Camilo had the breakthrough new acts dream of when he made the move from songwriter to artist last year. After flirting briefly with fame in Colombia as a young teen singer, Camilo was dropped from his label with only two albums under his belt. Years later, he gave full-time songwriting a shot when he joined his future brothers-in-law’s, Venezuelan duo Mau y Ricky’s, music sessions. Together, they had a hand in writing hits like Becky G and Natti Natasha's 13-times Platinum "Sin Pijama." Later, Camilo even broke out on his own to co-write smashes for Bad Bunny, Anitta, Karol G, and Lali.

In late 2018, it was Mau y Ricky who were a catalyst for Camilo’s career as an artist when they thrust him (and his signature handlebar mustache) into the spotlight with a vocal feature on their global hit "Desconocidos." Fresh off that success, Camilo signed a new record contract with Sony Music Latin in early 2019. His breakthrough single "Tutu" with Pedro Capó received a co-sign from Colombian superstar Shakira when she jumped on the remix. The song only further propelled Camilo into popstar status; His music became like a breath of fresh air in the Latin music industry dominated by flashy reggaeton with his fusion of romantic, bubbly pop songs and reggaeton influences. 

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In 2020, he continued to work on his artistry and his quirky niche between Latin pop and reggaeton. His efforts resulted in his third album, Por Primera Vez, which feels to him like his debut. The title track is a duet with his wife Evaluna Montaner, who he married right before the COVID-19 pandemic. (While in quarantine with Evaluna, the videos they posted dancing to his songs went viral on TikTok. He's the most followed Latin music artist on the platform with over 22.1 million followers.)

Just two years after “Desconocidos,” Camilo, now an artist who boasts millions of views on YouTube, earned his first Latin GRAMMY nomination and win as an artist: Best Pop Song for "Tutu." The Colombian musician was still taking in the win when he found out Por Primera Vez is a nominee in the Best Latin Pop or Urban Album for the 2021GRAMMY Awards show. 

"It was a mind-blowing moment," Camilo tells GRAMMY.com about hearing his album called out as a nominee. "As a team, we were still processing the blessing of winning my first Latin Grammy. I didn't have time to process that and then boom! The nomination. It's a great honor."

In an interview over Zoom, Camilo chatted with GRAMMY.com about his nomination, working with Bad Bunny, and his new album, Mis Manos.

What's the difference between writing for yourself and writing for another artist?

It's completely different. It's about the spirit that you put into the song. Songs are like pictures of the soul. When I'm writing with another artist for their project, I want to be a channel for them to take out from inside of them those things that they needed new eyes to see. When I'm writing for myself, I'm diving into my own essence and identity.

You wrote with Bad Bunny on "Si Estuviésemos Juntos." What was that experience like?

I really admire Bad Bunny. I love his music. I think he's one of the greatest. I'm there as a songwriter because of Tainy's generosity. I've been working with Tainy for a long time. Tainy took from one of the musical ideas and textures that we were recorded before in another session. He decided to use that as part of the creation of the vibe of "Si Estuviésemos Juntos." I would really love to say that I wrote the lyrics and the melody with Bad Bunny in-person, but I didn't. I would love to do that sometime. I'm very grateful to Bad Bunny and Tainy for letting me be a part of that.

How did your life change after releasing "Desconocidos" with Mau y Ricky?

That was the first music video that came out with me as an artist after like four or five years of being in the studio and writing and producing anonymously. It's one of their biggest songs and one of my biggest songs. It opened up my thirst of pursuing a career in the music again, not only in the studio but to be out there.  

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Por Primera Vez was your reintroduction to the music industry. How do you feel about the album being nominated for a GRAMMY?

This nomination is something that's really important to me. Por Primera Vez is a body of work that represents me. For it to be nominated as one of the favorite Latin albums during a difficult season for humanity with 2020 and the crazy s*it, it's an honor. It's a confirmation that I was doing the right thing. [This album] was honest. It was full of passion and love.

