Grammar Book ch1
Grammar Book ch1
Grammar Book ch1
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Cambridge Grammar
consolidation for first language students and an opportunity for second language
learners to extend their skills.
Learner’s Book 8
and Writing Skills
• Help your learners recognise the features of different text types
• Improve students’ comprehension and analysis skills with model texts in each unit
• Help learners check their work with the ‘Editor’s checklist’ - a useful list of
grammar, proofreading and editing tips
• Help learner’s plan extended writing tasks with useful tools, like planning
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scaffolds and mind maps
• Introduce your learners to longer, more varied texts types than those found in
ESL materials, including fictional literature and poetry
Learner’s Book 8
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Mike Gould and Eoin Higgins
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Our approach makes Better Learning possible, enabling students
to accelerate their learning and develop skills for life.
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people find themselves in
3 Autobiographical To write an exciting real life Past continuous active and
Autobiographical account account passive
adventures
4 Diary To write thoughtfully about Past simple and past
Real-life diaries everyday events perfect passive
5 Review To write an informative Nouns and adjectives +
What’s my view? review preposition
6 Poem about To write a poem about an Exclamations with what and
My world in a
poem
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Building
information
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everyday life
Informative and
persuasive texts
aspect of your life
Passive voice
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8 Summary To write a concise summary Conjunctions: addition and
Summing you up purpose
9 Letter of To write an effective letter Present perfect for
Applying yourself application presenting your personal experience
qualities
10 Poem To write a poem about Defining relative clauses
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Dramatic a relationship
relationships
2 Contents
Original material © Cambridge University Press 2019
Vocabulary Other language Page
number
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Collocations and expressions Punctuation: parenthetical commas, dashes 29
and brackets
Contents 3
Original material © Cambridge University Press 2019
How to use this book
Unit walkthrough
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The aim shows you the
type of writing that you
will look at in this unit.
1 Making myths
If you are a second
Here you can see your
Your writing aim for this unit: To shape your own story using the basics of a well-known myth
language English
objectives for this unit if
Writing objectives for first language English Writing and Use of English objectives for
second language English
learner, you can see your
In this unit, you will:
Legend
learn verbs for direct speech
spell common vocabulary correctly – use
capital letters for proper nouns.
Moral Quotation
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Each unit begins with a
Big Question. This helps
you to think about any How can I develop an
Making a deadly choice
knowledge you already idea from real life into an
exciting account?
The fishermen started up the engine to head home,
Coloured words in the text
have on the themes and but rather than heading back to the shore the boat
Many ordinary people have had exciting
started drifting around in circles. The rudder had
and the Key box relate to
subject of this unit. or frightening real-life experiences, such as
jammed. The sea rose around us, and the waves
a dangerous encounter with an animal,
being caught in a weather event or natural
started breaking over the stern. Kristen was shaking
uncontrollably. We were soaked through, and English language terms
freezing cold. The storm clouds completely blocked
disaster, or even something everyday such
as getting lost in a strange part of a city.
out the sun and it became dark, so dark that it might that you will learn about
have been night. We went down into the tiny cabin,
Have you or has someone you know had later in the unit.
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characters, action, and setting. Kristen and I agreed that the boat wouldn’t
survive another pounding. We argued with the
The unit is divided into Key terms
fishermen and the tourists, who disagreed. The
shore was about two miles away.
five sections. The first autobiographical: about your own life The sea around us was an ugly, matt black colour,
swelling high and boiling, with white foam flecked
section is called Reading. perspective: a particular viewpoint across the surface. I was terrified but I decided that
Kristen was right. She had been a good long-distance
It focuses on a text Reading
swimmer at school, and she gave me the only pair of
flippers on board. We stripped off to our underwear,
extract that is typical In the following account, Richard Branson, a and the fishermen gave us a plank of wood. We all
wished each other the best of luck and then Kristen
famous businessman, is on holiday with his
of the type of writing wife, Kirsten. They have persuaded a local and I jumped overboard. Almost immediately the
current swept us past the boat and up the coast. We
fisherman to take them out, despite the
covered by this unit. Texts threat of a bad storm. lost sight of the boat and concentrated on kicking
out for the coast, which we could see only from the
Keep these questions
include literature. 1 As you read the text, think about these tops of the waves. Kristen led the way and I tried to
questions.
a Why do you think Branson chose to
keep up with her. As well as fishing for marlin, we
in mind when you are
write about this event? reading the text for the first
b What did Branson and his wife
decide to do when the storm came – time. They help you to see
and why?
the purpose behind what
30 Unit 3 Autobiographical adventures you are reading. Unit 3 Autobiographical adve
had also been on the lookout for sharks, and as we Key language features
swam I started imagining that the first thing I would
past continuous
feel would be a vast fish rearing up beneath me,
knocking me sideways just as the marlin had dealt collocations and expressions
with my bait, and ripping into my stomach and legs.
