Dimension Studio

2024 Highlight: Apple TV+'s Masters of the Air ✈️ Released back in January the 26th, 2024 our Head of Content Ed Thomas revisits Dimension and DNEG 360's virtual production for the action, adventure World War II miniseries – produced by Tom Hanks, Steven Spielburg and Gary Goetzman. From life-sized B17s cockpits to authentic realtime environments on the LED wall used to fully immerse the actors. Read more on our case study: https://bit.ly/49M7YFq #Mastersoftheair #bandofbrothers #virtualproduction #realtime #previs #LEDWall #Unrealengine #filmmaking

The ultimate ballroom partner in Venom: The Last Dance is Unreal Engine and Motion Capture 💃🕺 See how we visualised Venom and Mrs Chen’s moves in this breakdown reel with Dimension and DNEG 360’s Head of On-Set, Tim Doubleday. Using 44 Vicon V26 Valkyrie cameras, body and hand tracking, and a full-scale motion capture stage matched to the practical set, we provided real-time feedback to visualise every step. Read more about our work on #Venom here: https://bit.ly/3P2am19 #Venom #VenomtheLastDance #visualization #filmmaking #motioncapture

Last chance to vote for us at SXSW London – voting closes tomorrow! Vote for Markerless Mocap Direct Your Own Film Live in Realtime: 🗳️👉 https://bit.ly/3D9Tvaf 👈🗳️ We need your support to bring our workshop to SXSW London. With Vicon we will present a full-performance production visualisation workshop live in realtime. Every vote counts, thank you for the support 🙏 #productionvisualisation #SXSW #SXSWLondon #filmmaking #prodviz #prodvis #mocap #motioncapture

2024 Highlight: Sony Pictures' Here 🏡 We're kicking off our 2024 highlights with Robert Zemeckis' Forest Gump reunion movie #Here. Albert Vidal, Virtual Production Supervisor shares his experience on why this film was so special. From a realtime car system that became a storytelling tool to the challenges of the fixed camera angle. Here released in the US on the 25th October 2024 and the UK on 17th of January, 2025.  Take a further look at Dimension and DNEG 360's work for #HereMovie: https://bit.ly/3L2O91g

Through the window for Robert Zemeckis' #HereMovie 🪟🏡 Take a read of our Newsletter on how Dimension and DNEG 360 showcased a century of life from one camera angle with virtual production for the Forrest Gump team reunion. #virtualproduction #RobertZemeckis #TomHanks #ForrestGump

Coming soon… Archivo. An experimental short film and WebAR experience, Archivo tells the story of a young man in rural Colombia reconnecting with his father’s memories through a hologram. Archivo explores cross-platform storytelling, using volumetric capture and virtual production workflows to enhance emotional depth. Filmed on location in Medellín and at Metastage’s Volumetric Capture Studio in LA.  Made in collaboration by Carlson Bull at bully! entertainment, Metastage, 8th Wall and Dimension Studio. Stay tuned for #ArchivoFilm updates. #WebAR #VolumetricCapture #FilmMaking #InnovativeStorytelling #VirtualProduction #volcap #hologram #AR

SXSW is coming to London in June 2025. We need your votes to secure our full-performance production visualisation workshop, live in realtime, with Vicon 🗳️ 👉 Vote for Markerless Mocap: Direct Your Own Film Live in Realtime: https://bit.ly/3D9Tvaf 👈 Our workshop offers a hands-on experience with Vicon’s Markerless Motion Capture (no suits or markers required). Participants can direct their own full-performance production visualisation shoot with two motion capture actors, live in realtime. You’ll find Dimension’s Tim Doubleday Head of On-Set and Visualisation Supervisor Martin X. Bell (Writer and Director), alongside Vicon’s Product Marketing Lead Ayelet Yaari at the workshop. We appreciate your vote and hope to see you at SXSW London testing our demo! #SXSWLDN #SXSWLondon #SXSW #motioncapture #realtime #prodvis #virtualproduction #unrealengine #mocap #filmmaking

Our virtual production story for Robert Zemeckis’ #HereMovie, as told by befores & afters. From 85 realtime environments to a dynamic weather system and an asset library of foliage and classic cars, discover how we used virtual production and realtime tools to bring a century’s worth of storytelling to life – all visible through the set’s living room window 🏡 You can find it all right #Here: https://bit.ly/3VnlCJa #RobertZemeckis #TomHanks #robinWright #virtualproduction #unrealengine #LEDvolume #realtime #filmmaking

Check out Issue #24 of befores & afters – the entire issue is an in-depth write up of all the production techniques behind Robert Zemeckis’ #HereMovie, from de-aging to virtual production and visual effects. Get the issue here and learn how Metaphysic.ai, DNEG, and Dimension and DNEG 360 collaborated to achieve many technical firsts 👉 https://lnkd.in/e77FKEA8 #RobertZemeckis #TomHanks #RobinWright #virtualproduction #vfx #AI #realtime #filmmaking

We’re still revelling in our Best Virtual Production win at the Broadcast Tech & Innovation Awards for #ThoseAboutToDie We’re bowled over by this quote from the jury. Take a look at our case study to learn more about the project: https://bit.ly/4auoDwX #virtualproduction #filmmaking #BroadcastTech #BTIA24