Nick Jacobs

Excited to unveil the official video spot of the LATIN AMERICAN GAMES SHOWCASE! Thanks to the collaborative effort of Arcella Sound, @filoanimation, and LAGS team, this project has come to life. Dive into the best of Latin American gaming talent with us! 🎮✨ #LatinAmericanGamesShowcase #SuccessfulCollaboration #AudiovisualProduction"

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Having seen these productions first hand, I can absolutely attest to the power of virtual stages, both in content and logistics. If you are running a marketing campaign double check your budget and ask for quotes from local production houses that offer this level of service. You might just be surprised how much this can benefit your campaign. Thanks Noah Kadner for sharing this!!

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10 indie game studios making moves in Latin America Google Play has announced the 10 indie game studios from Latin America that will receive a share of $2 million and hands-on support as part of the Indie Games Fund 2024. These studios will receive equity-free funding and guidance to grow their businesses, build development capabilities, and reach a wider global audience via Google Play. The selected studios include Minimol Games, Sunna Entertainment, 1 Simple Game, and 7 others. This initiative aims to help indie studios from LATAM reach their full potential and deliver unforgettable gaming experiences. Will these selected studios change the gaming landscape in LATAM? Share your thoughts. Read the full article here: https://lnkd.in/dAgqAZrE #LATAMGaming #IndieGames #GooglePlay #GamingIndustry #IndieGameStudios #GamingFunding #LatinAmericanGaming #GamingInnovation #MobileGaming #GamingDevelopment

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Before The Last of Us, Uncharted 4, The Order and Days Gone. Socom 4 was the first game that leveraged the knowledge of the 5 years of Imageworks Digital Double work. I wanted videogames to benefit from a technology that was not appreciated at the time by movie audiences. It was hard working with all your friends and passionate leaders who really wanted to pioneer a space we truly believed in. Audiences just didn’t agree with the work we were doing. The box office dictates what you can and can’t experiment on. We were either too early or just in the wrong entertainment segment. Digital Doubles weren’t needed in film in 2004 but they were needed in videogames. Gamers craved more realistic experiences but they were beholden to the limitations of the hardware unless it was live-action video cinematics. It was an uphill battle to get game developers to accept that this would work. What was once a niche is now a requirement in games. Can you imagine games without scanning and motion capture today? We don’t talk about it but 15 years ago. This was not what developers wanted. They hated it. It replaced them. Was too lofty of a goal and the tooling sucked. Sound familiar? The AI tools for film are now exactly where we were in games 15 years ago. Not only is it not going away but it will become a critical part of making new films, shows, TikToks. AI on it’s own is not going to revolutionize anything. It’s just going to be a new tool that helps revolutionize many things. The time it takes to get into a production worthy state will be much less. You don’t have to love it but isn’t going away. And videogame pipelines are now going to infiltrate linear ones. It’s the circle of synthetic life.

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According to a 2017 paper by Jim Rogers, the three major labels control over 70% of the recording market and 65% of the music publishing market (global). The four-firm concentration ratio rule states that if the top four companies collectively hold more than 75% of the market share, the industry is considered an oligopoly.

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Ever faced a challenge that seemed insurmountable? Recently, our team at TYMEinc. encountered a significant hurdle while preparing for our showcase at Miami Art Basel. We aimed to create an engaging video that captured the essence of the event, but time and resources were tight. To tackle this, we turned to innovative tech solutions that not only saved us time but also enhanced our workflow. By leveraging tools like AI-driven video editing software and cloud-based collaboration platforms, we streamlined our production process significantly. For instance, instead of spending hours sifting through footage, the AI tool helped us identify the most impactful clips in minutes. This allowed our creative team to focus on storytelling rather than getting bogged down in logistics. Additionally, we implemented a feedback loop using a shared platform where team members could comment and suggest edits in real time. This organic collaboration not only improved the final product but also fostered a sense of ownership among the team. The result? A stunning video that not only showcased the vibrancy of Miami Art Basel but also highlighted our commitment to using technology for efficiency. If you're facing similar challenges, consider embracing tech tools that can enhance your workflow. The right technology can transform obstacles into opportunities. Have you had a similar experience? I’d love to hear your thoughts or any strategies that worked for you. Like this post if you found it helpful, and feel free to share your insights in the comments! #ArtBasel #TechInEntertainment #WorkflowEfficiency

