Literary Principles

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LITERARY PRINCIPLES

(PHILOSOPHIES)

JOAN MAE B. AGUACITO


INSTRUCTOR
 (Movement; 1835-1910): A
literary movement in the late
19th century which believed in
arts and rejected its notion of
possessing a higher moral and
political worth.

AESTHETICISM
AESTHETICISM
(17th-18th centuries): The term is
derived from the Latin word “classicsus”
–meaning “belonging to the highest
class of citizens”. This movement is
guided by attitudes like formal balance,
decorum, restraint, and proportion
present on Greek and Roman literatures.
Classicism holds romantic expression as
unconventional pleasure-seeking.

CLASSICISM
CLASSICISM
 (Movement; 1568-1603): This
period flourished, especially in
drama during the reign of Queen
Elizabeth I.
 E.g. Francis Bacon, William
Shakespeare, Christopher
Marlowe

ELIZABETHAN ERA
ELIZABETHAN ERA
(Movement; 1660–1790): Known as
“Age of Reason, this literary
movement in France focuses on
rationality, and freedom primarily
associated with essays and
philosophical contracts.
E.g. John Locke, Jean-Jacques
Rousseau, René Descartes

ENLIGHTENMENT
ENLIGHTENMENT
 (Movement, mid-20th century): This
is a philosophical movement after
European war dealing with the belief
that individuals should take
responsibility on the outcome of
their actions.
 E.g. Franz Kafka- The
Metamorphosis, Albert Camus, Jean-
Paul Sartre

EXISTENTIALISM
EXISTENTIALISM
 (1764–1820): An 18th literature
movement which features on
mysterious themes and plots
usually ascribed in “horror
stories” to create terror.
 E.g. Edgar Allan Poe- The Raven

GOTHIC FICTION
GOTHIC FICTION
 This literary movement primarily
strikes high level abstraction and
displays virtues to show nobility
of the character, devotion to
goodness, and spiritual and
principled grandeur.
 E.g. Epic of Gilgamesh, Beowulf

HEROISM:
HEROISM:
(19th Century): A literary philosophy
in the nineteenth century which deals
with human’s love for life and takes
responsibility on seeking new
knowledge for quest and the freedom
of discovery. Humanists emphasize
commitment of humans to find truth
and morality.

HUMANISM
HUMANISM
 (1935–present): This principle
fuses scientific reality and
dream-like fantasy within a
story.
 E.g. Gabriel Garcia Marquez-
One Hundred Years of Solitude

MAGIC REALISM
Six features tend to be found in all Magical- Realist
Text
 The perspective is that of ‘the other’;
 The duties of the readers, in decoding the text,
have ‘evolved’;
 The setting has a relatively specific historical,
geographical, and cultural context;
 Reality is presented as the human experience of
the universe, and the elements such as dream
and imagination are consequently present;
 A free, post-structuralism style of writing; and
 The inexplicable, in its many shapes and forms,
plays a major role in all magical-realist texts.

MAGIC REALISM
MAGIC REALISM
 (Movement; 1066–1500): This is a
period of transition between Anglo
Saxon and modern English. It
includes ballads, chivalric romances,
allegorical poems, and variety of
religious plays during Norman
Conquest in England.
 E.g. Geoffrey Chaucer- The
Canterbury Tales

MIDDLE ENGLISH
MIDDLE ENGLISH
 (Movement; 1890’s- 1940s): This is a
literary movement that represents the
traditional mode of Western arts,
morality, and religion and explored the
ideas of stream of consciousness.
Modernism points how humans view
the world and see reality.
 E.g. Virginia Woolf, James Joyce,
William Faulkner

MODERNISM
MODERNISM
 (Movement; 1865–1900): This is a
literary movement that employs detailed
realism to propose heredity, social
conditions, and environment are
inevitable factors in shaping human traits.
This movement resembles realism in
which humans are victims of usual forces
and social environment where objectivity
is ascribed for investigations.
 E.g. Henrik Ibsen

NATURALISM
NATURALISM
 (Movement; 1660–1798): A movement
following the classical works in Greek and
Roman literature which believed on
limited potentials of human and is
imperfect in nature. It emphasizes
restraint, order, and balance.
 E.g. Jonathan Swift, John Dryden,
Alexander Pope

NEOCLASSICISM
NEOCLASSICISM
 (Movement; 1950s–present):
Literature produced due to the
influence of European colonization
which aims to expand Western
Literature through examining race,
identity, and culture.
 E.g. Chinua Achebe- Things Fall
Apart

POSTCOLONIAL LITERATURE
POSTCOLONIAL LITERATURE
 (Movement;. 1830–1900): A
19th century literary movement
that depicts accurate portrayal of
life rejecting idealization and
escaping reality.
 E.g. Charles Dickens, Leo Tolstoy

REALISM
REALISM
 (Movement;. 14th-16th; Western
Europe): It revives the literary
transition between Middle Ages
and the modern world.
 E.g. Dante Alighieri,
Shakespeare

RENAISSANCE
RENAISSANCE
 (Movement; 1798–1832): A movement in
the late 18th century which characterizes
individual’s role and human’s freedom of
self- expression and emotions built from
personal experiences.
 E.g. Nathaniel Hawthorne- Scarlet Letter;
Mary Shelley- Frankenstein

ROMANTICISM
ROMANTICISM
 (Movement; 1920s–1930s): This
is a literary movement that
seeks to break limitations and
boundaries of rational and
irrational themes through artistic
literature.
 E.g. Franz Kafka- Metamorphosis

SURREALISM
SURREALISM
 (Movement; 1835–1860): A
literary movement in England
that focuses on spirituality,
individual conscience, and close
relationship to nature.
 E.g. Ralph Waldo Emerson-
Rhodora

TRANSCENDENTALISM
TRANSCENDENTALISM
 (Movement; 1832–1901): A period
that flourished during the reign of
Queen Victoria through strict
political, social and sexual
conservatism as well as clatters
between science and religion often
with satiric themes.
 E.g. Elizabeth Barett Browning

VICTORIAN ERA
VICTORIAN ERA

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