US content leads in Asia Pacific SVOD - This headline may seem promising for American producers at first, but a closer look reveals a significant shift in audience preferences. Reliable data analysis is crucial. US content no longer seems to matter much in Korea, Japan, and Indonesia, three nations with large middle-class populations and local content productions. At the same time, price sensitivity continues to impact local consumers' choice of streamers. But there are local streamers with bigger ambitions beginning to emerge. If Netflix is GM, will there be Toyota and Hyundai in the new entertainment future? https://lnkd.in/gJapu2AF
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Media Partners Asia's latest report highlights the continuing appeal and strategic importance of U.S. content in the Asia-Pacific SVOD market. While viewership has declined from its peak, American shows and movies continue to play a key role in attracting and retaining subscribers across diverse regions. The trend is driven by the broad genre variety and popularity of classic titles. The considerable difference in viewership across different markets underlines the need for tailored content strategies. In markets like Japan and Korea, where local content is dominant, U.S. providers might benefit from increased localisation efforts or strategic partnerships with local platforms. By understanding and catering to local preferences, U.S. content providers can enhance their relevance and appeal. The success of genres such as sci-fi, fantasy, and long-running sitcoms points to the importance of genre variety and the value of extensive content libraries. Providers should focus on maintaining a strong mix of fresh and evergreen content to attract and retain viewers. A diverse content library ensures there is something for everyone, keeping the audience engaged over the long term. The dominance of Netflix and the significant shares held by local platforms indicate a highly competitive landscape. Both global and regional players must continuously innovate to capture viewer attention. Integrating local languages through subtitles and dubbing has proven effective, highlighting the need for localisation for global content. By making content accessible in local languages, providers can enhance viewer engagement. The findings illustrate a dynamic and evolving SVOD market in Asia-Pacific, where U.S. content continues to hold substantial influence despite regional preferences for local productions. Providers should leverage the insights from reports to fine-tune their content strategies. Focusing on genre variety, localisation, and strategic partnerships will be key to maximising reach and engagement in these diverse markets. For a more detailed read check out the article link below or in the comments section. Link - https://lnkd.in/gsj4VWE9 #contentstrategy #svod #uscontent #asiapacific #streamingmedia #localization #netflix #primevideo #disneyplus #mediatrends #contentdevelopment #subscriptiongrowth #digitalmedia #regionalmarkets #viewershiptrends
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Download MovieBlast APK Latest Version 2.1 for Android Version: 2.1 Size: 88 MB Publisher: little_rishav_creation Category: Entertainment Download here: https://lnkd.in/gfMp4JgX MovieBlast APK is an exhilarating platform that redefines the boundaries of free entertainment on Android devices. This application is a treasure trove for those who crave variety and innovation in their gaming and app experiences. At its core, the APK serves as a digital marketplace where users can explore, download, and enjoy a plethora of games and applications without spending a dime. From high-octane racing games to essential daily utilities, it ensures that every need and interest is catered to. It’s designed specifically for users who appreciate the freedom of exploring a vast selection of apps without the constraints of costly subscriptions or hidden fees. With the App, the latest games and most sought-after apps are just a tap away, ready to be explored and enjoyed. Features of MovieBlast APK MovieBlast APK is packed with features designed to provide an exceptional movie and TV show streaming experience. With its vast content library and user-friendly interface, this app makes it easy to find and enjoy your favorite entertainment. Let’s dive into the standout features that make the APK a top choice for streaming enthusiasts. Vast Content Library This app offers an extensive collection of movies and TV shows across various genres, ensuring there’s something for everyone. Whether you're a fan of action, drama, comedy, or documentaries, the APK has got you covered. User-Friendly Interface Navigating through MovieBlast is a breeze, thanks to its user-friendly interface. The intuitive design allows users to easily browse through different categories and find what they’re looking for without any hassle. The clean layout and straightforward menus make the streaming experience smooth and enjoyable. Search and Recommendations The APK features an advanced search and recommendations system. Users can quickly find specific titles using the search function, while the app’s recommendation engine suggests movies and shows based on your viewing history. This personalized approach ensures you always have something exciting to watch. Offline Viewing For those times when you’re on the go, it offers offline viewing. You can download your favorite movies and TV shows to watch later without an internet connection. This feature is perfect for long trips or places with limited connectivity. Subtitle Support MovieBlast comes with subtitle support in multiple languages, making it accessible to a global audience. Whether you prefer watching content in its original language or need subtitles for better understanding, this app has you covered.
