Joshua Tyler Berglan

MARTIN GROVE'S HOLLYWOOD REPORT FOR 11/17/24: RED ONE didn't deliver enough green ones to help cure the boxoffice pandemic that began with JOKER 2 in October.   This weekend's only wide studio launch, Amazon/MGM Studios' PG-13 action adventure comedy RED ONE, opened #1 to $34.1M, per Comscore, at 4,032 theatres ($8,451). Produced reportedly for $250M, it was directed by Jake Kasdan (JUMANJI: THE NEXT LEVEL) and stars Dwayne Johnson & Chris Evans. Its debut beats the $30M Hollywood handicappers were projecting Saturday, but it's still nothing for exhibs to feel good about.   Although ONE is a theatrical dud, it will likely work much better for Amazon as a streaming title with The Rock as a superstar magnet for subscriber eyes. ONE can live on for years as a Prime holiday classic -- whether it is or isn't -- for seasonal viewing as streamers doze on couches globally.   Internationally, ONE is being released by Warner Bros. and has done $50M since opening last week to avoid going head to head this weekend with Paramount's Ridley Scott heavyweight GLADIATOR II -- which ki ked off to $87M overseas.   ONE is tracking best for first choice with men over 25 (six points over norm) and next best with women over 25 (three points over norm). Rotten Tomatoes critics hate it at 33%, but audiences are happy at 89%.   While ONE's modest debut can’t be putting smiles on exhibitors' faces, at least they've got bodies in seats eating popcorn and other concession treats. Exhibs have to hold on until 11/22, when Universal/Marc Platt Productions' WICKED opens to what Hollywood buzzards say will be $80M or more. It's tracking best for first choice with under 25 women (13 points over norm). No scores yet on Rotten Tomatoes.   Exhibs' other big hope 11/22 is Paramount/Scott Free Productions' GLADIATOR II. Insiders expect $65M or more. It's tracking best for first choice with men over 25 (16 points over norm). Rotten Tomatoes critics are an okay 75%.   This weekend's domestic marketplace totaled $73.6M, per Comscore Senior Media Analyst Paul Dergarabedian, up 2% from the prior weekend and down 37% vs. this time last year. Comscore's year to date tally has 2024 at $7.08B, down 11.1% from $7.97B in 2023. The previous weekend in 2024 was down 11.4% vs. 2023.   Meanwhile, back at the multiplexes: Sony/Marvel's VENOM: THE LAST DANCE was #2 in weekend four with $7.4M (-54%) at 3,421 theatres ($2,150). It reportedly cost $120M to produce and has done $127.6M domestic.   Lionsgate/Comworld Productions' faith-based THE BEST CHRISTMAS PAGEANT EVER was #3 with $5.4M (-50%) at 3,020 theatres ($1,150). It's done $20M domestic.   Next weekend (11/22): WICKED + GLADIATOR II (see above) should pump a lifesaving $145M or more into domestic theatres.   (See more at www.ZAMM.com)   #movies #boxoffice #martingrove #redone                