‘Don’t kick too hard,’ Kristen shouted in my ear. parenthetical commas Glossary boxes help to
‘You don’t want to get cramp.’
We swam across the current, not worrying that explain difficult or unusual
we were being carried up the coast just as long as
we weren’t being taken out to sea. Slowly we came
Glossary
words or phrases in the
closer. We had been in the water for almost two rudder: large, piece of wood, plastic or
hours before I knew that we would definitely make metal used to control a ship’s direction text. They are highlighted
land. The coast was at first just a smudged green line,
then we could see the trees, and finally a mud beach. stern: back, or rear end of a boat/ship
in red.
Even after we could see the beach it took us another marlin: a large fish with a long, pointed
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hour to get there. We hauled our way up through nose and mouth
the surf and collapsed on to the sand. We had swum
flotsam: material that floats in the water
in the stormy sea for almost three hours. We were
freezing cold, and our hands and feet were white (from a shipwreck, for example)
and wrinkled. We clung on to each other, and told
ourselves that after that we would always be together. This list helps you to
‘We’ve got to get back down to the port,’ she How the text works
said. ‘We’ve got to get a rescue party out to save the Do you remember what makes a good develop an appreciation
boat. They might have a lifeboat.’
We started running down the peninsula. We had
autobiographical account? Here is how the
writer makes it work. He: of the type of text that you
to fight our way through some mangrove swamps
and finally arrived in the tiny port after an hour, • explains the situation and how the
memorable experience began
have just read.
half-naked, trembling with shock and exhaustion,
Authentic texts are more and with our feet bleeding. • develops the drama by explaining the
At the port we found the captain of the local consequences
challenging than those car ferry and Kristen explained to him that there
• describes the action in vivid detail
was a boat out at sea in trouble with a jammed
typically found in an ESL rudder. He agreed to go out to try to rescue the • explains the aftermath – how the
Key term boxes highlight
fishing boat. He lent us some clothes and at once characters felt and acted.
course. we set out to sea. Within fifteen minutes the
second storm hit. It was far worse than the first new or important
Key term
one and it picked up the car ferry, which was a
big, heavy boat, and tossed it around like flotsam. aftermath: what happens after an event language that you will
We couldn’t believe that after our first escape,
we were back at sea in the storm. After ten work on in the unit.
minutes, the captain told us that he was turning
back. It was hopeless. Although we wanted to go
The Teacher’s Resource on, we could see that the ferry was in danger of
capsizing.
Autobiographical adventures
includes work on writers’
effect.
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From Losing My Virginity by Richard Branson
does it cover exactly? three that involve the girls. What are
these games?
section will break down 2 Work with a partner to copy and
c One paragraph begins by describing
complete these labels/captions and
the text into paragraphs see if you can ‘pin’ them to the relevant the ‘tug of war’ but it is another event in
the same paragraph that creates a very
section of the diary entry.
and individual words, strong impression on the writer. What is it
and how many students take part?
-shot
the purpose of the pistol
and helps you to analyse 6 An important aspect of a personal
a fiery castle account such as this is the writer’s own
them. girls like butterflies
viewpoint and our sense of his voice.
voice: the distinctive way in which a writer c What is ‘curious’ about the game
expresses his or her ideas described in the penultimate
paragraph? (Is it a sport? Or a piece of
theatre? Or both?)
Tip
d Someone else who has read the diary
Using personal and possessive pronouns said, ‘According to the writer, the sports
such as ‘I’, ‘we’, ‘our’, ‘my’, ‘mine’, etc. can day was a very serious event.’ Do you:
create a sense of belonging in a text.
Strongly agree Slightly disagree
Equally, speaking directly to the reader
Slightly agree Strongly disagree
using ‘you’, ‘your’, etc. can create a direct
connection with them. Why?
