Unit 55 33 Animation Pre Production Lo3

Stop Motion Animation Pre-production Booklet
Pre-Production Booklet for Animation

Name:
Order of contents (italics show areas you must add in yourself)
Assessment criteria
LO2
Mind maps of ideas
Risk assessment
Format of your animation
Subject and storyline
Character notes and profiles
Movement of characters
Moodboard
Sets/backgrounds
Audio and soundtrack
Sound table
Props list
Audience
Storyboard and script (add script to booklet)
Frame rates
Lighting design
Production schedule
Crew details
Frame Numbers
Dope Sheets
LO3
How to use this booklet

You will need to complete every page of this booklet, and all sections / questions
required.
Assessment criteria for Distinction grade;
LO2
Plans will show a full consideration of movement and continuity, perspective, point of view,
transitions and special effects.
Precise and workable planning of timing and synchronisation to a soundtrack will be
produced. It will be clear at this stage, from the documentation, what the finished piece will
look and sound like.
Learners will follow industry conventions and terminology used in storyboard production
correctly.
Plans for the construction of models, sets and props will be realistic and clear.
Drawings, script and storyboard will all show a creative interpretation of the idea.
LO3:
The documentation linked to the production will be full and detailed and there will be
evidence that the production management and scheduling of the project has been effective
and carried out in a professional manner. The techniques used in the production of the work
are likely to be related to an understanding of current trends in the industry.
Both LO2 and LO3

In all practical activity learners will be capable of working autonomously and effectively. They
will work on their own initiative, will not need constant support or supervision, will give the
work their full commitment, work positively and cooperatively with others, and meet
deadlines. In other words, they will have the kind of self-management skills that would be
expected of them in a professional context. Note also that this criterion should not be taken
to mean that learners do not seek advice or that they work without discussing things with
their tutor, but rather that they are not dependent upon the support of others and that when
they take advice they weigh it carefully for themselves.
Planning
Brainstorm / mind map (add extra pages if necessary)
Attach a 400 word treatment of your idea

The idea for my advert is to have walking plasticine (playdough) men to be the main characters who
will be advertising the iPhone for Apple. I think this will be a very good idea because the iPhone can
represent the time when this animation I am going to make was made. My background idea is to
have some sort of technical or plain background for my production, to show the technology of the
iPhone, with a plain and simple mainstream background featuring a light blue or white theme, as
these colours mainly represent the iPhone, and it makes the advert look modern. These sort of
effects I believe will encourage my target audience to watch the advert, as it will be showing a
bright, and modern theme which will most likely attract more of an audience which is all ages. The
characters in the advert will approach the iPhone and will start tapping on the iPhones screen to
show the audience the phones features and apps, featuring a few different camera shots such as a
close ups, medium shots and a wider shot to show the audience the entire plot. I will include a voice
over at the end of the advert, explaining the last few necessary features about the iPhone, and at
the beginning I will include one of the characters saying speech what have you got there then? and
the other character saying the all new iPhone. The advert will be a 30 second piece, with a high
amount of photos taken to create my stop motion animation.
Story: A couple of characters in an environment using the new iPhone, and advertising its
technology and apps to the audience in a 30 second advert.
Characters: A couple of plasticine (playdough) men
Location: Model dolls house
Photos: Over 650 photos
Materials: Plasticine, some kind of other technology, objects such as a tiny chair (model home
furniture)
Angles:
Wide shot: With the wide shot you will be able to distinguish the entire scene
Medium shot: This will show the iPhone, and one or two or the characters in the shot in a clear way,
this shot will most likely be used the most in the advert.
Low angle shot: The low angle shot will make the phone look bigger, and show a lot of mighty. This
shot may be used somewhere in the middle of the advert, and at the end.
Close up shot: The close up shot will be used to show the iPhone in all its glory, and showing the
animated character pressing the apps on the phone to open them.
Soundtrack: The soundtrack will be a track with no lyrics, but simply just plain, instrumental music
which I can place in the background of the advert. The reason for choosing a non-vocal track is
because the sound of the characters in the advert may be downed out and not as clear with vocals.
How will you meet the requirements of your brief?

To meet the requirements of my brief, I will need to complete this pre-production booklet
and asses what I need to do to meet the requirements. I will need to plan out what I need
to do, including what shots Im going to do at certain times of the advert, what the timings
are with everything in the advert such as the characters and the phone. I need to plan
what type of soundtrack I want as well, to make sure it ties in to the type of video it is,
and for it to match. I will need to make sure that I meet the 30 second requirement, as
this is very important to the advert as it will be on television and will need to fit in exactly
otherwise it will overlap other adverts, so therefore wont be accepted. I need to make
sure that the advert has met my target audience, which is all ages mostly above the age
of 10, as there is no violence in the advert, children under the age of 10 most likely wont
be allowed a phone because of their parents, so it is aimed at people above this age.
Finally I want to make sure that my advert becomes successful in the way I have it in
mind, to have all techie background with the colours I want, but more importantly the stop
motion animation with the characters and the phone to be in time with the characters
pressing the phones screen. The deadline is for the 10th December ?!
Risk assessment: Are there any health and safety issues you may encounter?
As I will be using the Henley College studio, there can be a numerous amount of risks:

Trip over a wire
Trip over a camera/tripod
Bang your head on an obstacle attached to the ceiling
I could drop my iPhone and it could break, causing some sort or spark or could get hurt by
the cracked glass screen but very unlikely
Some of the equipment in the studio is expensive, and I could trip over them, and the
equipment in the studio will most likely be damaged after.
Discuss any legal issues you may face. Eg; sound, plagiarism, age restrictions
I will not be meeting any illegal issues, as I am advertising a on my own will and I am not
advertising any black or bad about the product, so I have no legal say, but simply just
describing and advertising the product for myself. The reason why is because I am not
going to lie in the advert for example giving false information about the iPhone and how bad
or negative the product is.
There will be no age restrictions on this advert, as it features no violence, no swearwords, or
sexual activities.
The soundtrack will either be my own, or a really old faint sound track where the authors or
publishers wont have an active protection on it.
Use of possible formats

Circle which of the following formats your animation will take;
stop-frame techniques
time lapse photography
plasticine animation
Claymation
using found objects
modelling
puppetry
combined formats
Why are you using that particular format?

