicated to Lord
Vishnu, the structure is an architectural marvel with carved pillars, graceful ceilings and
painted walls. This three-storied temple was built by Maharana Jagat Singh.
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Culture & Heritage of Rajasthan Cenotaph & Tombs Rajasthan
Cenotaph & Tombs Rajasthan
Maqbara Shaikh Husain, Ajmer
It houses the tomb of Khwaja Husain Chishty Rehamatullah Alaih (Shaikh Husain Ajmeri) who was
the Peer of Ajmer Sharif Dargah in Emperor Akbar's Time, He was the great grandson of Khwaja
Moinuddin Hasan Chishty Rehmatullah Alaih, his tomb was built in 1637–1638 by Khwaja Alauddin
Chishty and Sajjadanashin Hazrat Khwaja Moinuddin.
Moosi Maharani ki Chhatri, Alwar
This cenotaph, built in the memory of Maharaja Bakhtawar Singh and

his queen, Rani Moosi, reflects the Indo-Islamic style of architecture.
The upper portion comprising columned pavilions and domed arches is
made of marble while the lower section consists of pillars in red
sandstone. The memorial is rated as one of the finest of its type.
Fateh Jung Gombad, Alwar
This spectacular tomb, which is a combination of domes and minarets is an artistic marvel. Constructed
from high quality sandstone, its massive dome can be seen from afar and is a blend of Hindu and
Muslim architecture. It is dedicated to Fateh Jung who was a kind-hearted minister of the Mughal
Emperor, Shah Jahan.
Battis Khambon ki Chhatri, Bhilwara
This place is situated in Mandal far 16 km from Bhilwara city. It has chhatri made of sandstone with 32
pillars.
84 Pillared Cenotaph or चौरासी खंभ$ क" छतरी, Bundi
As the name suggests, the 84 Pillared Cenotaph is a structure supported by 84

columns. Commissioned by Rao Anirudh, the Maharaja of Bundi, this cenotaph
is a tribute to his beloved wet nurse, Deva, who he loved dearly. A popular
tourist attraction, this impressive structure is decorated with carvings of deer,
elephants and apsaras.
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Culture & Heritage of Rajasthan Cenotaph & Tombs Rajasthan
Galiakot, Dungarpur
At a distance of 58 kilometres from Dungarpur, located on the banks of

River Mahi, is a hamlet called Galiakot. The place is known for Syed
Fakhruddin’s shrine. He was a renowned saint who was buried in the
hamlet after his death. The shrine is made from white marble and has his
teachings engraved on it walls. The inner portion of the dome is decorated
by beautiful foliage while teachings of the Quaran are engraved in golden
letters on the tomb.
BaraBagh, Jaisalmer
Literally meaning Big Garden. This garden complex houses chhatris or

royal cenotaphs of the Maharajas of Jaisalmer state, including that of Jai
Singh II.
Dargah Huzoor Najam Sirkar, Sikar
The holy shrine of Hazrat Khwajah Haji Muhammad Najmuddin Sulaimani

Chishti, famous as Huzoor Najam Sirkar, is is located at Fatehpur Shekhawati
District Sikar 165 km away from Jaipur and 55 km from Sikar on N.H. 12.
He belongs to the great silsilah-e-Chishtiah and in the 13th century Hijri he

played a prominent role in spreading the Silsilah in the all parts of the country.
Laila Majnu Tomb, Sri Ganganagar
The tomb (mazar) of Laila-Majnu at Binjaur village is situated near Anoopgarh city 11 km away from
Anoopgarh on the western side. Many people associate this Mazar (mausoleum) with fictional and
legendary lovers Laila and Majnu. According to the traditional belief Laila-Majnun were from
Sindh and came to this place escaping from the clutches of Laila’s parents and her brother who were
against the love of Laila-Majnun. Laila and Majnu died here and were buried together at this place.
Thus this place became a symbol of love and people come here to seek blessings from Laila and Majnu.
A fair is held here in June which is attended by hundreds of newlyweds and lovers.
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Culture & Heritage of Rajasthan Havelis & Sculptures of Rajasthan
Havelis & Sculptures of Rajasthan
Rampuria Group of Havelis, Bikaner
Bikaner has several havelis (aristocratic homes), the most famous

