As the film industry continues to evolve, it was great to be part of the "Developing New Audiences for Independent Film" panel in Cannes. The panel spotlighted standout initiatives across Europe, with the aim of showcasing creative excellence and promoting international engagement and collaboration: Sarah Calderón shared insights about the European Film Challenge, an initiative for young audiences across 14 European countries that encourages viewers to watch 10 European films within 10 weeks. Participants who complete the challenge receive prizes and group recognition, fostering the next generation of cinephiles. Jérémy Zelnik introduced us to Futura Cinema, a French incubation program developed in partnership with several film festivals, centers, and residencies. The 2024 edition focuses on how innovations from other sectors—such as museums, the music industry, publishing, and education—can inspire those involved in cinema and film distribution. This program is a great example of how the film industry can learn from other creative sectors. Manon Dulauroy discussed Piece of Magic Entertainment and its strategy for attracting new audiences by bringing concerts, comedy, and gaming to the big screen, as well as eventising releases for films like Godzilla Minus One. This approach highlighted how the shared experience of cinema can appeal to a broader audience beyond traditional film fans. I then had the opportunity to talk about Escapes, a brand created by elevenfiftyfive to attract new audiences to cinemas. Sharing the result of the first two events from this multi-year project: 16,098 tickets claimed 50% were first-time visitors to that cinema 82% said they would return to buy a ticket within 3 months 43% doing so within a month 6,966 sign up to cinema marketing comms. A special thanks to Silvia Angrisani for curating the panel, and Ben Luxford for hosting. #UKPavilion #Cannes2024
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🎬 How to Win Film Festival Awards: Tips & Insights 🌟 Dreaming of winning a film festival award? Here's a roadmap to help you succeed! 🏆 1️⃣ Create a Great Film: Start with a high-quality production. The film "Stutterer" won the 2016 Oscar for Best Live Action Short Film, thanks to its compelling story and top-notch production. 2️⃣ Research Film Festivals: Utilize platforms like FilmFreeway to target festivals like Sundance, Cannes, or TIFF. Don't overlook smaller yet reputable festivals like Tribeca or SXSW as great alternatives. 3️⃣ Understand Festival Criteria: Tailor your submissions to meet specific festival preferences. For instance, "The Lunchbox" was acclaimed at Cannes Critics' Week due to its perfect alignment with the festival's aesthetic preferences. 4️⃣ Build a Strong Marketing Strategy: Develop a robust promotional plan including trailers, social media campaigns, and more. The team behind "An Irish Goodbye" created a successful Oscar campaign, boosting the film’s profile significantly. 5️⃣ Network at Festivals: Attending festivals can open doors. The creators of "Whiplash" secured funding and distribution by networking at Sundance. 6️⃣ Persistence Pays Off: Stay determined. "Pariah" faced many rejections before finally achieving recognition at Sundance. 🔍 FAQs: Why are awards important? They boost visibility, provide validation, and open up more opportunities. Top prestigious festivals? Cannes, TIFF, Sundance, Berlin, and Venice are highly regarded. Tips for selection? Align with the festival’s theme, submit early, and network during the event. 🎥 Selection Process Insight: Initial Screening: Films are initially scored by the programming team. Secondary Review & Nomination: High-scoring films are reviewed again for potential nomination. Jury Evaluation: A jury of industry experts picks the winners based on originality and artistic merit. Audience Choice: Some awards are determined by audience votes. 👉 Want deeper insights? Join the FFA Community: https://lnkd.in/ercsA8Fj #FilmFestivalTips #FutureFilmAcademy #WinningAtFestivals #FilmAwards #FilmmakerLife #Cannes2024 #SundanceFilmFestival #OscarQualifying
How to Win Film Festival Awards
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Film festivals are #major if you want to be seen yet disability is still excluded. I hope this study I helped to analyze and write reaches a #FilmFestivalDirector, because everyone deserves a chance: https://lnkd.in/g2bjpXQf PLUS, it’s only 4 changes: 1. live captions for panels and Q&As 2. low-sensory spaces (specially designed, calming environments that can be used by those who are neurodivergent) 3. closed captioning for films, panels and Q&As; American Sign Language (ASL) or an applicable sign language interpreter 4. easy-to-find accessibility information on websites and/or event staff who are knowledgeable of available access at the festival. And if not, more findings like this will occur: - One respondent explained: “It was disappointing to have to tell cast members they could not attend festival events or accept invitations to dinners/parties because we were unable to provide an interpreter.” If you want to learn more, dm me and I can help you - no payment necessary