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MARTIN GROVE'S HOLLYWOOD REPORT FOR 9/15/24: The JUICE was still on the loose and moviegoers saw NO EVIL this weekend.   Between them, WB/Plan B Entertainment's PG-13 fantasy horror comedy BEETLEJUICE BEETLEJUICE and Universal/Blumhouse Productions' R rated horror thriller SPEAK NO EVIL pumped over $63M in ticket sales into theatres plus millions more for pricey popcorn, candy, etc.   This weekend's domestic marketplace totaled $94.8M, per Comscore Senior Media Analyst Paul Dergarabedian, down 37.1% from the prior weekend, but up 50% vs. this time last year. Comscore's year to date tally has 2024 at $6.08B, down 12% from $6.94B in 2023. The previous weekend, 2024 was down 13% vs. 2023.   Meanwhile, back at the multiplexes: BB, directed by Tim Burton, held on to #1 in weekend two with $51.6M (-54%) at 4,575 theatres ($11,279), per Comscore. It reportedly cost $100M to produce and has grossed $188M domestic and $264.3M worldwide to date.    SPEAK NO EVIL opened #2 to $11.5M at 3,375 theatres ($3,407), per Comscore. That's better than the $10M Hollywood buzz-ards were originally looking for. Having reportedly cost just $15M to produce, Universal & Blumhouse should be okay. It opened internationally to $9.3M, bringing its worldwide cume to $20.8M.   EVIL, starring James McAvoy, is tracking best for first choice with women over 25 (one point over norm). Rotten Tomatoes critics & audiences are both very happy at 85%, which should mean good word of mouth.   The weekend's only other wide launch, Lionsgate's R rated action comedy thriller THE KILLER'S GAME, starring Dave Bautista, was dead on arrival in sixth place with $2.6M at 2,623 theatres ($991). It's tracking for first choice below norm with all demos. Rotten Tomatoes critics hate it at 36% and audiences aren't excited at 77%.   Although GAME reportedly cost $25-30M, the buzz is that Lionsgate's customary upfront financial strategizing reduced its risk significantly.   Next weekend (9/20) ticket sales should heat up with Paramount/Hasbro Entertainment's PG rated animated action adventure TRANSFORMERS ONE. It's the franchise's first animated episode in nearly 40 years. Hollywood insiders expect $45-55M at about 3,700  theatres.     TO is tracking best for first choice with under-25 men (five points over norm) and next best with men over 25 (three points over norm). Rotten Tomatoes critics are applauding at 90%.   Sat., 9/21 will see SUPER/MAN: THE CHRISTOPHER REEVE STORY open in limited release via Fathom Events/DC Studios. It's the story of Reeve's rise to stardom and the near-fatal 1995 horse-riding accident that left him paralyzed from the neck down. Rotten Tomatoes critics are cheering at 100%.   (See more at www.ZAMM.com)   #movies #boxoffice #martingrove #beetlejuice #speaknoevil      

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Check out Dusty Deen's SKETCHBOOK, VOL. 2, that won Best Experimental Film at the Albuquerque Film Festival. I love representing this guy! Here's Dusty's description: This is the second in the series of sketchbooks. This one was filled between 2020-2022 and features doodles, hand made animations, public sound recordings, collage, and everything else in my brain. Every page contains the phrase “Oh shit!”

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SDG Releasing Launches, Revolutionizing Theatrical Film Distribution with Transparency and Integrity Fort Worth, TX – July 29, 2024 SDG Releasing (sdgreleasing.com) proudly announces its launch as the newest player in the theatrical film distribution industry. Founded by veteran filmmakers Cary Solomon and Chuck Konzelman, the creative minds behind acclaimed films like Nefarious, God's Not Dead, and Unplanned, SDG Releasing is designed by filmmakers for filmmakers. Their revolutionary model combats industry corruption with honesty, transparency, and low costs, ensuring fair and accessible distribution for all. To kick off their journey, SDG Releasing is proud to announce its inaugural partnership with The Daily Wire. This partnership includes handling their first-ever theatrical release, Am I Racist?, the follow-up to Matt Walsh's acclaimed What Is A Woman?, and exclusive home video distribution rights. The first two films under this home video agreement will be What Is A Woman? and Ladyballers. At SDG Releasing, Cary Solomon and Chuck Konzelman bring their three decades of filmmaking experience to the forefront. "We’ve experienced the tremendous highs of bringing our vision to life and the joy of watching audiences moved to tears or shouts of excitement," says Solomon. "What’s not amazing is dealing with Hollywood’s 'creative accounting,' which always ends with, 'You get nothing.' We’ve faced this numerous times and didn't like it. We’re guessing you don't either. As fellow filmmakers, we feel your pain. That’s why we set out to do something about it: a straight forward approach that guarantees you get every penny owed to you." Key Highlights of SDG Releasing: Radical Transparency: Filmmakers have full visibility of every financial transaction through a dedicated bank account lockbox service, with each client having their own account. Industry-Low Fees: SDG Releasing offers the lowest distribution costs and fees in the industry by cutting out unnecessary intermediaries. Diverse Film Slate: The company showcases a variety of genres, from impactful documentaries to blockbuster features, ensuring a wide audience reach. SDG Releasing has already made a significant impact by distributing acclaimed films they have produced, and now, through their exclusive contract with The Daily Wire, they are poised to revolutionize film distribution. For more information, visit SDG Releasing.