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Is your streaming service just background noise or a viewing experience that users love? 🔍 Our latest blog dives deep into the art of personalization and localization. Based on Accedo's 2023 research, we uncover why these aren’t just buzzwords—they're your ticket to dominating the digital landscape. Read more: https://lnkd.in/dd4zYg93
From Standard to Standout: elevating UX with personalization and localization
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Partner with Us for Fully Managed FAST Channel Playout We understand the high costs and lack of service many channel partners face. That's why we're offering a fully managed FAST Channel Playout service for content partners who prefer not to operate a channel as a broadcaster. This isn't a self-service solution; it's a comprehensive Managed Service provided by View TV and delivered by Kapang. Our service includes the creation, curation, and delivery of linear channels to monetize your content libraries through ad-funded and subscription platforms. We handle full distribution without any technology fees or the need for additional team members. You can collaborate with us to ensure your content reaches its audience. This solution isn't for everyone, but it has significantly benefited numerous content studios and libraries by reducing costs and allowing them to focus on their specialties while effectively monetizing their content. Contact [email protected] for your managed playout service. Let's work together to get your content seen!
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The global movie and entertainment market will grow to $182.23 billion by 2031, and it's going to change how we consume media. For decades, the entertainment industry has been a cornerstone of global culture, shaping societal trends and capturing our collective imagination. Now, we stand on the cusp of another shift, one that promises to redefine the landscape of entertainment as we know it. Here are some insights from the market analysis: • Movies continue to dominate, claiming a 55.4% revenue share in 2021. • Music and videos are rapidly gaining ground, with projections indicating a 7.5% compound annual growth rate (CAGR). Regionally: • North America maintains its stronghold with a 34.5% market share. • Asia Pacific is forecasted to grow at an impressive 8.2% CAGR. Driving this growth is an insatiable demand for high-quality content, coupled with the growing influence of social media in content promotion and distribution. However, the industry isn't without its challenges. High production costs and a complex regulatory landscape continue to pose significant hurdles for market players. Speaking of players, the field is dominated by Netflix, The Walt Disney Company, AT&T Inc., Amazon Inc., and Comcast. The industry is witnessing several key trends that are reshaping its future: 1. Streaming services overtaking traditional viewing methods 2. Content localization is becoming crucial. 3. Unprecedented investments in original content 4. The rise of virtual reality is creating immersive experiences. 5. Social media is emerging as a pivotal promotional tool. As we look towards the future, the lines between different forms of entertainment are blurring, creating a rich, interconnected ecosystem of content and experiences. What are your thoughts on the increasing importance of content localization? #entertainmentindustry #localizedcontent #trzyinnovationz
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Watcha, Korea's independent OTT, breaks even through revenue diversification, challenging the belief that original content investment is essential for OTT success. #Watcha #Korea #OTT #Content #Kdrama https://lnkd.in/gCyPjmPf
"Watcha Breaks Even for First Time in Q3... Subscription Model Alone Wasn't Enough"
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📺 𝐓𝐡𝐞 𝐂𝐡𝐚𝐥𝐥𝐞𝐧𝐠𝐞𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐌𝐞𝐝𝐢𝐚 𝐚𝐧𝐝 𝐄𝐧𝐭𝐞𝐫𝐭𝐚𝐢𝐧𝐦𝐞𝐧𝐭 𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐲 Here are some challenges faced by the media and entertainment industry: 👉 The competition is unparalleled because companies are launching new streaming services regularly — increasing subscriber churn rates. 👉 Premium service providers offer great UX and support higher-quality video. 👉 The number of devices that ott platforms run on are increasing. When device variety increases so does the need for testing these devices. 👉 There is a massive amount of data collected in this industry. Analyzing and using this data to make critical business decisions is difficult. 👉 Another challenge is subscription fatigue — losing customer interest over time due to exhaustion from keeping track of too many subscriptions. A report from Deloitte says that 52% of users find it hard to access content across the various services. 🔗 Read the complete article 👇
