Trygge Toven’s Post

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Emmy Winning Music Supervisor & Producer (Fallout, Loki) | Sync Music Masterclass | Exploring creativity

Mr. Robotic's key takeaways for sync success: -Dollar for dollar, sync fees outweigh music downloads/streams -Use your PRO as a resource for networking -Face-to-face interactions at conferences are crucial -Syncs on popular shows drastically boost downloads/streams -Be ready for any sync opportunity with metadata, splits, etc. -Use sync as a tool for strategically building your overall music career Align with his insights and approach sync licensing as a long-term career strategy.

Matt Charnoski

Songwriter/Producer/Recorder-One Stop

3mo

I’m getting a lot of conflicting information about whether you should register your songs with a PRO or not before submitting. I’m hearing more NO because then it’s hard to change it. Others(like you said) say YES. What is the correct way when you’re making full songs?

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and what does it say about music sup compensation and ability to retire ?

Yup I agree on all of them. I just think that sync can be also a good career if done right. So many don’t wanna be artists or in the forefront so i feel like it can naturally open other doors

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