Wednesday August 07 2024. Image Enhancement https://lnkd.in/grk5tt-t All other three-dimensional television systems develop a sense of added depth perception by creating a slightly different view too each eye. My system to achieve this does not. No viewing glasses. No viewing sweet spot. No special 3D transmission required. Increased clarity. Reduced eyestrain for the viewer’s as they do experience from viewing 2D. Displaying a full depth of field view. No Blu-ray system employed in creating this 3D sensational effect. Live streaming 3D TV illusion from 2D signals if originally filmed from 3D video images. All the while employing only the standard television transmissions entirely created within the TV monitor. Nothing extra to be transmitted. Therefore no transmission changes / charges. Also no antenna alterations required. Robin @ dddtv777@hotmail.com #displaysolutions
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Hopefully this avails me the opportunity to inform you of my plight, which you may find to be of interest. If not so, no problem. This note is to inform you of my television “Image Enhancement” discovery that I demonstrate. Without any qualifications in this field I am unable to make the statement that this is three dimensional television however all who have viewed this without exception state it actually appears to be exactly that. Absolutely phenomenal viewing in comparison to the two dimensional television, totally spectacular/revolutionary/stunning difference. Although all that I have done is discover the lost dimension within 2D TV. By stating this I’m confirming my system to achieve this effect is not a closed operating system therefore leaving this application wide open in order that it may be further enhanced by any and all other applications deemed necessary. My PDF here is open for anyone to view, in fact the more the better. After many unsuccessful attempts to explain this invention, I am totally convinced it has to be demonstrated in order to explain. To reiterate all / everyone who have viewed it agree. What I require is to have three-dimensional television qualified electronic experts to except a demonstration. Any thoughts / advice please post to my email at your convenience. Regards Robin dddtv777@hotmail.com my email address is born from this discovery. #glassesfree3ddisplaysmarket
Bob White - Retired retiree | LinkedIn
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Image Enhancement #samsungauatinsemiconductor Image Enhancement https://lnkd.in/grk5tt-t Please show / share / copy / send this onto whoever you wish ! All other three-dimensional television systems develop a sense of added depth perception by creating a slightly different view too each eye. My system to achieve this does not. If you don’t refer to your own natural eye sight as being three-dimensional then you will not call my Image Enhancement invention three-dimensional either because my Image Enhancement system gives the viewer the same as your natural eyesight. How else to explain this I do not know. My system depicts a purely natural view; just the same as where you are right now looking around yourself. The viewer sees / views and appreciate the natural distance to any object/boundary wall etc which two-dimensional television does not avail. No viewing glasses. No viewing sweet spot. No special 3D transmission required. Increased clarity. Reduced eyestrain for the viewer’s as they do experience from viewing 2D. Displaying a full depth of field view. No Blu-ray system employed in creating this 3D sensational effect. Live streaming 3D TV illusion from 2D signals if originally filmed from 3D video images. All the while employing only the standard television transmissions entirely created within the TV monitor. Nothing extra to be transmitted. Therefore no transmission changes / charges. Also no antenna alterations required. All who have viewed this to date without exception have agreed that I have something very different and most simply say it looks exactly what the world has been looking for. Robin at dddtv777@hotmail.com
Bob White - Retired retiree | LinkedIn
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Broadcast and Production Optimize your workflows with our intelligent media services How can we help? Sony is unique in its ability to offer pioneering technology alongside a range of services and expertise, all accessible through an array of dynamic business models that help storytellers take their productions to the next level. We not only make sure our customers are keeping up with the leaps forward driven by technology, but that they’re very much at the forefront of business transformation, within the media production industry. Cinematography A masterful blend of art, technology, and craftsmanship, our Super 35mm cameras redefine cinematography now and for the future. Enhance your creative toolbox and discover the unlimited creative possibilities. Live Production Move your audience for your next live event, whatever the scale. Whatever your Live Production requirements, we offer world-class, cost-effective HD, 4K, HDR and IP solutions with that distinctive Sony stamp of quality. News Production Unlock the power of collaboration with Sony, enabling teams to capture, curate and share content quickly across multiple platforms, from wherever a story breaks. Discover our award-winning solutions that help broadcasters and news-makers reach audiences across multiple platforms with unprecedented speed and efficiency. Studio Production Our range of studio products and intelligent media services are designed to help broadcasters meet the challenges of tomorrow, today. From our cutting-edge range of Studio and Broadcast Cameras to our award-winning Media Solutions, we offer the technology, the innovation and the expertise to help you meet your challenges and drive real business benefits. Archive Management To meet the ever-growing demands for managing, storing and repurposing digital content, our robust, long-term solutions maximise flexibility, scalability, reliability, and performance. From freelancer to national broadcaster, we have what you need to overcome the challenges, today and tomorrow. Content Management Discover our fully scalable, flexible and affordable content management solutions to start managing your media whatever the size of your organisation. You can save more money, prevent data losses, become more efficient, and even find more business opportunities with your productions. https://lnkd.in/dyQVvvU9 For more details contact Ankit Agarwal at wa.me/+919230455197 or email ankit@infotechjunction.com
Broadcast and Production - Sony Pro
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Introducing Dark mode, the newest feature on Dacast! 🌙✨ This is a great practical benefit! Dark mode improves visual appeal, and also reduces eyestrain, making your experience more enjoyable. Here's why you'll love dark mode on Dacast: 1. Stylish and modern: a modern touch that aligns with your preferences and the latest design trends. 2. Reduced eye strain: gentle on the eyes, it offers a comfortable viewing experience. 3. Customizable experience: Personalize your Dacast experience by switching between dark and bright modes. Choose what suits you best. Ready to try it out? Once logged into your account, just click the profile icon on the top right of the screen and you’ll see the “theme” option where you can select between light, dark, or system theme settings. As easy as that! #livestreaming #streamingservices #powerfulperformance #ottplatform #videohosting #videoanalytics #broadcasting #4kvideo #HDvideo #streamingservice #encoder #videoanalytics #encoding https://lnkd.in/g-7Z-nRy
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The global Video Progressive Scan Camera market was valued at US$ 1210 million in 2023 and is anticipated to reach US$ 1879.4 million by 2030 witnessing a CAGR of 6.5% during the forecast period 20242030. #VideoCameras #ProgressiveScan #ImagingTechnology #IndustrialAutomation #MedicalImaging #SecuritySurveillance #Broadcasting #HighDefinition #Telemedicine #MarketGrowth
Global Video Progressive Scan Camera Market Research Report 2024
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Cristóbal Valenzuela Ceo Runway, "Things that have a high probability of being true for media & entertainment over the short term (~24 months): - The cost of generating any media format (audio/video/images) will be close to the cost of inference. - There will be at least 3-4 more leaps similar to the leap from Gen-2 to Gen-3. - Real-time media generation will be available for all formats. - Pixel-level and fine-grain control will be possible for most visual generations. - We will collectively stop classifying media content based on how it was made. - A new breed of studios will emerge, building entertainment using a combination of traditional and new pipelines."
