Here's how you can navigate technical questions about video production in an interview.

When I first time direct an actor, they do, sometimes feel a bit nervous. Let's breath the 3 of us together: Sound engineer, Director & Actor we inhale and exhale together. We are now on the same vibration. The actor has now a sense of belonging and can start copy-catting the original with authenticity. Acting is being. Don't act. Breath first :-)

One thing I’ve found consistently helpful is having everything logged and organized properly when entering into post production. This makes the process run much more smoothly and ultimately, it becomes a more enjoyable activity. Invest the time in keeping a shot log, and an edit decision list (EDL). You won’t regret it!

VOICE OVERS - SLOW EVERYTHING DOWN. Now this is a piece advice can be applied to almost anything. I know when I do a voice over for video projects, I find the first few takes are always too fast. Then I remember to slow down, which affects everything. The pitch of your voice, allows you to emphasize various impact words. Also, someone gave me advice to smile when I read the script out loud.

Technical question about video production aren’t always important. After all, you don’t need to be a mechanic to know how to drive. However, it is helpful to know what’s going on under the hood when looking for the best tools for the job. For example, if you’re going to be shooting something in low light, you may want to look into a camera that handles low light conditions very well. It’s easy to go down a rabbit hole with learning the specs of each and every new camera model so instead it’s important to understanding how the sensor works, the exposure triangle, and if we’re talking about video editing how the computer is interpreting the source footage. Just understand the basics of your tools and that should be a good starting point.

I've been a radio journalist by trade and started to film and edit as a videographer a few years into my career. Long before I worked with film crews. When people asked me: "Where did you learn how to shoot and direct?", I always responded: "In the video editing room!" Edit your own (crappy at first) footage, that is the best school ever. And you make every mistake only once.

Assuming “job interview”: an important factor when responding to technical questions is scale. Is the production bigger than me? Does the interviewer want to hear about my skills and experience holding a mic, while balancing a camera, and hopping on one foot? The interviewer may be asking this question, picturing a larger crew with dedicated expertise and you fit in somewhere. Confidently answering this question with scale in mind will demonstrate your ability to adapt to the type of production they’re planning. It’ll also avoid looking inexperienced when you describe a one man band and they’re expecting a 2 person crew on camera alone.

En la actualidad es necesario comprender que la producción audiovisual es un medio que se usa para difundir y mensaje de forma creativa con una intención u objetivo, partiendo de este concepto, de acuerdo al medio de difusión y al mensaje a transmitir marcan la pauta para un correcto story board, que permite maquetar en plano, la preproducción. Nowadays it is necessary to understand that audiovisual production is a medium that is used to disseminate a message in a creative way with an intention or objective, starting from this concept, according to the means of dissemination and the message to be transmitted, they set the tone for a correct story board, which allows pre-production to be laid out flat.

Each of these three fundamental steps have important components to them which should also be covered when talking about basics. For example, storyboarding and creating a script and shot list are vital tools during pre-production. Some basic framing skills include Rule of Thirds, Eyes on Third, and Nose Room or Talking Space, and are part of the second phase of Production. During Post-Production, the more prep work you do before editing, will make editing far more organized and quicker. Steps such as choosing sound bites, labeling each file plus giving short descriptors so they can be easily located.

When dealing with video productions for corporate clients, listen first to their needs and who they really want to reach. Content is important and minimize your time when shooting, preparing a proper production schedule. That way you can also minimize the cost for your clients and reach the proper target in your audience. Be creative, clear, simplify your shots, focus on your elements accordingly, choose the right music and voice over and edit as if it was your end product. At the end the final product is the signature of your own talent and professionalism. Be open to ideas with your team and work as one. Create a positive karma during the production and that way you will reach your own goals and your clients.

En un equipo de producción es crucial que todos tengan claro lo que se quiere o su objetivo final, ya que esto les permitirá desarrollar sus funciones de manera correcta sin entorpecer sus labores, evitando retrasos. In a production team it is crucial that everyone is clear about what they want or their final objective, since this will allow them to carry out their functions correctly without hindering their work, avoiding delays.