Because I feel most comfortable and the correct type of form of animation I am making, I feel
that it will fit with the video frame very well. With plasticine animation I can move them a lot
easier, I can manipulate my characters a lot easier, because they can be easily altered. I feel
that its more of an accomplishment when I finish the advert, and will feel good about myself,
plasticine looks best in animation. I am using this format because plasticine is easy to figure,
unlike other hard solid objects to be used as characters, they cant be as detailed and figured
as a plasticine model. I chose this format because I can make more flexible movements, eye
movement and even mouth movement.
What are the different possibilities you could explore using this format?
Using plasticine I can create a more smooth looking animation with the models for further
videos I might possibly make. Making more realistic movements, rather than spending all
day designing and creating models and possibly making errors. I can make mouth
movement and other more flexible models with this format rather than other objects such as
lego or sticks. You can make interesting models and characters with plasticine, to whatever
feature and movement of your choice. You can also stick plasticine easily to a wall for
example, and plasticine can make the animation much more smoother as you can move it in
any position, whereas lego you can only move it in sections which allows you, making the
animation less realistic.
What are the limitations of using this format? (i.e what problems/ obstacles might you
have?)
A large amount of heat could make some of the plasticine melt or disfigure, making huge
amount of errors on the models. You cannot grip the plasticine models too hard, otherwise
you will disfigure your model.
What imaginative or inventive animations have you seen which use this format?
Add in links and screen shots of three examples of animations using this format.
http://www.youtube.com/watch?v=ne4K-2aflhA
http://www.youtube.com/watch?v=bFRzZegVIhY
http://www.youtube.com/watch?v=wu-LoN_DGPg
Subject
What will the subject of your animation be?
The subject of my animation will be advertisement in technology.
Storyline
Describe the storyline of your animation. What events will happen to your characters?
The events with my characters will be the plasticine animations will be moving at a realistic
and sensible rate that will tie into the plot. It will be a timeline of the advert where one or two
approach the iPhone and discuss it. The motion of the characters will be moved with the
slightest touches, to ensure top quality and realistic results. At the beginning the film will start
with a quick sketch of the play house, in a train track movement, then you will see the iphone
appear from the left or right hand side of the screen, then it will slowly focus on it. After the
focus, the scene will cut to one of the characters walking in and noticing the iPhone, then
playing with it unintelligently not knowing what it is, then another character walks in and
describes what the product is and how it works.
Characters
What characters will be in your animation?
Characters that will describe the iPhone, normal civilians that will describe the iPhone and its
features. The characters will be coloured, with a few facial and structure features, making
them look like men with arms and legs. Plasticine models will be the only characters on the
set. The two character are of a separate colour of red and orange. The orange character will
be the smaller figure posed as a child. The theme is based in a kitchen, and the child
character (orange one) will be in the video first who sits down on the plasticine chair, then
notices the iphone at the other end of the room. The character looks around thinking what is
this object doing in the room, then the second character (the red one) posing as an adult
walks in and presses the botton on the phone, then the phone shows off its features.
Complete the character profiles for each character in your animation
Name:
M/F:
Age
Jamie
Male
25
Costume:
Red Plasticine model
Occupation:
N/A
Hobbies:
N/A
Character
Background:
N/A
Name:
M/F:
Age
Costume:
John
Male
13
Orange Plasticine model
Occupation:
N/A
Hobbies:
N/A
Character
Background:
N/A
Add in images and drawings/ sketches of what they will look like.
1.
What will they be made of?

Plasticine
Movement of characters
How are you going to make your characters move?

The way Im going to make them move is by using the typical stop motion. Take a photo of
each slight movement I make with the characters, to get as much photos as possible for my
30 second animation.
What is the purpose of an armature?

To give extra posture support to a plasticine, clay or playdough model
Will you use them for your characters?

No
If so, how will you make it?

Im not using armature, so instead I will simple create the plasticine model and make it them
move myself by just moving the plasticine.
Mood board
Create a mood board showing what look your animation will have. Add images showing
ideas of mise-en-scene, characters, costumes and colours that will be present in the
different shots.
Sets / backgrounds
Will your set be;
A three wall set
A blue/green screen
An existing location
A Combination of two or more of the above
Draw sketches of how your sets/backgrounds will look. Add in labels to your diagrams and
details of locations / lighting etc.
Characters, left
side of the set,
iPhone location
Table and Chair,

a scene from
the animation
Add in photographs of your sets/backgrounds.
Audio and Soundtrack

What audio will you have for your animation?
Smosh Channel Background music
Complete the sound list, detailing what sounds you will use, where you will source them,
what equipment you will need to record them and when you will use them in your animation.
You will need to design your own soundtrack. You cannot use copyrighted music, and it
must be more than simply adding a track.
What actions will need sound effects?

No actions will need sound effects, the whole animation will be played in the background.
Separate sound effects I will add in will cover the sound effects.
Walking sounds, Pressing the iPhone button sound, end of advert sound.
Think of the scenes in your animation. Each scene should have different sounds/music to
give information about the mood / emotions of the characters.
Sound Table
Production Name: The new iPhone
Producer: Marcus Aleo
Shot
Action
Description
of Sound
Diegetic/non/diegetic
Atmosphere
created
Musice type
and
atmosphere
Walking
onto set
Soundtrack
Diegetic
Calm
Calm
Sitting on
the chair
Soundtrack
Diegetic
Calm
Calm
Character
spots the
iPhone
Soundtrack
Diegetic
Surprise
Live
Walking up
to iPhone
then
character
number 2
does
Soundtrack
Diegetic
Live
Live
Props List
What props / models / furniture etc will you need to make your animation?
PROPS LIST
Production Name: The new iPhone
Producer: Marcus Aleo
Item
Script page
Description
Character/location
Notes
Card Board
Box
Large Box for the In a study room

set
Lit up with
lights
White pieces
of paper
White paper
In the cardboard set

in the study room
Lit up
iPhone product
The new iPhone

being advertised
In the study room
Camera
Canon S4
camera
Study room
Camera
Tri-Pod
Tri-Pod unknown
Study room
Tri-pod
Audience
Define the following characteristics of your audience;
Gender
Male/Female
Age
The audience can be of any age, preferably teenagers and adults as they are more likely to
buy a technical expensive product which they can use. As it is an advert designed for day
time television, anybody can watch it, as it features no violence or sexual content.
Interests
Interests in technology, wanting a new phone.
What forms of animation might they already watch?

Wallis and Gromet, Chicken run, computerized animation, drawing animation.
What images do you think they enjoy watching?

Action, story, animation.
What might they consider distasteful or offensive?

Advertising the product itself.
How will you ensure that your animation will suit your chosen audience?
Because an animation with an iPhone product has never been done before, so I thought this
would be different to the usual iPhone adverts. This would be a difference to the usual so
therefore unique. The correct audiences will find the animation successful, and some wont,
but I aim to make sure that the animation is aimed at my correct audience types.
How will they physically watch your animation? (i.e in an exhibition format, on screen,
projection, online?)
They will watch my advert online, as it will be presented and uploaded on YouTube on
screen.
Storyboard
Think carefully about the shots you will be using. Consider the range of shots/angles
to give interest and perspective
Shots
Movement
Extreme long shot
Pan
Long
Shot
Tilt
Medium Shot
Tracking
Shot
Two Shot
Zoom
Over the
Shoulder
Medium Close up
Close up
Extreme close up
Camera Angles
Birds-eye
Editingview
High
angle
Montage
Eye-level
Cross
cutting
Low
angle
Match cut
Oblique
/ cantedshot
angle
Shot, reverse
Worms-eye
view
Eye-line match
Ground
Shot
Jump cut
Tracking shot

You will need to convey all movements and actions. Copy and paste the storyboard to
make it as long as you need to show all the detail of your animation.
You will need to add pages to this section for your full storyboard
Frame Rates
What is the duration of your animation in minutes? (minimum 30 seconds)
In seconds?
How many frames per second for video?
There are 60 seconds in a minute. How many frames (ie. Individual photos) will you
need to take?
Lighting Design
Where will you be photographing your animation?
Does it have natural daylight?
If so, you will need to block this out. Explain why.
Do you have a constant light source(s) such as a lamp?
Where will you place your light source(s) to create interesting effects?

