Phnam Bagley

If you work on textile you should already know that fashion is polluting our blood and our rivers. We need forceful laws to stop selling synthetic clothing ( first and second hand) . Emily Macintosh, from the European Environmental Bureau , will be in this webinar , we can talk with her about the current laws that are not protecting us neither our ecosystem. We know about microplastic from 2011 and we need to ask her for laws that reward plastic-free brands and penalize plastic brand that have been encouraging overproduction with taxes to pay the ecological debt. We need a new directive for labelling with ALL fibers and materials included, warning about microplastics instead of QR with biased and incomplete environmental and social information. Fashion’s Plastic Paralysis: How Brands Worsen Microplastic Pollution. In it, we’ll discuss the environmental and health risks posed by the fashion industry’s reliance on synthetic, fossil-fuel-based textiles. This one-hour session on 16th October will illuminate critical insights from our latest report, Fashion's Plastic Paralysis, and discuss solutions for driving meaningful change in the fashion sector. Urska Trunk, Senior Campaigner at Changing Markets Foundation, will reveal findings from our Fashion’s Plastic Paralysis report, highlighting major brands’ continued use of synthetic fibres. Professor Barbro Melgert, from the University of Groningen, will address how synthetic fibres enter the human body and their health implications. Emily Macintosh, from the European Environmental Bureau, will discuss regulatory gaps and offer actionable solutions for lawmakers.

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I am super excited to have Jenna Fizel and Ziyuan(Zoey) Zhu from IDEO join us for a presentation on “Emerging Technology within the Design Process: Examples from Across Industries” at CDFAM - Computational Design Symposium in NYC. In a rapidly evolving technological landscape, integrating AI and emerging technologies into design processes is revolutionizing client experiences across various sectors. Jenna and Zoey will share how IDEO leverages its human-centered design approach to incorporate these cutting-edge technologies into client-facing projects, enhancing innovation and driving impactful results. They'll discuss designing for inclusivity in XR, defining AI-native products, and bringing personality and emotion to IoT, among other topics. This presentation will also highlight IDEO’s practice of building and sharing low-fidelity prototypes to explore the edges of design, build skills, and spark industry conversations. #EmergingTechnology #DesignInnovation #AI #XR #HumanCenteredDesign #IoT #CDFAM #DigitalFabrication #ComputationalDesign #IDEO #industrialdesign #productdesign #AIinDesign #InteractiveStorytelling #InclusiveDesign #EdTechInnovation #DesignResearch

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Understanding human needs is crucial in ergonomics because it ensures that the design of products, systems, and environments aligns with the capabilities, limitations, and preferences of users. By comprehending human needs, ergonomics can create designs that enhance comfort, safety, and efficiency while minimizing the risk of discomfort, injury, and errors. considering factors such as anthropocentric data, cognitive abilities, and behavioral patterns allows for the development of ergonomic solutions that better accommodate users, leading to improved performance, satisfaction, and overall well-being.

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In healthcare, the feeling of being just "a piece of meat" during treatment is a profound issue that design research aims to address. At K:D, we believe in the power of patient-centric design—our approach places the patient at the heart of the innovation process. Through rigorous design research, we delve deep into the patient experience, identifying and understanding their unique needs and emotions. This insight allows us to create solutions that respect and respond to the individual, making each patient feel valued and seen. It's not just about treatment efficacy; it's about fostering a sense of dignity and personal care in medical experiences. #PatientCentricDesign #HealthcareInnovation #DesignResearch #EmpathyInDesign #MedicalDeviceDesign

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A Cornell University originated Project by Monroe Weber-Shirk and students, AguaClara Cornell Project Team and AguaClara Reach have a game engine based on the #CAD #onshape platform to automate, after inputted parameters, the design of gravity-powered drinking water treatment plants. They are making life better for a lot of people and are a wonderful project! I tried to find out who made the design engine on the onshape platform but apparently it was many people who contributed. Are such things like the design engine used to design #MRFs? Can they be used to design city wide green and grey water absorbing rain infrastructure (how much and where it goes) like for Rebuild by Design ? Can they automate the design further for print on demand ADUs like for Azure Printed Homes if they don’t already? (Its a company run by a Cornellian!) Can they automate the component design of the much need machine retrofits swapping gas for electric engines like for Turntide Technologies ? They seem to be on the edge of this… What a useful skill to have to (possible, potentially) solve so many problems! What else could it potentially be used for? https://lnkd.in/ev4FCGck

