Help 123 Essay

Help 123 Essay
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Help 123 Essay Help 123 Essay
Hallmark Christmas Research Papers
Again, last year s Hallmark Christmas movies definitely introduced me to some
incredible talent, and Mélanie St Pierre happens to be one of those new faces (at least,
new to me). I first saw her as Samantha Cross in Christmas Encore, and after requesting
an interview, I discovered so much more about her and her solid body of work. Yet
again, I have the honor of sharing a lovely, vibrant, gifted woman with all of my readers!
RH: How did you get started as an actress? What kind of training have you had?
MS: I first got started in film when I was thirteen years old. At the time I was
performing contortion with a circus troupe in Toronto and was offered a role in HBO s
Rescuer s: Stories of Courage, starring Darryl Hannah. I fell in love with being on set
right then and there, it was magical! A few years later, I studied the Meisner Technique
(made famous at the Neighborhood Playhouse in NYC) and started auditioning for film
and TV roles in Montreal, Quebec.
What was your first professional job in the business and what are your memories of it?
After shooting Rescuers, the first gig I landed was a music video for Pictures by The
Boomtang Boys, a Canadian pop band. It was a completely zany music video about a girl
that falls in love with a cardboard cut out at her local record shop ... Show more content
on Helpwriting.net ...
I also work occasionally as an audition reader for a Toronto casting director, and I have
to say that audition sessions for Hallmark movies are particularly fun. I always go
home with cramps in my cheeks from smiling so much! The really interesting thing
about being a reader for auditions is that you get to embody characters that you d
never get to play under other circumstances. And with Hallmark auditions, I really get
to run the gamut of types of roles, and every time I go home feeling wonderful. I ve
always really adored watching Hallmark movies... I m a sucker for a good
Dulce Et Decorum Est And The Sorrow Of Sarajevo Essay
Dulce Et Decorum Est by Wilfred Owen, and The Sorrow of Sarajevo by Goran Simic,
both examine the reality of war. Written in The Sorrow of Sarajevo depicts a civilian s
life in a warzone whereas Dulce Et Decorum Est is set in a soldier s point of view in
WW1. Despite both poems tackling the subject of war, they contrast in their choice of
language, tone and pace, alongside both using literary techniques.
The author of The Sorrow of Sarajevo , Goran Simic uses a tone that differs greatly
compared to Dulce Et Decorum Est . The tone in Simic s work focuses more on the
literal sense and is slow paced. Alternately, Owen s work is fast paced and surreal; the
author was able to convey a sense of horror and shock through the graphic imagery. ...
Show more content on Helpwriting.net ...
This is evident in the poem when the speaker states, Family photographs spill from the
back of a garbage truck; the definition behind this symbol is that the family photographs
symbolize the families and them spilling from a garbage truck symbolizes the fact that
they are now gone and worthless. This is because to have family photographs,
something that are always personally treasured, to be in a garbage truck shows that the
person that owns them is either gone or has lost worth in the photograph. This leads
back to the main topic of war, and how it had destroyed the civilians and their families.
In Dulce Et Decorum Est the writer uses sensory language, a literary technique, to
describe the exhaustion of the soldiers. This can be seen when the speaker mentions the
quote, Drunk with fatigue; deaf to even the hoots of disappointed shells that dropped
behind, In that quote, the author uses the sense of hearing, showing that the soldiers
were so tired that they couldn t even hear the shells dropping. This technique, sensory
language, highlights how extreme the fatigue of the soldiers was, enabling the reader to
begin to fathom how much the war life put them
Jonesown Massacre And The Jonestown Massacre
THE JONESTOWN CULT
Mass suicides are infrequent yet notable events that have occurred throughout the course
of human history. The forty nine Japanese Ronan, or Russian villagers burning
themselves during the Russian Church s Great Schism, are terrible reminders of the
lengths humans will go to in order to remain faithful to a deeply held ideology (Coleman
46). Notably, in both of these examples and in the case of the Jonestown massacre, the
suicides occurred within the context of a culture, sub culture, or counter culture that
explicitly lent credence to the idea that death could be an act of ultimate devotion. Thus,
it is reasonable to assume that humans, when capable of uninfluenced choice, will choose
not to die under such circumstances. This makes the death of 909 men, women, and
children under the leadership of Jim Jones all the more curious from sociological,
psychological, and ethical perspectives.
THE MAKING OF A CULT

Jim Jones started The People s Temple in Indiana in the 1950s; however, it was when he
moved to California that he truly began to grow his influence. His message of equality
and harmony spoke to many, especially in the turbulent times of the Civil Rights
movement and the Cold War. Jones charisma cemented his congregants adoration. The
ideal culture of The People s Temple, which stood in opposition to America s real culture
at the time, was what made it a counter culture; it was their dedication to Jones that set
turned them to cultism. Whether Jones

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THE MAKING OF A CULT

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