365 WiNKS’ Post

In the world of textiles, the ikat technique stands as a testament to human creativity and meticulous craftsmanship. Originating from the Indonesian word "ikat," meaning "to bind," this intricate weaving process involves resist dyeing yarns before they are woven into fabric, creating captivating patterns that are both visually stunning and historically significant. Double ikat, a more complex variation, involves dyeing both warp and weft threads before weaving. This process requires exceptional skill and patience, making double ikat textiles highly prized. The threads are tied with a resist, dyed in stages with different colors, and then woven to reveal intricate patterns. Patola sarees from Gujarat, India, exemplify this art form, featuring vibrant geometric, floral, and mythological designs. While single ikat, where only warp or weft threads are dyed, is simpler, double ikat achieves more intricate designs. This technique is a legacy passed down through generations, showcasing the rich cultural heritage of the communities that practice it. Beyond ikat, other weaving techniques include plain weave, twill weave, satin weave, and jacquard weave, each with unique characteristics. However, the complexity, precision, and artistic beauty of double ikat stand out, continuing to inspire and captivate the world. Shop at : www.thesudeshiweaving.com #ikat #IkatSaree #patolasilk #patolasilksaree #pochampally #tussar #luxurysilksarees #silk #silksarees #handloomsilk #handloomsaree #indiantextiles #vocalforlocal #kanjivaramsaree #explorepage #sareelovers #southindiansarees #ethnicwear #puresilksarees #weavers #weaving

#Ajrak is a traditional block-printed cloth with intricate patterns, primarily associated with the province of Sindh in Pakistan and parts of India. The history of Ajrak dates back centuries, with its origins rooted in the civilization of the Indus Valley. It's believed to have been worn by the inhabitants of the region for thousands of years. The word "Ajrak" is derived from the Arabic word "Azrak," which means blue, indicating the predominant color of traditional Ajrak designs. However, Ajrak designs now come in a variety of colors. Historically, Ajrak was not just a piece of clothing but also symbolized the cultural identity and heritage of the Sindhi people. It was worn by both men and women, often draped around the body or used as a turban, especially in rural areas. The process of making Ajrak is intricate and time-consuming, involving several stages of washing, dyeing, printing, and drying. The designs are typically created using wooden blocks carved with intricate patterns, which are then dipped in natural dyes and stamped onto the fabric. The motifs used in Ajrak designs often have symbolic meanings, representing elements of nature, folklore, or spirituality. Over time, Ajrak has become not only a symbol of Sindhi culture but also a popular fashion statement, both within Pakistan and internationally. Despite modernization and the introduction of mechanized production techniques, traditional Ajrak making methods are still preserved by artisans in Sindh and are recognized for their cultural significance and craftsmanship. #ajrak #traditionalwear #culture #pakistan

IRRESISTIBLE [Resist-dyeing techniques around the world] seres n.5 Abrbandi, Uzbekistan: To create an abrbandi ikat cloth, both silk and cotton threads are used, but only the warp threads are dyed. The more silk used, the higher the value of the cloth. Ikat is practised across Uzbekistan; each region has developed their own distinctive abrbandi designs. For instance, weavers in Samarkand and Bukhara prefer bolder, neater motifs. The main hub for production today is in the Ferghana Valley. To hear about this and other stories about Ikat, Join us for our Online Symposium, Irresistible. Inspired by Selvedge Magazine's issue 117, Irresistible, we are inviting a discussion about the irresistible nature of resist-dyeing techniques around the world. Human beings are hard-wired to find patterns everywhere. Patterns created through resist dyeing are found worldwide and from intricate multi-coloured ikat in Uzbekistan and the 16-stage process used to create Ajrak in Gujarat. Is it the place it holds in much of humanity’s intangible cultural heritage that makes resist dyeing irresistible? Join a line-up of speakers of textile practitioners, academics, designers, and artists, each of whom approaches the subject from different perspectives and enriches the event with unique stories of resist-dyeing. Image courtesy of The Minneapolis Institute of Art. #ikat #selvedge #textilestories #dyeing #warp #weft #silk #cotton #motifs