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Compatible with 2/3-inch type #cameras and boasting a high zoom magnification, #CANON broadcast ENG and EFP lenses are perfect for 4K shooting scenes that require a super telephoto angle of view, such as sports and concert relay broadcasts and nature #documentaries. These have a wide focus rotation angle of 180 degrees, improving focus operation even at long focal lengths. The use of special proprietary glass in the optics and the employment of a multi-group movable lens system enables the lens to deliver high definition 4K resolution over the entire zoom range, resulting in images with rich gradations and minimal ghosting and flaring, excellent for HDR production. Features of #Canonbroadcastlenses: · Micro-contrast and image quality that meets the needs of 4K · Compact and Lightweight with built-in 2X Extender · Exceptional Image Quality · Ultra Wide-angle 4K EFP zoom lens #foraindia #cameralens #lensquality #Canonlenses #4Kresolution #broadcastlenses #broadcastmedia #broadcasting #cameraman #newsmedia #mediaproduction #media
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Nearly 30 years on from the creation of the DVD, it's still going. Maybe not going strong, but even in the digital age, there's a place for physical media. For film enthusiasts like me, better picture & sound, special features, and extended cuts matter. A recent uptick in visual physical media sales suggests the imminent death of DVD/Blu-ray/4KUHD has been grossly exaggerated, well, maybe slightly exaggerated. From VHS to Laserdisc, by way of the nightmarish mistake that was UMDs, the evolution of home entertainment has come a long way. Before content is beamed directly into our brains, here's a brief history of physical media... https://lnkd.in/dBTZyg-i
A Brief History of Physical Media and Why It Refuses To Die - Video Collective
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Also being responsible for the high quality re-graining is what I have always missed in video distribution. FGS has come to change everything
CTO at Wavelet Beam | Automatic Video Noise Management for OTT & Broadcast | Professional Services | Video Analytics | Video Bitrate Optimization |
The beauty of film look AV1 is simply the first video codec with mandatory film grain synthesis technology. This makes a huge difference in terms of bitrate savings and picture quality, while the efficiency gain of new codecs is nowhere near 50%. Instead of measuring blur and compression artefacts, we can use Film Grain Synthesis to reduce distribution bitrates because video denoising/de-graining leads to lower bitrate requirements. We at Wavelet Beam can confirm the 30% bitrate reduction we heard from Netflix a few months ago. We just need to be aware that the inbuilt AV1 denoising is not good enough to prevent loss of video resolution. 2d Wiener filters are used for AV1. We will see what VVC and HEVC will use as an integrated solution, but Video Noise Management is not just a filter. We at Wavelet Beam have a fully automated HPC solution that contains thousands of lines of highly optimised NVIDIA CUDA code for proper video noise handling. For UGC, the integrated solutions are may be good enough, but for premium content, solutions like Wavelet Beam's IRIS in combination with IRIS.ANALYST will make the difference. The beauty of the film look can now be distributed to all second screen devices without a standard denoising step on your TV. Today's second screen devices have high resolution displays and viewing distances of less than 1m. This directly results in a higher perceived video resolution compared to the broadcast scenario. Interested content owners can email info@waveletbeam.com for more information and sample footage. We rendered and encoded the Netflix test footage "MERIDIAN" using AV1 (Film Grain Synthesis) at less than 6 Mbit/s. This 12- minute UHD take takes up only 536MB of space. We are also interested in receiving short 2-minute 16mm and 35mm test footage for our lab tests. The codec war is over. Film Grain Synthesis also can be used for older and upcoming video codecs. Also a good reason only to process the video noise management once in your workflow and not only in the new upcoming video codecs. Now video and film experts can focus again on picture quality instead measuring video bitrates, with tools that don’t state the error tolerance and video resolution (video resolution !=not pixel count). #FilmGrainSynthesis #IRIS #IrisAnalyst #wavletbeam #FGS #grain #streaming #VMAF #PSNR
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In #broadcast studios, #lighting is key to creating an engaging and visually dynamic news presentation. Many stations have upgraded to LED technology. To fully reap its full benefits, proper power control is essential. Learn how: https://ow.ly/kLTI50ToCyA #techtuesday #AVTweeps
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