Principles of Design

Principles of Design refer to the

visual strategies used by artists, in
conjunction with the elements of
arts – for expressive purposes
(Fichner-Rathus, 2008).
They include:

Harmony Unity
Balance Simplicity
Rhythm Clarity
Emphasis Contrast
Proportion Variety
 draw and hold the viewer’s eye on certain parts of a work
bring
visual
stabil
ity

e s t to a co mpos i tion
add visual inter
convey a
sense of
orderly
progression
How we apply the principles of design
determines how successful we are in
creating a work of art.
 PRE-ACTIVITY

Directions: Identify the principle of design

that is best applied in each of the given
visuals.
Visual 1
Which principle of design is shown in Visual 1?
A. Harmony
B. Balance
C. Rhythm
D. Emphasis
Which principle of design is shown in Visual 1?
A. Harmony
B. Balance
C. Rhythm
D. Emphasis
Visual 2
Which principle of design is shown in Visual 2?
A. Balance
B. Rhythm
C. Proportion
D. Emphasis
Which principle of design is shown in Visual 2?
A. Balance
B. Rhythm
C. Proportion
D. Emphasis
Visual 3
Which of the principles of design is shown in
Visual 3?
A. Balance
B. Contrast
C. Emphasis
D. Variety
Which of the principles of design is shown in
Visual 3?
A. Balance
B. Contrast
C. Emphasis
D. Variety
Visual 4
Which principle of design is shown in Visual 4?
A. Rhythm
B. Harmony
C. Unity
D. Variety
Which principle of design is shown in Visual 4?
A. Rhythm
B. Harmony
C. Unity
D. Variety
Visual 5
Which principle of design is shown in Visual 5?
A. Harmony
B. Rhythm
C. Proportion
D. Balance
Which principle of design is shown in Visual 5?
A. Harmony
B. Rhythm
C. Proportion
D. Balance
Visual 6
Which principle of design is shown in Visual 6?
A. Emphasis
B. Balance
C. Simplicity
D. Contrast
Which principle of design is shown in Visual 6?
A. Emphasis
B. Balance
C. Simplicity
D. Contrast
HARMONY
Harmony in visual
design means all
parts of the visual
image relate to and
complement each
other. Harmony is
the use of related
elements.

This might be similar colors, shapes, sizes of objects, etc. It’s

about repetition and a relationship between elements. This
creates a sense of connection between the objects, creating a
sense of flow.
Harmony is one of the most important aspects when it comes
to principles of art
Harmony is the visually satisfying effect of
combining similar or related elements.
RHYTHM

 is organized movement, a beat, a repetition.

 is created by repetition, and repetitive patterns
convey a sense of movement.
 in the visual arts, the viewer perceives rhythm by
grouping elements such as color, line and shape.

Rhythm is often the use of regular, evenly distributed elements –

they could occur in slow, fast, smooth or jerky intervals, and this tells
you something about the feelings invoked.
 Rhythmical patterns help the eye
to move easily from one part of the
room to another or from one part of
a design to another (Sanchez, et al.,
2009).
Regular Repetition
A means of creating
rhythm in which elements
of a composition are
duplicated at orderly or
fixed intervals.
The easiest and most
precise way to create
rhythm.
Regular repetition was
a core property of
Minimalist artists, of Dan Flavin. Untitled (to Jan and Ron Greenberg),
installation view at the Dan Flavin Art Institute,
which Flavin was one. Bridgehampton, NY. (1972–73) Fluorescent light (96”x96”).
Regular Repetition
Donald Judd’s sculpture in particular was based on Minimalism. An abstract art movement
begun in the 1960s that emphasizes the
the repetition of simple geometric shapes mounted use of pure
on walls or set on the floor in a steady, evenly and simple shapes and materials.
spaced pattern.
Alternating
Rhythm
a type of rhythm
in which different
elements in a work
repeat themselves
in predictable
order.
 Progressive
Rhythm
Minor variations in
rhythm can add
interest to a
composition.

Such variations are

seen in progressive
rhythm, in which the
rhythm of elements of
a work of art such as
shape, texture, or color
change slightly as they
move, or progress
toward a defined point
in the composition.
 Balance
Balance is the concept of visual equilibrium, and
relates to our physical sense of balance. It is a reconciliation
of opposing forces in a composition that results in visual
stability.
Most successful compositions achieve balance in one
of two ways: symmetrically or asymmetrically.
 In architectural works like the United States Capitol – the house in
which the laws of the land are created – repetition and symmetry can
imply rationality and decorum, tying the structure of the building to a

certain symbolic ideal.

Leonardo da Vinci. Study of
Human Proportion: The
Vitruvian Man (1492) Pen and
Ink drawing (13 ½” x 9 ¾”).
Types of Balance
Symmetrical Balance Asymmetrical Balance
 the type of balance in which  the type of balance in which
the elements of a work are there are more than slight
balanced by similarity of differences between the
form or arrangement on divided areas of a work, yet
either side of a dividing line there is an overall sense of
or plane, or to balance.
correspondence of parts, as in
size, shape, or position.
(Fichner-Rathus,2008)
 Symmetrical balance can be
described as having equal "weight" on
equal sides of a centrally placed fulcrum. It
may also be referred to as formal balance.