#BSLCraftJourney 𝗕𝗮𝘁𝗶𝗸 - 𝗔 𝗗𝗮𝗻𝗰𝗲 𝗼𝗳 𝗪𝗮𝘅 𝗮𝗻𝗱 𝗗𝘆𝗲 Witness the ingenuity of wax and dyes come together to produce #magnificent patterns that last time tested. Batik is a #traditional mode of #fabric dyeing known for its #unique wax-resist #technique in producing full-bodied, long-lasting #designs. Word "batik" finds its etymology from the Javanese word "Ambatik," meaning to write or dot. With a #history that goes way past 2,000 years, batik making has been successive activity wherein simple cloth gets transformed into a #painting carrier bearing #culture and #craftsmanship. The modern #artisan shall today balance the traditional #art form with the demands of contemporary #trends, which will lead to the propagation of batik as a cherished art form around the #globe. Ministry of Commerce and Industry, Government of India Central Cottage Industries Corporation of India Ltd. (CCIC), Ministry of Textiles, Govt. of India Ministry Of Textiles Piyush Goyal Darshana Jardosh Giriraj Singh ROOP RASHI MAHAPATRA Chandrima Chatterjee Confederation of Indian Textile Industry (CITI) FEDERATION OF INDIAN EXPORT ORGANISATIONS Textile Exchange

Part 2 As our journey with the Banjara women unfolds, something magical is happening—our archival block prints are finding new life in the intricate embrace of Banjara hand embroidery. Together, we’re not just creating textiles; we’re crafting stories that connect generations, cultures, and hearts. 🎨💫 Here’s what this collaboration has blossomed into: 🧵 Handcrafted Excellence: Each piece is a labor of love. You can feel the soul of the Banjara artisans in every stitch, just as much as you can see the legacy of Alamwar in every print. 🏡 Exclusive Collections: Our creations are made in small batches, with the utmost care, to ensure that each item is a true testament to the fusion of traditional and modern aesthetics. 🌟 Local Impact: What we are achieving goes beyond the fabric itself. We’re celebrating the artistry of India’s past while empowering its future. This is not just fashion—it’s a movement towards sustaining and honoring traditional artistry. PS: Step into our world where age-old traditions and contemporary design come together, creating something that speaks not only to your style but also to your soul. 🌿✨ “Tradition is the foundation; innovation is the future.” #TextileHeritage #CraftsmanshipWithHeart #SustainableLuxury #Alamwar #BanjaraArtisans #SustainableFashion #CulturalRevival #HandmadeWithLove

Woven in the Mangalgiri town of Andhra Pradesh, these sarees carry the name of the town they are woven in. These sarees are handwoven using the traditional pit looms. The hand weaving of a Mangalagiri saree is a meticulous and time-honored process that involves several steps like Yarn preparation: The process begins with preparing the yarn. Cotton fibers are spun into yarn and then dyed in vibrant colors. Warping: The prepared yarn is then wound onto a loom, creating the warp threads that run lengthwise along the saree. Wefting: The weft threads, which run horizontally across the saree, are woven through the warp threads using traditional looms The weaver skillfully manipulates the pedals and levers of the loom to create the intricate designs and patterns that are characteristic of Mangalagiri sarees. Border weaving: The borders of the saree are often adorned with zari or other metallic threads, adding a touch of elegance and grandeur. Finishing: Once the weaving is complete, the saree is washed and dried, and then undergoes a final inspection to ensure its quality. The entire process of hand weaving a Mangalagiri saree can take several days, depending on the complexity of the design. The skill and dedication of the weavers are evident in the finished product, which is a beautiful and unique work of art. #BhaWeYa #gourijoshi #handloomsarees #weaversofindia #bhaweyacollection #handwoven #traditional #ethicalsustainability #indianfashion #empoweringwomen #beautifulsarees #drapeyourdreams #kunbi https://lnkd.in/d5bHfMej