"The vast majority of US and international film festivals remain inaccessible to disabled participants, an accessibility report has revealed. The inaugural findings of the Accessibility Scorecard Impact Report detail that 73% of the disabled respondents of its wide-ranging survey experienced inaccessibility during film festivals." Thanks to Manori Ravindran and Screen Daily for covering the release of the Accessibility Scorecard Impact Report. https://lnkd.in/gtMGqCCj
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Exploring independent cinema typically means embracing the idea of attending film festivals in person, soaking up the atmosphere, and connecting with fellow cinephiles. This approach often leads to amazing discoveries, unforgettable encounters with creators, and a deeply immersive experience into diverse cultures. 🎬✨ However, when taken to an extreme, it might overlook incredible films that are also showcased online. Traveling and attending festivals can be costly and time-consuming, potentially limiting exposure to a wider array of stories and perspectives. On the flip side, embracing virtual film festivals opens doors to international cinema from the comfort of our homes. When online, more viewers benefit from the unique voices and experiences presented in these films. Plus, discussions and panels can reach a broader audience, allowing for vibrant conversations beyond geographic limitations. 🌍 Yet, relying solely on online festivals may sometimes create a sense of disconnect from the authentic festival experience—missing out on the energy of live interactions and the collective excitement of film premieres. Why not blend both approaches? Attend local screenings to celebrate community connections, while also exploring upcoming online festivals to broaden your cinematic horizons. Here are some steps to create your balanced strategy: 1. Discover local film events and festivals that highlight indie films. 2. Join virtual festival events—mark your calendar for programs you want to see. 3. Engage with creators and fellow viewers on social media platforms to share insights and build community. 4. Reflect on films watched, both physically and online, and discuss them with loved ones or communities to deepen understanding. By merging in-person and online experiences, you can revel in the beauty of independent storytelling from across the globe. Let’s celebrate cinema together! 🍿❤️ #CINDIE #IndependentCinema #FilmFestivals #DiverseVoices #SupportIndieFilm
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Film festivals serve as crucial platforms for filmmakers to showcase their work, providing opportunities for diverse voices and stories to be heard and appreciated. These events not only celebrate artistic achievement but also foster cultural exchange, creating a global dialogue through the universal language of cinema. One of the primary benefits of film festivals is their ability to spotlight emerging talent and innovative storytelling. By offering a stage to filmmakers who might otherwise struggle to gain recognition, festivals serve as launchpads for careers and ideas that push the boundaries of the medium. Moreover, film festivals contribute significantly to the cultural landscape by exposing audiences to perspectives and experiences they may not encounter in mainstream cinema. Through documentaries, international films, and niche genres, festivals broaden our understanding of the world and encourage empathy and understanding across borders. Additionally, these events provide invaluable networking opportunities for industry professionals, fostering collaborations and partnerships that drive the evolution of filmmaking. In essence, film festivals are essential pillars of the cinematic ecosystem, nurturing creativity, fostering diversity, and enriching our collective cultural tapestry. As we continue to navigate an increasingly interconnected world, the importance of these gatherings in celebrating and amplifying diverse voices cannot be overstated. Tune in to our Instagram to check out our post! Anand Varadaraj #cinema #cinemacultura #filmfestival
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What is the most popular day of the week for film festivals to open their doors? I studied the dates of 3,891 film festivals that either have or plan to hold an event this year to understand their scheduling patterns. Turns out, Fridays and weekends are the most popular times for festivals to begin, and the best screenings often take place over the weekend. More details on this and other data points at https://lnkd.in/gb5HktPp
What are the most popular days for film festivals?