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a He refers to the setting as looking ‘like a In the story, the writer has a particular
a vast circus’. What does the choice interest in the boy from his own school.
of the word ‘circus’ suggest about the Have you ever attended a sports event
sports day? (Think about what the word where someone close to you (a friend
‘circus’ brings to mind – fun?) or a member of your family) was taking
part? How did they get on? How did you
b He describes the girls in their hakama
feel?
as ‘pretty as butterflies’. What does this
simile suggest about the way they run b Which of the events mentioned in the
or move during the games? extract would you have enjoyed taking
part in? Why?
Glossary
c In what ways does the writer create a
rich: varied and full of meaning vivid memory of the event? How does he:
• make it clear this is a recent event
that has just occurred?
• give a full picture of the setting and
event itself?
• present his own views and perspective?
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The Use of English section looks at grammar
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or vocabulary in relation to the text type.
This is followed by lots
Use of English 3 Choose the most appropriate tense to of activities to help
Later in the unit you are going to write your
complete what the characters from the
story on pages 10–11 say. you practise the new
First of all, you will read own version of an Indian legend.
a ‘And tomorrow I go / I’ll go surfing as language.
Revision: past, present and future usual,’ said Kalea.
about the new grammar simple tenses
b ‘All you ever want / will want to do is /
or vocabulary in one of was to go surfing,’ Kalea’s father said.
Grammar presentation
these presentation boxes. c ‘I am / was worried about you when I
see / saw the storm. That’s why I run /
Simple tenses can be very effective in
ran down to the beach to find you,’
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actively think about the 1 Complete the sentences with the verbs
d ‘I don’t understand / didn’t understand
why you didn’t marry / won’t marry the
in the box. Then check your answers
grammar rules and use. by looking back at the story on pages
Chief of Hana,’ her father said.
10–11. e ‘When I meet / I’ll meet a man who
loves / will love the ocean like I do, then
raced will unite came I think / I’ll think about getting married,’
Kalea insisted.
headed led stood have
4 Complete the summary of the legend of
Kalea with the correct tense of the verbs in
a You a chance to marry
brackets.
the Chief of Hana.
b It our two families and In the legend, Loale, the chief on Oahu
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Prince Muhammed, General Yuwen).
When the title doesn’t replace the better texts.
name, we don’t use capital letters (five
presidents, a prince, all the generals).
e suggest f admit
g scream h wonder
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Guided writing is the fourth section. This will
guide you step-by-step through a writing
Helpful Tips relating to
grammar and writing can
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activity that is related to the text type. be found in each unit.
You see the following notice in your local Sometimes it helps to work on your own
newspaper: and generate your own ideas before
discussing them in pairs or groups.
We’ll publish the best poems in our special 3 Think about different ways to organise
summer edition. your verses. You should have one verse for
each joy and pain. You can use one of
these ideas:
The first step is to • Alternate: joy – pain – joy, etc.
Write a poem and send it in to the
brainstorm and plan ideas competition.
• 3 × 3: joy – joy – joy – pain – pain – pain
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better by using synonyms. Use a
structure you can turn into a refrain.
• Read your poem aloud to the group –
learning.
How delightful it is when I’m on my own reading aloud helps you to judge the
and my favourite song comes on just rhythm.
when I’m feeling down.
• Share your poem with the group and
• First, read your sentence a few times discuss ways it could be improved.
and mark where you pause. Focus on improving the vocabulary to
make it more precise. You will also learn to edit
• Experiment with changing the word
order or the order of the clauses. Now write a second draft of the poem. and then redraft your own
How delightful it is || just when I’m
feeling down || and I’m on my own || Peer assessment writing.
my favourite song comes on. Focus on the aspect you have been
• Try breaking the lines at the pauses to asked to consider and nothing else – in
write a verse, and insert commas where this case the vocabulary. It’s important
you want to highlight the pauses. to stick to the criteria to make your
feedback more effective.
How delightful it is
when I’m on my own,
and just when I’m feeling down,
my favourite song comes on.
Writing objectives for first language English Writing and Use of English objectives for
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Key terms that you will learn: myth legend moral quotation
1 9
Original material © Cambridge University Press 2019
How can I use a myth to 1 As you read the text, think about these
questions.
develop an interesting a How does the writer make the reader
story? interested in Kalea?