(LO3)
Frame numbers
You will need to label your images as frames
The first 24 frames will be written as;
0_1
0_2 etc etc
the following 24 will be

1_1
1_2
1_3
Ensure your clips are labeled as such. Screen shot the folder your clips are in, and copy the
image underneath.
Dope sheets
A dope sheet is an animation tool which helps a animator organise the animation shot-byshot.
This gives the camera operator instructions on each shot type and how many frames this will
be used for.
A dope sheet is usually split into 5 different sections.
To indicate what action occurs on which frame number

To see what action is happening in this shot.
To see what dialogue used in this scene.
To show what level of animation is happening.
To give camera instructions (angle).
For example;
Because you will be working with video, you will be using 30fps. You will need to complete a
dope sheet for EVERY SECOND of your animation.
i.e, if you make a 30 second animation, you will need to complete 30 dope sheets.
This will be a time-consuming task, but it will help you understand what will need to
happen in each of the shots you take. The higher marks will come from a detailed and
careful collection of dope sheets. For example, if your characters speaks, you will need to
show the mouth forming every shape in order to look effective.
Frame
Path of action
Dialogue /
Soundtrack cue
Animation
Camera
instructions
0_1
Introduction
Wildlife
Man
Wide shot
0_2
Introduction
Wildlife
Man
Wide shot
0_3
Introduction
Wildlife
Man
Wide shot
0_4
Introduction
Wildlife
Man
Wide shot
0_5
Introduction
Wildlife
Man
Wide shot
0_6
Introduction
Wildlife
Man
Wide shot
0_7
Introduction
Wildlife
Man
Wide shot
0_8
Introduction
Wildlife
Man
Wide shot
0_9
Introduction
Wildlife
Man
Wide shot
0_10
Introduction
Wildlife
Man
Wide shot
0_11
Introduction
Wildlife
Man
Wide shot
0_12
Introduction
Wildlife
Man
Wide shot
0_13
Introduction
Wildlife
Man
Wide shot
0_14
Introduction
Wildlife
Man
Wide shot
0_15
Introduction
Wildlife
Man
Wide shot
0_16
Introduction
Wildlife
Man
Wide shot
0_17
Introduction
Wildlife
Man
Wide shot
0_18
Introduction
Wildlife
Man
Wide shot
0_19
Introduction
Wildlife
Man
Wide shot
0_20
Introduction
Wildlife
Man
Wide shot
0_21
Introduction
Wildlife
Man
Wide shot
0_22
Introduction
Wildlife
Man
Wide shot
0_23
Introduction
Wildlife
Man
Wide shot
0_24
Introduction
Wildlife
Man
Wide shot
0_25
Introduction
Wildlife
Man
Wide shot
0_26
Introduction
Wildlife
Man
Wide shot
0_27
Introduction
Wildlife
Man
Wide shot
0_28
Introduction
Wildlife
Man
Wide shot
0_29
Introduction
Wildlife
Man
Wide shot
0_30
Introduction
Wildlife
Man
Wide shot

Frame
Path of action
Dialogue /
Soundtrack cue
Animation
Camera
instructions
1_1
Introduction
Wildlife
Man
Wide shot
1_2
Introduction
Wildlife
Man
Wide shot
1_3
Introduction
Wildlife
Man
Wide shot
1_4
Introduction
Wildlife
Man
Wide shot
1_5
Introduction
Wildlife
Man
Wide shot
1_6
Introduction
Wildlife
Man
Wide shot
1_7
Introduction
Wildlife
Man
Wide shot
1_8
Introduction
Wildlife
Man
Wide shot
1_9
Introduction
Wildlife
Man
Wide shot
1_10
Introduction
Wildlife
Man
Wide shot
1_11
Introduction
Wildlife
Man
Wide shot
1_12
Introduction
Wildlife
Man
Wide shot
1_13
Introduction
Wildlife
Man
Wide shot
1_14
Introduction
Wildlife
Man
Wide shot
1_15
Introduction
Wildlife
Man
Wide shot
1_16
Introduction
Wildlife
Man
Wide shot
1_17
Introduction
Wildlife
Man
Wide shot
1_18
Introduction
Wildlife
Man
Wide shot
1_19
Introduction
Wildlife
Man
Wide shot
1_20
Introduction
Wildlife
Man
Wide shot
1_21
Introduction
Wildlife
Man
Wide shot
1_22
Introduction
Wildlife
Man
Wide shot
1_23
Introduction
Wildlife
Man
Wide shot
1_24
Introduction
Wildlife
Man
Wide shot
1_25
Introduction
Wildlife
Man
Wide shot
1_26
Introduction
Wildlife
Man
Wide shot
1_27
Introduction
Wildlife
Man
Wide shot
1_28
Introduction
Wildlife
Man
Wide shot
1_29
Introduction
Wildlife
Man
Wide shot
1_30
Introduction
Wildlife
Man
Wide shot

Frame
Path of action
Dialogue /
Soundtrack
cue
2_1
Introduction
Wildlife
Man
Wide shot
2_2
Introduction
Wildlife
Man
Wide shot
2_3
Introduction
Wildlife
Man
Wide shot
2_4
Introduction
Wildlife
Man
Wide shot
2_5
Introduction
Wildlife
Man
Wide shot
2_6
Introduction
Wildlife
Man
Wide shot
2_7
Introduction
Wildlife
Man
Wide shot
2_8
Introduction
Wildlife
Man
Wide shot
2_9
Introduction
Wildlife
Man
Wide shot
2_10
Introduction
Wildlife
Man
Wide shot
2_11
Introduction
Wildlife
Man
Wide shot
2_12
Introduction
Wildlife
Man
Wide shot
2_13
Introduction
Wildlife
Man
Wide shot
2_14
Introduction
Wildlife
Man
Wide shot
2_15
Introduction
Wildlife
Man
Wide shot
2_16
Introduction
Wildlife
Man
Wide shot
2_17
Introduction
Wildlife
Man
Wide shot
2_18
Introduction
Wildlife
Man
Wide shot
2_19
Introduction
Wildlife
Man
Wide shot
2_20
Introduction
Wildlife
Man
Wide shot
2_21
Introduction
Wildlife
Man
Wide shot
2_22
Introduction
Wildlife
Man
Wide shot
2_23
Introduction
Wildlife
Man
Wide shot
2_24
Introduction
Wildlife
Man
Wide shot
2_25
Introduction
Wildlife
Man
Wide shot
2_26
Introduction
Wildlife
Man
Wide shot
2_27
Introduction
Wildlife
Man
Wide shot
2_28
Introduction
Wildlife
Man
Wide shot
2_29
Introduction
Wildlife
Man
Wide shot
2_30
Introduction
Wildlife
Man
Wide shot
Animation
Camera
instructions