OTT Testing Tutorial — A Comprehensive Guide with Challenges and Solutions
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From Variety: Viaplay 2.0 After the tumultuous 2023 which saw Viaplay slash its workforce by 25% sell off assets, fully revamp its operating model and management team under new CEO Jørgen Madsen Lindemann, Viaplay Group is on a mending path. The group has successfully completed its recapitalization worth SEK 4 billion ($381.7 million), with new shareholders CANAL+ Group+ and Czech group PPF Group on board, and is now fully focused on its core direct-to-consumer markets – the Nordics and the Netherlands, with an exit from Poland is slated for mid-2025 – and on its Viaplay Select brand. Viaplay Select, which provides partner platforms with a curated slate of top Nordic and European series, is available in more than 20 countries via 13 partner platforms, Rapti explains. Those include Bell Media’s Crave streamer in Canada, Canal+ in Austria, Deutsche Telekom’s Magenta TV service in Germany, CH Media’s Oneplus in Switzerland and Vodafone Greece. Rapti sees Viaplay Select as a perfect business model to optimise rights exploitation internationally, with minimum risk. “When we enter a market through Viaplay Select with partners, we don’t take financial risks,. On the contrary, these are partnerships where upfront, we’re certain of the terms of investment for at least a minimum significant upside,” she noted. Next to Viaplay Select and traditional multi-territory sales, Viaplay Content Distribution’s third focus is Viaplay’s SVOD Channel. Currently available in North America through partner platforms including Comcast Xfinity, Roku and Xumo, the service offers 2,000+ hours of top-tier Nordic and European storytelling. “Our aim is to grow our #SVOD channel with new partnerships to be announced shortly in additional markets,” said Rapti. “Rights holders, especially in the Nordics, might have been anxious during Viaplay’s recapitalisation process, but it is clear now that the group will survive. Our recapitalisation has been successful, and will help us address our immediate challenges, therefore producers don’t need to be worried,” she insisted. Regarding possible new third-party pickups, Rapti says this is unlikely to happen in the near future, considering the backlog of Viaplay titles still waiting for release. “Let’s put things in perspective. In recent years, we’ve had a massive content creation spree at Viaplay Group, which led us to have a large volume of first run titles available as a distributor, higher than most other streaming platforms,” she said. “In 2023, we launched over 70 Viaplay Originals and we’ve entered 2024 with over 55 upcoming scripted shows, that have been produced, are being financed or are ready to screen. Even for 2025, we do have a lot of new titles, completely fresh, to be released that year. Therefore, we won’t be running out of content for a while,” Rapti noted. #streaming #Europe
Viaplay Content Distribution Boss Talks Strategy, Fresh Sale of ‘End of Summer’ to Canal+’s Polar+ Ahead of MipTV (EXCLUSIVE)
https://variety.com
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We’re thrilled to announce that our partnership with Amazon Web Services (AWS) has reached new heights! SyncWords has teamed up with AWS and Flumotion to deliver real-time captions and translations for the legendary #RealMadrid. Our seamless integration with AWS Elemental, an Amazon Web Services Company MediaLive & MediaPackage enables AI-powered live #captioning and #translations to elevate live sports #streaming, thus powering accessibility and inclusivity. Curious to learn more? Check out this latest blog! #ai #aws #accessibility #inclusivity #localization #captions #subtitles #hls #dubs #dubbing #subtitling #LiveStream #liveevent #broadcasting #sports
Translate live sports automatically to reach international fans with AWS Media Services and SyncWords | Amazon Web Services
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6moMost of Asia has lost interest in US programming for an obvious reason, it has little or nothing to do with their lives, whereas southeast Asia and Australia still look to America as exciting. Most of the US content on the streamers right now is so 180° different than the way people think, it’s no wonder. this is a tv remote in a Japanese hotel. half of the streamer buttons are Japanese channels and then there’s the CS/BS (major network cable channels) choice as well.