Why is it that old myths and legends are b How does the situation turn out for her?
retold many times in book form or in plays
or in films? Can you think of old legends or
myths from your own culture which have
been retold for modern audiences? Were
they told in the same way – or were things Kalea, princess of the waves
changed or developed?
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‘Well,’ said my father, sitting in his high-backed
chair. ‘Which one of the great chiefs will you
Key terms choose? What about the Chief of Hana?’
I didn’t reply. Above us, I could see the
myth: a traditional story which often highest mountain on the islands, the volcanic
explains powerful events and may feature Haleakala, shrouded in grey cloud. A storm
supernatural elements might be coming. This was rare but it matched
legend: also a traditional story, but may my mood: I didn’t want any of the old men my
be considered historically true father had proposed. Since early childhood, I
had had the freedom of the island, swimming in
the emerald sea, chasing my brother Kawao over
legends P
Effective stories based on myths or
• use direct speech to give the story more ‘Keep the peace?’ I scoffed. ‘If I ever marry it
immediacy. will be to a prince who loves the sea and surf as
much as I do, not to some boring old law-maker!
Key term For now, the only husband I want is my onini.’
So saying, I raced out, clutching my
moral: a lesson about how to behave surf-board under my arm and headed along the
winding track that led to the beach. Even before
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kingdom commanded the waves as I did. Even How the text works
now, under the darkening skies, I did not want
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to return. All my thoughts were on the next big Do you remember what makes a good
wave, the one that would carry me like a flying retelling of a myth? Here is how the writer
horse through the air. made it work. He:
When the perfect one came, I stood up on • has taken a single moment from the myth
the board and allowed the billowing water to
and developed it
lift me. Suddenly I was racing along, the wave
curving over me, challenging me to go faster • has developed the character of Kalea
than ever before. But just as I reached my through thoughts, speech and action
highest speed, I heard a crack of thunder. A
• has kept the core ideas – Kalea’s
spear of lightning arrowed from the sky. For a
defiance, and love of the sea
split-second, I lost my concentration. I wobbled
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and tottered around. Could I stay standing,
or would I be swept away, pulled under the
churning waters? I flung myself onto my front
and clutched the board with my hands. At that
moment, the giant wave exploded over me, and
sent me hurtling for the shore. All I could do was
• has helped the reader experience the
scene as it happens with direct speech
and descriptive details.
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hang on for dear life. The sloping beach hit me
like a wall.
Where was I? The breath had been knocked
out of me, and I lay on my back gasping, staring
at the black clouds that raced across the sky.
I’d made it! Half-conscious, I stared again.
The clouds seemed to be forming themselves
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e Kalea doesn’t show any interest in
marrying anyone.
f Kalea saves herself by lying flat on her
surfboard.
1 What do you think are the key ingredients g She tells her brother what she saw in
of a good story? Jot down three to four the clouds.
ideas. (For example, is it important to know
how a character feels?) 4 This passage is made up of the island
setting, Kalea’s feelings, and the
Reading closely behaviour of people around her. Each
original myth.
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2 Here are the basic plot details as they
might be written in a simpler version of the
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She tells her
father why
she won’t
marry.
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sister? Think about:
iii My heart pounded i what Kalea says about herself
thumped clattered shook ii what Kawao does – or doesn’t do.
c Kalea reflects on her situation at various
times. Working with a partner, find these React to the text
phrases and discuss what each one
6 Work in pairs and discuss these questions.
means.
i it matched my mood a What impression do you get of Kalea
based on this passage? Write a
ii the last thing I wanted to do paragraph together in which you:
iii I cherished dearly P
d The writer uses a number of powerful
similes or metaphors to describe the
setting and the events.
• explain what sort of person she is
• include at least one quotation or
example to support what you say.
b Why do you think the author includes
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i Kalea describes being carried by a the final idea of the vision Kalea sees
wave ‘like a flying horse’. In what way in the clouds? What does it add to the
is this an effective comparison? story?
ii What description does the writer use c How would you feel if you were in the
to describe the lightning bolt that same situation of surfing and a storm
comes down? Why is it effective? coming?