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
3_1
Introduction
Wildlife
Man
Wide shot
3_2
Introduction
Wildlife
Man
Wide shot
3_3
Introduction
Wildlife
Man
Wide shot
3_4
Introduction
Wildlife
Man
Wide shot
3_5
Introduction
Wildlife
Man
Wide shot
3_6
Walking to the left
Wildlife
Man
Medium
3_7
Walking to the left
Wildlife
Man
Medium
3_8
Walking to the left
Wildlife
Man
Medium
3_9
Walking to the left
Wildlife
Man
Medium
3_10
Walking to the left
Wildlife
Man
Medium
3_11
Walking to the left
Wildlife
Man
Medium
3_12
Walking to the left
Wildlife
Man
Medium
3_13
Walking to the left
Wildlife
Man
Medium
3_14
Walking to the left
Wildlife
Man
Medium
3_15
Walking to the left
Wildlife
Man
Medium
3_16
Walking to the left
Wildlife
Man
Medium
3_17
Walking to the left
Wildlife
Man
Medium
3_18
Walking to the left
Wildlife
Man
Medium
3_19
Walking to the left
Wildlife
Man
Medium
3_20
Walking to the left
Wildlife
Man
Medium
3_21
Walking to the left
Wildlife
Man
Medium
3_22
Walking to the left
Wildlife
Man
Medium
3_23
Walking to the left
Wildlife
Man
Medium
3_24
Walking to the left
Wildlife
Man
Medium
3_25
Walking to the left
Wildlife
Man
Medium
3_26
Walking to the left
Wildlife
Man
Medium
3_27
Walking to the left
Wildlife
Man
Medium
3_28
Walking to the left
Wildlife
Man
Medium
3_29
Walking to the left
Wildlife
Man
Medium
3_30
Walking to the left
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
4_1
Walking to the left
Wildlife
Man
Medium
4_2
Walking to the left
Wildlife
Man
Medium
4_3
Walking to the left
Wildlife
Man
Medium
4_4
Walking to the left
Wildlife
Man
Medium
4_5
Walking to the left
Wildlife
Man
Medium
4_6
Walking to the left
Wildlife
Man
Medium
4_7
Walking to the left
Wildlife
Man
Medium
4_8
Walking to the left
Wildlife
Man
Medium
4_9
Walking to the left
Wildlife
Man
Medium
4_10
Walking to the left
Wildlife
Man
Medium
4_11
Walking to the left
Wildlife
Man
Medium
4_12
Walking to the left
Wildlife
Man
Medium
4_13
Walking to the left
Wildlife
Man
Medium
4_14
Walking to the left
Wildlife
Man
Medium
4_15
Walking to the left
Wildlife
Man
Medium
4_16
Walking to the left
Wildlife
Man
Medium
4_17
Walking to the left
Wildlife
Man
Medium
4_18
Walking to the left
Wildlife
Man
Medium
4_19
Walking to the left
Wildlife
Man
Medium
4_20
Walking to the left
Wildlife
Man
Medium
4_21
Walking to the left
Wildlife
Man
Medium
4_22
Walking to the left
Wildlife
Man
Medium
4_23
Walking to the left
Wildlife
Man
Medium
4_24
Walking to the left
Wildlife
Man
Medium
4_25
Walking to the left
Wildlife
Man
Medium
4_26
Walking to the left
Wildlife
Man
Medium
4_27
Walking to the left
Wildlife
Man
Medium
4_28
Walking to the left
Wildlife
Man
Medium
4_29
Walking to the left
Wildlife
Man
Medium
4_30
Walking to the left
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
5_1
Walking to the left
Wildlife
Man
Medium
5_2
Walking to the left
Wildlife
Man
Medium
5_3
Walking to the left
Wildlife
Man
Medium
5_4
Walking to the left
Wildlife
Man
Medium
5_5
Walking to the left
Wildlife
Man
Medium
5_6
Walking to the left
Wildlife
Man
Medium
5_7
Walking to the left
Wildlife
Man
Medium
5_8
Walking to the left
Wildlife
Man
Medium
5_9
Walking to the left
Wildlife
Man
Medium
5_10
Walking to the left
Wildlife
Man
Medium
5_11
Walking to the left
Wildlife
Man
Medium
5_12
Walking to the left
Wildlife
Man
Medium
5_13
Walking to the left
Wildlife
Man
Medium
5_14
Walking to the left
Wildlife
Man
Medium
5_15
Walking to the left
Wildlife
Man
Medium
5_16
Walking to the left
Wildlife
Man
Medium
5_17
Walking to the left
Wildlife
Man
Medium
5_18
Walking to the left
Wildlife
Man
Medium
5_19
Walking to the left
Wildlife
Man
Medium
5_20
Walking to the left
Wildlife
Man
Medium
5_21
Walking to the left
Wildlife
Man
Medium
5_22
Walking to the left
Wildlife
Man
Medium
5_23
Walking to the left
Wildlife
Man
Medium
5_24
Walking to the left
Wildlife
Man
Medium
5_25
Walking to the left
Wildlife
Man
Medium
5_26
Walking to the left
Wildlife
Man
Medium
5_27
Walking to the left
Wildlife
Man
Medium
5_28
Walking to the left
Wildlife
Man
Medium
5_29
Walking to the left
Wildlife
Man
Medium
5_30
Walking to the left
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
6_1
Walking to the left
Wildlife
Man
Medium
6_2
Walking to the left
Wildlife
Man
Medium
6_3
Walking to the left
Wildlife
Man
Medium
6_4
Walking to the left
Wildlife
Man
Medium
6_5
Walking to the left
Wildlife
Man
Medium
6_6
Walking to the left
Wildlife
Man
Medium
6_7
Walking to the left
Wildlife
Man
Medium
6_8
Walking to the left
Wildlife
Man
Medium
6_9
Walking to the left
Wildlife
Man
Medium
6_10
Walking to the left
Wildlife
Man
Medium
6_11
Walking to the left
Wildlife
Man
Medium
6_12
Walking to the left
Wildlife
Man
Medium
6_13
Walking to the left
Wildlife
Man
Medium
6_14
Walking to the left
Wildlife
Man
Medium
6_15
Walking to the left
Wildlife
Man
Medium
6_16
Walking to the left
Wildlife
Man
Medium
6_17
Walking to the left
Wildlife
Man
Medium
6_18
Walking to the left
Wildlife
Man
Medium
6_19
Walking to the left
Wildlife
Man
Medium
6_20
Walking to the left
Wildlife
Man
Medium
6_21
Walking to the left
Wildlife
Man
Medium
6_22
Walking to the left
Wildlife
Man
Medium
6_23
Walking to the left
Wildlife
Man
Medium
6_24
Walking to the left
Wildlife
Man
Medium
6_25
Walking to the left
Wildlife
Man
Medium
6_26
Walking to the left
Wildlife
Man
Medium
6_27
Walking to the left
Wildlife
Man
Medium
6_28
Walking to the left
Wildlife
Man
Medium
6_29
Walking to the left
Wildlife
Man
Medium
6_30
Walking to the left
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
7_1
Walking to the left
Wildlife
Man
Medium
7_2
Walking to the left
Wildlife
Man
Medium
7_3
Walking to the left
Wildlife
Man
Medium
7_4
Walking to the left
Wildlife
Man
Medium
7_5
Walking to the left
Wildlife
Man
Medium
7_6
Walking to the left
Wildlife
Man
Medium
7_7
Walking to the left
Wildlife
Man
Medium
7_8
Walking to the left
Wildlife
Man
Medium
7_9
Walking to the left
Wildlife
Man
Medium
7_10
Walking to the left
Wildlife
Man
Medium
7_11
Walking to the left
Wildlife
Man
Medium
7_12
Walking to the left
Wildlife
Man
Medium
7_13
Walking to the left
Wildlife
Man
Medium
7_14
Walking to the left
Wildlife
Man
Medium
7_15
Walking to the left
Wildlife
Man
Medium
7_16
Sitting on the chair
Wildlife
Man
Medium
7_17
Wildlife
Man
Medium
7_18
Wildlife
Man
Medium
7_19
Wildlife
Man
Medium
7_20
Wildlife
Man
Medium
7_21
Wildlife
Man
Medium
7_22
Wildlife
Man
Medium
7_23
Wildlife
Man
Medium
7_24
Wildlife
Man
Medium
7_25
Wildlife
Man
Medium
7_26
Wildlife
Man
Medium
7_27
Wildlife
Man
Medium
7_28
Wildlife
Man
Medium
7_29
Wildlife
Man
Medium
7_30
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
8_1
Wildlife
Man
Medium
8_2
Wildlife
Man
Medium
8_3
Wildlife
Man
Medium
8_4
Wildlife
Man
Medium
8_5
Wildlife
Man
Medium
8_6
Wildlife
Man
Medium
8_7
Wildlife
Man
Medium
8_8
Wildlife
Man
Medium
8_9
Wildlife
Man
Medium
8_10
Wildlife
Man
Medium
8_11
Wildlife
Man
Medium
8_12
Wildlife
Man
Medium
8_13
Wildlife
Man
Medium
8_14
Wildlife
Man
Medium
8_15
Wildlife
Man
Medium
8_16
Wildlife
Man
Medium
8_17
Wildlife
Man
Medium
8_18
Wildlife
Man
Medium
8_19
Wildlife
Man
Medium
8_20
Wildlife
Man
Medium
8_21
Wildlife
Man
Medium
8_22
Wildlife
Man
Medium
8_23
Wildlife
Man
Medium
8_24
Wildlife
Man
Medium
8_25
Wildlife
Man
Medium
8_26
Wildlife
Man
Medium
8_27
Wildlife
Man
Medium
8_28
Wildlife
Man
Medium
8_29
Wildlife
Man
Medium
8_30
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
9_1
Wildlife
Man
Medium
9_2
Wildlife
Man
Medium
9_3
Wildlife
Man
Medium
9_4
Wildlife
Man
Medium
9_5
Wildlife
Man
Medium
9_6
Sat on the chair
Wildlife
Man
Medium
9_7
Sat on the chair
Wildlife
Man
Medium
9_8
Sat on the chair
Wildlife
Man
Medium
9_9
Sat on the chair
Wildlife
Man
Medium
9_10
Sat on the chair
Wildlife
Man
Medium
9_11
Sat on the chair
Wildlife
Man
Medium
9_12
Sat on the chair
Wildlife
Man
Medium
9_13
Sat on the chair
Wildlife
Man
Medium
9_14
Sat on the chair
Wildlife
Man
Medium
9_15
Sat on the chair
Wildlife
Man
Medium
9_16
Sat on the chair
Wildlife
Man
Medium
9_17
Sat on the chair
Wildlife
Man
Medium
9_18
Sat on the chair
Wildlife
Man
Medium
9_19
Sat on the chair
Wildlife
Man
Medium
9_20
Sat on the chair
Wildlife
Man
Medium
9_21
Sat on the chair
Wildlife
Man
Medium
9_22
Sat on the chair
Wildlife
Man
Medium
9_23
Sat on the chair
Wildlife
Man
Medium
9_24
Sat on the chair
Wildlife
Man
Medium
9_25
Sat on the chair
Wildlife
Man
Medium
9_26
Sat on the chair
Wildlife
Man
Medium
9_27
Sat on the chair
Wildlife
Man
Medium
9_28
Sat on the chair
Wildlife
Man
Medium
9_29
Sat on the chair
Wildlife
Man
Medium
9_30
Sat on the chair
Wildlife
Man
Medium

Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
10_1
Sat on the chair
Wildlife
Man
Medium
10_2
Sat on the chair
Wildlife
Man
Medium
10_3
Sat on the chair
Wildlife
Man
Medium
10_4
Sat on the chair
Wildlife
Man
Medium
10_5
Sat on the chair
Wildlife
Man
Medium
10_6
Raising his hand
Wildlife
Man
Close up shot
10_7
Raising his hand
Wildlife
Man
Close up shot
10_8
Raising his hand
Wildlife
Man
Close up shot
10_9
Raising his hand
Wildlife
Man
Close up shot
10_10
Raising his hand
Wildlife
Man
Close up shot
10_11
Raising his hand
Wildlife
Man
Close up shot
10_12
Raising his hand
Wildlife
Man
Close up shot
10_13
Raising his hand
Wildlife
Man
Close up shot
10_14
Raising his hand
Wildlife
Man
Close up shot
10_15
Raising his hand
Wildlife
Man
Close up shot
10_16
Raising his hand
Wildlife
Man
Close up shot
10_17
Raising his hand
Wildlife
Man
Close up shot
10_18
Raising his hand
Wildlife
Man
Close up shot
10_19
Raising his hand
Wildlife
Man
Close up shot
10_20
Raising his hand
Wildlife
Man
Close up shot
10_21
Raising his hand
Wildlife
Man
Close up shot
10_22
Raising his hand
Wildlife
Man
Close up shot
10_23
Raising his hand
Wildlife
Man
Close up shot
10_24
Raising his hand
Wildlife
Man
Close up shot
10_25
Raising his hand
Wildlife
Man
Close up shot
10_26
Raising his hand
Wildlife
Man
Close up shot
10_27
Raising his hand
Wildlife
Man
Close up shot
10_28
Raising his hand
Wildlife
Man
Close up shot
10_29
Raising his hand
Wildlife
Man
Close up shot

2_30
Waking up to the Phone
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
11_1
Raising his hand
Wildlife
Man
Close up shot
11_2
Raising his hand
Wildlife
Man
Close up shot
11_3
Raising his hand
Wildlife
Man
Close up shot
11_4
Raising his hand
Wildlife
Man
Close up shot
11_5
Raising his hand
Wildlife
Man
Close up shot
11_6
Raising his hand
Wildlife
Man
Close up shot
11_7
Raising his hand
Wildlife
Man
Close up shot
11_8
Raising his hand
Wildlife
Man
Close up shot
11_9
Raising his hand
Wildlife
Man
Close up shot
11_10
Raising his hand
Wildlife
Man
Close up shot
11_11
Raising his hand
Wildlife
Man
Close up shot
11_12
Raising his hand
Wildlife
Man
Close up shot
11_13
Raising his hand
Wildlife
Man
Close up shot
11_14
Raising his hand
Wildlife
Man
Close up shot
11_15
Raising his hand
Wildlife
Man
Close up shot
11_16
Raising his hand
Wildlife
Man
Close up shot
11_17
Raising his hand
Wildlife
Man
Close up shot
11_18
Raising his hand
Wildlife
Man
Close up shot
11_19
Raising his hand
Wildlife
Man
Close up shot
11_20
Raising his hand
Wildlife
Man
Close up shot
11_21
Raising his hand
Wildlife
Man
Close up shot
11_22
Raising his hand
Wildlife
Man
Close up shot
11_23
Raising his hand
Wildlife
Man
Close up shot
11_24
Raising his hand
Wildlife
Man
Close up shot
11_25
Raising his hand
Wildlife
Man
Close up shot
11_26
Raising his hand
Wildlife
Man
Close up shot
11_27
Raising his hand
Wildlife
Man
Close up shot
11_28
Raising his hand
Wildlife
Man
Close up shot
11_29
Raising his hand
Wildlife
Man
Close up shot

