Shane Estanislao

TONIGHT AT 6:30 PM join us for an improvised version of PVP Circuit and help us rebuild our local community brick by brick. I still can't believe I get to work in the video game industry. My 6-year-old would laugh, and then cry once she realized what it means to work in the creative technology sector. That's why IMO everyone could use some levity during these unprecedented times. Join us for a fun evening to raise funds for the Trevor Project. Event link >>> https://lnkd.in/g7tBuP6d Frequently Asked Questions: What if I can't attend the event? - If you can't make it, please consider purchasing a ticket to help us raise money for charity or get one on behalf of someone impacted by layoffs. What if I want to join but can't justify the cost? - If you want to join but find the cost prohibitive, DM me and we'll make it happen (see point above). Do I have to pitch at the event? - No, you don't have to pitch if you prefer to observe. It’s a great way to see how it's done. Will there be another event like this? - We plan to host our community again, but I can't specify if this event will be the focus. #gamesindustry #event #comedy <3

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What do Lethal Company, Skyrim, Helldivers 2 all have in common? They are designed to be broken. Dig into what this even means in my recent video, which you can find on my channel here: https://lnkd.in/gDPk_8E6

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👶 Game producers = great parents… ? 🎮 Problem-Solving: Working with different partners/audiences with varying comm methods. 💬 Empathy/Sympathy: Seeing the world through other viewpoints. Interpreting signals! 🧘‍♂️ Stress Management: Resilience in the face of constant pivots & uncertainty… Are you a creating clarity or chaos when having to clean 💩? 📅 Organization: Scheduling routines and adjusting when your plan goes south. Have a mitigation? That helps! Game production = solid parenting prep! 🌟👾🍼 #parenting #chaos💩 #empathy

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In today's little bit of progress, we're working with a little bit of music and setting up some Enemy Animation Blueprints- just with patrolling and idling for the time being. These are called Agonized Hunters and probably for good reason. Lore is so fun to come up with, by the way. I suppose all the stories I started to write even as a kid should've been a grand sign towards my liking of storytelling, but I definitely know about it now. I thought it would be a nice touch for the light to turn red/add in some invincibility frames when the player comes in contact with them, as well as adding in a sliiiight distinction between the breakable platforms and the ones you can walk on regularly. On a semi-related note, something I only learned fairly recently: the Nav Mesh Bounds Volume in Unreal only registers traversable ground. That's why it's only the ground that turns green when you preview it and not the air that the volume may also be in contact with. If you're working with flying enemies you won't want to rely on those or the functions related to them (like GetRandomReachablePointInRadius and co.), since they will bring those flying guys right to the ground at best. You'll want to look into the Math function RandomPointInBoundingBox instead. ✨

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Awful news today with Skydance Interactive having gone through a round of layoffs last week. My dear friend Scott Fine announced the news today, sharing the news and the profiles of those affected in a heartfelt post: https://lnkd.in/ex4BnyrX To those impacted please check out the following resources: 🥇First, reach out to us at People Can Fly Studio, we have many roles open right now in Canada, the UK, Ireland and Europe, please check them out here: https://lnkd.in/eWpV5PbA 🥈Next, Discipline Games Jobs Resources: Over the past months I have created 9 (at time of writing) Games Jobs Resources to find jobs in a wide range of disciplines, and I would urge you to check them out, if anything just to see what would be available to you: https://lnkd.in/epvmzDW6 You can find over 6,300 jobs there. 🥉 Third, the Ultimate list of Video Games Career Resources: This should be your one-stop shop for all information. My dear friend Amir Satvat maintains these documents, he is a legend for doing this - please check them out: https://amirsatvat.com/ I urge you to check out the areas in particular about CV support and mentoring, as these will help you no matter what industry you are hailing from or are looking into going next. 🎖 Finally, do not give up. Ever. No matter how dark things may look right now, I KNOW you will get through this, you have got this! 👊 Remember you are not alone. If you need help, advice, or even an ear to listen, we're here for you. Always! ➡ A request to my community, please can I ask you to repost this post to your colleagues and friends, so that we can get as many into jobs as possible! And please comment if you or your studio are currently hiring - let's help each other! Much love ❤️ #skydanceinteractive #layoffs

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Tip for publishing consideration submission to Midwest Games... tldr - Send info through our portal (https://lnkd.in/gWtKgpuU), not through email (or LI). I get that it's a little counter-intuitive...you might think you want to put your info right in front of the sourcing decision influencers' faces. But it's actually a disadvantage - especially those of you who are agents throwing multiple titles at us at once. The submission portal goes right to our database, and that database is there for a reason: to keep an organized and consistent record of all submissions in one place. I look through there all the time. I'm reminded of titles I may have overlooked or need to go back to consider as circumstances change all the time. We rarely, if ever, make immediate decisions or even quick deep review/consideration. Our factors for consideration shift regularly. I do not review your particular email regularly, or at some point even remember you sent one. I go to the database. Connection via other channels is good. Discussion about your game over other channels is good. But having your core game info in those channels is not good. Please use the submission portal!

