Jim Landy

Why are AM Broadcast Tower sites large and often challenging to build on? Here's an example: 10 acres. 175ft (18"x3 guy wire) tower. Folded Unipole Antenna (skirt antenna). 288ft Ground Radial System (frequency dictates length - numerous underground wires around 3-"ish" feet connecting back to the tower base ground straps).

The New Cooke SP3 18mm T2.4 Lens is Here to Enhance Your Mirrorless Camera’s Optical Performance https://ift.tt/ALzZPHh Following up their celebrated SP3 series of lenses released last year, Cooke is back with an expansion of their popular SP3 lenses with a new 18mm T2.4 Lens—the company’s widest SP3 lens yet. In addition to this exciting wide-angle lens news, Cooke has also announced that they are releasing a 6-lens set with a custom hard case which should really be an ideal, high-end option for cinematographers and corporate video pros alike. Let’s take a quick look at the new lens and 6-lens set to see if these might be the right options to upgrade your cinema game. Cooke SP3 18mm T2.4 Full-Frame Prime Lens Designed to enhance your mirrorless camera capture with some truly outstanding optical performance, the new Cooke SP3 18mm T2.4 Full-Frame Prime Lens will be the brand’s widest SP3 lens ever produced. As with previous SP3 models, this new lens is also based on the Speed Panchro lens and has been optically and mechanically optimized for full-frame mirrorless cameras. Part of a new 6-lens set, these tough (yet lightweight and compact) lenses will feature focus and iris mechanics aligned across the series, enabling quick lens changes when using matte boxes and FIZ (focus/iris/zoom) systems. Each of these new lenses in the series will match the Cooke Panchro/i Classic series, which should enable you to use the SP3 primes as a "B" or "C" camera drone or gimbal solution that complements your "A" camera footage. Price and Availability The new 6-lens set will include 18, 25, 32, 50, 75, and 100mm prime lenses and are available to pre-order for just over $25,000 currently. However, you can also invest in a three-lens set (25, 50, and 100mm) for $12,800. If you’re just interested in the new Cooke SP3 18mm T2.4 lens, you can check out the full specs and purchase options below. Cooke SP3 18mm T2.4 Full-Frame Prime Lens Enhance your mirrorless camera capture with outstanding optical performance using the SP3 18mm T2.4 Full-Frame Prime Lens from Cooke. via No Film School https://ift.tt/Rt8iqBe September 24, 2024 at 08:50AM

Nebula ST2 PRO Review: High-Fidelity Sound in a Compact Design: built-in DAC https://lnkd.in/eEWg-EGM

Take a Look at Canon’s Eye-Controlled Autofocus https://ift.tt/HPEZ7Sq While hot takes and reviews of the just announced new Canon cameras (the EOS R1 and R5 Mark II) are sure to roll in throughout the summer before each camera’s respective releases later this year, we’re getting some more tidbits that make these latest offerings more and more exciting. Regardless of your camera brand loyalty, these new Canon cameras (in particular the new flagship EOS R1) really should push the camera market to new heights in terms of performance, as well as price setting as they're sure to lower prices as the technology quickly advances. One area we’re still learning more about is the improved autofocus performance. Let’s take a look at how both the R1 and R5 Mark II will have Canon’s latest eye-controlled autofocus and other AF features. Canon’s Autofocus Improvements According to reports from The Verge, both of Canon’s just-announced new cameras will have better autofocus performance than their competitors. These AF features will be enhanced with computations powered by a new Digic X processor that includes a Digic Accelerator and a new Dual Pixel Intelligent AF system which is set to be capable of body, joint, and head area estimation—as well as the ability to focus on people other than just the subject you’re shooting. Both cameras are also set to receive some other notable upgrades from previous Canon models including backside illuminated sensors with quicker readouts as well as Canon’s eye-controlled autofocus (which we’ve only previously seen in the Canon EOS R3 camera). As for video-specific features, it’s hard to not make a case that both cameras should be quite popular with the film and video crowd. But despite the EOS R1’s flagship status, the R5 Mark II might end up being the real champion of on-the-run videographers with its 8K video recording capabilities. Price and Availability As mentioned in our previous write-up, both of these just-announced Canon cameras are available for pre-order now with the R1 expected to ship in late November and the R5 Mark II expected to ship in late August. Here are the full specs and purchase options for each. Canon EOS R1 24MP Full-Frame Stacked BSI CMOS Sensor DIGIC Accelerator + DIGIC X Processing Dual Pixel AF with Action Priority Improved Eye Control AF 6K 60 Raw & 4K 120 10-Bit Internal Video Up to 40 fps, Pre-Continuous Shoot Mode 9.44m-Dot 0.9x EVF, OVF Sim. View Assist 3.0" 2.1m-Dot Vari-Angle Touchscreen LCD Vertical Grip, 2x CFexpress Type B Slots Wi-Fi 6E, 2.5G Base-T Wired Ethernet Canon EOS R1 Mirrorless Camera Speed, precision, and reliability, the Canon EOS R1 is built for photojournalists, sports photographers, wildlife shooters, and other image-makers who can't afford to miss the shot. Canon EOS R5 Mark II 45MP Full-Frame Stacked BSI CMOS Sensor DIGIC Accelerator Processing Cross-Type Dual Pixel Intelligent AF 8K 60 Raw/4K 60 SRAW/4K 120 10-Bit Video Up to 3...