What did you learn from Shakira when you worked on the "Tutu" remix with her?

I learned a lot of things. She's all the time focused on the little details. She pays attention to the details as if her whole career depends on those little details. Not only working on the song, but also when we performed it live at the closing of the David Cup Finals. I was watching her pay a lot of attention to the lights, to the cameras, and to the volume. I was taking notes in my head. I was like, "Oh my God, I can see why she's so big."

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What were you thinking when you won the Latin GRAMMY for Best Pop Song for "Tutu"?

That was a beautiful night. It was a great surprise because that was the first Latin Grammys where I was nominated as an artist. The year before I was nominated as a songwriter with a song ["Querer Mejor"] I wrote with Juanes and Alessia Cara. The first time you're there and you're introducing yourself as an artist and you receive this award that you've been dreaming about since you were a child, it was very inspiring. For the industry and your colleagues to let you know that you're one of their favorites and to recognize the effort and the pursuit of excellence that you're doing with your music, that was a great compliment for me and my career.

Ricky Montaner [from Mau y Ricky] told us that he busted his lip while celebrating your Latin GRAMMY win.

[Laughs.] There's a video of that moment too! I saw it. My family was screaming and jumping around. During the hugs, he was biting his lip and then that happened. He was like, "Bro, I broke my mouth because of your Grammy, but I'm so happy that you won."

How different was it to make Mis Manos versus making Por Primera Vez?

Por Primera was like a first seed. With [Mis Manos], I'm looking into the deepest roots of who I am, who I have been, and who I want to be. This album is all written, produced, organized, played, recorded, and delivered with my hands mostly. It's a collaboration of a couple of friends that have been there for me. It's all about trusting what God had put into my hands.

"Machu Picchu" is your second song with Evaluna. What's the experience like to make music with your wife?

It's awesome. It's beautiful because she's not only my wife, but she's my favorite artist. As her husband, I really enjoy watching her be excellent. But as her No. 1 fan in the world, I really wanted to see Evaluna in a sexier song. She's so sexy and she's proud of it. She wanted to show that and share that. It's an honor and I really feel glad that I'm the one who can be present next to her showing that side. The people received that video with a lot of love.

Tell us about the ranchera song "Tuyo y Mío" that you made with Los Dos Carnales.

Regional Mexican music is Mexican, but in Colombia, we all feel that it is our own too. Mariachi music, Norteño music, boleros, and ranchera, we feel that it's part of our identity too. I grew up listening to that. My parents celebrated with that kind of music all the time like during Christmas. I really needed to explore that sound because I was curious. I love it. I enjoy it. I consume regional Mexican music all the time. In a way, I wanted to honor the way Mexico has warmly received and welcomed my music in their houses and their lives. This is like an homage to them.

<blockquote class="tiktok-embed" cite="https://www.tiktok.com/@camilo/video/6919272324499787013" data-video-id="6919272324499787013" style="max-width: 605px;min-width: 325px;" > <section> <a target="_blank" title="@camilo" href="https://www.tiktok.com/@camilo">@camilo</a> <p>Me babeo con mi esposa. Delicia! Guapa! Churro! ROPA CARA! </p> <a target="_blank" title="♬ Ropa Cara - Camilo" href="https://www.tiktok.com/music/Ropa-Cara-6918282645415659521">♬ Ropa Cara - Camilo</a> </section> </blockquote> <script async src="https://www.tiktok.com/embed.js"></script>

Your songs have gone viral on TikTok. What do you think about your music connecting on there with millions of people?

TikTok is a huge social media platform. In this pandemic, people needed something like TikTok to celebrate or not take life so seriously. My music was part of those excuses that people had to laugh and dance and celebrate life. Part of the success of my last album Por Primera Vez was because of TikTok. People were in their houses facing a lot of challenges and intense moments. Maybe their favorite moment of the day was opening TikTok to dance to my songs from this album. My songs through TikTok were like a refuge for a lot of people who were facing dark times, including myself. This pandemic was a huge challenge for me, my marriage, and my family. My songs were my refuge. 

