Cpar Answers Week 1-5
Cpar Answers Week 1-5
Cpar Answers Week 1-5
WEEK 1
LOCAL MATERIALS USED IN CREATING ART
WEEK 2
TRADITIONAL TECHNIQUES USED IN CREATING PHILIPPINE ART
Wood
2.
Fiber
3.
Clay
4.
Bamboo
5.
Coconut Leaves
WEEK 3
ARTISTIC SKILLS AND TECHNIQUES
ACTIVITY 1: OBSERVE
1. The sky is bright and amazing.
2. The color of the grass and the sky is contrasted.
3. This is a landscape view.
4. This is a balance principle of graphics.
5. The land is wide, neat and beautiful.
WEEK 4
CHARACTERISTICS OF CONTEMPORARY ARTS
ACTIVITY 1: WORD PUZZLE
I N N O V A T I O N I N A R T
N U N T E C H N I Q U E S E O
T T E L E M E N T S Q U I D O
E C U M B E R E D R E D D R N
R R C S O N T E M P O R Y O E
V A C C E N A T I O N I G S T
E C C E N O T R I X II M U E W
N K I N K Y F R I E D B Y S O
N E W E R T E C H N I Q U E S
T R A N S I S O N A I P O Z K
I S B N V D X V L S P R S A E
O A R M D A N D L O P A T A D
N N A E A N I M A T R W R X I
U S E N E W M A T E R I A L S
C H A R A C T E R I S T I C E
• PERSPECTIVE • EXTENSION • GEOMETRIC • VIRTUAL • PRIMARY COLORS • COLOR • HARMONIES • TERTIARY
• ANALOGOUS • SURFACE • VALUE SCALE • GRAY • PATH • GRAY • SPACE • SITE • VALUE • SHAPE • SHAPE
• COMPLIMENTARY
From the Word Puzzle presented, what should be our topic?
-
ACTIVITY 2: DIFFERENTIATE
Painting A Painting B
1. Orange-like color base 1. Reddish background
2. The person making the expression is more 2. It has less complex
complex
3. There are two people from the background 3. The other person from the background is
blurred
4. Clearer picture
ACTIVITY 3: SUMMARIZE
Write a brief essay that answers the question, “What do you understand about the
characteristics of contemporary?”
-Contemporary is an important type of art that includes more than fifty types of expressions that have
emerged since the end of World War II. Achieving an understanding of contemporary art requires the study of
many theories that have been presented over approximately six decades of art. The common denominator is
that artistic talent must be formally recognized by the art world. Some contemporary artists reflect the
influence of Modernism, including Impressionism, Surrealism, and Cubism, and others separate themselves
from Postmodernism, even eliminating all connections with the artistic movements that existed in the past.
The most influential feature of contemporary art is that it has no distinguishing feature or characteristic. It is
characterized by the artist's ability to invent and create a new masterpiece.
WEEK 5
FINAL PRODUCT USING APPROPRIATE MATERIALS IN MAKING
CONTEMPORARY ARTS
ACTIVITY 1: OBSERVE
Questions:
1. What is your first impression upon looking at this contemporary art?
-Another definition of "first impression" is the normal response when seeing artwork for the first time. For
instance, for me, it reminds me of city streets. A street lamp and a cluster of wooden houses can be seen.
2. Why do you think the artists named it “Address 1”?
-Since it resembles a street or alleyway, it appeals to me. It's possible that this was their home in the
Philippines until Alfredo and Isabel Aquilizan moved to Australia.
3. What materials do you think they used to create this artwork?
-Cardboard and Wood are the primary materials joined by adhesives.
4. Do you think the materials they used can be found here in the Philippines?
-Yes. Cardboard (or karton) and wood are very common recyclable materials
5. If you are to recreate this art using different mediums, what materials will you use?
-Used folders, hard paper, and newspapers for textures.
ACTIVITY 2: RESEARCH
Maria Taniguchi was born and raised in Dumaguete city. After a BFA in Sculpture at the University of
the Philippines, she completed a MFA in Art Practice at Goldsmiths in London in 2009. In the same year she
joined the LUX Associates Artists Program, a post-academic program based in London for artists working with
the moving image. Recently, Taniguchi won the 2015 Hugo Boss Asia Art Award for Emerging Asian Artists at
the Rockbund Art Museum in Shanghai. Adhering to a daily practice of art-making, Maria Taniguchi creates
deliberate, cerebral paintings in a systematic manner. Her gridded brick paintings build uniform, cohesive
images from small, predetermined details and a repetitive mark-making process. Using varied ratios of water
and acrylic, Taniguchi paints gradated brick walls measuring up to 15 feet tall, building her compositions in a
manner not unlike true brick-laying. While non-representational, Taniguchi’s paintings and gradations function
as renderings of the artist’s moods, digital algorithms or equations, or, in the case of Untitled (Mirrors) (2011),
which features a less rigid gradation than her other works, the surface qualities of marble. Taniguchi ultimately
seeks to transform canvas into something more durable and call into question notions of surface by
constructing painted architectures, rather than images.