How To Choose The Lens Thats Right For You
How To Choose The Lens Thats Right For You
How To Choose The Lens Thats Right For You
The Essential Guide to choosing the lens that's right for you
by alvincredible on April 9, 2008 Table of Contents intro: The Essential Guide to choosing the lens that's right for you . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 1: Overview: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 2: Lenses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 3: Focal Lengths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 4: The Kinds of Lenses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 5: Choosing Your Lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . step 6: Final Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Related Instructables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Advertisements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Customized Instructable T-shirts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Comments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 2 2 3 3 5 6 6 7 7 7
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intro: The Essential Guide to choosing the lens that's right for you
Having trouble choosing what kind of lens to buy for that new slr? Confused by the numbers and focal lengths? Well no more! You've come to the right place. This instructable is necessary especially for beginners, but also has tips for even experienced photographers in search of a new lens. If you liked this instructable, or if it helped you make your decision, then please vote for me in the photojojo contest! thank you ITS MY BIRTHDAY!!!! 4/9/92!!! is there some sort of instructables birthday package? ahah just kidding happy instructabling!
step 1: Overview:
In this instructable, you'll learn about lenses what focal lengths mean about the different kinds of lenses and their relation to focal length how to narrow down your choices and buy the lens of your dreams!
step 2: Lenses
The photographic lens, as defined by wikipedia, is "an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically." Basically, it's either one lense or a series of lenses that'll focus the desired image onto a sensor (for digital cameras) or onto film. When it comes to P&S and Advanced P&S cameras, the lenses are not removable. So if you buy one of these, you don't even have to worry about making the tough decision! On the other hand, DSLR cameras DO have removable lenses and at times cost much more than the body itself. There are different kinds of lenses for D-SLR's, the main types being: Standard Wide Angle Telephoto Macro Fisheye Teleconverter Each will be explained later in the following steps. Each one is different from the other and will fit your lifestyle and artistic style better than others.
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http://www.instructables.com/id/How-to-choose-the-lens-thats-right-for-you/
incorrect. Telephoto actually means that the theoretical nodal point of the lens falls somewhere physically outside of the optics (either in front of or behind the glass.) With multiple compound optical elements, it's pretty commonplace. Almost all wide angle lenses are also telephotos The nodal point is that theoretical point where the light / image begins being inverted by the lens. Macro These lenses are used to take close up shots of things. They are great for making instructables on things that are small, like when you're showing a picture of where to solder something. Macro lenses can be tricky to master, but if you know how to use it, they can be quite artsy! Lifestyle: If you're an avid instructabler with out of focus pictures, this one's for you! (If you have a P&S, look up other instructables on how to use the macro setting!) Fisheye These are lenses that actually look like fisheyes. They are commonly used in action sports photography or videos. They give that bulged-in-the-center look and give you a full 180% angle of view. Pictures look like you're looking through throuhg the lens in your door. Lifestyle: These lenses are good if you're a skater or do other action sports that you want to give an edgy look to in your photos. Teleconverter These are basically lens-extenders. They add focal length to your lenses. The reason people don't just buy these instead of buying an actual telephoto lens is quality. Teleconverters tend to reduce the amount of light hitting the sensor, make focusing harder, but these are very useful and a good one is always great to have around. Lifestyle: This is a good lens for you if you're a on-the-go photographer. They're good if you're on vacation and don't want to carry around a long telephoto lens. You can easily use it to convert your standard lens to a telephoto in a jiffy to take pictures of that alligator eating your sister's purse 20 feet away There are lots of kinds of lenses out there, but generally for first-time buyers, these are the kinds to consider.
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Image Notes 1. telephoto 2. i found my decision! I'll go for the telephoto! (This is a Nikon, but i'm utterly in love with Canon. I don't have a D-SLR, but if you have a Canon (preferably xti) and want to give it away, I'm willing to accept it. Oh! and lenses too!
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2. This is important: Research your lens. Find out if it fits. See how much it costs. Find the best prices. Ask your photographer friends if they'd recommend it. Look up reviews on it online. See if it looks sounds and is all around great for you. 3. Finally, decide on your lens. Go out and buy it! After all this work, you're bound to love that new lens even more.
Image Notes 1. telephoto 2. i found my decision! I'll go for the telephoto! (This is a Nikon, but i'm utterly in love with Canon. I don't have a D-SLR, but if you have a Canon (preferably xti) and want to give it away, I'm willing to accept it. Oh! and lenses too!
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build a $4 lens with interchangeable kaleidoscopic filters for any digital camera by pdub420
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Comments
6 comments
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doxx says:
May 1, 2008. 9:25 PM REPLY I think your wording is misleading "Focal Length is basically a measure of how strongly light is focused onto a given point" -- focal length does not change the lighting on your subject - but yes, longer lenses tend to be slower...
RichardBronosky says:
Apr 11, 2008. 12:43 AM REPLY When you don't have money for a variety of lenses, it is instinctive to buy a lens with a wide range. Once you've used the lens for a while, you should go back and poll the meta data from your images to see what focal length you use the most and invest in a lens that is excellent at that. Lenses, like people, are best at doing one thing when they don't try to do a bunch of others. When you spread your effort too thin, you suck at everything.
GorillazMiko says:
Cool. Fisheye lens are awesome.
gmoon says:
Nice job. One small point, really more an academic one: It's common usage: telephoto = long focal length is technically incorrect.
Telephoto actually means that the theoretical nodal point of the lens falls somewhere physically outside of the optics (either in front of or behind the glass.) With multiple compound optical elements, it's pretty commonplace. Almost all wide angle lenses are also "telephotos." The nodal point is that theoretical point where the light / image begins being inverted by the lens. (anyway, I'm gonna plus ya and vote for it, too.)
alvincredible says:
Apr 9, 2008. 7:46 AM REPLY hahah thanks, i did not know that! ahah I'll update my instructable soon, but right now i gotta go ;-). but thanks for the input and the vote :-)
gmoon says:
Apr 9, 2008. 8:00 AM REPLY Sure. It might be more correct to categorize the wide angle as "retro focus," although my photo teachers in college used "retro" and "telephoto" interchangeably, as both have nodal points outside of the optics. But you get the idea--a long focal length lens isn't necessarily a "telephoto." Like I said originally, this is more academic than practical--people will continue to call the long lenses "telephotos," no matter what... See this source, the second entry.
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