Core77 published a fun and interesting look/ read about color theory (Sourced from a book published in 1930). It had recommendations for factories to create comfort for people with monotonous occupations. It also covers schools and medical environments. I love the illustrations and also the human-centered thought (and science). In 1810 Johann Wolfgang von Goethe (1749 - 1832 CE) first linked color to psychological and behavioral impacts. However, the Egyptians also had strong associations with color and healing, as well defined meanings, theorized/documented by archeologists. No doubt many ancient societies/communities used color for healing and behavior modification. Native American, Inuit, Arab, Persian, and other indigenous populations also used color for meaning and/or healing. I'm fascinated by the many dimensions of color! Huedata Inc. has been creating an LLM/AI system for 10 (or more?) years, using historical evidence and science. They offer consulting services and fee-based access to their unique color recommendations tool for product, brand, etc. They are also studying use for color as an intervention tool for global issues. I recommend taking a look if you haven't already after checking out the article. #color #colortheory #colortherapy #chromatics #healing #design #designers #designstudents #colorscience #coloranalysis #ai #chromabliss

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In this Episode of, Designing In The Wild, I do a little deep dive into #LCA for  #productdesign. Discuss the pros and cons of weighted metrics focused on only CO2, and offer insights and strategies for the #industrialdesigner to implement when thinking through #lifecyclethinking and product design. Please enjoy and share if you feel it relevant to your audience. #industrialdesign #designthinking #designstrategy #designleadership #environmentaldesign #ecodesign #greenproductdesign

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"As biophilia continues to gain momentum while environmental issues take top priority, it’s high time to educate clients about the complexities of balancing the two—and how reconciling biophilic design with sustainability can now be a thing of the past thanks to the engineered alternatives we’re seeing today." Such common sense thinking in this article--we source only within the United States from a known and trusted source, we "test" our moss in various ways and we keep our spec sheet updated so clients can get the full picture. #designwisdom #biophilia #sustainablematerials #greenwalls #greendesign https://lnkd.in/gtgu4hqp

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I recently picked up a Bambulabs A1 Mini and it’s WILD. The attention to detail in the hardware design is next-level: linear rails for XY&Z, a color touchscreen display, vibration compensation, quick swappable nozzles, lightning-fast bed leveling, noise canceling built-in, AMS, the list goes on and on. Also, it costs $350. This gives my P1S a run for its money at half the price. I’m using it to print out business cards with PLA matte filament through a 0.2mm nozzle onto a smooth build plate, and after some slicer optimizations, the results are INSANE. I’m giving away my Ender V2 printer, lmk if anybody wants it. #design #productdesign #productdevelopment #onshape #cad #engineering #industrialdesign

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IS AI / NOT AI: Dispelling myths and deciphering hype vs. practical applications of AI in the design industry Promising to stir the pot in this one! I’ll join a group of leading architects, innovators, and AI experts as we dispel common myths and dive into the practical ways AI is transforming our industry today. We’ll explore how current tools are already shaping the future of design. Whether you’re an architect, tech enthusiast, or just curious about what’s next in the design world, this event will offer valuable insights and fresh perspectives. During the discussion, I’ll specifically concentrate on the role of designers in this new landscape—what AI means for our creative agency—and how AI technology is redefining the roles of specialists, generalists, and experts across the field. EVENT DETAILS: Next Week! Presented by AIA Central VA TAP Committee, Cville Revit User Group, and UVA AIAS 💫 Tuesday, September 24th 5:00-6:30pm EST UVA Architecture School - Campbell Hall Room 153 This will be a hybrid event offering both in-person and virtual attendance options. 📍RSVP here: https://lnkd.in/eSEfJcgv - Onur Yüce Gün, PhD, New Balance - andrew john wit, Temple University - Altaf Ganihar, Snaptrude - Steven Campbell, Lake|Flato Architects Thanks to William Abrahamson, AIA, and CPHC for pulling us into this event! #generativeAI #computationaldesign #ai #designthinking #designtechnology #architecture #generativedesign

