The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel.
Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience.
#Morehouse#MorehouseCollege
| Certified Six Sigma Greenbelt | Business Development | Account Management | Leadership |★ $14M+ portfolios ★10+ years of Top Results for all Stakeholders |
The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel.
Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience.
#Morehouse#MorehouseCollege
The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel.
Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience.
#Morehouse#MorehouseCollege
The Imagination Collaborative: To create a legacy of human connection through epic experiences that transcend expectations, blending creativity and cutting-edge technology | 35 Years In Live Events
The Sydney Opera House just missed a golden opportunity.
They recently launched a new seat view feature, but instead of using cutting-edge technology, they relied on outdated methods.
Imagine this:
Instead of taking thousands of photos, they could have used a digital twin of the venue. This would not only save time but also opened up exciting possibilities for their clients and customers:
- Set design optimisation: Visualise seats with set pieces in place to ensure perfect sightlines.
- Pre-programming capabilities: Program lighting, AV, pyrotechnics, and show control systems before even stepping foot in the venue.
- 3D audio analysis: Analyse sound patterns in a fully immersive 3D environment.
- Augmented Reality: Imagine seeing Dame Jone Sutherland performing on the Opera Theatre stage or seeing the Sydney Theatre companies set in place before it is even constructed.
- Virtual Reality: Create virtual tours of the Sydney Opera House for those people not lucky enough to be able to visit in real life.
The Opera House could have taken their service offering to the next level. Instead, they chose the path of least resistance.
Let’s hope they embrace innovation next time.
P.S. What other features do you think digital twins could revolutionise in venues? Comment below!
We pushed View From Seat live earlier this week, meaning you can make a more informed decision about your seat when booking your next show at the Opera House.
Photographs were captured with care and patience by Daniel Boud and Jay Patel, assisted by Sherry Zheng.
A big thanks to our team of Krystal Nolan, Colin Taylor, Luke Micó, Ben Grace, Paayal Dharmani, JK Power and Matt Osborn, all who played a key part in the project.
Take a look at sydneyoperahouse.com
Stop-motion credit: Daniel Boud
Check out this fascinating blog post on El Anatsui, one of Africa's foremost artists, and his lesser-known passion for collecting vinyl. While he's renowned for his breathtaking metallic tapestries crafted from bottle caps, few know about his musical talent from his university days as a trumpet player. Discover more about this multifaceted artist here: https://ift.tt/ZsGPhHE
🎻Introducing #EAIE2024's closing keynote speaker, Zhang Zhang! A world-renowned classical violinist and humanitarian, Zhang will take us on a musical journey as we close off an inspiring week in Toulouse.
Psst...early-bird registration ends tomorrow: https://lnkd.in/eTb6aMyE
Can you really shatter glass with just your voice? 🎶 Using Altair’s OptiStruct, we simulated whether a trained opera singer, hitting notes up to 100 dB and within a range of 250-1,500 Hz, could break a crystal wine glass at its resonant frequency. Find out if sound alone is powerful enough: https://bit.ly/3XQCZDS#Simulation#OnlyForward
Graphic recording, graphic facilitation, strategic visualisation, illustration, comics and animation. Eisner award-winning cartoonist. Graphic novel out now online and in stores across Aus/NZ and US/Canada/UK/Europe.
My article on articulations of Amazigh indingeity through themes of land, homeland, and resources in the Amazigh genre of Tazenzart (Sun Rays), which emerged in the Souss region in the 1970s and remains one of the most populat musical expressions of Amazigh identity.
https://lnkd.in/g3cgsf9M