Fito Páez Looks Back On His Influential Albums, Talks Love, Astrology & Inspiration Ahead Of 2021 GRAMMY Awards Show

One would have expected plenty of pomp and circumstance as the Latin GRAMMYs celebrated their 25th year anniversary. But there were no lengthy speeches or self-congratulatory videos during the Nov. 14 telecast.

This year, the telecast focused on the things that matter: saluting the magic of undying genres like salsa, rock and bossa nova. Honoring the legacies of such Latin American trendsetters as Carlos Vives and Juan Luis Guerra. Giving artists a carefully curated space where to showcase their craft and inspiration.

From the stark cinematic moods of reggaetón to the healing warmth of Afro-Caribbean roots and the bold expansion of música mexicana, here are 10 of the most exciting celebratory moments from the 2024 Latin GRAMMYs.

The Music Of Carlos Vives Is A Priceless Cultural Treasure

Colombian singer/songwriter Carlos Vives was The Latin Recording Academy's 2024 Person Of The Year — a fitting recognition to his groundbreaking fusion of the accordion-heavy vallenato music of his land with rock, pop and even reggae. Vives' path of innovation began with the 1993 album Clásicos de la Provincia, and, like the Latin GRAMMYs, his career has evolved much over the last 25 years.

The singer kicked off the telecast with a career-spanning medley of hits such as "Fruta Fresca" — a rollicking gem off his 1999 classic El Amor de mi Tierra — and the more recent "La Bicicleta." At the end of his performance, he was joined by an enthusiastic group of fellow singers, including Juanes and Camilo. This brisk summary of his creative genius underscored his innate ability to connect with the essence of Latin American culture.

Read More: Watch: Carlos Vives Performs "La Bicicleta," "Robarte Un Beso" & More At The 2024 Latin GRAMMYs

The Moody Soundscapes Of Urbano Continue To Expand

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Jagged regaetón beats and ominous trap atmospherics are a natural component of the Latin pop DNA. But the urbano universe continues to grow, experimenting with novel song structures while incorporating references to other genres.

Early on in the telecast, three contemporary stars joined forces for a segment that showcased the ever evolving side of urbano. Eladio Carrión ("Mama's Boy") Quevedo ("Columbia") and Myke Towers ("La Falda") combined their proven commercial appeal with a sophisticated vision.

A True Master Never Stops Learning His Craft

Let's just say that this year's ceremony was a memorable evening for perennial Latin GRAMMY favorite Juan Luis Guerra. The 67-year-old singer/songwriter won the coveted Record Of The Year and Album Of The Year awards, and cherished his Dominican roots in his acceptance speech.

But Guerra also let the music speak for itself in a mesmerizing performance of Record Of The Year winning track "MAMBO 23." A stunning display of craftsmanship, it begins with a dembow beat, incorporates electronic loops, and also switches between the haunting qualities of spiraling bachata lines and the raucous party vibe of traditional merengue — all within the same song. Clearly, Guerra continues to learn and further refine his musical lexicon with each new project.

Read More: Juan Luis Guerra Sweeps The 2024 Latin GRAMMYs With 'Radio Güira'

Three Mexican Legends Are Sorely Missed

Alejandro Fernández | Photo: Getty Images for The Latin Recording Academy

There was a reflective quality to this year's telecast, which included tributes to classic genres and luminaries of the past. Perhaps the most poignant, though, was the segment dedicated to three late giants of Mexican music: Juan Gabriel, José José and Vicente Fernández.

The delicate sadness of Juan Gabriel's "Hasta Que Te Conocí" (performed by Reik and Leonel García), the apocalyptic balada pathos of José José's "El Triste" as a duet (a duet with Carlos Rivera and David Bisbal), and the unapologetic joy of Vicente Fernández's "No Me Sé Rajar" (fittingly, by his son Alejandro) — illustrated the monumental sway that these masters still hold in the Latin music zeitgeist.

