This is how footage ACTUALLY comes out of camera. Well kind of. This is a “LOG” format which makes the image flat. Us as filmmakers (or even colorists) go back in and add colors to best fit the image. You might ask why do you want to go back and add colors when it’s already there? Well 1. Because it’s cool And 2. It helps you achieve certain colors and change colors.
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A comprehensive #review of #whatsnew in the latest #version #release of the Color page. #colorcorrection #postproduction #ContentCreation
Color Slice, Film Look Creator, Ultra NR and more - DaVinci Resolve 19 Color Page BEST New Features
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WOW! I figured I had to repost this! Overall it looks pretty good! But can’t help but go back to the question floating around our industry: Is Generative AI the tool that will empower creatives, giving us more power and agency? Or are we walking into something with real risks to our career and livelihood? Or Both? Either way, AI’s presence in our creative processes is inevitable. I’d love to hear thoughts!
Founder and CEO at Armada Studio | Runway Creative Partner | AI Creator | Lora Training | Motion Design & AI Educator |
So let me get this straight: Soon, we'll be able to create expressive character performances with just a video and character image? No motion capture required! It blows my mind! Coming soon! Learn more: https://lnkd.in/dS_2cYHR
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Nervous about going on camera? We have an autocue set up - meaning you can speak from the loaded script, so you don't have to try and remember what it is you want to say. Making it super easy for you, and meaning you have one less thing to worry about. #videographer #videoproduction
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New markerlesss mocap is prrrrrfect
Founder and CEO at Armada Studio | Runway Creative Partner | AI Creator | Lora Training | Motion Design & AI Educator |
So let me get this straight: Soon, we'll be able to create expressive character performances with just a video and character image? No motion capture required! It blows my mind! Coming soon! Learn more: https://lnkd.in/dS_2cYHR
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Using LED wall virtual production can help with lighting. This is because the walls provide a blend of both traditional and digital lighting. Consequently, filmmakers have more control over the look and feel of their scenes. This can be done by adjusting the colors, brightness, contrast and shadows that come from a digital source. Additionally, filmmakers can easily create different lighting scenarios faster than with traditional methods or natural light sources. This helps to save time and make sure that each scene looks exactly how it was intended to be seen.
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🔎Do you ever wonder how to direct lumen in a localized space ? The answer is: light reflectors. 💡 To put it simply, light reflectors are pieces of fabric that we use in filmmaking to reflect light (if it's white) or absorb it (if it's black). I always use them in my project through simple black or white primitives. You can see how they drastically affect the foreground in the cam view. 📄 You can find more of these tips and tricks in my latest 80lv article where I dissected my whole process for this project: https://lnkd.in/ejh4hbaa
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🎞️ This is a tutorial I wanted to make for a long time. And it is very special to me since it marks my 10th tutorial about UEFN's Sequencer. If you want to learn how to add custom titles, logos and images to your cinematic sequences then check this out 👇 https://lnkd.in/e5mqXwnt
How to Add Titles to Sequencer Cinematics - UEFN Cinematics BEGINNER Course
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Lighting can make or break a video! Here’s our pro-tip: start with natural light, and build from there. #LightingTips #Filmmaking101 #filmproduction #lightingequipment #TipTuesday
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How To Change Color Of Objects in Video | TWiT.TV
How To Change Color Of Objects in Video | TWiT.TV
twit.tv
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