International School of Design (INSD) Surat’s Post

Ranchi: Changes in the syllabus of fashion designing, new subjects will help students in getting jobs #Jobs #students #Designing #fashion #Fashiondesigning #jharkhandnews #ranchi #RanchiNews #Subjects #syllabus

Today is Mahatma Gandhi's 155th birthday. And so, I wanted to write about my experience learning about one among the many things that he was the most passionate about: promoting Indian textiles. Back when I'd just graduated from college, I had very little idea about Indian textiles and weaves. Sure, I'd wear my family's old kanjeevaram sarees for Sari Days in college. But as a very naive college student, I honestly knew nothing. However, a lot of that changed when I joined YIF. During YIF, we formed a team of 5 students and join an internship-esque component that we call the 'Experiential Learning Module' or ELM for short. This is a 8-month long project, wherein we work with an organization on their real-world case study. For my teammates, Kanan, Leela, Priya, Gaurang, and I? We got to work with LoomKatha, a company that sought to revive varied textile crafts for the urban Indian women. And it was quite an eye-opener for us. Over the course of our journey, we not only learned about the prevalent Bandhani textile and Maheshwari silk, we also got to know more about the much rarer Himroo fabric, which was a stunning weave of silk and cotton. Each Himroo piece looks regal and has impressively intricate detailing. Originating in Aurangabad, Himroo has been around since the 13th century and had gained significant popularity among the royalty, especially amongst the Nizams of Hyderabad. Unlike Bandhani and Maheshwari, which continue to be worn by women till date, Himroo's existence today is rather precarious. There are very few weaving stations for Himroo — a couple in Aurangabad and Hyderabad, if I'm not mistaken — that exist currently. LoomKatha is one among the very few companies who are resiliently working hard to revive Himroo, give the its weavers a sustainable income, and popularize it to the public of today. Today, the Himroo pieces crafted by LoomKatha are being worn by celebrities like Ratna Pathak Shah, Genelia D'Souza, and Priyanka Chopra! ✨ And as someone who did her ELM with them? I'm so very grateful. LoomKatha's drive to revive Himroo and other textile crafts has had a profound impact on me, and made me realize how important it is, for us to really bring back beautiful textiles from the Indian history and how seamlessly they can fit into the styles of today. It has made me realize how we really need to relook at the way we look at our fashion consumption. While obviously, I, as a consumer, have a very, very long way to go, this experience really has made me deeply appreciate the Indian textile crafts out there. 🤍 That's it for this week's longish post. Thought of ending this by sharing a photograph of the Himroo shawl that we'd clicked, many moons ago! 🌸

Listen to Muniba syed, Assistant Professor at School of Arts and Design, Woxsen University talk about the landscape of lifestyle and accessory design. #futureyou #productdesign #accessories #soad

I graduated from SVIT, Vasad Official in 2016-2021 with a bachelor's degree in #architecture. In this #portfolio, I am showing my best projects from my bachelor's degree. Portfolio highlights include: 1. Internship: My internship was completed as part of the requirements for the seventh semester at Studio Yamini, Vadodara. During my internship, I developed and refined various skills and techniques in architecture and #interior design. I gained experience in conceptual design, space planning, and creating detailed drawings, in addition to site visits and client meetings. In addition, I developed my #project_management and #interpersonal_skills by effectively #communicating with stakeholders and team members. 2. Dissertation Project: This dissertation is about the creation of a #learning community center in #Anjaneri, Nashik. In my #research, I focused on the #Indian_education_system. In this study, I examined the various issues associated with poor quality education in India. My research revealed some interesting findings and how I tried to incorporate a few new educational pedagogies. In addition to architectural interventions, #pedagogies are also used to improve the educational system. A moving classroom concept, #Edubus, was one of the main focuses of the entire DRP. 3. Urban Studio: This is a project from my ninth semester in Vadodara. I intervened for a natural swale connecting #Vishwamitri_River. By involving the #Bhardwad community in #organic_farming and dairy production, #ecological_lands can be used better and more effectively. 4. Other works: Throughout my life, I have always been fascinated with creating #artwork. The works in this section illustrate some of my skills in this area. My sincerest gratitude goes to kurma nadham, who has always supported and guided me to always remain creative. I would appreciate it if you could let me know what you think of my portfolio. 😊