When the elements are arranged

equally on either side of a central axis, the
result is Bilateral symmetry. This axis may
be horizontal or vertical. It is also possible
to build formal balance by arranging
elements equally around a central point,
resulting in radial symmetry.
Balance in a three dimensional object is easy
to understand; if balance isn't achieved, the
object tips over.

To understand balance in a two dimensional

composition, we must use our imaginations
to carry this three dimensional analogy
forward to the flat surface.
 Emphasis
“All emphasis is no emphasis.”
A. True
B. False

Emphasis is an extension of these first two

principles: it is when contrast, placement, size,
color, or other features are used to highlight one
object, area, or other elements of the artwork.
This is used to draw attention – a focal point –
or accentuate a feature.
Example of Emphasis
Get the Glass
Emphasis by Directional Lines

Directional lines. Lines that

lead the eye to a focal point.

Oskar Schlemmer Bauhaus Stairway (1932)

Oil on canvas (63 7/8” x 45”)
Emphasis by Isolation
Here a group of performers is
found standing silently within a
barren landscape. Even though
there are many of them and they
are dressed in their costumes,
they are less likely to draw the
viewer’s eye than the delicately
rendered woman in “street
clothes,” who is seated apart in
the lower right and looks
beyond the edge of the canvas
(Fichner-Rathus,2008).

Picasso’s emphasis on the

woman’s aloneness draws us
to her along the edge of the
canvas (Fichner-Rathus,2008).
Pablo Picasso. Family of Saltimbanques (1905) Oil on canvas (83 3/4” x 90
3/8”).
Unity is a powerful concept.

In art, unity implies harmony. It suggests that the

parts of a composition are there by happenstance;
rather, they fit together to form a meaningful whole
(Fichner-Rathus, 2008).

Not to be confused with harmony, unity is the overall

cohesion of the work.
You might achieve this through any kind of grouping of
objects.
Any kind of similarity will help to strengthen the sense
of unity you feel when looking at a series of objects.
 Variety
Unity is powerful, but, as the British writer
Aphra Behn said, “Variety is the soul of pleasure.”
Without variety, life would comprise a bland
sameness, a cookie-cutter existence from which we
all shrink. Variety in art, as in life, is seductive. It
demands our attention, turns the predictable on edge
(Fichner-Rathus, 2008).

Variety is a sense of the

difference between elements of
an artwork – the opposite of
unity, or harmony.
PROPORTION
Proportion refers to the
relative size and scale of
the various elements in a
design. The issue is the
relationship between
objects, or parts, of a
whole. This means that it
is necessary to discuss
proportion in terms of the
context or standard used
to determine proportions.
 CONTRAST

Contrast is the disparity between the elements that figure

into the composition. One object may be made stronger
compared to other objects (hence, emphasis). This can be
done in many ways using the elements of art. For
instance, specifically, the use of negative and positive
space, is an example of contrast. Another example is the
use complementary colors in a work art.
 FINAL ACTIVITY

Directions: Identify the principle of design

that is best applied in each of the given
visuals.
Visual No. 1
Which principle of design is shown in visual 1?
A. Emphasis by
Directional Lines
B. Emphasis by
Isolation
C. Emphasis by
weight
Which principle of design is shown in visual 1?
A. Emphasis by
Directional Lines
B. Emphasis by
Isolation
C. Emphasis by
weight
Visual No. 2
Which principle of design is shown in visual 2?

A. Balance
B. Emphasis
C. Proportion
D. Rhythm
Which principle of design is shown in visual 2?

A. Balance
B. Emphasis
C. Proportion
D. Rhythm
Visual No. 3
Which principle of design is shown in visual 3?

A. Contrast
B. Harmony
C. Balance
D. Emphasis
Which principle of design is shown in visual 3?

A. Contrast
B. Harmony
C. Balance
D. Emphasis
Visual No. 4
Which principle of design is shown in visual 4?

A. Harmony
B. Simplicity
C. Balance
D. Emphasis
Which principle of design is shown in visual 4?

A. Harmony
B. Simplicity
C. Balance
D. Emphasis
Visual No. 5
Which principle of design is shown in visual 5?

A. Balance
B. Rhythm
C. Contrast
D. Emphasis
Which principle of design is shown in visual 5?

A. Balance
B. Rhythm
C. Contrast
D. Emphasis
Visual No. 6
Which principle of design is shown in visual 6?

A. Variety
B. Balance
C. Rhythm
D. Proportion
Which principle of design is shown in visual 6?

A. Variety
B. Balance
C. Rhythm
D. Proportion
References:
Fichner-Rathus, L. (2008). Foundations of Art and Design. U.S.A:
Thomson Wadsworth.

Sanchez, et al., (2009). Introduction to the Humanities. Rex Bookstore

Inc. Manila.

Patel, J. (2017, October 17) Chasing Dreams: What are you waiting for?
Retrieved from https://visual wildersness.com/business/chasing-
dreams-what-are-you-waiting-for

Pixel Farm (2008, May 9). Various artists, Get the Glass. Retrieved from
http://pixelfarm.blog54.fc2.com/blog-category-10.html

Sanchez, et al., (2009). Introduction to the Humanities. Rex Bookstore

Inc. Manila.