An experience that must be felt. Not just heard.
The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel. Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience. #Morehouse #MorehouseCollege
Excellence in all aspects
The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel. Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience. #Morehouse #MorehouseCollege
| Certified Six Sigma Greenbelt | Business Development | Account Management | Leadership |★ $14M+ portfolios ★10+ years of Top Results for all Stakeholders |
Excellence at it’s best
The #MorehouseGleeClub delivered a powerful performance of "I Ain't Got Weary Yet," arranged by Courtney Carey, during a special Vesper Service at the Martin Luther King Jr. International Chapel. Under the direction of Dr. David Morrow '80, the Glee Club joined forces with the Spelman Glee Club and the renowned 400-person Tabernacle Choir & Orchestra, creating an unforgettable musical experience. #Morehouse #MorehouseCollege
Neuroscientist, engineer, pianist, composer. Imagine what more innovation and creation could happen if K12 schools valued all the arts as much as they do math, science, and reading!! #artseducation #musiceducation #danceeducation #yourbrainonart #brainbodyconnection
Clinician | Musician | Scientist | Engineer: Bridging the Divide Between Music, Medicine, and Science
Tribute to Black Composers. This is a piece I’ve written for piano and orchestra. Rhapsody of a Southern Bayou.
The Imagination Collaborative: To create a legacy of human connection through epic experiences that transcend expectations, blending creativity and cutting-edge technology | 35 Years In Live Events
The Sydney Opera House just missed a golden opportunity. They recently launched a new seat view feature, but instead of using cutting-edge technology, they relied on outdated methods. Imagine this: Instead of taking thousands of photos, they could have used a digital twin of the venue. This would not only save time but also opened up exciting possibilities for their clients and customers: - Set design optimisation: Visualise seats with set pieces in place to ensure perfect sightlines. - Pre-programming capabilities: Program lighting, AV, pyrotechnics, and show control systems before even stepping foot in the venue. - 3D audio analysis: Analyse sound patterns in a fully immersive 3D environment. - Augmented Reality: Imagine seeing Dame Jone Sutherland performing on the Opera Theatre stage or seeing the Sydney Theatre companies set in place before it is even constructed. - Virtual Reality: Create virtual tours of the Sydney Opera House for those people not lucky enough to be able to visit in real life. The Opera House could have taken their service offering to the next level. Instead, they chose the path of least resistance. Let’s hope they embrace innovation next time. P.S. What other features do you think digital twins could revolutionise in venues? Comment below!
We pushed View From Seat live earlier this week, meaning you can make a more informed decision about your seat when booking your next show at the Opera House. Photographs were captured with care and patience by Daniel Boud and Jay Patel, assisted by Sherry Zheng. A big thanks to our team of Krystal Nolan, Colin Taylor, Luke Micó, Ben Grace, Paayal Dharmani, JK Power and Matt Osborn, all who played a key part in the project. Take a look at sydneyoperahouse.com Stop-motion credit: Daniel Boud
Check out this fascinating blog post on El Anatsui, one of Africa's foremost artists, and his lesser-known passion for collecting vinyl. While he's renowned for his breathtaking metallic tapestries crafted from bottle caps, few know about his musical talent from his university days as a trumpet player. Discover more about this multifaceted artist here: https://ift.tt/ZsGPhHE
In a time of rising challenges and complexities, education is the most essential transformative power for a better future for all.
🎻Introducing #EAIE2024's closing keynote speaker, Zhang Zhang! A world-renowned classical violinist and humanitarian, Zhang will take us on a musical journey as we close off an inspiring week in Toulouse. Psst...early-bird registration ends tomorrow: https://lnkd.in/eTb6aMyE
Can you really shatter glass with just your voice? 🎶 Using Altair’s OptiStruct, we simulated whether a trained opera singer, hitting notes up to 100 dB and within a range of 250-1,500 Hz, could break a crystal wine glass at its resonant frequency. Find out if sound alone is powerful enough: https://bit.ly/3XQCZDS #Simulation #OnlyForward
Doing good is good business.
In case you missed it, one of Cape Town Opera's previous talented young artists, Innocent Masuku, wowed the judges (and the internet!) on Britains got talent! This is a true testament to the incredible work Cape Town Opera does in nurturing South African talent. We are so proud to have been a part of showcasing their proudly local & world class work earlier this year! Supporting initiatives like this is part of our mission. Join us! View the video of Innocent over here: https://lnkd.in/dseFaqj5 Alex Gabriel Magdalene Minnaar Jennifer Renner Chris Derksen Lesego Theodore Majatladi Hugo Venter Almare van der Vyver Jana Kotze Martin Mbetse Naledi Molotlegi Kumbulani Chiuriri
My article on articulations of Amazigh indingeity through themes of land, homeland, and resources in the Amazigh genre of Tazenzart (Sun Rays), which emerged in the Souss region in the 1970s and remains one of the most populat musical expressions of Amazigh identity. https://lnkd.in/g3cgsf9M