cluster being the Rampuria Group of Havelis. The havelis are built
of dulmera (red) stone, include – jharokhas (casements), entrances,
latticed windows, divankhanas, gumaharias or basements. These
massive havelis are decorated with golden work of the highest
quality and Jharokhas are decorated with designs of flowers & leaves. There is Victorian influence in
the design and also include exquisite wood carvings.
Kothari and Surana Haveli, Churu
Oswal Jain merchant families constructed these beautiful painted havelis. Malji’s Haveli made by
Malaji Kothari is the most popular haveli. Another famous haveli is the Surana Double Haveli.
Patwon Ki Haveli, Jaisalmer
One of the most exquisite buildings in the walled city, which truly
exemplifies the architectural style typical of erstwhile Rajputana. It is
five storeys high and the extensive corridors and chambers are
supported by intricately carved pillars.While the haveli has lost some of
its early glory, a few paintings and mirror work art can still be seen on
the inside walls.
Nathmal ki Haveli, Jaisalmer
Carved by Lalu and Hathi, two brothers for the Prime Minister of State,
Nathmalji in 19th century. The most interesting fact is that the brothers
worked separately, one on the right side and other on the left side, the
result is a absolute symphony epitomizing the side by side symmetry
during construction. The haveli is richly carved and the inner chambers
are decorated with miniature paintings.
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Salim Singh ki Haveli, Jaisalmer
This haveli was built in the first half of the 18th century by Salim
Singh, a powerful Chief Minister of Jaisalmer and a part of it is still
occupied by descendants of the original residents. The high arched
roof is supported by carved brackets designed in the shape of
peacocks.The five stroryed structure dominates the skyline of the
walled city due to its form. The haveli begins with a narrow dimension below with an elaborate
projecting balcony on the top storey. It is distinguished by the blue cupola roof.
Haveli’s of Laxmangarh, Sikar
There are numerous havelis in the town, namely the Sawant Ram Chokhani Haveli, Bansidhar Rathi
Haveli, Sanganeria Haveli, Mirijamal Kyala Haveli, Char Chowk Haveli and Kedia Haveli, adorned
with fresco paintings in the Shekhawati style.
• The Radhi Murlimanohar temple, constructed in 1845, is popular for the beautiful sculptures of
deities on the wall.
Haveli’s & Bawdi’s of Fatehpur, Sikar
Fatehpur is a town in the Sikar which is part of the Shekhawati region.

Located on midway between Jaipur and Bikaner ( NH-11), Fatehpur is
famous for grand havelis with frescos and a number of bawdis.
Main attraction of Fatehpur are :-
• Sitaram Kedia Ki Haveli
• Jagannath Singhania Haveli
• Saraf Haveli
• The Nadine Le Prince Cultural Centre
• The Dwarkadheesh Temple
• Qureshi Farms
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Rani ji Baori, Bundi
Bundi has more than 50 stepwells and rightly known as city of

stepwalls . Raniji ki Baori, also known as ‘Queen’s Stepwell’, is a famous
stepwell built in 1699 by Rani Nathavati Ji, the younger queen of the ruling
king Rao Raja Anirudh Singh of Bundi. This multi-storied stepwell displays
excellent carvings of Gajraj with his trunk turned inwards, giving the
impression of having drunk from the baori on its pillars. Its high arched gate gives it an inviting
appearance.
Abhaneri , Dausa
Abhaneri is famous for its Post-gupta or early medieval monuments. The Chand Baori(Step Well) and
Harshat Mata Temple are prominent monuments. The temple is an
excellent example of intricate carving on stone whereas the Baori has
stairs with unparallel artistic and architectural beauty. It is situated at
about 33 Kms from the district headquarter towards Bandikui.
Alanpur Baori, Sawai Madhopur
A four line Persian inscription on a rectangular stone slab, fixed in the

Ghori Baori in Alanpur village, belongs to Alauddin Fidan Shah, son
of Mahmud Shah Khalji I, Sultan of Malwa. It is dated A.H. 874 (A.D.
1469-70) and records construction of the step-well by Khwaja Jahan son of
Bir Ali Turk Khurasani. The slab now broken into four pieces has been
taken to the Ranthambhore Fort collection of antiquities.
Hadi Rani Baori, Todrai Singh, Tonk
The step-tank is rectangular on plan with double-storeyed corridors on the

