Energy: Skill #1
Energy: Skill #1
Energy: Skill #1
Skill #1
Bad days...
And then have these subpar (or even disastrous)
violin.
off stage, go home, put on our PJs, and eat chinese food out of the
It was really exasperating, because (a) I didnt feel like I could identify
any pattern or cause-effect relationship, and (b) it made every
performance a bit of a crapshoot, which sucks when youre working
really hard in the practice room and it doesnt seem to be paying off.
I tried eating bananas, drinking chamomile tea, ingesting a
supplement called kava kava, sleep deprivation, practicing more,
practicing less, but I couldnt figure it out.
And then...answers!
But despite all the hard work and the absolute best teachers anyone
could ask for, I noticed something that became more and more
frustrating the older and more experienced I became.
I kept plugging along until I went to Juilliard and took a class on sport
psychology.
That class opened my eyes to a whole new way of preparing for
performances, as I learned that what top athletes do to maximize their
Good days...
What I couldnt understand was how we could
have these really great days on stage. Where
playing is easy, effortless, and we sound and feel
great!
folks out there and we dont want to leave our reputation and career to
careers.
chance.
So, in this lesson on Energy Regulation, Id like to share with you one
Often the difference between gold and silver or no medal is less time
Its one of the most fundamental skills in the course, and one that you
will probably come to utilize pretty heavily in every aspect of your life
Energy
Whether you call it stage fright, performance anxiety, nerves, or jitters - its not much
fun.
Under pressure, the adrenaline kicks in, our sympathetic nervous system goes into high
gear, and our bodies become optimized for greater strength and energy.
Well, its a survival response. Anytime we are about to go into an uncertain situation, our brain tries to do
some quick math. It tries to calculate the probability of a successful outcome by seeing how our resources
stack up to the demands of the situation.
Of course, this is not purely objective - its all about our perception of our resources, and our perception of the
demands (and our definition of success). For instance, if we feel theres a lot at stake, and we have to play our
absolute best in order to be successful in the particular situation, were going to be more nervous than if we
feel theres less at stake, and we dont have to play our best in order to do well.
This is not to say that I endorse the use of beta blockers. Though I
dont take as hard line a stance as some others do, Ive never once
encouraged anyone to seek them out (and never will), and I tell
The key thing to note is that its not just one alarm; performance
anxiety is not a single global undifferentiated response. There are
everyone that if the goal is to play your absolute best, at some point
beta blockers are probably going to hold you back.
Why?
emotional component.
that its bad. The reality is that too little has just as negative an effect
will still have the doubts and fears, and racing thoughts and experience
are able to focus on the music and the task at hand, and the doubts,
muscles begin working against each other, and may start to shake. The
harder you try to hold your muscles still, the more they tremble. Your
lungs and diaphragm are constricted in your bodys attempt to protect
Wed all prefer to spend our time in the low range, because its the
itself and curl into a fetal position, and as you continue to hold your
most comfortable there, but for most of us, thats not where our best
head up and stay standing with good posture, your vocal cords may
track and field to pistol shooting find that most individuals do their
best at a mid to high range of anxiety (or activation, as sport
psychologists call it).
Funny enough, the muscles that will tend to get most tight are the ones
that are the most critical, or the ones you rely on most to play your
instrument at the highest level. So, you might squeeze the bow, clench
That being said, there is such a thing as good anxiety and bad anxiety,
your left hand, feel your breathing tighten, all of which throws off your
we do.
Itzhak Perlman was once asked for his thoughts about how to deal with
overheat, and you can often feel the heart pumping more quickly than
you focus on the task at hand. You may just be keenly aware of every
just sweat in some places, you sweat everywhere, so your palms can get
little frown or look from the audience, and get spooked by things
Respiration changes
Breaths become rapid. Shallow. Might feel short of breath, or feel like
you cant get a full, deep breath. Like someone is sitting on your chest.
Brain speeds up
One of the most noticeable things that happens is
the change in brain wave frequency.We begin to
back seat. So you may get butterflies in your stomach as the food sits
has stopped.
think were playing slow, and instead were rushing. Or it feels like we
are taking forever to tune, though in reality its been just a few seconds.
Attentional changes
And then there are attentional changes. We are more
baby on stage (or off for that matter, if the stress level is really high).
And yes, I know thats not a high priority on stage, but still...its
happen.
interesting to note.
Senses enhanced
Overthinking
We also start overthinking.
back to the cerebral cortex and disrupt the cerebellums ability to run
enough to orchestrate the complex motor movements involved in highlevel playing with the precision and exquisite timing that is required.
When were first learning a new skill, theres a lot more activity in the
processing.
order processes.
But as you begin to get the hang of things and are able to execute the
skill with more consistency, up to speed and accurately, control of this
motor movement sequencing is passed along to the cerebellum which
is then entrusted with the responsibility of executing these movement
To some degree the notion of right brain and left brain has been blown
out of proportion, but it remains a great framework for understanding
optimal mental states for peak performance.
happens inside the brain, moments before and during the successful
(or unsuccessful) execution of a skill.
golfers.
So the next logical question for the researchers was: what were the two
groups of golfers thinking about before and during their shot? What
sorts of thoughts caused these differences?
Defensive conditioning
For instance, what is the last thing your
The best performers reported that it was pretty simple. They were
Talk to strangers!
focused on the target (an image) and the general feel (kinesthetic) of a
successfully executed shot.
Learn to surf
Heres another way to put it. Theres a great
surf.
matter how difficult things have been in the past. The question, of
course, is how? How do we start surfing?
Well cover that in the next chapter on Pre-Performance Routines.