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Following up on my last post, here is another part of the mesh. If you look at the number of vertices per quarter of the circle in the middle I was essentially connecting 7 vertices to 3, so I had to consider my approach to maintain quads. Once again, I used Adobe After Effects for this presentation! 😄

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Hello friends. Last month, I was looking for more work and finally secured some on Reddit from a guy who needed help with preproduction on his Tabletop RPG / Card Battler. After a meeting with him, he showed me what he had and it was quite impressive. He had a prototype of a card-battler using a tabletop RPG battle system, but he had little to no documentation or planning—he's been chiseling away at his game for a few months in his spare time after work. I suggested that before I dive into art, we flesh out the game design and the rest of the game up to around an 80% mark and let the last 20% be changes, additions, and that sort. As your game evolves, it'll come into it's own and you'll find things that need changed or added, this accounts for that. He agreed and I asked if I could work on all this since I did that with my game Alligori and lead the team from start to finish with our vertical slice, and I know tabletop RPGs very well. He agreed and we did the whole song and dance with paperwork, and he sent over a retainer and I began work the following Monday. Three weeks go by and we're working great together. I'm fleshing out his game, adding some meat to the backbone of his prototype with classes, abilities, etc. My goal was to write out as much as possible and then trim content to fit it into a 1-year development cycle. So I flesh a bulk of his game out, and then categorize it more into a game design document that clearly conveys concepts, ideas, and mechanics. Catching up, last week was the final week of my first month and payment was due. He just up and disappears like a fart in the wind, I have no idea if he's alive, incarcerated, on vacation, or what. He didn't remove me on Discord, so I don't entirely suspect malicious intent, but he gave no notice. That's the risk you run with working 1-on-1 with a client remotely, one day they can just up and disappear. I do have paperwork, so I may pursue legal action. If he doesn't log on by Friday, I'm going to publicly release all my documentation and the GDD I wrote on here.

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How to accelerate your career in game development? Think "one level higher." 🔹 If you're a junior or mid-level:  -- Consider how your task affects the team's work. 🔹 If you're a lead or senior:  -- Focus on how your team's work impacts the entire project. 🔹 If you're a producer, director, or PM:  -- Think about how your project fits into the company's strategy. 🔹 If you're a CEO or executive:  -- Ensure the company's results align with stakeholder interests. 🔹 If you're a stakeholder:  -- Align your assets with market interests. Always try to understand the bigger picture.

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At the heart of EVERYWHERE is ARCADIA! ARCADIA is our building tools, self-publishing system, and library of assets and community-made content. Check the basics of building in ARCADIA out in the video below! #gamedev #UGC #gamedevjobs

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Having a blast with the new #UE5 experimental Slate Post Buffer for #UMG in 5.4 https://lnkd.in/gAYH3xUa Charles-Etienne Gouin was asking for a tutorial on Retainer Box Material Effects in Unreal, and this is the same concept but includes the Game Scene! Most of the effects in the little video breakdown can be applied to a retainer box material as well, except for blur. The example is designed evoke the use a dream like sequence to both blur + distort the UI and game scene. There's a video breakdown here and more effects like background blurs, chromatic aberration, pixelation, etc... https://lnkd.in/gQswnTVf

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What is the most promising game type in 2024? Feel free to explain your choice in the comments!