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First Britfield Movie Transitions Into Pre-Production   Rancho Santa Fe, CA 9/4/2024. Britfield & the Lost Crown Movie—Redefining an Industry: With a consistent catalogue of toxic storylines and continued box office failures, when will the movie industry realize the need for great stories and family focused content—their largest attending audience. The emphasis on aggressive violence, witchcraft, and the push of agendas shows how disconnected Hollywood has become from reality and what the audience wants. Losing billions of dollars, studios have been forced to merge or file for bankruptcy, which is a clear indication of an archaic system deteriorating and ready to collapse. While movies are an effective way to influence a culture ($33.9 billion in 2023), there is a vastly underserved global market for family entertainment (an 80% gap), which will continue to expand: action, drama, comedy, and romance.    Welcome to the World of Britfield: A global brand and media company that is impacting literature and education while bringing encouragement and entertainment to children and families worldwide. With record book sales and extraordinary feedback (2019-24), Britfield is positioned to become an international phenomenon. Rarely has there been a book series that creates its own unique category, a cross between Charles Dickens and Ian Fleming, while removing common literary devices such as mythology, superpowers, and magic. Reading Britfield, children and adults connect with genuine characters and authentic situations: the locations are real and the history is accurate. This type of writing breaks the fourth wall of fiction, reaching the hearts and minds of all demographics.    With the completion of the final script in April 2024, the first live-action Britfield & the Lost Crown movie has transitioned into pre-production, followed by principal photography in spring 2025 (Britain/Eastern Europe). Global release is scheduled for November 2026. Several directors with a history of successful action-adventure family movies are being considered, along with top British actors for the main and supporting roles of Detective Gowerstone, Professor Hainsworth, and Mr. and Mrs. Grievous. The lead characters of 12-year-old Sarah Wallace and Tom will be played by two gifted young actors, not yet cast.    Preparing the industry for a major paradigm shift, Britfield is projected to become one of the most successful films in cinematic history, rivaling the original Star Wars (1977), The Lion, the Witch, and the Wardrobe (2005), Night at the Museum (2006), and the Harry Potter series (2001-2011).  

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First Britfield Movie Transitions Into Pre-Production   Rancho Santa Fe, CA 9/4/2024. Britfield & the Lost Crown Movie—Redefining an Industry: With a consistent catalogue of toxic storylines and continued box office failures, when will the movie industry realize the need for great stories and family focused content—their largest attending audience. The emphasis on aggressive violence, witchcraft, and the push of agendas shows how disconnected Hollywood has become from reality and what the audience wants. Losing billions of dollars, studios have been forced to merge or file for bankruptcy, which is a clear indication of an archaic system deteriorating and ready to collapse. While movies are an effective way to influence a culture ($33.9 billion in 2023), there is a vastly underserved global market for family entertainment (an 80% gap), which will continue to expand: action, drama, comedy, and romance.    Welcome to the World of Britfield: A global brand and media company that is impacting literature and education while bringing encouragement and entertainment to children and families worldwide. With record book sales and extraordinary feedback (2019-24), Britfield is positioned to become an international phenomenon. Rarely has there been a book series that creates its own unique category, a cross between Charles Dickens and Ian Fleming, while removing common literary devices such as mythology, superpowers, and magic. Reading Britfield, children and adults connect with genuine characters and authentic situations: the locations are real and the history is accurate. This type of writing breaks the fourth wall of fiction, reaching the hearts and minds of all demographics.    With the completion of the final script in April 2024, the first live-action Britfield & the Lost Crown movie has transitioned into pre-production, followed by principal photography in spring 2025 (Britain/Eastern Europe). Global release is scheduled for November 2026. Several directors with a history of successful action-adventure family movies are being considered, along with top British actors for the main and supporting roles of Detective Gowerstone, Professor Hainsworth, and Mr. and Mrs. Grievous. The lead characters of 12-year-old Sarah Wallace and Tom will be played by two gifted young actors, not yet cast.    Preparing the industry for a major paradigm shift, Britfield is projected to become one of the most successful films in cinematic history, rivaling the original Star Wars (1977), The Lion, the Witch, and the Wardrobe (2005), Night at the Museum (2006), and the Harry Potter series (2001-2011).  

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Loved this demo of Restream Studio 2.0 from Charles Quilley! Lots of great features that you can manage from your browser. For content creators, having the right tools is key. While Riverside.fm excels in high-quality recordings and post-production, Restream Studio 2.0 is a great option for live, real-time engagement across platforms. Together, they'll give you total flexibility—whether you need polished edits or live streaming power. Why limit yourself? Maximize your content impact with the best of both! #ContentCreation #Livestreaming #Restream #VideoProduction #Riverside

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This morning the Los Angeles Times published a story of a new music video(https://lnkd.in/gn9sA-SA) created with Sora (https://lnkd.in/geGxt6Ah), OpenAI's emerging text-to-video solution. In “Washed Out - The Hardest Part”(https://lnkd.in/g3V36uFH) creators weren’t limited to filming locations and completed the film production process at a fraction of the cost of a music video. There are many implications with technologies like Sora, especially as it relates to protecting the livelihood of creators and intellectual property compliance. In response to developments in the entertainment industry, Fifth Sun Pictures will be adding emerging technology focused workshops to our film production program. These workshops will give students the opportunity to explore emerging technology and reflect on the future of entertainment. There is also potential for a Linked Learning collaboration with the English Department on topics like “how should we regulate AI in entertainment”, “how can human talent and creativity leverage AI as a new tool”, and “how can students experiment with AI in the classroom.”