western side, each having arched doorway. Below the lower storey, there are
images of Brahma, Ganesa and Mahishasuramardini which are enshrined in
niches. On all the three sides, steps are arranged in sets of thirteen each at
higher level and five each at lower level, going up to the water level. It is
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datable to circa twelfth-thirteenth century A.D.
Vijaya Stambh, Chittorgarh
Vijaya Stambh is a huge nine storey tower which was built by Maharana Kumbha to
commemorate his victory over the Muslim rulers of Malwa and Gujarat in 1440, the
tower signifies the victorious spirit of the Rajput Kingdom after securing a victory over
the intruder Mohammed Khilji.The towers stands at a height of 37 meters and
compromises of 9 floors offer a great view of the city of Chittorgarh and the Chittorgarh
Fort.
Kirti Stambh, Chittorgarh
Kirti Stambh or the tower of fame is part of the two popular stumbhs or pillars inside the Chittorgarh
Palace. Kriti Stambh is a 12th-century tower situated at Chittorgarh fort in
Rajasthan, india. Dedicated to the first Jain teethankar Adinath, the
stambh is a 22 meter high seven storied tower having a sculpture of
Adinath in the second floor.Kirti Stambh is older than another tower in
the same fort, known as the Vijaya Stambh(Tower of Victory). The
topmost floor of the pillar offers a panoramic view of the whole Chittorgarh city and attracts a large
number of travelers, historians and photography enthusiasts.
Famous Stambhs of Rajasthan
Vijay Stambh Chittorgarh
Kirti Stambh Chittorgarh
Minar of Nehar Khan Kota
Gooler ka Ludan Jodhpur
Gamtaji Jodhpur
Safdarjung Alwar
Sargasooli(Isarlaat) Jaipur
RAJRAS.in
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Culture & Heritage of Rajasthan Index

Language & Literature of Rajasthan

Rajasthani Language .................................................................................................................................. 1

Fairs & Festivals of Rajasthan ................................................................................................................... 15

Bhakti Saints of Rajasthan ........................................................................................................................ 56

Architecture & Monuments of Rajasthan

Forts & Palaces of Rajasthan .................................................................................................................... 68

• Rajasthani is name given to group of dialects spoken in Rajasthan.

• 10 vowels and 31 consonants.

• In 2003 the Rajasthan Legislative Assembly - passed a unanimous resolution to insert

History & Evolution of Rajasthani language:

• In eastern region Dingal mixed with Braj-bhasha of Mathura and formed

• Cause of decline? Development of Khadi boli (both language & literature)

• Most spoken dialect of Rajasthan

• Region: Jodhpur, Jaisalmer, Bikaner, Nagaur, Shekhawati & Sirohi

• Mewar region: Udaipur, Bhilwara & surrounding region.

• Second most spoken dialect of Rajasthan

• Region: Dhundhar - Jaipur, Tonk, Kishangarh

• Mewat Region: Alwar, Bharatpur, Dhaulpur & Karauli region

• Region: Bundi, Kota, Tonk

• Suryamal Mishran composed in hadauti dialect.

• Region: Near to Malwa of MP – Kota, Jhalawar & Pratapgarh

• Bagar Region: Banswara & Dungarpur

• North Nimach and Bhansawar

• Spoken by bhils – Dungarpur

• Dialect of junction area of Bangru(Haryanavi) & Mewati.

Sahitya Academy Winners for Rajasthani:

• 2015 Gawaad (Novel) Madhu Acharya 'Ashawadi'

• 2014 Sundar Nain Sudha Rampal Singh Rajpurohit

• 1975 Pagfero (Poetry) Mani Madhukar

• 1974 Batan Ri Phulwari Vol. X (Folk-tales) Vijaydan Detha

• Sanskrit & Prakrit Literature

o 1. Early Period (1100-1450)

o 2. Medieval Period (1450-1850)

o 3. Modern Period (1850-)

1. Sankrit & Prakrit Literature of Rajasthan:

• Hari Bhadra Suri of Cheetore wrote Samaraichcha katha

• Sidha Rishi wrote Upmiti Bharva Prancha Katha

• Vigrah Raj Chauchan IV of Ajmer wrote drama named Harkaili

• Court poet of Prithviraj Chauchan III wrote Prthvi Raj Vijay

1. Early Period (1100-1450)

2. Medieval Period (1450-1850)

3. Modern Period (1850-1950)

And on basis of distinct forms Rajasthani Literature can be divided into:

• Rajasthani Jaina Literature

• Rajasthani Charan Literature

• Rajasthani Saint Literature

• Rajasthani Folk Literature

2.1 The Early Period of Rajasthani Literature (1100 -1450)

and continues till 1450 AD.

o Bharatvarsh war Bahubali Ghor written by Vijrasen Suri

o Bharateshwar Bhaubali raas authored by Shalibhadra Suri

o Jiyadarya Raas by Asig

o Padmavati Chaupai by Jinprabha Suri

o Stulibhadra Phag by Hemraj

o Gyan Manjari by Vijhana

• Non- Jaina works

o Prithviraj Raso by Chandbardai – 12 Century