Cultural Proximity Theory

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CULTURAL PROXIMITY THEORY

Cultural Proximity Theory often refers to the consumption of transnational media. (Lu et al., 2019)
Additionally, Straubhaar (1991) asserted that similarities of cultural backgrounds is a huge factor of
audiences choosing their preferred media products. Furthermore, cultural proximity defines the
comparable aspects such as language, ethnicity, history, and geography. Significantly, language strongly
determines the preferences of audiences in terms of consuming these media products. (Straubhaar, 2003)
In contrast, language is not the only determinant that highlights the concept of cultural proximity. Rather,
it also can be identified in terms of shared identity, shared fashion styles, shared communication styles,
and coping up in their environment. (Alanzalon, 2011)

To clarify, Kim (2004; as cited in Cabello et al., 2018) conducted a study about the correlation
between the popularization of Hallyu and cultural proximity theory, wherein it concluded that satisfaction
is present upon watching or consuming South Korean programs. Furthermore, there is easy digestion
from audiences, specifically Asians, to relate themselves in terms of Asian emotional needs. The
perception of audiences in consuming South Korean media products transfers sympathy through showing
some of Asian cultures. In this case, the moral of Asian family and household, love, self’s high morality,
and sacrifices.

This theory will contribute to understanding and formulating an answer to the questions provided in
the current study. Moreover, the continuous consumption of Filipino teens of Korean media products,
specifically, Korean Dramas correlates with the concept of cultural proximity theory.

REFERENCES:

Alanzalon, S. M. (2011). Kpopped! Understanding the Filipino Teens’ Consumption of Korean Popular
Music and Videos.
http://iskwiki.upd.edu.ph/images/d/d5/Alanzalon,_Sarah_Kristine_Masiglat_04-11_Kpopped!.pdf

Cabellero, M. M., Palisoc, J. M., Panganiban, R. P. L., Santosidad, J. T., & Sarreal, R. L. (2018, March).
A comparative study on the effects of Korean drama consumption to the ... A Comparative Study on the
Effects of Korean Drama Consumption to the Patriotism of University of the East - Caloocan Grade 12
HUMSS Fans and Non-fans. Retrieved May 5, 2022, from https://www.researchgate.net/profile/Remar-
Paulo-Panganiban/publication/
329254215_A_Comparative_Study_on_the_Effects_of_Korean_Drama_Consumption_to_the_Patriotism
_of_University_of_the_East_-_Caloocan_Grade_12_HUMSS_Fans_and_Non-fans/links/
61a9e54629948f41dbbf10e8/A-Comparative-Study-on-the-Effects-of-Korean-Drama-Consumption-to-
the-Patriotism-of-University-of-the-East-Caloocan-Grade-12-HUMSS-Fans-and-Non-fans.pdf

Kim, M. (2004). Cultural Proximity and The Type of Korean Television Programs in Asian Market. 6th
World Media Economics Conference Centre, 1–13. Retrieved.http://www.cem.ulaval.ca/pdf/kim.pdf.
Lu, J., Liu, X., & Cheng, Y. (2019). Cultural Proximity and Genre Proximity: How Do Chinese Viewers
Enjoy American and Korean TV Dramas? SAGE Open. https://doi.org/10.1177/2158244018825027

Straubhaar, J. D. (1991). Beyond media imperialism: Assymetrical interdependence and cultural


proximity. Critical Studies in media communication, 8(1), 39-59.
https://doi.org/10.1080/15295039109366779

Straubhaar, J., & Elasmar, M. G. (2003). The Impact of International Television: A Paradigm Shift.

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