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Mr. Robotic's key takeaways for sync success: -Dollar for dollar, sync fees outweigh music downloads/streams -Use your PRO as a resource for networking -Face-to-face interactions at conferences are crucial -Syncs on popular shows drastically boost downloads/streams -Be ready for any sync opportunity with metadata, splits, etc. -Use sync as a tool for strategically building your overall music career Align with his insights and approach sync licensing as a long-term career strategy.

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Unlock Six-Figure Royalties in Just 30 Days with Teemill's Game-Changing Packaging! Hey LinkedIn superstars, is it time to leverage your awesomesauce for incredible success! 🚀 🎉 Are you ready to skyrocket your affiliate/Teemill Owner earnings and hit six-figure royalties in just one month? Here’s how Teemill’s innovative packaging can help you achieve this incredible milestone: Eco-Friendly Appeal 🌿: Teemill's sustainable packaging resonates with today’s eco-conscious consumers, making them more likely to choose your products over others. Premium Unboxing Experience 📦: High-quality, beautifully designed packaging enhances the customer experience, encouraging repeat purchases and word-of-mouth referrals. Brand Visibility 🌟: Customizable packaging allows you to showcase your brand’s unique identity, creating a lasting impression that drives brand loyalty and repeat business. Social Media Ready 📸: Teemill’s aesthetically pleasing packaging is perfect for unboxing videos and social media shares, amplifying your reach and attracting more customers. Reduced Returns 🚚: Durable, secure packaging ensures your products arrive in perfect condition, reducing return rates and boosting your bottom line. Ready to transform your affiliate/Teemill owner game? Leverage Teemill’s standout packaging to delight customers, drive sales, and achieve six-figure royalties in record time! 🚀 🔗 Click the link in my contact info to start your Teemill journey today and make your six-figure dream a reality! #Teemill #SustainableFashion #AffiliateMarketing #EcoFriendly #UnboxingExperience #SixFigureEarnings #Royalties #smallbusiness #podcasters #musicians #youtubers #influencers #graphicdesigners #ecommerce #socialmarketing

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Food for thought! In the traditional music industry model, labels have long held the key to an artist’s audience, controlling much of the data and decision-making power. Artists drive traffic to the label’s platforms to launch their music, but what happens after? Too often, the data remains hidden, leaving artists unable to make informed decisions about their art and career. The solution? Cultivating a presence both online and offline where artists can connect directly with their fans, fostering deep, meaningful, and authentic relationships. By taking control of your audience and owning that connection, artists can make smarter choices, maintain creative freedom, and build a sustainable career. It’s time to redefine the narrative. Let’s create spaces where artists thrive and fans engage on a deeper level – no middleman required. #MusicBusiness #IndieArtists #ArtistEmpowerment #FanEngagement #CreativeFreedom

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Rally the Troops: A 6-Point Game Plan for Paramount's Independent Growth In light of recent developments with Paramount ending its sale discussions, I propose a bold, self-sufficient strategy to fuel its growth. Here's a six-point plan: 1. Divest and Thrive: Sell 51% of BET This move would not only provide immediate capital but also ensure ongoing cash flow through minority interest. BET, operating independently, has a brighter future which could, in turn, yield greater long-term returns for Paramount. 2. Streamline Legacy Operations Let's face it, legacy businesses are cash cows. Streamlining these operations can free up resources to focus on more profitable ventures. 3. Paramount+: One App to Rule Them All Emulating Peacock's strategy, Paramount+ should consolidate all of its brands under one roof. This unified platform would cater to diverse genres, attracting a broad audience base and encouraging cross-pollination of content. 4. Aggressive International Expansion With only a modest net change in subscribers recently (Q1: +3m), Paramount has a ripe opportunity to quickly unlock millions of potential subscribers by fast-tracking international growth, even if it means buying out existing contracts. 5. PlutoTV Revitalization Invest heavily in PlutoTV to rival, and potentially surpass, Tubi. With a superior content library, Paramount can dominate the AVOD space by creating a delicate balance between content availability on PlutoTV, Paramount+, and other digital platforms. 6. Lead Generation Across Digital Properties Utilize every digital asset, from MTV.com to YouTube channels, to drive user engagement and conversion, turning every touchpoint into a potential subscriber lead. Doing this internationally may be more important than domestically. ____________ This holistic strategy not only aims at internal strengthening and exploitation of existing assets but also ensures Paramount is competitively positioned to navigate the complexities of today’s media landscape. But what do you all think of this plan, or what do you think is the next best move for Paramount?

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