From a gear point of view it can be important to show your expertise. Now equipment and technical capabilities are always being introduced to the industry and so showing that you are keeping up with the times can be an important attribute. However, getting obsessed with gear and tech can also lose sight of the things that actually make a good film, which is almost never down to the equipment it was shot on. I find that when drawn into a discussion about gear it can often be a good idea to communicate that, although you are by no means behind the pulse, your real expertise and strengths lie in storytelling and filmmaking fundamentals and that gear is simply a tool for realising that vision in new and exciting ways.

Certainly, showcasing familiarity with various video production gear and understanding their suitability for different scenarios is key in interviews. Let's break down a few examples: DSLR Cameras: DSLR cameras are popular choices for their portability, versatility, and affordability. They're often preferred in guerrilla filmmaking or run-and-gun scenarios where you need to move quickly and inconspicuously. Their ability to capture high-quality video with interchangeable lenses makes them ideal for indie filmmakers or content creators working in documentary-style productions.

Numa etapa de preparação de um filme ou série, a decupagem e análise técnica são etapas fundamentais. A tecnologia é uma ferramenta para nos ajudar a saber como filmar uma cena. Além de um bom conhecimento de equipamentos de fotografia e maquinaria, o que se está sempre sendo atualizado com novos drones, novos gimbals e câmeras pequenas com grandes recursos, além dos recursos de pós produção, que podem trazer mais uma camada para a realizar a ideia. Quanto mais o profissional de produção trocar com os chefes de departamento sobre como preparar cada sequência desse o orçamento dos equipamentos aos técnicos envolvidos, quanto mais o planejamento for detalhado, melhor resultado será possível alcançar. A produção dedicada estuda boas práticas.

If you are in a postion where you are invited gor a Interview .. A question with a DSLR comes up !!! Walk away DSLR is trouble -

It's easy to get carried away with the technology you have at hand. People like to compare the latest gear the way they talk about cars. What's more important is to understand how it works, and how it can become a tool that helps you tell your story. Technology that is not harnessed and weaponised creatively becomes a liability in your tool shed, because technology evolves and is ever changing. The tool that you take with you to the field should always serve your vision, otherwise it's baggage.

When embarking on any production, it's essential to remember that impressing others with unfamiliar or untested gear can lead to poor results. True magic lies in understanding the equipment you've chosen, dictated by the production's specific needs and budgetary constraints. Rather than risking compromise, acknowledge your limitations and be willing to collaborate with fellow videographers who possess complementary skill sets. Recognize that you can't be an expert in everything, but you can know someone who excels in a particular aspect of production. Remember, collaboration is a sign of strength, not weakness. By working together, we can bring ambitious visions to life while maintaining the highest standards of quality and integrity.

Esses detalhes mais técnicos sobre as diferenças de câmeras e quais você utilizaria em cada situação são fazer parte da sua realidade se tiver vivido esse tipo de experiência. Se essas experiências fizerem parte do seu dia dia, você tirará de letra. Então procure aprender, se você não tem várias câmeras, procure trabalhar em uma produtora. Esse é um bom caminho e assim você terá o que falar.

Equipment is crucial in video production. I’ve used various cameras, lighting equipment, and audio recording tools. For example: - DSLR camera: Portability and versatility, ideal for guerrilla filmmaking. - High-end cinema camera: Superior image quality for commercial shoots. I also understand why certain equipment is chosen for specific projects, allowing me to adapt to each production's needs and ensure optimal quality.

L'innovation est grandissante en terme d'équipements audiovisuels. On devient vite obsolète lorsqu'on ne s'intéresse pas à ce qui se fait de nouveaux comme caméras. Il faut être à jour pour apprendre de nouvelles techniques de manipulation de caméras avec les stabilisateurs, les nouveaux logiciels de montages encore plus performants et très faciles à manipuler. Par exemple aujourd'hui les caméras Sony hybrides sont de très bonne références pour avoir d'excellentes qualités d'images 4K.