11_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Raising his hand
Wildlife
Man
Close up shot
2_2
Raising his hand
Wildlife
Man
Close up shot
2_3
Raising his hand
Wildlife
Man
Close up shot
2_4
Raising his hand
Wildlife
Man
Close up shot
2_5
Raising his hand
Wildlife
Man
Close up shot
2_6
Raising his hand
Wildlife
Man
Close up shot
2_7
Raising his hand
Wildlife
Man
Close up shot
2_8
Raising his hand
Wildlife
Man
Close up shot
2_9
Raising his hand
Wildlife
Man
Close up shot
2_10
Raising his hand
Wildlife
Man
Close up shot
2_11
Raising his hand
Wildlife
Man
Close up shot
2_12
Raising his hand
Wildlife
Man
Close up shot
2_13
Raising his hand
Wildlife
Man
Close up shot
2_14
Raising his hand
Wildlife
Man
Close up shot
2_15
Raising his hand
Wildlife
Man
Close up shot
2_16
Raising his hand
Wildlife
Man
Close up shot
2_17
Raising his hand
Wildlife
Man
Close up shot
2_18
Raising his hand
Wildlife
Man
Close up shot
2_19
Raising his hand
Wildlife
Man
Close up shot
2_20
Raising his hand
Wildlife
Man
Close up shot
2_21
Raising his hand
Wildlife
Man
Close up shot
2_22
Raising his hand
Wildlife
Man
Close up shot
2_23
Raising his hand
Wildlife
Man
Close up shot
2_24
Raising his hand
Wildlife
Man
Close up shot
2_25
Raising his hand
Wildlife
Man
Close up shot
2_26
Raising his hand
Wildlife
Man
Close up shot
2_27
Raising his hand
Wildlife
Man
Close up shot
2_28
Raising his hand
Wildlife
Man
Close up shot
2_29
Raising his hand
Wildlife
Man
Close up shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Raising his hand
Wildlife
Man
Close up shot
2_2
Raising his hand
Wildlife
Man
Close up shot
2_3
Raising his hand
Wildlife
Man
Close up shot
2_4
Touching his head
Wildlife
Man
Close up shot
2_5
Touching his head
Wildlife
Man
Close up shot
2_6
Touching his head
Wildlife
Man
Close up shot
2_7
Touching his head
Wildlife
Man
Close up shot
2_8
Touching his head
Wildlife
Man
Close up shot
2_9
Touching his head
Wildlife
Man
Close up shot
2_10
Touching his head
Wildlife
Man
Close up shot
2_11
Touching his head
Wildlife
Man
Close up shot
2_12
Touching his head
Wildlife
Man
Close up shot
2_13
Touching his head
Wildlife
Man
Close up shot
2_14
Touching his head
Wildlife
Man
Close up shot
2_15
Touching his head
Wildlife
Man
Close up shot
2_16
Touching his head
Wildlife
Man
Close up shot
2_17
Touching his head
Wildlife
Man
Close up shot
2_18
Touching his head
Wildlife
Man
Close up shot
2_19
Touching his head
Wildlife
Man
Close up shot
2_20
Touching his head
Wildlife
Man
Close up shot
2_21
Touching his head
Wildlife
Man
Close up shot
2_22
Touching his head
Wildlife
Man
Close up shot
2_23
Touching his head
Wildlife
Man
Close up shot
2_24
Touching his head
Wildlife
Man
Close up shot
2_25
Touching his head
Wildlife
Man
Close up shot
2_26
Touching his head
Wildlife
Man
Close up shot
2_27
Touching his head
Wildlife
Man
Close up shot
2_28
Touching his head
Wildlife
Man
Close up shot
2_29
Touching his head
Wildlife
Man
Close up shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Touching his head
Wildlife
Man
Close up shot
2_2
Touching his head
Wildlife
Man
Close up shot
2_3
Touching his head
Wildlife
Man
Close up shot
2_4
Touching his head
Wildlife
Man
Close up shot
2_5
Touching his head
Wildlife
Man
Close up shot
2_6
Touching his head
Wildlife
Man
Close up shot
2_7
Scratching his head
Wildlife
Man
Close up shot
2_8
Scratching his head
Wildlife
Man
Close up shot
2_9
Scratching his head
Wildlife
Man
Close up shot
2_10
Scratching his head
Wildlife
Man
Close up shot
2_11
Scratching his head
Wildlife
Man
Close up shot
2_12
Scratching his head
Wildlife
Man
Close up shot
2_13
Scratching his head
Wildlife
Man
Close up shot
2_14
Scratching his head
Wildlife
Man
Close up shot
2_15
Scratching his head
Wildlife
Man
Close up shot
2_16
Scratching his head
Wildlife
Man
Close up shot
2_17
Scratching his head
Wildlife
Man
Close up shot
2_18
Scratching his head
Wildlife
Man
Close up shot
2_19
Scratching his head
Wildlife
Man
Close up shot
2_20
Scratching his head
Wildlife
Man
Close up shot
2_21
Scratching his head
Wildlife
Man
Close up shot
2_22
Scratching his head
Wildlife
Man
Close up shot
2_23
Scratching his head
Wildlife
Man
Close up shot
2_24
Scratching his head
Wildlife
Man
Close up shot
2_25
Scratching his head
Wildlife
Man
Close up shot
2_26
Scratching his head
Wildlife
Man
Close up shot
2_27
Scratching his head
Wildlife
Man
Close up shot
2_28
Scratching his head
Wildlife
Man
Close up shot
2_29
Scratching his head
Wildlife
Man
Close up shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Scratching his head
Wildlife
Man
Close up shot
2_2
Scratching his head
Wildlife
Man
Close up shot
2_3
Scratching his head
Wildlife
Man
Close up shot
2_4
Scratching his head
Wildlife
Man
Close up shot
2_5
Scratching his head
Wildlife
Man
Close up shot
2_6
Scratching his head
Wildlife
Man
Close up shot
2_7
Scratching his head
Wildlife
Man
Close up shot
2_8
Scratching his head
Wildlife
Man
Close up shot
2_9
Scratching his head
Wildlife
Man
Close up shot
2_10
Scratching his head
Wildlife
Man
Close up shot
2_11
Scratching his head
Wildlife
Man
Close up shot
2_12
Scratching his head
Wildlife
Man
Close up shot
2_13
Scratching his head
Wildlife
Man
Close up shot
2_14
Scratching his head
Wildlife
Man
Close up shot
2_15
Scratching his head
Wildlife
Man
Close up shot
2_16
Scratching his head
Wildlife
Man
Close up shot
2_17
Scratching his head
Wildlife
Man
Close up shot
2_18
Scratching his head
Wildlife
Man
Close up shot
2_19
Scratching his head
Wildlife
Man
Close up shot
2_20
Scratching his head
Wildlife
Man
Close up shot
2_21
Scratching his head
Wildlife
Man
Close up shot
2_22
Scratching his head
Wildlife
Man
Close up shot
2_23
Scratching his head
Wildlife
Man
Close up shot
2_24
Scratching his head
Wildlife
Man
Close up shot
2_25
Scratching his head
Wildlife
Man
Close up shot
2_26
Scratching his head
Wildlife
Man
Close up shot
2_27
Scratching his head
Wildlife
Man
Close up shot
2_28
Scratching his head
Wildlife
Man
Close up shot
2_29
Scratching his head
Wildlife
Man
Close up shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Scratching his head
Wildlife
Man
Close up shot
2_2
Scratching his head
Wildlife
Man
Close up shot
2_3
Scratching his head
Wildlife
Man
Close up shot
2_4
Scratching his head
Wildlife
Man
Close up shot
2_5
Scratching his head
Wildlife
Man
Close up shot
2_6
Scratching his head
Wildlife
Man
Close up shot
2_7
Scratching his head
Wildlife
Man
Close up shot
2_8
Scratching his head
Wildlife
Man
Close up shot
2_9
Scratching his head
Wildlife
Man
Close up shot
2_10
Scratching his head
Wildlife
Man
Close up shot
2_11
Scratching his head
Wildlife
Man
Close up shot
2_12
Scratching his head
Wildlife
Man
Close up shot
2_13
Scratching his head
Wildlife
Man
Close up shot
2_14
Scratching his head
Wildlife
Man
Close up shot
2_15
Scratching his head
Wildlife
Man
Close up shot
2_16
Scratching his head
Wildlife
Man
Close up shot
2_17
Scratching his head
Wildlife
Man
Close up shot
2_18
Scratching his head
Wildlife
Man
Close up shot
2_19
Scratching his head
Wildlife
Man
Close up shot
2_20
Scratching his head
Wildlife
Man
Close up shot
2_21
Scratching his head
Wildlife
Man
Close up shot
2_22
Scratching his head
Wildlife
Man
Close up shot
2_23
Scratching his head
Wildlife
Man
Close up shot
2_24
Walking up to the phone
Wildlife
Man
Medium shot
2_25
Wildlife
Man
Medium shot
2_26
Wildlife
Man
Medium shot
2_27
Wildlife
Man
Medium shot
2_28
Wildlife
Man
Medium shot
2_29
Wildlife
Man
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man
Medium shot
2_2
Wildlife
Man
Medium shot
2_3
Wildlife
Man
Medium shot
2_4
Wildlife
Man
Medium shot
2_5
Wildlife
Man
Medium shot
2_6
Wildlife
Man
Medium shot
2_7
Wildlife
Man
Medium shot
2_8
Wildlife
Man
Medium shot
2_9
Wildlife
Man
Medium shot
2_10
Wildlife
Man
Medium shot
2_11
Wildlife
Man
Medium shot
2_12
Wildlife
Man
Medium shot
2_13
Wildlife
Man
Medium shot
2_14
Wildlife
Man
Medium shot
2_15
Wildlife
Man
Medium shot
2_16
Wildlife
Man
Medium shot
2_17
Wildlife
Man
Medium shot
2_18
Wildlife
Man
Medium shot
2_19
Wildlife
Man
Medium shot
2_20
Wildlife
Man
Medium shot
2_21
Wildlife
Man
Medium shot
2_22
Wildlife
Man
Medium shot
2_23
Wildlife
Man
Medium shot
2_24
Wildlife
Man
Medium shot
2_25
Wildlife
Man
Medium shot
2_26
Wildlife
Man
Medium shot
2_27
Wildlife
Man
Medium shot
2_28
Wildlife
Man
Medium shot
2_29
Wildlife
Man
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man
Medium shot
2_2
Wildlife
Man
Medium shot
2_3
Wildlife
Man
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Wildlife
Man (2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Wildlife
Man (2)
Medium shot
2_3
Wildlife
Man (2)
Medium shot
2_4
Wildlife
Man (2)
Medium shot
2_5
Wildlife
Man (2)
Medium shot
2_6
Wildlife
Man (2)
Medium shot
2_7
Wildlife
Man (2)
Medium shot
2_8
Wildlife
Man (2)
Medium shot
2_9
Wildlife
Man (2)
Medium shot
2_10
Wildlife
Man (2)
Medium shot
2_11
Wildlife
Man (2)
Medium shot
2_12
Wildlife
Man (2)
Medium shot
2_13
Wildlife
Man (2)
Medium shot
2_14
Wildlife
Man (2)
Medium shot
2_15
Wildlife
Man (2)
Medium shot
2_16
Wildlife
Man (2)
Medium shot
2_17
Wildlife
Man (2)
Medium shot
2_18
Wildlife
Man (2)
Medium shot
2_19
Wildlife
Man (2)
Medium shot
2_20
Wildlife
Man (2)
Medium shot
2_21
Wildlife
Man (2)
Medium shot
2_22
Wildlife
Man (2)
Medium shot
2_23
Wildlife
Man (2)
Medium shot
2_24
Wildlife
Man (2)
Medium shot
2_25
Wildlife
Man (2)
Medium shot
2_26
Wildlife
Man (2)
Medium shot
2_27
Wildlife
Man (2)
Medium shot
2_28
Wildlife
Man (2)
Medium shot
2_29
Wildlife
Man (2)
Medium shot