Salsa Lives On — And It Grooves Like Crazy

While it is true that the heyday of salsa took place during the '70s and '80s, this is a genre that simply refuses to grow stale. And to prove it, a parade of stars delivered a dazzling tribute to the tenets of salsa fever.

Venezuela's Oscar D'León offered a swinging reading of his 1974 classic "Llorarás," while Colombia's Grupo Niche had the audience chanting along to the chorus of "Una Aventura." Tito Nieves and young stars Luis Figueroa and Christian Alicea were also present, while the salsa romántica royalty of Marc Anthony and La India revived their '90s mega-hit "Vivir Lo Nuestro" in stunning, dynamic form.

Read More: Watch: Marc Anthony & Salsa All-Stars Tito Nieves, Grupo Niche, Oscar D'Leon & More Celebrate The Genre At The 2024 Latin GRAMMYs

Latin Pop Thrives On Emotional Connection

After winning three Latin GRAMMYs last year on the strength of the genre defining Mañana Será Bonito — including the coveted Album Of The Year — KAROL G added another award to her collection on the 2024 telecast. The Colombian star's eclectic 2023 mixtape, Mañana Será Bonito (Bichota Season), won in the Best Urban Music Album category, at a moment when KAROL G is celebrated as one of the world's biggest pop stars.

As she collected the Latin GRAMMY, she focused on the things that matter. "This is about the love that I share with my fans," said a visibly moved KAROL. "And my family, which makes my life so much easier. Without them, I wouldn't have my mental health." The same feeling of emotional openness permeates the songs in both Mañana Será Bonito projects.

This Is Not Your Parents' Música Mexicana

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It is definitely not a coincidence that música mexicana is experiencing a massive wave of popularity. The charisma and musical talent of stars like Peso Pluma, Grupo Frontera and Fuerza Régida is augmented by the vision of innovators such as Carín León, who blends effortlessly the folk roots of his native Sonora with cool touches of country and blues.

Introduced by Julieta Venegas and Mon Laferte, León performed "Despídase Bien" — the ending track of his extraordinary 2024 album, Boca Chueca, Vol. 1 — backed by a full band and choir. A thorny electric guitar solo and rousing gospel vocals added gravitas to a song that is Mexican to the core, but does not hesitate to venture out of the box in search of true emotion.

The Old Bossa Nova Classics Are Indestructible

There were no sassy baile funk riddims when Brazilian stars Anitta and Tiago Iorc joined forces for a couple of songs in a dimly lit section of the stage. Instead, the duo launched into a fragile, understated version of Anitta's "Mil Veces," backed only by acoustic guitar and the diva's gorgeous voice.

This intimate moment was followed by "Mas Que Nada" — the whimsical 1963 tune by Jorge Ben that turned Sérgio Mendes and his band Brasil '66 into one of the architects of the bossa nova movement. Mendes passed away in September of this year, and the luminous interpretation by Anitta and Iorc served as the most elegant tribute possible.

Read More: Watch: Anitta & Tiago Iorc Team Up For "Mil Veces" & A Beautiful Tribute To Sérgio Mendes At The 2024 Latin GRAMMYs

Visceral Rock n Roll Will Never Go Out Of Style

One of the most intense moments of the telecast lasted less than two minutes — but will stay in the mind of anyone who ever prophesied the death of rock.

Hailing from Monterrey, Mexico, The Warning — a trio made up by sisters Daniela, Alejandra and Paulina Villarreal Vélez — delivered a welcome jolt of rock 'n'roll with a ferocious version of their hit "Qué Más Quieres." The performance was a reminder of how much raucous fun a trio of guitar, bass, drums, and gutsy vocals can generate. And yes, Latin rock is in excellent health, thank you.

Read More: Watch: The Warning Bring Hard Rock Power To The 2024 Latin GRAMMYs With "Qué Más Quieres"

At The End Of The Day, It's All About The Songs

As is often the case with Latin GRAMMY darling Jorge Drexler, the Uruguayan troubadour had some deep thoughts to share when he received the Song Of The Year honor for the exquisite "Derrumbe" — a non-album single he released in February of this year.