En toda producción audiovisual es factor principal es el tiempo y de su optimización depende los tiempos de entrega, corrección de errores y satisfacción del cliente. In all audiovisual production, the main factor is time and delivery times, error correction and customer satisfaction depend on its optimization.

Cronograma, o fluxo deve ser organizado numa produção, esse é uma estratégia de cada chefe de equipe levar seu departamento em paralelo ao outro. Um produtor sabe que esse é um ponto importante no processo de planejamento e produção de um filme. Uma planilha colorida é como vejo o mapa funcionar, trazer não só datas, mas compromissos e cores por etapas, ajuda a ter a noção do todo e a ver o andamento do processo. Sempre é bom fazer reunião com cada equipe para analisar os pontos mais complexos e poder ter mais clareza do tempo de trabalho para entrega de etapas. Quanto mais organizar, melhor pra trazer soluções e administrar o orçamento. O produtor deve fazer ajustes o tempo todo para que o cronograma seja realizado por toda equipe.

Make sure you have identified your own workflow when starting a project before you ever step foot in an interview. If you collaborate with others on projects, it’s important to have a system that works for all parties. Name your folders/files, bins/clips, and sequences. Staying organized - no matter the deadline - is important.

Absolutely, having a well-defined workflow is crucial in video production to ensure efficiency, organization, and the successful delivery of projects. Here's an outline of my approach from conception to delivery: Pre-Production: This is where the groundwork is laid for the entire project. I start by thoroughly understanding the client's requirements or the creative vision for the project. Once the concept is clear, I move on to scripting, storyboarding, and shot listing to plan out the visual narrative. During this phase, I also identify and secure necessary resources such as locations, talent, and equipment.

A palavra aqui é organização. Super importante já começar do jeito certo. Inclusive vale à pena pesquisar sobre trabalha um Logger, isso ajudará a entender alguns padrões de organização com materiais. Crie sua própria estrutura de arquivos e decupagem, backups. Pesquise possibilidades na internet e modelos. Pode até criar mapas mentais para compartilhar o seu sistema. Se você se acostuma com a organização fica fácil se adaptar à outros modelos quando preciso.

Interviewers often ask about your workflow to evaluate your efficiency and organizational skills. Here's how I manage a project from conception to delivery: Backup: Regular backups on multiple platforms. File naming: Clear and consistent naming system. Editing software: Use of software like Adobe Premiere Pro for editing. I maintain a structured and methodical workflow while being adaptable to unexpected changes, ensuring efficient and high-quality production.

A smart workflow is like a well-choreographed dance—without it, you're just flailing your arms at the office printer! Streamline your tasks, and watch productivity pirouette its way to success. Remember, work smarter, not harder, and you'll be the Fred Astaire of efficiency!

This is 100% correct! Media management, in the current digital environment, requires a concerted effort to allow a project the maximum time allocated to creativity. No one enjoys waiting to apply their ideas while a technical issue gets resolved. Sure, there will always be problems, and troubleshooting is something you need to be able to perform confidently however, if workflow planning and preparation have taken place during the preparatory stage of production, the technical issues should not detract from the creativity.

Quanto mais organizado você for, mais eficiente será seu trabalho e isso com certeza afeta positivamente todos os membros da equipe. Crie a sua própria estrutura de organização caso a empresa não possua um processo bem alinhado entre toda a equipe. No fim das contas, mostrar que você é organizado e que sabe colaborar com a equipe toda vai te destacar em qualquer entrevista.

La réactivité et la flexibilité sont essentielles pour maintenir un haut niveau de professionnalisme. Elles permettent de respecter les délais serrés sans compromettre la qualité du contenu, ce qui est crucial pour conserver la confiance et l'engagement de l'audience. De plus, ces compétences facilitent la collaboration efficace au sein des équipes, car chaque membre doit être capable de s'ajuster aux besoins changeants et de contribuer de manière proactive au succès collectif. La réactivité et la flexibilité garantissent que nous pouvons produire du contenu pertinent et de haute qualité, même dans des conditions de travail intenses et changeantes.