2_30
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Wildlife
Man (2)
Medium shot
2_2
Turning around
Wildlife
Man + Man(2)
Medium shot
2_3
Turning around
Wildlife
Man + Man(2)
Medium shot
2_4
Turning around
Wildlife
Man + Man(2)
Medium shot
2_5
Turning around
Wildlife
Man + Man(2)
Medium shot
2_6
Turning around
Wildlife
Man + Man(2)
Medium shot
2_7
Turning around
Wildlife
Man + Man(2)
Medium shot
2_8
Turning around
Wildlife
Man + Man(2)
Medium shot
2_9
Turning around
Wildlife
Man + Man(2)
Medium shot
2_10
Turning around
Wildlife
Man + Man(2)
Medium shot
2_11
Turning around
Wildlife
Man + Man(2)
Medium shot
2_12
Turning around
Wildlife
Man + Man(2)
Medium shot
2_13
Turning around
Wildlife
Man + Man(2)
Medium shot
2_14
Turning around
Wildlife
Man + Man(2)
Medium shot
2_15
Turning around
Wildlife
Man + Man(2)
Medium shot
2_16
Turning around
Wildlife
Man + Man(2)
Medium shot
2_17
Turning around
Wildlife
Man + Man(2)
Medium shot
2_18
Turning around
Wildlife
Man + Man(2)
Medium shot
2_19
Turning around
Wildlife
Man + Man(2)
Medium shot
2_20
Turning around
Wildlife
Man + Man(2)
Medium shot
2_21
Turning around
Wildlife
Man + Man(2)
Medium shot
2_22
Turning around
Wildlife
Man + Man(2)
Medium shot
2_23
Turning around
Wildlife
Man + Man(2)
Medium shot
2_24
Turning around
Wildlife
Man + Man(2)
Medium shot
2_25
Turning around
Wildlife
Man + Man(2)
Medium shot
2_26
Turning around
Wildlife
Man + Man(2)
Medium shot
2_27
Turning around
Wildlife
Man + Man(2)
Medium shot
2_28
Turning around
Wildlife
Man + Man(2)
Medium shot
2_29
Turning around
Wildlife
Man + Man(2)
Medium shot