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TITEL: mirage DATE: 2024 MEDIUM: ratchet tape & velvet ribbon attached to wonder mesh SIZE: 60cm x 85cm (8 works) In my artistic exploration, I delve into the intricate web of global consumption and waste, shedding light on the relentless transportation of discarded items across the world. This body of work serves as a visual narrative of the surplus production that exceeds our consumption capacities, leading to the extensive movement of goods in search of markets willing to accept them. The ratchet tape, sourced from the urban landscape of downtown Durban, finds a new life in my creations as it intertwines with silver wonder mesh. Through a process of deliberate placement and meticulous machine stitching, the tape disrupts the fabric's surface, evoking the fluidity of rippling water. This juxtaposition gives rise to an ethereal vision of a net adrift in water, capturing and ensnaring objects that fatefully become entangled within it. Introducing vintage velvet ribbon, once a symbol of opulence in the world of fashion, now relegated to obscurity as deadstock in the bustling markets of Johannesburg's CBD. Its journey spanning vast distances echoes the transient nature of material goods, ultimately succumbing to decay and becoming discarded remnants of a bygone era. By merging these disparate materials across a temporal spectrum of approximately half a century, my work prompts reflection on the absurdity of importing unnecessary goods. The convergence of these elements in a singular moment crystallizes broader inquiries into our consumption patterns and the consequences of our relentless pursuit of novelty and abundance. Through this artistic dialogue, I invite viewers to contemplate the hidden narratives embedded within the artifacts of our disposable culture and reconsider the true costs of our insatiable appetite for material possessions. For more on the process, please view video https://lnkd.in/dKvSkkAX

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I had the privilege of being one of the speakers at 2024 Aiga Design Conference, AIGA Design, where we tackled some of the most pressing issues shaping the future of design today. One of the key themes was around margins and marginality, emphasizing the importance of giving space to underrepresented voices, non-Western design histories, and design practices that live outside the mainstream. We also explored inclusivity and accessibility, addressing the need to create design systems that work for everyone, including neurodivergent individuals, differently-abled persons, and historically excluded communities. Another exciting theme was community-centered and co-creation design, where we discussed how involving communities in the design process leads to more relevant and empowering outcomes. Decolonizing design and challenging traditional Eurocentric conventions was a recurring topic, pushing us all to think about how to create a truly global and inclusive design practice. The discussions around design as a tool for social change were particularly inspiring, highlighting how design can amplify marginalized voices, tackle systemic inequalities, and drive societal progress. The focus on cultural representation, narrative storytelling, and technological innovation showcased how we can preserve cultural identities and histories through design, while also addressing the ethical implications of our work in the digital era. Overall, it was an inspiring event that reminded me of the critical role design can play in shaping a more inclusive, equitable, and impactful future for all. Thank you again all for connecting! #DesignForChange #InclusiveDesign #DecolonizingDesign #CommunityDesign #SocialImpact #CulturalRepresentation

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Announcing the ELR: Design 2024 Panel on Sustainable and Ethical Design On November 13, 2024, we’ll be hosting a panel discussion focused on how design leaders are incorporating sustainability and ethics into their work. Join us to hear from experienced professionals driving real change: • Maximilian Speicher, PhD Speicher – Director of Product Design, BestSecret Group • Nikos Karaoulanis – Design Leader, Kainos Software • Nick Edell – Senior Principal, Design & Innovation at Infosys Consulting • Stephan Clambaneva, IDSA WDO Clambaneva – Managing Director, PARK Our panelists will discuss their strategies and challenges, sharing practical insights on aligning sustainability with business goals. Max Speicher, for instance, will share his experience in reducing product returns through “smart green nudging,” showing how even small, thoughtful design decisions can have a big impact on both business outcomes and sustainability. Key topics to be covered: • Integrating sustainability and business goals • Ethical considerations beyond environmental impact • Strategies to overcome challenges in sustainable design • Creating a responsible design culture within organizations Join us to learn how sustainable and ethical design can be a strategic asset. Register here: https://lnkd.in/eHpTHsKy