Un problema muy común que se presenta a la hora de una producción es la disposición de recursos, equipos, espacios, personal, utensilios de utilería. Una forma de evitar es en la fase de preproducción, la realización de un brief, en el que se incluyen todos estos elementos derivados y factores que podrían afectar su realización. A very common problem that arises during production is the arrangement of resources, equipment, spaces, personnel, and props. One way to avoid it is in the pre-production phase, to create a brief, which includes all these derived elements and factors that could affect its realization.

Importantly, the passage highlights that conveying a calm and logical approach to tackling these technical problems can demonstrate the candidate's reliability and expertise. This underscores the need for video production professionals to maintain composure and methodically work through unexpected technical difficulties, as they are often inevitable in the course of a production. Overall, the text emphasizes that the ability to effectively troubleshoot and problem-solve in a composed manner is a key area that interviewers will likely assess. By providing specific examples and conveying a rational, solutions-oriented mindset, the candidate can significantly bolster their candidacy and showcase their suitability for the video production role.

Managing technical issues in video production is crucial. Here's how I handle them: Corrupted video files: I use data recovery software and backups to restore files as much as possible. Audio interference: I adjust microphone settings, change frequencies, or use audio filters in post-production to improve sound quality. My ability to solve these problems effectively demonstrates my reliability and expertise.

Todo mundo tem problemas. A única forma de resolver problemas é respirando com calma. Se a tecnologia deu glitch, como a gente chama, peça ajuda ao tecnológico TI e espere que a solução seja pensada e resolvida. Se a produção não tiver como resolver, a solução é pedir a ajuda ao Departamento responsável pela Tecnologia ou simplesmente tentando fóruns de problemas nos fabricantes dos equipamentos e softwares. Em paralelo, costumo perguntar a pessoas de confiança se conhecem situações semelhantes e como solucionaram, sempre em grupos de trabalho de produtores associados e com discrição quanto a detalhes. O problema geralmente já aconteceu antes e o caminho de resolução muitas vezes já existe. O importante é manter o foco e a calma.

Describe your systematic approach to troubleshooting. For example, you might start by isolating the problem, testing different solutions, and verifying the fix. Highlight your ability to remain calm under pressure and methodically work through problems, ensuring minimal disruption to the production process. Discusse specific scenarios. For instance, if a project file becomes corrupted, explain how you recover it using backup files or software recovery tools. Emphasize your proactive measures, such as regular system maintenance and updates, to prevent issues before they arise. Provide practical examples, like managing unexpected equipment failures by having spare parts on hand and a plan for quick replacements.

Tener una planificación e investigación en prevención nos ayudará a que cuando estemos de frente a algún problema, logremos afrontar la problemática con varias soluciones y poder escoger la mejor teniendo en cuenta la productividad y calidad que se planificó.

Muchas veces la falta de recursos económicos hacen que aparezca la creatividad, espacios diáfanos bien iluminados con luz natural y con buenas condiciones acústicas, requieren pica inversión y pueden ofrecer resultados de altísima calidad.

I talk to my employees ALL. THE. TIME. about crisis management. We are paid for the 1% of time when things go wrong, not for the 99% of time when things go right. Everyone has experienced technical problems in their careers, but I don’t have enough characters to explain them here. Do you understand what’s not working and why? Did you go through your mental checklist? What is the first step? Answering this interview question shows employers that you can think clearly, be level-headed, not panic, and come to a quick solution.

Troubleshooting is important in video production - regardless of your background. Provide specific examples and the steps you took to resolve the issue. This conveys how assertive you are when you are troubleshooting an issue and highlights if you are a creative problem solver.

Lidar com problemas técnicos é uma parte inevitável da produção de vídeo. Transmitir essa abordagem aos entrevistadores demonstra minha capacidade de resolver problemas técnicos de forma eficiente e confiável, garantindo a continuidade e a qualidade das produções.