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Kawao told her.
them.
d ‘I don’t understand / didn’t understand
1 Complete the sentences with the verbs
why you didn’t marry / won’t marry the
in the box. Then check your answers
Chief of Hana,’ her father said.
by looking back at the story on pages
10–11. e ‘When I meet / I’ll meet a man who
loves / will love the ocean like I do, then
raced will unite came I think / I’ll think about getting married,’
Kalea insisted.
headed led stood have
4 Complete the summary of the legend of
a You
the Chief of Hana.
b It
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a chance to marry
d When the perfect one [a wave] ocean. ‘I (e) (not stay) here
,I up on any longer. I (f) (demand)
the board… to be allowed to go to the coast,’ she
2 Which verbs in Activity 1 are irregular? told him, so he (g) (let)
her go. Once there, she immediately
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a ‘Kawao,’ he sighed, gesturing at my
brother who was sitting on a long log d ‘What do you want?!’
(Kalea’s father)
b ‘Keep the peace?’ I scoffed.
e ‘I don’t know what to do with you,
c ‘Are you hurt, Kalea?’ he cried, his Kalea,’ (her father)
face creased with worry.
e suggest f admit
g scream h wonder
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You have decided to submit your own version of part of this Indian legend.
Mahabharata
The Indian epic Mahabharata includes
a story about the preparations for
the Kurukshetra War, a struggle for
power between two groups of cousins,
the Kauravas and the Pandavas. Two
opposing princes were gathering
huge armies so they both went to see
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Krishna, the king of Dwarka. Krishna
was wise, but he also had a strong,
experienced army of 10,000 men and
his help would be crucial to either
side. Krishna was asleep (some say he
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was pretending to sleep) with his usual
smile. Duryodhana of the Kauravas
arrived first and sat at Krishna’s feet,
but as he waited he thought about
how superior he was to Krishna, so he
moved and sat by Krishna’s head. Arjuna, who was a follower and great admirer of Krishna’s,
arrived and immediately went to stand by his feet as a sign of respect.
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When Krishna woke up, he told the princes that he would give one of them his army. To the
other he would only give his moral support, refusing to fight. Since Arjuna was younger, Krishna
gave him the first choice and he immediately opted for Krishna’s support. Duryodhana, foolishly,
thought that Arjuna had made the wrong choice and was delighted to have Krishna’s army.
You have decided to write part of the story after Duryodhana enters Krishna’s room to find him
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asleep.
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Linkers: After that, Before long, Soon convince Krishna to join their side.
enough, After a while, All of a sudden,
With that Things to remember when writing an
Speech verbs: answered, commented, interesting story
cried, scoffed, inquired, replied, called,
yelled, whispered, sighed, growled, • Take a single moment from the story
suggested, admitted, screamed, wondered and write it in more detail.
Modal verbs: That may be but…, It could • Keep the core ideas in the story.
have been…, It must be…, Maybe I • Develop the characterisation through
should…, I might/could be… direct speech, their thoughts and
bed.
to be helpful and suggest ways to
c Duryodhana was fed up but all he improve them.
could do was wait.
• Describe the event that begins the Now write a second draft of the story.
story and conditions the other actions.
Peer assessment
• Using direct speech, write
Duryodhana’s thoughts as he waits Maybe you could add … Tell your partner
for Krishna to wake up. one thing they could add to their story to
• Describe what Duryodhana decides improve it.
to do.
Unit 1 Making myths 17
Original material © Cambridge University Press 2019
Independent writing Writer’s checklist: myths and legends
Write an adaptation of a myth or legend • Have you described a specific
of 250–300 words. Write at least three moment in the story?
paragraphs.
• Have you developed the characters
Choose a myth or legend that you know through dialogue, thoughts and action?
or rewrite one of the myths in this unit. • Have you kept the core ideas in the
Follow these stages. story?
Stage 1 Generate ideas. Work in groups • Have you used direct speech with a
and share myths or legends that you variety of speech verbs?
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already know. Make notes and choose • Have you used different tenses to tell the
an episode in the story that you can write story?
more about.
Stage 2 Put your ideas into a plan, using
a timeline or stars.
Editor’s checklist
• Who are your main characters? What
are they like? Check
• What is (are) the main piece(s) of • that your ideas are organised into
action in the story? paragraphs
end?
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• Where will your extract begin and
Final draft
Once you have completed your story,
post it on your blog or the school website.
Use the checklists above, or go back
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