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What if it was easy to have your film booked in theaters? You made something awesome. It won festivals. Critics dig it. Audiences love it. But no one bought it. What if there was a way that an exhibitor could choose to run it on their own? We had that happen on INVISIBLE NATION and it was wonderful, but required we knew someone who knew someone who knew someone. It shouldn’t have to work that way. Know what? Soon it may not have to. Soon there may be a solution. Check this out: https://lnkd.in/gxFcVHiQ
Former top exhibition sector lobbyists unveil digital marketplace to boost theatrical supply line
screendaily.com
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How to Achieve Festival Wins for Your Indie Film
How to Achieve Festival Wins for Your Indie Film
https://indiedocjourney.com
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What is the most popular day of the week for film festivals to open their doors? I studied the dates of 3,891 film festivals that either have or plan to hold an event this year to understand their scheduling patterns. Turns out, Fridays and weekends are the most popular times for festivals to begin, and the best screenings often take place over the weekend. More details on this and other data points at https://lnkd.in/gVTReR3n
What are the most popular days for film festivals?
https://stephenfollows.com
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Every year we received approximately 2,500 submissions. Two-thouasand of those submissions were, for a variety of reasons, significantly flawed. They either had technical issues that were impossible to ignore, or they were simply structurally or conceptually confused—a circumstance the film was never able to surmount. Those 80 percent of submissions were easy to reject. The last 20 percent, i.e. 500 submissions, were in serious contention. But there were only, as in many festivals, a fraction of the screening slots available for those contenders. We screened 100 films, which amounted to 20 percent of the those in active consideration. It was within those 500 films where difficult choices about content, style, form, memorable characters and filmmaker background would be made. SILVERDOCS was known for its A+ programming. But screening at a festival is nowhere near the end of the road for a filmmaker and his or her film. Of those approximately 100 films that we screened, no more than 20 would achieve what would be considered “significant distribution,”—a theatrical, television, or streaming deal. https://lnkd.in/gWsCpDGe
Every Documentary Filmmaker Needs to Know This Statistic
nofilmschool.com
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Film festivals are worth it if ⤵ You can attend - they are worth more than just what your film can gain. The hope and the dream for filmmakers is that their film becomes a festival darling and sets forth a prosperous career for a filmmaker. Of course, that is possible, but that is the outlier. You should look at a film festival in two ways. 1.) How it will help your film, and how it will help you. Most of us understand how it can help the film, so I want to focus more on how it can help you. Their are great networking opportunities at festivals, but every other filmmaker at a festival will have the same agenda as you. They want to set up connections that in essence help them get their next film made (or their current film sold...which then helps them get their next film made). It is okay to do that too. Use every opportunity at your disposal. It is better to focus that networking time on the few great connections that will help you, then the many connections that may forget you. Networking very much is about quality over quantity. 2.) But more than networking, use the festival to help you grow as a filmmaker. Look at how audiences react to your film. Really listen and pay attention to the scenes, dialogue, and moments they react too. - Is it what you had intended? - Is it different? - Unexpected? - Is that a positive or a negative? Most of the time, you will NOT get the privilege of seeing a group of people watch your film. This is incredible insight into who and how you are as a storyteller. It's a great opportunity to learn. To learn about what works and what didn't work. Next, find some audience members that saw your film and ask them what they thought of it. This works best if they do not know you are the filmmaker, so that you can get authentic feedback. Also, WATCH films, try to get in as many screenings as possible. Learning what filmmakers are doing right now with storytelling, can help you grow as a filmmaker. Then talk with those filmmakers about their films. All filmmakers want to talk about their film. You will gain so much more by listening to others talk about their films, than by you talking about your own film. Lastly, all of this is only possible if you can actually attend that festival. This is something you need to plan for in your budgeting for your film. How much will festival submissions cost? How much will marketing materials cost? How much will it cost for you to travel, stay in a hotel, and eat? Just a handful of festivals can cost you a few thousand dollars. Nothing is worse than getting accepted to a festival and then not having the money to attend. A film festival is worth it if you can attend. What are your thoughts on film festivals? What tips do you have for getting the most out of attending a film festival? I am curious to hear your thoughts in the comments.
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