O ideal no caso dos softwares é que você se aprofunde na usabilidade da ferramenta em um nível profissional. Existem diversos cursos e você fazer todos. No meu caso utilizo Davinci Resolve, já utilizei o Adobe Premiere, porém hoje utilizo somente o Davinci, pois para mim é mais completo. Logo, nesse exemplo é importante entender como você pode extrair o máximo potencial da ferramenta, edição, color grading, áudio, efeitos e por aí vai. O que eu costumo fazer é sempre pesquisar as novas atualizações e já aprender a mexer em novas funções adicionadas, assim me mantenho sempre atualizado.

Il existe de nos jours une multitude de logiciel de montage pour faire un excellent travail. Les plus répandus sont bien évidemment Adobe Première Pro et Final Cut Pro pro pour les montages de vidéo. Au cinéma, nous avons le légendaire logiciel Avid qui n'est plus à présenter. Ces logiciels cités ci-dessus sont professionnels donc payant et coûte beaucoup plus cher par contre il existe des logiciels amateurs aussi pour ceux qui sont nouveau comme Magic Studio. Mon crush en terme de montage vidéo est le logiciel Davinci Resolve de BlackMagic qui intègre plusieurs solutions telles que le montage et l'étalonnage dans la même interface. Une très grande facilité de travail.

Explain your learning process and how you stay updated with the latest software. You might regularly follow online tutorials, participate in forums, or attend workshops and webinars. Discuss how you quickly learn and incorporate new software into your workflow. Discuss advanced editing techniques in Premiere Pro, color grading in DaVinci Resolve, or using motion graphics templates in After Effects. Highlight any certifications or training you have completed. Provide practical examples, using collaborative tools like Frame.io for team reviews or integrating Adobe Creative Cloud apps for seamless project management. Emphasize your ability to troubleshoot software issues, customize workflows, and optimize performance.

Es indispensable conocer a profundidad los equipos y su software para una excelente productividad y calidad, y sacar el mejor provecho de esto.

El software es solo una herramienta, he trabajado con más de 5 tipos de programas y no definiría que uno o otro sea mejor o peor, todos tienen particularidades y ofrecen magníficos resultados.

Make sure you are able to discuss the steps you take when you are working in editing software. It’s important to be able to articulate your thought process when you start a new project, how you organize your project, and your overall workflow. Being able to describe these steps is incredibly insightful and can convey confidence that you know your way around the applications in order to do your job.

Proficiency with video editing software is a critical talking point in interviews for video production roles. Candidates should be prepared to discuss their experience with industry-standard platforms like Adobe Premiere Pro and Final Cut Pro, including their familiarity with key features and keyboard shortcuts. Beyond just general software skills, candidates should also highlight any specialized expertise, such as color grading or working with visual effects tools. Demonstrating how they leverage these capabilities to enhance the overall storytelling process can effectively showcase their technical competence and creative vision.

Selon moi, il est crucial de rester constamment à jour avec les dernières mises à jour de votre logiciel de montage (pour ma part, Adobe Premiere Pro). Informez-vous en continu sur l'utilisation des nouvelles technologies, notamment l'intelligence artificielle, qui joueront un rôle central dans vos réalisations futures (et le font, sans doute, déjà actuellement). Rappelez-vous que vous resterez le maître de vos projets. Ces technologies sont des outils de soutien, mais vos idées, vos aspirations et vos créations, elles, resteront à jamais vôtres.

Navigating technical questions about video production in an interview focused on trends and technology requires preparation and up-to-date knowledge. Begin by highlighting your understanding of current trends, such as the rise of 4K/8K resolution, HDR, and virtual production. Discuss the importance of tools like Adobe Premiere, Final Cut Pro, and DaVinci Resolve. Mention experience with advanced techniques like color grading, motion graphics, and VFX. Emphasize the significance of staying current with industry developments, attending workshops, and participating in relevant online communities. Show your adaptability to new tech, demonstrating how you apply these trends to enhance production quality.

Remember that you, the job applicant, can also interview the company. Ask questions about equipment and software/hardware they use, work/life balance, career advancement, creative freedom, split of working alone vs teamwork… By doing this, it should show the employer your interest in the company at least matches their interest in you.

