Chapter 4 - Colour in Images and Video

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MULTIMEDIA TECHNOLOGY

COLOUR IN IMAGES AND VIDEO

Dr. Zeeshan Bhatti


BSIT-III
Chapter 4
BY: DR. ZEESHAN BHATTI

COLOUR SCIENCE
Light and Spectra

Light is an electromagnetic wave. Its colour is characterized by the


wavelength content of the light.
(a) Laser light consists of a single wavelength: e.g., a ruby laser
produces a bright, scarlet-red beam.
(b) Most light sources produce contributions over many wavelengths.
(c) However, humans cannot detect all light, just contributions that fall
in the \visible wavelengths".
(d) Short wavelengths produce a blue sensation, long wavelengths
produce a red one.
BY: DR. ZEESHAN BHATTI

SPECTROPHOTOMETER:
device used to measure visible light, by reflecting light from a
direction grating (a ruled surface) that spreads out the different
wavelengths.
Figure shows the phenomenon that white light contains all the colours
of a rainbow.
Visible light is an electromagnetic wave in the range 400 nm to 700
nm (where nm stands for nanometer, 109 meters).

BY: DR. ZEESHAN BHATTI

Why does the prism separate the light into its spectral

components?
prism bends different wavelengths of light by different amounts
refractive index is a function of wavelength
shorter wavelengths are refracted more strongly than longer
wavelengths

BY: DR. ZEESHAN BHATTI

HUMAN VISION
The eye works like a camera, with the lens focusing an image onto the
retina (upside-down and left-right reversed).
The retina consists of an array of rods and three kinds of cones.
The rods come into play when light levels are low and produce a image in
shades of gray (\all cats are gray at night!").
For higher light levels, the cones each produce a signal. Because of their
diering pigments, the three kinds of cones are most sensitive to red (R),
green (G), and blue (B) light.

It seems likely that the brain makes use of differences R-G, G-B, and B-R, as
well as combining all of R, G, and B into a high-light-level achromatic
channel.
BY: DR. ZEESHAN BHATTI

COLOUR
Light source, object, observer

Electromagnetic spectrum

BY: DR. ZEESHAN BHATTI

THE EYE
Rods and Cones
Rods perceive luminance only
Highly sensitive

Cones perceive colour


Require bright conditions
Red, Green, Blue pigment
3 million behind fovea, 1 - 2 of accurate
vision
Absorption not even distributed 40:20:1 (RGB)
Better tuned to see red, yellow, green cyan
range

BY: DR. ZEESHAN BHATTI

COLOR BLINDNESS
Guess The Number in Each Figure .?

BY: DR. ZEESHAN BHATTI

RGB- ADDITIVE COLOUR


RGB
Full amounts of each light produce white

Like a TV or Monitor

BY: DR. ZEESHAN BHATTI

RGB MODEL IS ADDITIVE


Red=Green=Blue=0 is black
(no color)

Add Red only

Add some blue

How to make pure white?

BY: DR. ZEESHAN BHATTI

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HSB MODEL
Based on human
perception
Hue: color reflected from or
transmitted through an object
Saturation: strength of color
(% grey)
Brightness: relative lightness
from black (0%) to white
(100%)

BY: DR. ZEESHAN BHATTI

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CMYK MODEL
Based on light-absorbing quality of ink printed on paper
As light is absorbed, part of spectrum is absorbed and part reflected back to
eyes
So CMYK is a subtractive model (RGB is additive)

4 channels: Cyan (C), magenta (M), yellow (Y), black (K)


In theory, pure colors should produce black, but printing inks contain impurities
So combining 3 pure colors produces muddy brown
Therefore pure K is needed to produce pure black
Hence CMYK is four-color process printing

BY: DR. ZEESHAN BHATTI

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PRINTING PRESS PROCESS

BY: DR. ZEESHAN BHATTI

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PRINTING PRESS PROCESS

BY: DR. ZEESHAN BHATTI

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DIGITAL PRINTING PROCESS

BY: DR. ZEESHAN BHATTI

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Figure shows colour combinations that result from combining primary colours
available in the two situations, additive colour and subtractive colour.

Fig. Additive and subtractive colour. (a): RGB is used to


specify additive colour. (b): CMY is used to specify subtractive
BY: DR. ZEESHAN BHATTI
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color

COLOR GAMUT
Eyes see more than
screens or printers can
show
Gamut is the range of a
color model
RGB and CMYK show
different subsets of
colors

BY: DR. ZEESHAN BHATTI

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ALPHA CHANNEL

Alpha channel stores mask information


A mask lets part of an image be transparent so that other
layers show through

8-bit mask value determines degree of transparency

So Photoshop files have 3 channels for color and 1 alpha


(32 bits per pixel)

=
BY: DR. ZEESHAN BHATTI

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CLUT OR PALETTE
8-bit color is low-cost, limited gamut
GIF and web-safe colors are 8-bit
Indexing millions of colors to 256 is arbitrary
Here are some standard and custom palettes
Macintosh CLUT
(Color Look-Up Table)

Web-safe palette
(216 colors)

BY: DR. ZEESHAN BHATTI

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PALETTE ISSUES
What happens when converting from 24- to 8-bit color depth?
Dithering: finding closest possible color in palette

Why might a custom palette be useful?


Matching colors of a photograph

What happens when switching palettes?