"This is madness," Drexler said after exchanging a hug with Juanes, who announced the winner. He pointed out that he hails from a very small country, and that "Derrumbe" itself was a sad and short song — una cancioncita, he called it.

He thanked the Latin Recording Academy for healing his chronic imposter syndrome and proving that a delicate, unassuming tune like his could win. Then again, that's one of the main missions of the Latin GRAMMYs: to acknowledge the power of a great song to inspire and transform.

The Latin music community is buzzing with excitement following a week of events leading up to the 25th Annual Latin GRAMMY Awards. Held at Miami's Kaseya Center on Nov. 14, the 2024 GRAMMYs showcased the best and the brightest in global Latin sounds.

In the lead-up to The Biggest Night In Latin Music, a series of festivities offered a rare glimpse into the heart of Latin music’s vibrant culture. Latin GRAMMY Week brought artists, producers, and fans together on star-studded red carpets and intimate industry events — each of which was electric with anticipation, celebration, and reflection. 

Read more: 2024 Latin GRAMMYs: See The Full Winners & Nominations List

Continue celebrating 25 years of Latin Music excellence with a glimpse behind the scenes at some of the unforgettable moments that have made this week in Miami one to remember. 

Leading Ladies Got Their Flowers

One of the first events of Latin GRAMMY week was the 8th edition of the Leading Ladies in Entertainment, a heartfelt celebration of women who have made significant contributions to the arts and entertainment world.

The event was hosted by Latin GRAMMY-nominated artist Becky G (who also performed at the 2024 Latin GRAMMYs) and was held inside inside the Loews Hotel. Portraits of honorees Ana Rosa Santiago, Vivir Quintana, Julieta Venegas and Diana Rodríguez were displayed on elegant arches draped in peach and gold. A warmth and intensity buzzed throughout the room, which was amplified by Becky G's encouragement. 

Each honoree's speech reflected the event's theme of elevating women and inspiring the next generation of female leaders. Quintana's powerful speech shared sage wisdom with aspiring music professionals in the room. “You absolutely do not have to change anything about yourself. Just work on your talent, be who you are, and follow your inner compass always,” she told the crowd, sparking a standing ovation. 

In a sweet touch to the already outstanding celebration, attendees were invited to create personalized bouquets. The gesture left honorees and guests alike feeling empowered and appreciated, with the evening both symbolically and quite literally giving everyone their flowers for their contributions to Latin music and culture.

Nominees "Swam" With The Big Fish

The Latin GRAMMY Awards do more than recognize artistic excellence — they invite nominees into a circle of industry peers who celebrate each other's achievements. At the Latin GRAMMY Nominee Reception, this vibrant community bonded over a deep appreciation for the artistry, dedication, and hard work it takes to earn this peer-voted honor.

The crowd at the Frost Science Museum’s Ocean Gallery was a mix of first-time Latin GRAMMY nominees such as Latin Mafia and Carlos Rivera, international stars such as Alok, and recently-announced nominees for the 2025 GRAMMYs.  Producers and collaborators who work with J Noa, Peso Pluma, Residente, Anitta and Kali Uchis were also in attendance. Guests represented a range of genres and disciplines: violinists, songwriters, DJs, salsa musicians, and even the singing clowns of Payasitas Nifu Nifa, who make children’s music, mingled energetically. 

Nominees proudly donned their medallions, capturing this pivotal career moment on the red carpet and posing in front of a giant, golden GRAMMY. The reception featured a stunning aquarium view, and guests could watch the fish, sharks, and stingrays swimming peacefully above them and snapped more photos. The aquarium was a fitting scene: this year’s class of nominees certainly got here by making waves in the music industry.