Keeping your eye on upcoming technologies is like being a surfer—always ready to ride the next big wave! Stay curious, stay informed, and let innovation propel you to new heights. Remember, today’s tech trends are tomorrow’s game-changers, so keep surfing the cutting edge!

At the end of the day, the interviewer knows that gear, tech, and process will be fluid... so focusing on flexibility is key throughout. I always focus on a "Story Driven Approach" which enables me to give real world examples from my experience, citing actual proof cases from my portfolio, giving story based reasoning behind why I chose different tech, techniques, and processes. Every production is different, and it's always different based on the creative concept or story that is being told. Each story will require different tools, thus removing a focus on tech and gear, and placing the focus on what it should always be which is the story that is to be told.

Tips that always help me: 1. - Being at all times super proactive. 2. - Imposible is nothing. There is always a solution. 3. -Dont assume, always ask! Corroborate and be sure. Its common that people assume and thats where the error comes( someone thougt that something already was planned , or that someone was going to take care of that issue or task) 4.- Your team has great virtues but also weaknesses. Know them well. If you know what can go wrong you can be prevented and be ready to solve it. Also apllied to locations, clients, crew etc. 5.- Little details do make the diference. 6.- Always have a plan B , C , D. 7.- Your mood can make the diferece. People work better and are more efficience in a ealthy enviroment.

- Be honest - Ask clarifying questions - Show your thought process - Highlight your transferable skills Talk about your experience - Show enthusiasm and willingness to learn

Um bônus é também ter um proficiência em algum software de áudio e entender minimamente de música, frequência em Hertz. Eu sou formado em música como minha formação de base e vejo que isso é uma grande ferramenta em todos os aspectos da produção de vídeo. Seja na captação das imagens, no timming das coisas, na edição ajuda muito também. Eu indico o Logic Pro.

Don't over-exaggerate your skills and experience. If you claim to be an expert at something you haven't actually done before, it will be instantly obvious when you're asked to do it on the job. Instead, do explain what you have and have not done, and how you learn new skills. If you're honest about this, even if you say "I watch lots of YouTube tutorials and practice until I'm proficient" this will show your drive and commitment, and help the interviewer understand your skill gaps and how you learn, and subsequently how they can create the best opportunities for training.

Sempre procure ser honesto sobre suas habilidades e experiências. Não exagere no que você sabe fazer, pois isso ficará evidente quando for colocado à prova no trabalho. Em vez disso, explique claramente o que você já fez e o que ainda está aprendendo. Se você disser algo como "Eu assisto muitos tutoriais no YouTube e pratico até me tornar proficiente", isso mostrará sua determinação e compromisso. Isso ajuda o entrevistador a entender suas lacunas de conhecimento e como você aprende, facilitando a criação de oportunidades de treinamento adequadas para você. Ah e saiba pedir ajuda ou a delegar tarefas, isso ajuda bastante!

Lorsqu'on travaille dans les médias d'actualité, il arrive souvent que l'on soit contraint de produire 2 ou 3 vidéos par jour. Cette urgence nous pousse à négliger la phase de pré-production. En général, nous commençons par les interviews, ce qui demande des compétences journalistiques avancées. Ensuite, nous tournons les plans de coupe avant d'écrire le script basé sur le montage initial réalisé lors de la post-production. La prochaine étape est l'enregistrement de la voix off, si la vidéo est de nature informative. Nous terminons ensuite par le montage, l'intégration des éléments graphiques si nécessaire, et enfin le mixage audio.

You don't need to know everything about everything. You only need to know and be reliable in your specific dept. If I need a Sound Guy, I'll ask what gear they have and what shows they've worked on. I'm never asking "How would you boom or lav this?" Because I know how to do it and we'll decide what's best on set. Honestly, the EQUIPMENT you have is what's most likely to get you the gig. If you're Art Dept, the Production Designer may ask specific questions about Scenic styles knowing what needs to be done for the production. Don't lie! It will be obvious Day 1 and then they'll be pissed they have to find someone else