Screen flashing
Avoid it by fading images to white or black

BY: DR. ZEESHAN BHATTI

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HISTORY OF COLOUR

BY: DR. ZEESHAN BHATTI

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HISTORY OF COLOR
Color came into experience of Human mind because of its frightening
nature when it sees huge mammals, earth and other things around it.
Knowing strange about thingsto become powerful by get ride of.
Create pictures to controls beast and wild animalsso called black
magic through images.

BY: DR. ZEESHAN BHATTI

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COLOR IN ANCIENT EGYPT


MESOPOTAMIA, THE FAR EAST

Based of religion
Light and Shadows
Unaware.Unconcern
Flat Color sculptors
For them sun and Moon is the important things

BY: DR. ZEESHAN BHATTI

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COLOR IN ANCIENT CRETE


Style was free
Color was always Cheery
Specially in interior of House
flying fish
spiral patterns

BY: DR. ZEESHAN BHATTI

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COLOR IN ANCIENT GREECE


Strong hand in architecture and sculptor

Renowned Vases with three colors


painting their stone, bronze, and marble statues realistically

BY: DR. ZEESHAN BHATTI

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COLOR IN ANCIENT ROME


magnificent temples, palaces, and luxurious villas with strong interiors
painted with mosaics.
encaustic, pigments mixed with hot wax to create mosaics like a
paintings

BY: DR. ZEESHAN BHATTI

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COLOR IN ANCIENT CHRISTIANITY


Work with glass mosaics rather than stone and marble
chips

BY: DR. ZEESHAN BHATTI

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COLOR IN MUSLIM ERA


Mostly for Religious writings and religious art.

Architectural decoration with shapes and calligraphic


Patterns, geometric shapes and designs.

BY: DR. ZEESHAN BHATTI

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COLOR IN MUGHAL ERA

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PROPERTIES / ATTRIBUTES OF
COLOUR

BY: DR. ZEESHAN BHATTI

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RED (HIGH VOLTAGE, I AM AVAILABLE, ONLY YOU CAN SEE, I WILL


TEASE YOU, DONT TOUCH ME)

Fire
Blood

Energy
War
Danger
Strength

Power
Passion
Love
Desire
Anger
Light red represents joy, sexuality, passion, sensitivity, and
love.
Pink signifies romance, love, and friendship. It denotes
feminine qualities and passiveness.
Dark red is associated with vigor, willpower, rage, anger,
leadership, courage, longing, malice, and wrath.
Brown suggests stability and denotes masculine qualities.
Reddish-brown is associated with harvest and fall.
BY: DR. ZEESHAN BHATTI

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ORANGE (CREATIVITY, ATTRACTION, SUCCESS YOU WILL GET,


YOUNG)

Joy
Sunshine
enthusiasm
Fascination
happiness

attraction
success
encourage
ment
stimulation

Creativity
determination

Dark orange can mean deceit and distrust.


Red-orange corresponds to desire, sexual passion,
pleasure, domination, aggression, and thirst for action.
Gold evokes the feeling of prestige. The meaning of gold
is illumination, wisdom, and wealth. Gold often symbolizes
high quality.

BY: DR. ZEESHAN BHATTI

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YELLOW (SUNSHINE, NEW DAWN, INTELLECT, HAPPINESS)


warming effect

cowardice

arouses
cheerfulness

generates muscle
energy
honor
loyalty
Dull (dingy) yellow represents caution, decay, sickness,
and jealousy.
Light yellow is associated with intellect, freshness, and
joy.

BY: DR. ZEESHAN BHATTI

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GREEN (NATURE, HEALING POWER, HOPE )


Growth
Harmony

Freshness

Pure
Money
hope

Fertility
Emotion Safety
Dark green is associated with ambition, greed, and
jealousy.
Yellow-green can indicate sickness, cowardice, discord,
and jealousy.
Aqua is associated with emotional healing and protection.
Olive green is the traditional color of peace.

BY: DR. ZEESHAN BHATTI

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BLUE (FUTURE, DREAM, DEPTH STABILITY)


trust
Loyalty

Wisdom
Confidence
intelligence

faith

Truth
Heaven
Sea
Sky
Ocean
Depth

Light blue is associated with health, healing, tranquility,


understanding, and softness.
Dark blue represents knowledge, power, integrity, and
seriousness.

BY: DR. ZEESHAN BHATTI

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PURPLE (POWER, NOBILITY, LUXURY, CANT BEAT ME)


Wealth
Extravagance
Wisdom

Mystery
Magic
Royalty
Artificial

Dignity
Independence
Creativity

Light purple evokes romantic and nostalgic feelings.


Dark purple evokes gloom and sad feelings. It can cause
frustration.

BY: DR. ZEESHAN BHATTI

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WHITE
Goodness
Innocence
Purity
Virginity
color of perfection

(GOD, PURE, TRUTH, MOTHER, I WILL BE THERE FOR YOU)

Safety
Cleanliness
Spirit
Coolness
Hospitals
Doctors
Sterility

What ever it takessss , whatever heart breakssss, I will


be right there waiting for you. La..la.lalalalalala

BY: DR. ZEESHAN BHATTI

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BLACK
Power
Elegance
Formality
Death
Evil
Mystery

(DEATH, EVIL)

Fear
Black holes
Negative
strength and
authority
Grief
Sorrow
Pain

I will destroy you, break you, give you pain, not leave you
alone

BY: DR. ZEESHAN BHATTI

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THANKYOU

Q&A
For My Slides and Handouts

http://zeeshanacademy.blogspot.com/
https://www.facebook.com/drzeeshanacademy

BY: DR. ZEESHAN BHATTI

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