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Multimedia Producer | Multimedia Production

Every year we received approximately 2,500 submissions. Two-thouasand of those submissions were, for a variety of reasons, significantly flawed. They either had technical issues that were impossible to ignore, or they were simply structurally or conceptually confused—a circumstance the film was never able to surmount. Those 80 percent of submissions were easy to reject. The last 20 percent, i.e. 500 submissions, were in serious contention. But there were only, as in many festivals, a fraction of the screening slots available for those contenders. We screened 100 films, which amounted to 20 percent of the those in active consideration. It was within those 500 films where difficult choices about content, style, form, memorable characters and filmmaker background would be made. SILVERDOCS was known for its A+ programming. But screening at a festival is nowhere near the end of the road for a filmmaker and his or her film. Of those approximately 100 films that we screened, no more than 20 would achieve what would be considered “significant distribution,”—a theatrical, television, or streaming deal. https://lnkd.in/gWsCpDGe

Every Documentary Filmmaker Needs to Know This Statistic

Every Documentary Filmmaker Needs to Know This Statistic

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