The Future Sounded Bright As Rising Stars Hit The Stage 

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Held at Miami Beach’s Faena Forum and presented by Mastercard and Bank of America, the third annual Best New Artist Showcase brought an exciting spotlight to the future of Latin music. Over a performance-filled day, each of the seven Best New Artist nominees brought their unique flavor to the stage.

From Nicolle Horbath’s fresh popteño style to 13-year-old Kevin Aguilar’s heartfelt mariachi and corridos, every performance showcased a captivating fusion of genres. The crowd was especially energized when the three-piece girl group DARUMAS delivered an electrifying rock cover of Whitney Houston’s "I Wanna Dance with Somebody," getting everyone on their feet.

Other standout performances included Agris, Cacá Magalhães, Os Garotins, Íñigo Quintero, Sofi Saar, and Ela Taubert. Ultimately, it was Ela Taubert who took home the Latin GRAMMY on Thursday night, and she closed out the week with an emotional performance of her hit "¿Cómo Pasó?" alongside Joe Jonas at the 2024 Latin GRAMMYs. 

This showcase not only highlighted the diverse talent shaping the future of Latin music but also gave attendees an unforgettable opportunity to experience the next generation of superstars up close.

Carlos Vives' Life & Influence Was Fêted

The annual Latin GRAMMY Person Of The Year Year celebration honored Colombian artist and philanthropist Carlos Vives. The annual event drew a crowd of about 2,000 attendees to the Miami Beach Convention Center, including legends in Latin music and the next generation of stars.

Guests arrived in ornate attire, enjoying drinks and capturing memories with the Glambot’s interactive photo experience. Among the star-studded crowd were Camilo, Grupo Frontera, Rico Love, Aymee Nuviola, AleMor, and many more. The mayor of Miami also took the stage to offer a few heartfelt words of appreciation for Vives’ contributions. 

Read more: Carlos Vives, The 2024 Latin Recording Academy Person Of The Year, On The Colombia Music & Culture That Made Him

The evening culminated in a historic moment when six previous Latin GRAMMY Person Of The Year honorees gathered to pay tribute to Vives, a powerful salute to his legacy and impact on the Latin music community. Onstage at the 2024 Latin GRAMMYs, Carlos Vives was saluted by 2023 MusiCares Person Of The Year Jon Bon Jovi.

Somos Familia

In collaboration with the Recording Academy’s Florida Chapter, Latin music producers and artists gathered to celebrate in true Miami fashion — with a party. 

Attendees filled the venue’s balconies for the best views, while Latin GRAMMY nominees such as Cimafunk, Agris, Latin Mafia, and Trooko were spotted among the crowd. Guests danced and mingled to a mix of '80s classics and rock, all delivered in a Spanglish blend that had the crowd singing along. But the night truly came alive during a series of energetic performances from the likes of five-time Latin GRAMMY winner Luis Fonsi, The Warning, and Bruses.

Prior to taking the stage, Fonsi and his bandmates shared a sweet moment. The group sang "Happy Birthday" and brought out a cake for their guitarist, exemplifying the tight-knit family bond that defines the Latin music community. 

GRAMMY U Gained On The Ground Experience 

Throughout the week, over 75 GRAMMY U members volunteered on the talent team escorting artists such as Gloria Estefan and DARUMAS.

Florida Chapter Member Amy Torres shared her experience: "My dream has always been to work in the Latin music industry so this is a dream come true. This week, I’ve seen a lot of artists I’ve admired growing up and made connections both within GRAMMY U and outside of the organization." 

Patience Murray, a non-student GRAMMY U Member and singer/songwriter based in Florida, described GRAMMY Week as a "mind-blowing experience." "Being able to witness a music event of this caliber and magnitude felt like a once-in-a-lifetime manifestation exercise, and I'm grateful to have seen the stages I dream to one day perform on," she said, adding that her favorite part of the week was connecting with other GRAMMY U members. 

"I have gained so much respect for the talent teams who work tirelessly behind the scenes to ensure that every show looks effortless and enjoyable for the fans," Murray added.