2_30
Turning around
Wildlife
Man + Man(2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Turning around
Wildlife
Man + Man(2)
Medium shot
2_2
Turning around
Wildlife
Man + Man(2)
Medium shot
2_3
Turning around
Wildlife
Man + Man(2)
Medium shot
2_4
Turning around
Wildlife
Man + Man(2)
Medium shot
2_5
Turning around
Wildlife
Man + Man(2)
Medium shot
2_6
Turning around
Wildlife
Man + Man(2)
Medium shot
2_7
Turning around
Wildlife
Man + Man(2)
Medium shot
2_8
Turning around
Wildlife
Man + Man(2)
Medium shot
2_9
Turning around
Wildlife
Man + Man(2)
Medium shot
2_10
Turning around
Wildlife
Man + Man(2)
Medium shot
2_11
Turning around
Wildlife
Man + Man(2)
Medium shot
2_12
Turning around
Wildlife
Man + Man(2)
Medium shot
2_13
Turning around
Wildlife
Man + Man(2)
Medium shot
2_14
Turning around
Wildlife
Man + Man(2)
Medium shot
2_15
Turning around
Wildlife
Man + Man(2)
Medium shot
2_16
Turning around
Wildlife
Man + Man(2)
Medium shot
2_17
Turning around
Wildlife
Man + Man(2)
Medium shot
2_18
Turning around
Wildlife
Man + Man(2)
Medium shot
2_19
Turning around
Wildlife
Man + Man(2)
Medium shot
2_20
Turning around
Wildlife
Man + Man(2)
Medium shot
2_21
Turning around
Wildlife
Man + Man(2)
Medium shot
2_22
Turning around
Wildlife
Man + Man(2)
Medium shot
2_23
Turning around
Wildlife
Man + Man(2)
Medium shot
2_24
Turning around
Wildlife
Man + Man(2)
Medium shot
2_25
Turning around
Wildlife
Man + Man(2)
Medium shot
2_26
Turning around
Wildlife
Man + Man(2)
Medium shot
2_27
Turning around
Wildlife
Man + Man(2)
Medium shot
2_28
Turning around
Wildlife
Man + Man(2)
Medium shot
2_29
Turning around
Wildlife
Man + Man(2)
Medium shot

2_30
Turning around
Wildlife
Man + Man(2)
Medium shot
Frame
Path of action
Dialogue /
Soundtrack
cue
Animation
Camera
instructions
2_1
Pressing the botton
Wildlife
Man
Close up shot
2_2
Pressing the botton
Wildlife
Man
Close up shot
2_3
Pressing the botton
Wildlife
Man
Close up shot
2_4
Pressing the botton
Wildlife
Man
Close up shot
2_5
Pressing the botton
Wildlife
Man
Close up shot
2_6
Pressing the botton
Wildlife
Man
Close up shot
2_7
Pressing the botton
Wildlife
Man
Close up shot
2_8
Pressing the botton
Wildlife
Man
Close up shot
2_9
Pressing the botton
Wildlife
Man
Close up shot
2_10
Pressing the botton
Wildlife
Man
Close up shot
2_11
Pressing the botton
Wildlife
Man
Close up shot
2_12
Pressing the botton
Wildlife
Man
Close up shot
2_13
Pressing the botton
Wildlife
Man
Close up shot
2_14
Pressing the botton
Wildlife
Man
Close up shot
2_15
Pressing the botton
Wildlife
Man
Close up shot
2_16
Pressing the botton
Wildlife
Man
Close up shot
2_17
Pressing the botton
Wildlife
Man
Close up shot
2_18
Pressing the botton
Wildlife
Man
Close up shot
2_19
Pressing the botton
Wildlife
Man
Close up shot
2_20
Pressing the botton
Wildlife
Man
Close up shot
2_21
Pressing the botton
Wildlife
Man
Close up shot
2_22
Pressing the botton
Wildlife
Man
Close up shot
2_23
Pressing the botton
Wildlife
Man
Close up shot
2_24
Pressing the botton
Wildlife
Man
Close up shot
2_25
Pressing the botton
Wildlife
Man
Close up shot
2_26
Pressing the botton
Wildlife
Man
Close up shot
2_27
Pressing the botton
Wildlife
Man
Close up shot
2_28
Pressing the botton
Wildlife
Man
Close up shot
2_29
Pressing the botton
Wildlife
Man
Close up shot

2_30
Pressing the botton
Wildlife
Man
Close up shot
Copy and paste as many dope sheets as you need. Remember to change the frame
numbering so that the first number refers to the second of animation ie, 1_24 is the 24th
frame of the first second, 3_17 is the 17th frame of the 3rd second.
Liaising with client (write notes on discussions between you and your client)

Unit 55 33 Animation Pre Production Lo3

Uploaded by

Copyright:

Available Formats

Unit 55 33 Animation Pre Production Lo3

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Unit 55 33 Animation Pre Production Lo3

Uploaded by

Copyright:

Available Formats

Stop Motion Animation Pre-production Booklet

Pre-Production Booklet for Animation

Mind maps of ideas

Format of your animation

Subject and storyline

Character notes and profiles

Audio and soundtrack

Storyboard and script (add script to booklet)

Stop Motion Animation Pre-production Booklet

How to use this booklet

Both LO2 and LO3

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Attach a 400 word treatment of your idea

Stop Motion Animation Pre-production Booklet

How will you meet the requirements of your brief?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Use of possible formats

Why are you using that particular format?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Complete the character profiles for each character in your animation

Red Plasticine model

Stop Motion Animation Pre-production Booklet

What will they be made of?

Stop Motion Animation Pre-production Booklet

How are you going to make your characters move?

What is the purpose of an armature?

Will you use them for your characters?

If so, how will you make it?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

A three wall set

A Combination of two or more of the above

Stop Motion Animation Pre-production Booklet

Table and Chair,

Stop Motion Animation Pre-production Booklet

Add in photographs of your sets/backgrounds.

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Audio and Soundtrack

What actions will need sound effects?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Large Box for the In a study room

In the cardboard set

The new iPhone

In the study room

Stop Motion Animation Pre-production Booklet

What forms of animation might they already watch?

What images do you think they enjoy watching?

What might they consider distasteful or offensive?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet