FEDERICO ROJAS Heterochrony
FEDERICO ROJAS Heterochrony
FEDERICO ROJAS Heterochrony
government to keep the population growing. These women who had been ripped off the society and turned into two-legged wombs, as they are described in the story, these women were forced to be re-educated in the redcenters where they were brain-washed and made to believe in the ideals of the new Gilead Republic, which was actually a theocratic dictatorship. Despite all the efforts made by the power to keep the minds of the handmaids under their control they were still able to think on their own and they even found out a way to have their own small-talk and even a system based on whispers. Another leak in the governments system is that they still have their own ideas and their own memories about the past, what matters that these memories neither were nor completely erased neither were perfectly kept. This problem led to a continuum of flashbacks suffered by Offred that altogether with the repression and the inhuman situation that she was forced to live, sank her into a depressive state. Offred lives in this perpetual heterochrony. She survives in this oppressive world by living this heterochrony in flesh since she is constantly coming back to her good days that she uses as a buffer to her harsh reality. She lives submerged in this world of harsh shortage and of minimalistic pleasures (as they were taught to call the minimum goods that they had from time to time). She glides (both consciously and unconsciously) into the past as a way to find a safe and comfortable place to protect herself against the world. All along the first part of the story we may think of it as not a paradigmatic example of heterochrony; but in the end, when reaching the historical notes we will find ourselves in front of a real example of heterochrony. Because in the end this is a compilatory work (a physical object) in which someone gathered all the recordings left by Offred of her memories while being in the exile after having fled of Gilead (a memento of the past). Its the perfect conjunction of the solid present and the futile past plagued by prior memories.
BIBLIOGRAPHY:
Blooms Guides: The Handmaids Tale. BLOOM, H (2004) Infobase Publishing http://foucault.info/documents/heteroTopia/foucault.heteroTopia.en.html