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Simple Read-Only Attribute in Unity - Article

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2nd Book Progress – Be so good they can’t ignore you   This week has been great. I have been fleshing out my other significant character in the development team: an ambitious Senior Level Designer from Italy who is free-climbing in her free time. She is going to have a major story arc in the book. On her journey to becoming a team leader, she has faced several difficult problems in the past that carry over to our current project. She has a reputation of focusing mostly on herself and her own achievements. She is very controlling and wants to get into higher positions for the privilege and power they offer. This is also the main reason why her former team leaders had kept holding back on giving her more responsibilities, especially with regard to leading other team members. Naturally, this made Simone feel somewhat bitter to the point where she feels the company owes her a promotion. At this stage she joins project leader Angelo and his team to lead the level design department there. This is a great opportunity for her, and with Angelo’s guidance, she starts to thrive. A few key things he tells her are that your leaders need to understand what kind of leader you would be if they were to give you this chance. Therefore: 1️⃣ Focus on others and elevate your team members over your own achievements. 2️⃣ Lead before you officially are a leader. 3️⃣ Do remarkable things for the project. 4️⃣ Be so good they can’t ignore you. Once she internalizes these points, she starts changing her behavior and immediately sees success and recognition from the team. When the pandemic hits she really begins to shine. Her wits and adaptability ensure a great working environment despite the new challenges of working from home. She even surpasses Angelo in making sure everyone feels valued, cared for, and able to perform at peak efficiency. This, truth be told, is the best compliment you can get as a leader. When someone in your team becomes better than you.   #gamedesignimpossible #writing #gamedevelopment #gamedesign

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Come learn about Xsolla's strategies to improve your mobile games revenue.

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https://lnkd.in/gTknvq8R Terrible loss for video game preservation. Why are we allowing classic video games to be lost to time? Many games are impossible to re-experience these days due to either: 1. hardware beginning to degrade or be discontinued. 2. online services shutting down and it being impossible to buy it. 3. Multiplayer servers being shut down, good luck playing your online only experience with no servers. Oh but, you can't host your own, cause that's illegal. 4. Emulating the game is considered pirating and is illegal. Why are we making it harder? To give you a personal recent example: I wanted to buy some DLC for an old Forza game that I owned. Too bad, says Xbox Store, this item is not sold anymore. I look online to perhaps buy a code, they are all gone and no retailer is selling them. This is from a game made in 2015 for the Xbox One, which is still being supported! Video game industry: we need to look to other industries such as music and film and do better. If your game is no longer playable or purchasable on modern hardware, and you have no intentions to sell it, we need to make efforts to preserve it. We risk having many games and especially DLC become impossible to play and we can lose a massive amount of history.

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Paradox Interactive announced today that Double Eleven, the developer behind Prison Architect 2, will be stepping away from the project after nine years with the Prison Architect franchise. Good news first, construction on Prison Architect 2 isn't being halted! Co-development studio Kokku, who's been working on the game since 2023 and previously collaborated with Double Eleven, will take the lead in bringing the sequel to completion. The news comes with a hint of complication. While Prison Architect 2 passed certification, negotiations between Paradox and Double Eleven for continued development reached an impasse. Technical hurdles, particularly with memory usage and minimum specifications, emerged during final testing. Paradox, likely wary of past performance issues (think Cities: Skylines 2), emphasizes their commitment to delivering a high-quality sequel that honors the Prison Architect legacy. Kokku, a Brazilian studio with a history of co-development and outsourcing on major titles like Horizon Forbidden West and Call of Duty: Black Ops: Cold War, is now at the helm to ensure Prison Architect 2's smooth launch. The Prison Architect series, which began in 2015 with the original simulation/management game, is still on track for a 2024 release with Prison Architect 2. While the development team has shifted, fans can rest assured that work on this highly anticipated sequel continues. (source: https://lnkd.in/dWtBvDhN)

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Why this item is so expensive? Is it the material it's made from? I know, so many questions. But here's the thing: These are not physical objects you can touch or hold. Yes, you heard that right! It’s just a few pixels on a screen, yet it can cost a fortune. These are virtual items in video games So, why is this happening? Social status and investment drive this trend. Video games mirror real life behavior, much like acquiring a fancy brand item. The in-game economy has grown so large that gaming companies are hiring economists and data scientists to understand player behaviors. Understanding the value of digital items: 1. Social Status: Owning rare items boosts a player's status among peers. 2. Investment Potential: Players see these items as investments that can be appreciated in value. 3. Player Satisfaction: Unique items enrich the player's experience, increasing their enjoyment and satisfaction. 4. Market Dynamics: Supply and demand dictate the prices, just like in real world markets. 5. Developer Influence: Game developers can create scarcity, driving up the value of certain items. And just like in the real world, the value we place on digital items reveals more about us than the items themselves. In the end, it's not just pixels it's a reflection of our desires, ambitions, and the ever evolving digital economy. P.S. What’s your take on digital item value? Share your thoughts below!

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Here is some of the blueprints I've made in unreal. They are simple and quick to make but can be used for so many things.

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