Good Opportunity for Freshers

TIE-DYE'S CLASSY COUSIN: MEET IKAT! Amazing Fact: According to Professor John Varghese, World University of Design (WUD), the oldest surviving fragment of ikat was traced to tomb of an Egyptian pharaoh with its origin tracked to Odisha!. Indian textile export is USD 34 Billion but it all started centuries ago! Ikat is a captivating textile technique known for its unique patterns and vibrant colors. Originating from various regions, including India, Indonesia, and Central Asia, Ikat involves a meticulous dyeing process where threads are dyed before weaving. This intricate method results in beautifully blurred, geometric designs that are characteristic of Ikat fabrics. The term "Ikat" comes from the Malay-Indonesian word "mengikat," which means "to tie." The process starts with tying sections of threads to create resist patterns, then dyeing them multiple times to achieve the desired hues. Once dyed, the threads are carefully woven to reveal the intricate designs. Each Ikat piece is a testament to the skill and artistry of the weavers, often taking weeks or even months to complete. The end product is a stunning fabric that reflects cultural heritage and craftsmanship, making Ikat a cherished art form and a symbol of timeless beauty. https://lnkd.in/guQGymE2

Future of Patola Weaving: Sustaining Tradition Amid Modern Technology The art of Patola weaving, with its intricate designs and vibrant colors, has long been a symbol of India's rich cultural heritage. This centuries-old craft, renowned for its double ikat technique, faces significant challenges in the modern era. Our latest blog explores perspectives on sustaining this ancient craft, the impact of modern technology, and the vision for the future of Patola sarees. Patola weaving, primarily practiced in Gujarat, is a labor-intensive process requiring exceptional skill and patience. Generational transitions and economic viability are key issues, as younger generations often seek more lucrative careers, and the high cost of production limits market reach. Initiatives like workshops and government support can help sustain this craft. Modern technology offers opportunities for innovation. Automation can assist in some stages of weaving, while digital marketing and e-commerce platforms provide a global marketplace. Design innovation through computer-aided design software can blend traditional aesthetics with contemporary trends. The future of Patola sarees lies in balancing tradition with innovation. Emphasizing sustainable practices, fostering educational initiatives, and promoting global collaborations can ensure the craft thrives. By valuing and supporting Patola weaving, we can preserve its legacy for future generations. Shop at: www.thesudeshiweaving.com #ikat #IkatSaree #patolasilk #patolasilksaree #pochampally #tussar #luxurysilksarees #silk #silksarees #handloomsilk #handloomsaree #indiantextiles #vocalforlocal #kanjivaramsaree #explorepage #sareelovers #southindiansarees #ethnicwear #puresilksarees #weavers #weaving

General GupShup & Smart Textile Introduction https://lnkd.in/eJktxF2N Like it and share with professional fellows , students and all who want to participate in this Gap Shap

India’s textile heritage is a vibrant blend of tradition, craftsmanship, and artistry, reflecting centuries of cultural evolution. Here’s a look at some revered Indian weaves that continue to inspire and captivate: 🌟 Kalamkari: Originating from Andhra Pradesh, Kalamkari, meaning "pen craft," involves hand-painting or block-printing on fabric using natural dyes. This eco-friendly art form was historically used to depict mythological tales. Today, it’s celebrated for its intricate patterns and sustainability. 🌟 Ikat: A resist-dyeing technique, Ikat has roots in Gujarat and Andhra Pradesh. The yarns are dyed before weaving, producing beautiful, blurred patterns. Ikat's unique textures and geometric patterns have timeless appeal. 🌟 Ajrakh: A block-printed textile from Gujarat’s Kutch region, Ajrakh is known for its rich colors and detailed geometric motifs. It uses natural dyes and showcases craftsmanship passed down through generations. 🌟 Mangalgiri: This fabric from Andhra Pradesh combines cotton and silk for lightweight, durable textiles. Known for its elegant design, Mangalgiri is ideal for everyday and ceremonial wear. 🌟 Repurposed Fabric: Promoting sustainability, repurposed fabric involves reusing discarded materials to create new, functional products. This eco-conscious practice helps reduce waste and supports a greener fashion industry. These weaving techniques not only represent India’s rich cultural heritage but also emphasize sustainability and innovation in modern fashion. #IndianWeaves #TextileHeritage #Kalamkari #Ikat #Ajrakh #Mangalgiri #SustainableFashion #RepurposedFabric #CulturalHeritage