Light and Airy Photography Guide
Light and Airy Photography Guide
Light and Airy Photography Guide
Kirk Mastin
Founder of Mastin Labs
LIGHT
USE BACKLIGHTING OR OPEN SHADE
You can fix a lot of things in post, but light isn’t one of them. To set the stage for a
light and airy photo, look for soft light without harsh shadows.
Backlighting is the most classic way to get this look. Shoot when the sun is low
– in the morning or afternoon – and position your subject so they’re completely
blocking the light and standing in the even shade of their own body.
If backlighting isn’t an option, like when the sun is directly overhead, you can opt for
open shade by moving your subject into a doorway or under semitransparent fabric
and positioning them so they’re facing out toward the light.
And if you’re indoors, use a large light source and fill in shadows.
WARDROBE
DRESS SUBJECTS IN NEUTRALS
An old photo teacher of mine once told me that the darkest thing in your photo
is like a black hole – it sucks all the attention toward it. And that’s exactly what
happens when your subjects wear dark or busy clothing in what could have been
a light and airy photo.
So before your session starts, guide your subjects away from clothing with patterns,
graphics, and any pieces that are dark, high-contrast, or ultra-contemporary.
Encourage them to wear neutral tones, like beige, white, champagne, and peach
to achieve the timeless, classical look you’re going for. They’ll thank you later.
LOCATION
CHOOSE A NEUTRAL OR NATURAL BACKDROP
The perfect setting for a light and airy photo is simple and sophisticated.
That’s why you can’t truly achieve this look outside a mall, in a cafeteria, or at a
busy office building. Instead, look for a location that’s mostly white or neutral, or
natural scenery like a forest or an open field – preferably with cooler-toned foliage.
Creating a light, uncluttered backdrop will tie your image together and help you
get that dreamy, ethereal vibe you’re going for.
WHITE BALANCE
START AT 5200K & UP
A lot of cameras tend to shoot cool – but the light and airy look should
be just a tad on the warm side.
Since you’ll be shooting backlit, the shadow side of the subject will need
to be warmed up a bit compared to direct sun. Start at 5200 Kelvin and
go up from there if you need to.
And as you’re positioning your subjects, watch out for ground reflection,
like a lawn that blasts green light back up onto them. This is almost
impossible to fix in post, so keep an eye out for it and move your subjects
onto more neutral ground if you need to.
APERTURE
SHOOT F2.2 OR WIDER
Chances are, the light and airy images you love were shot wide open to separate
the subjects from the soft and blurry background. We subconsciously associate
that shallow depth of field with film and, in particular, light and airy photography.
To achieve it, choose a normal to telephoto lens – 50mm or longer – and shoot as
wide as you’re comfortable with. We recommend F2.2 or wider when all subjects
are in the same plane of focus.
Any shallower than F2.2, you’ll need to shoot with live-view to make sure you nail
your focus.
MODE
SHOOT IN MANUAL MODE TO
COMPENSATE FOR BACKLIGHTING
When you’re shooting backlit, you’ll want to shoot in manual mode so you
can tell your camera to expose about two stops further than it wants to.
As you’re setting up the shot, use live-view to adjust your settings and make
sure your lighting looks exactly the way you want. Then, you can turn it off
and shoot without worrying about it until you move to a new light situation.
You can also turn on your histogram and use it to make sure you’re not under- or
over-exposing as you go.
It’s not about adjusting your camera to a specific setting – it’s about figuring out
what’s right for the lighting you’re working with in the moment.
PRESET
APPLY A LIGHT & AIRY PRESET
While you can get 90 percent of the way to a light and airy look in-camera,
the right preset can help you bring your images across the finish line.
The presets in the pack – especially Fujicolor 400H – are perfect if you
want the classic light and airy look with a creamy pastel palette, low
contrast, and muted, cool greens. It’s also one of the most versatile
presets for complementing a variety of skin tones.
Our Fujicolor Pushed pack gives you a little more punch and vibrancy,
drawing on the same films developed in a different way.
EXPOSURE
PUSH IT HIGHER THAN NORMAL
When you’re editing for a light and airy style, don’t be afraid to push
your exposure higher than you usually would.
Our presets are based on film, which retains highlight detail much
better than digital, so you can bring everything up and get that true
light and airy look without blowing out your highlights.
Adjust your white balance first, then your tint. The light and airy look should be
just on the warm side, so go ahead and sweep your white balance slider back and
forth, making smaller sweeps each time, until you land on what looks right.
For tint, find several neutral points in your photo and keep an eye on those as you adjust.
If you notice green or magenta popping up in neutral areas like a black tuxedo, a strip of
pavement, a white wall, or the bark of a tree trunk, then you probably need to dial it back.
Once you’ve nailed the white balance and tint in those neutral
points, everything else should lock into place.
BONUS
SELECT A TONE PROFILE TO TAKE YOUR IMAGE FURTHER
To really dial in your look, use one of the tone profiles that come with all our preset packs.
You can increase detail and range in your highlights without affecting
the rest of the photo by applying the “highlight soft” profile.
Or, you can use “all soft” to soften the look of the entire image and scale
back high-contrast scenes for that dreamy light and airy vibe.
“Mastin has made my life so much easier. “Fujicolor Pushed gave my work the look I
Literally 3 steps and my photo is perfect. I was searching for! The contrast, the color,
could not live without these presets!” and the overall feel of these presets give
my images exactly what they need.”
-Kaitlyn Blake, Wedding Photographer
Raleigh, NC -Chassidi Johnson, Family & Wedding Photographer
Cheyenne, WY
Presets included: Fuji 400H, Fuji 400H Blue, Fuji 160NS, Fuji 800Z
Presets included: Fuji 160NS+1, Fuji 160NS+2, Fuji 400H+1, Fuji 400H+2,
Fuji 400H Blue+1, Fuji 400H Blue+2, Fuji 800Z+1, Fuji 800Z+2
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