See What Firmware Updates Are Planned For Your Sony Cinema Cameras https://ift.tt/In45Fkw In a move that more camera manufacturers should copy, Sony has shared a new roadmap for the company’s Cinema Line of cameras. For any film or video pros who already own a Sony cinema camera, or are looking to possibly invest in one, or even just regularly rent them, this is very helpful information to have as it should help with planning out your future projects. And while the Sony BURANO might have been the most talked about new Sony cinema camera this year, Sony has built-out an impressive stable of high-quality cinema cameras which now includes its VENICE 2, FX6, FX3, FX30 and BURANO cameras these days. So, to help you plan accordingly, here is Sony’s full roadmap for its Cinema LIne including what feature upgrades are set to come and when these new firmware updates should be released. Sony’s Cinema Line Roadmap Beginning next year and set to go through 2026, these Sony Cinema Line firmware updates are set to offer some significant (and some minor) improvements to the range of cinema cameras in Sony’s lineup. Here’s a quote from Sony about these updates and why they’re being forecasted so far out. “Firmware updates are an important way for Sony to continue to address the needs of our filmmaking community. Our Cinema Line is built for the future and the firmware will allow our products to continue to evolve with the needs of our filmmakers, especially at a time when the industry is undergoing incredible changes. This is yet another way Sony is looking to support the community.” — Theresa Alesso, President of Imaging Products and Solutions Americas, Sony Electronics. These new firmware updates will be, of course, free for Sony owners via download. Here are the updates for the different cameras. SONY VENICE 2 VERSION 4.0 The Sony VENICE Camera System has been used on more than 500 productions including commercials, television, and feature films since it was introduced, with the VENICE 2 digital cinema camera recognized as a world-class cinema camera for cinematographers around the world. VENICE 2 Version 4.0 firmware update is planned to be available in August 2025 and will add: Support of the EL Zone System™, created by three-time Academy award-nominated Director of Photography Ed Lachman, ASC. The EL Zone System™ is an intuitive tool that displays exposure values by using stops instead of IRE, bringing back the direct relationship between lighting and lens stops. The EL Zone System™ comes in addition to the existing tools in VENICE 2. Based on users’ feedback, Version 4.0 will offer the ability to display frame lines in different colors, simplifying the ability to shoot images for multiple delivery formats. Sony is pleased to continue to upgrade and evolve the VENICE 2 platform over the coming years, protecting the investment for owners and rental houses: Version 5.0 will be made available in 2026 and Version 6.0 in 2027. SONY FX3...

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Alex Perchevitch from Jampro discusses the key factors on how to choose the right antenna when either buying or replacing an anternna.

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