2024 Latin GRAMMY Week was the definitive celebration of music's power to connect and inspire. As Latin music cements its place on the global stage, it’s clear that these artists are not only shaping the future of the industry but also fostering a greater sense of shared identity that transcends borders. 

The 2024 Latin GRAMMYs marked 25 years of Latin music excellence with a gala evening in Miami, one of the world capitals for the Latin music industry. Replete with dazzling performances from legends and rising acts, tributes and tearful acceptance speeches, the 25th Annual Latin GRAMMYs was certainly one for the books.

In an evening with many leading lights, onelegend stood out as the night’s star: singer, songwriter and musician Juan Luis Guerra.

Guerra already had two dozen Latin GRAMMYs on his CV — as well as three GRAMMYs — but his run at this year’s Latin GRAMMYs netted several new pieces of hardware. His honors included the award Album Of The Year for Radio Güira, the inventive 2023 concept EP released with his band 4.40, and Record Of The Year for "Mambo 23," a hyper-speed merengue epic from the EP. Radio Güira also took the prize for Best Merengue/Bachata Album, while "Mambo 23" also won for Best Tropical Song.

These were Guerra's first wins in a major category since 2015, when he won Album Of The Year for Todo Tiene Su Hora at the 16th Annual Latin GRAMMY awards. Guerra has won Album Of The Year as an artist in 2007, 2010 and 2014, and in 2012 he won for his production work on Juanes' MTV Unplugged album. 

Despite his familiarity with the Latin GRAMMYs stage, Guerra appeared emotional when he walked up to the stage for the last time to accept the award for Album Of The Year from Carlos Vives. Holding his Latin GRAMMY, Guerra praised God and credited Jesus with inspiring the album.

Earlier in the night, Guerra delighted the crowd at Miami’s Kaseya Center with a performance of "Mambo 23," featuring the full band. Dressed in his iconic newsboy cap and neckerchief, he launched into the dance floor burner on a stage illuminated in flashing neon. Boiler Suit-clad dancers completed a scene that was somehow both unassuming and spectacular.

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Guerra has had a four-decade long career of innovating in Caribbean music, while bringing genres such bachata to international fame. Radio Güira continues the theme of boundary pushing. It has been praised for its experiments in combining old and new genres, from merengue to reggaeton, with dashes of jazz and blues. 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.

The legacy of Luis Fonsi's career practically goes hand-in-hand with the history of the Latin GRAMMY Awards. Fresh off his win for Best Pop Vocal Album at the 2024 Latin GRAMMYs, the Puerto Rican pop icon performed a medley of his greatest hits.

The career-spanning performance began with his beloved 2008 ballad, "No Me Doy Por Vencido." In a sparkling orange suit, Fonsi belted his heart out to the song that's become an anthem of hope. 

Dancers then joined him onstage for a sultry performance of his 2017 global smash, "Despacito," which had the whole audience — including Marc Anthony and his wife Nadia Ferreira — dancing along. Fonsi then closed out his live medley with the upbeat "Santa Marta" from his latest album, El Viaje; he danced into the audience where this year's Person Of The Year honoree, Carlos Vives, sang along with him.

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The ambitious El Viaje, which was recorded in several different countries around the world, earned Fonsi a Latin GRAMMY win for Best Pop Vocal Album. It marks his 11th Latin GRAMMY nomination to date; he has won six Latin GRAMMYs, four of those thanks to "Despacito," which won Record Of The Year and Song Of The Year in 2017.

"What I'm most proud of is just that — it's a song that represents my heritage, my language, and the love of my island, Puerto Rico," Fonsi told GRAMMY.com about "Despacito" back in 2022. "It has that swag, that thing, that sabor that we carry in our blood. It's a celebration of all of that."

Just after the 2024 Latin GRAMMYs, Fonsi will add an exciting first to his resume: his film debut. The singer will star in the rom-com Say A Little Prayer, which opens in theaters on Nov. 22. 

Check out the complete list of winners and nominees at the 2024 Latin GRAMMYs.