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717 The Label: Artist Development & Career Advancement Services At 717 The Label, we specialize in helping independent and major artists of all genres secure high-profile opportunities, gain attention from industry professionals, and accelerate their careers. Whether you're looking for exposure, media coverage, performance opportunities, or strategic partnerships, we offer a comprehensive suite of services designed to elevate your presence in the music industry. Our Services Include: Industry Exposure & Press Coverage: We have established relationships with top-tier publications, websites, and media outlets, ensuring you get the attention you deserve. We secure placements in major outlets such as Forbes, Rolling Stone, Complex, XXL, Vibe, The Source, and more. Performance Opportunities: We connect artists with opening slots for major tours and concerts, as well as paid gigs across the country. Record Label & A&R Attention: We work to place you in front of key decision-makers, ensuring your music gets noticed by top record labels, A&Rs, and industry executives. Endorsements & Partnerships: From brand collaborations to sponsorships, we facilitate strategic partnerships that boost your credibility and income. Creative Direction & Artist Branding: Our team of experts helps shape your brand, ensuring a strong and consistent visual and musical identity. Distribution & Monetization: We assist in securing distribution deals and help build a sustainable revenue stream through multiple platforms. Why Choose 717 The Label? Customizable Services: We offer flat-rate pricing based on your individual budget. Whether you’re just starting out or already established, we work with artists of all budget sizes and offer flexible payment plans.

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To Catch a Killer All Secrets Must Come to Light #CrescentCity Official Trailer produced by #Clever_Caboose with #TerritoryStudios for #Grindstone #Lionsgate drops exclusively today on #Collider. (Posted 7/12/24) Have you visited our website? Check out: clever-caboose.com #movietrailers #filmdistribution #filmmarketing #entertainment #entertainmentmarketing #entertainmentindustry #entertainmentnews

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Minecraft Theme Park? ⛏️😳 Physical entertainment venues MUST embrace great IP and great social marketing in the future… Or they will simply shut down for not garnering enough attention. Glow Sports Zone (my new venture) will build brand through social marketing and its unique IP. Featuring: ⛳️ 9 Hole Glow Golf 🎯 Glow Darts 🎱 Glow Pool And Much More… What are your thoughts on the future of theme parks / entertainment venues? #creatorecomomy #gaming #content #influencer #influencermarketing

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Earlier this month, I was blessed to cover the Texas Eclipse Festival. There's been a ton of conspiracies and complaints circulating online about how disorganized and "dangerous" the festival was, but in my experience, that was FAR from the case. People on the internet just like to be negative, because, unfortunately, that's often the content that gets the most traction. If you want to know what the Texas Eclipse Festival was ACTUALLY like, check out my review with MP3 MAG!

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Just finished "Measure What Matters: Succeeding with Objectives and Key Results (OKRs)" by Measure What Matters, John Doerr, and Ryan Panchadsaram! Check it out: https://lnkd.in/eigRzG_d #objectivesandkeyresults.

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Music Videos? Do you watch them? This article discusses whether it makes sense for artists to still create them... If you're a big artist, Yes, you absolutely should. Otherwise, I would let the streams lead and take it from there. If they pop off like Dasha's "Austin", then go make that video and get those YouTube Streaming Dollas!

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MARTIN GROVE'S HOLLYWOOD REPORT FOR 8/18/24: They may not be able to hear you scream in space, but this weekend you could hear exhibitors screaming for joy as ALIEN: ROMULUS devoured the boxoffice.   Hollywood handicappers expected a $35-40M launch, but over-performing is now the name of the game. The Disney/20th Century Studios' R rated sci-fi thriller hit $41.5M Sunday morning, per Comscore, at 3,885 theatres ($10,682). ROMULUS started out as a streaming movie for Disney's Hulu, but Disney recognized its boxoffice potential and with the wave of a magic wand it went before the cameras as a theatrical release.   It's tracking best for first choice with men over 25 (eight points over norm) and next best with men under 25 (one point over norm). Rotten Tomatoes critics like it at 81% and audiences are thumbs up at 86%.   ROMULUS producer Ridley Scott directed the 1979 classic ALIEN and  director Fede Alvarez made the 2013 thriller EVIL DEAD. ROMULUS, which reportedly cost $80M to produce, blasted off to $66.7M internationally, per Comscore, for a worldwide cume of $108.2M.   Driven by ROMULUS and the holdover hits DEADPOOL & WOLVERINE and IT ENDS WITH US, this weekend's domestic marketplace totaled $135.7M, per Comscore Senior Media Analyst Paul Dergarabedian, down 14.5% from the prior weekend and up 35% vs. this time last year. Comscore's year to date tally has 2024 at $5.46B, down 15% from $6.43B in 2023. The previous weekend, 2024 was down 16% vs. 2023.   Moviegoers have been voting all summer to keep the movie business alive. Now that the pandemic's not raging full blast, labor peace has been (temporarily) achieved and the distribution pipeline's pumping out hits, all Hollywood has to worry about is Hollywood. The formula of consolidating studio ownership and laying off staff to bolster financial statements could cripple the recovery.   Meanwhile, back at the multiplexes: Disney/Marvel's DEADPOOL & WOLVERINE was #2 in weekend four with $29M (-46%) at 3,960 theatres ($7,323), per Comscore. D&W, which reportedly cost $200M to produce, has done $545.8M domestic and $1.14B worldwide.   Sony's PG-13 romantic drama IT ENDS WITH US, starring Blake Lively (also a producer) & Justin Baldoni (also the director) was #3 in weekend two with $24M (-52%) at 3,739 theatres ($6,419). US, which cost $25M to produce, has done $97.8M domestic and $180M worldwide.   As for next weekend: MGM/Amazon Studios' R rated mystery BLINK TWICE is opening at about 3,000 theatres. Pundits expect $20-25M. Rotten Tomatoes critics are okay at 80%. It's tracking best for first choice with women under 25 (equal to norm).   Lionsgate's R rated action crime thriller remake THE CROW opens at about 2,600 theatres. Hollywood buzz-ards are looking for $20-25M. It's tracking under norm for first choice with all demos.   (See more at www.ZAMM.com)   #movies #boxoffice #martingrove #alienromulus    