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An in-depth, behind the scenes story of a product Jordan Westerberg and I (Berg Design Co) designed. Thread on X by the Owner of PEEL, Marshall Haas. Please read the thread as it goes into much more detail on the process of creating The Touch Tool. It is interesting to see what all needs to happen to launch a product in one week. The Touch Tool is a brass keychain hook that allowed consumers to pull open doors, press buttons at the gas station, etc. without touching those things directly. This would help people reduce their exposure to germs. We designed The Touch Tool to be a lifetime product: an artifact to reflect on of what the world was like in 2020 and, most importantly, a useful tool. Machined from 100% solid brass blocks. The antimicrobial brass alloy assists the consumer's need for the product's intended purpose. To help people block and stop the spread of germs. This product was a highly needed tool for the time, it filled a gap that genuinely did not exist before. As the first of its kind, it created an entirely new market following the launch in April of 2020. The Touch Tool was featured in The New York Times, GQ, Yahoo!, Forbes, Glamour, and many more. Thread continues... https://lnkd.in/gdQhGJZp

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Gotta say that this is some of the best news to happen in the 3D Printing industry in a long time. The only thing better would have been Bre and Fakerbot going the same way before he sold Stratasys a block of rusty metal that wasn't worth the price of cheese in Wisconsin. About 6-7 years into their life span one of the founders, Peter said in an investor meeting "If I knew anything about manufacturing then I never would have started the company." I'm all for trying out new things, in new ways, but it made no sense trying to make 3D Printing cost or produce items at a rate that wasn't sustainable.....ever. Representatives use to go around to the different colleges/universities in New York and tell all of the students that they could 100% meet all of their printing needs which was a really bad look come midterms and finals. Just the shear number of students from NYU, Parsons, Pratt, Columbia, and Cooper Union at just 15% capacity from each would crush that! There were some positive things that came from the Fakeways and Fakebot communities that helped bring people together but in the end it couldn't override the underlying flaws that both companies were offering and ended up causing more damage than not to the industry that now seems to be "self correcting" to bring things back to a baseline level headedness. https://lnkd.in/ej_tVzHj

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Check out this article about CMF!

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Gandhi said, "There is no beauty in the finest cloth if it makes hunger and unhappiness." Thank you WWD for this wonderful recap of my speech from the WWD Global Fashion Summit. Read more here: bit.ly/4c5sTUo #sustainablefashion #SaudiFashionCommission #circulareconomy

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The BioAI Mycelium from my Bio-Logic Series (2022-2023) redefines material design by merging natural intelligence, artificial intelligence, and computational design, exploring how AI can optimize the growth of environmentally friendly materials like mycelium into functional insulators, creating biomaterials optimized for sustainability and environmental impact. This work reflects my commitment to combining AI and natural systems to contribute to a more sustainable future. With a focus on how AI can assist in designing and growing biomaterials, I’ve been exploring the intersection of mycelium x AI biodesign to discover how AI can support the identification and development of diverse bio-engineered and bio-inspired structures. This includes refining the properties of biomaterials for greater functionality and sustainable applications, demonstrating how technology and nature can intersect to provide innovative and sustainable solutions. The foundation for this work was laid almost 20 years ago, in 2006, when I worked as a designer for Ford Motor Company . There, I engaged in the development of sustainable, eco-friendly, and naturally grown substrates for automotive production, including the use of mycelium in unseen vehicle components. check out this and related projects at https://lnkd.in/gTvwwchB #AI #bioAI #mycelium #biodesign #biology

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