THE ART OF DOUBLE IKAT : UNVEILING THE INTRICATE WORLD OF PATOLA WEAVING Double ikat weaving, a time-honored tradition, showcases human creativity and skill. This intricate technique, known for mesmerizing geometric patterns, is especially celebrated in the production of Patola sarees, prized possessions in India. The essence of double ikat lies in resist dyeing both warp and weft threads before weaving, creating captivating designs that float across the fabric. The traditional handlooms used are masterpieces of ingenuity, comprising components like the warp beam, healds, reed, shuttle, and foot treadles, all essential for crafting intricate patterns. Family-run businesses play a crucial role in preserving Patola weaving. Generations pass down secrets of the craft, with each family’s unique patterns reflecting their expertise. This familial dedication ensures the continuation of high-quality, exquisite fabrics. Despite challenges from mass-produced fabrics and waning interest among younger generations, the future of double ikat remains promising. Efforts to promote and preserve this tradition, recognizing the value of traditional skills, and embracing sustainable practices are vital. Double ikat weaving is more than a craft; it's a cultural legacy. Its intricate patterns and masterful craftsmanship ensure it will continue to inspire for generations, reflecting the enduring spirit of artistry and tradition. SHOP AT: https://lnkd.in/dm6AE-bW #patola #patolasarees #patolasilk #silksaree #silk #puresilk #ethnicwear #southindiansarees #vocalforlocal #weaving #weavers #culture #handloomsarees #textiles #luxurysarees #pochampally #tussar #tussarsilk #sareelovers #indiansarees #fashion #mugasilk #kanchipuramsilksaree

Saree Ka Sahitya : Episode 06 Assam : Mekhala Chador 🇮🇳 This is Saree Ka Sahitya, in which I’ll be sharing and promoting the different textiles, prints, history of different states of Bharat ❤️ Origin and Significance: It’s a traditional attire from Assam, a northeastern state of India, and symbolizes Assamese culture and identity, often worn during festivals, ceremonies, and special occasions. Components : Mekhla : A cylindrical skirt that wraps around the waist, typically tucked at the left side. Chador : A piece of cloth draped over the upper body, akin to a dupatta or shawl, styled over the shoulder. Materials : Commonly made from indigenous silks like Muga, Eri, and Pat, known for their durability and natural sheen. Designs and Motifs : Features intricate hand-woven designs. Motifs often include local symbols such as the jaapi (a traditional bamboo hat), rhinos, peacocks, and floral patterns. Craftsmanship :The making of a Mekhla Chador requires skilled craftsmanship. Weavers often pass down these techniques through generations, maintaining the authenticity and tradition of the craft. The Mekhla Chador is not just a piece of clothing but a wearable canvas that tells the story of Assamese heritage and artistry 🇮🇳 #sareekasahitya #assam #sarees #indiantextiles #textiles #heritage

Dyeing to know more? India and Sri Lanka may be separated by the Palk Strait, but these same shallow waters also ensured that their histories intertwined through trade. From the bustling shores of the Coromandel Coast in India, vibrant textiles made their way to Sri Lanka, not just as commodities, but as carriers of culture, faith, and artistic endeavour. Within the Sri Lankan context, Indian symbols take on new meanings, getting localised and gently weaving themselves into the fabric of local traditions and customs. These painstakingly hand-printed and hand-painted textiles have been known by many names over the centuries. The Dutch called them “Sarasse”, the British referred to them as “Chintz.” Painted in the striking chay reds and ferrous black, they reveal sheer artistry and delicate craftsmanship that captivated people across the world. But in Sri Lanka, these vivid designs weren’t just decorative; they were symbols of prestige, tradition as well as the everyday. Whether you are fascinated by history, drawn to myths and legends, or a lover of textile craftsmanship, MAP’s upcoming exhibition curated by Yash Sanhotra “Chay Reds, Ferrous Black” offers an evocative look into the ties that have bound India and Sri Lanka together for generations. This is more than an exhibition—it is an invitation to rediscover a shared heritage, one thread at a time. 🔗 Read more about the upcoming exhibition here https://lnkd.in/gvibMCzR 🎞️ Detail of Palampore, 19th Century, Cotton, Natural Dyes, Negapatam (presentent day Nagapattinam, Tamil Nadu) or Sri Lanka, TXT.04806 #MAPBangalore #ArtMuseum #BangaloreEvents #BangaloreMuseum #ThingsToDoBangalore #Exhibition #UpcomingEvents #Dyes #Textiles #History #Trade #SriLanka

The new vision of furniture industry...✔️💯🇹🇷 . . 👉www.serkonmakina.com . . #serkonmakina #tekstil #konfeksiyon #tekstilmakinalari #konfeksiyonmakinalari #textilindustry #hazirgiyim #moda #garments #pastalserim #kumasserim #pastalkesim #otomotiv #composite #cnccutter #medicalindustry #fabriccutting #spreading #serkonteknoloji #mobilya #dokuma #upholstery #içgiyim #denim #innovation #ileriteknoloji #fashion #nonwoven #nonwovenfabrics #knitting