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Identifying whether you’re at the WRONG acting studio is crucial for your personal and professional growth AND safety. Here are five signs that suggest you might need to consider finding a new studio: 1. Negative Comments About Competitors: - If the studio owner or staff frequently bad-mouths other acting studios or competitors, it’s a red flag. This behavior indicates insecurity about their own program’s merits. A reputable studio should focus on its strengths rather than disparaging others. 2. Inappropriate Behavior or Advances: - At no time is it appropriate for a studio owner, or coaches to make sexual advances or comments towards or about students, regardless of age. Such actions are a clear abuse of power and indicate a toxic environment. Professional boundaries must always be maintained to ensure a safe and respectful learning space. 3. Mandated Agent Signings: - A studio owner should not dictate which agent you must sign with. While it is beneficial for studios to introduce students to reputable agents, the ultimate decision should be yours. Your career choices should remain in your control, and any pressure to sign with specific agents suggests a conflict of interest. 4. Outrageous Fees: - Be wary of studios that charge exorbitant fees for classes, workshops, or other services. While quality training often comes at a cost, fees should be reasonable and transparent. Excessive charges can indicate that the studio is more interested in profit than providing quality education. 5. Lack of Professional Credentials and Experience: - Ensure the studio owner and instructors have legitimate professional credentials and experience in the industry. If they lack a proven track record or credible background, it might be a sign that the studio is not equipped to provide the quality training needed for your career development. A reputable studio should have experienced professionals who can offer valuable insights and guidance. By keeping these signs in mind, you can better assess whether your current acting studio is the right place for your growth and development as an actor.

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Identifying whether you’re at the WRONG acting studio is crucial for your personal and professional growth AND safety. Here are five signs that suggest you might need to consider finding a new studio: 1. Negative Comments About Competitors: - If the studio owner or staff frequently bad-mouths other acting studios or competitors, it’s a red flag. This behavior indicates insecurity about their own program’s merits. A reputable studio should focus on its strengths rather than disparaging others. 2. Inappropriate Behavior or Advances: - At no time is it appropriate for a studio owner, or coaches to make sexual advances or comments towards or about students, regardless of age. Such actions are a clear abuse of power and indicate a toxic environment. Professional boundaries must always be maintained to ensure a safe and respectful learning space. 3. Mandated Agent Signings: - A studio owner should not dictate which agent you must sign with. While it is beneficial for studios to introduce students to reputable agents, the ultimate decision should be yours. Your career choices should remain in your control, and any pressure to sign with specific agents suggests a conflict of interest. 4. Outrageous Fees: - Be wary of studios that charge exorbitant fees for classes, workshops, or other services. While quality training often comes at a cost, fees should be reasonable and transparent. Excessive charges can indicate that the studio is more interested in profit than providing quality education. 5. Lack of Professional Credentials and Experience: - Ensure the studio owner and instructors have legitimate professional credentials and experience in the industry. If they lack a proven track record or credible background, it might be a sign that the studio is not equipped to provide the quality training needed for your career development. A reputable studio should have experienced professionals who can offer valuable insights and guidance. By keeping these signs in mind, you can better assess whether your current acting studio is the right place for your growth and development as an actor. 

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