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Picking Up The Bodies
Picking Up The Bodies
Picking Up The Bodies
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Picking Up The Bodies

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“James Connolly is a poet of courage and craft. He tells secrets. He tells the truth. He is the most honest man in the village. With clarity and integrity, he speaks of alcoholism, madness, suicide, abuse, fallen priests, and grandfathers and revolutionaries. Above all, he writes about the rituals of death, for he is intimate with these rituals. James Connolly grew up in a family of undertakers; his narratives about this way of life and death are, in a word, unforgettable, a muted cry of pain and compassion for both the living and the dead. Six Feet Under this isn’t. It is, however, poetry. Connolly writes poems jeweled with sparkling images and finely wrought diction. His eye is exact—he seems to miss nothing—and he refuses to look away. He also refuses despair: These are ultimately poems of bruised survival and indelible memory, as in the poem “Last Summer,” where a girl who escapes drowning walks the beach calling to her dead companions."
—Martin Espada

LanguageEnglish
PublisherFomite
Release dateMar 23, 2020
ISBN9781937677893
Picking Up The Bodies

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    Book preview

    Picking Up The Bodies - James F. Connolly

    Drawing on Life

    Drawing on Life

    Poems

    Mason Drukman

    Fomite

    Contents

    An American Family

    An Eye for Taste

    Dressed to Kill

    Uncle Harry

    I Know What You Mean, Ivan Karamazov

    Bob

    I’m Driving Dave Dellinger

    The Lady

    Snow Geese in the Berkeley Pit

    Things Fall

    One Eye for Survival

    The Freelancer

    The New Old Math

    Political Theory (for Matt Stolz)

    Incubation

    Father, 1989

    Red Car

    Gin

    Sally

    Balance Rock

    The Baseball Lesson

    Who’s Afraid in the Dark

    Safe Havens

    Come to Jamaica

    She Could Have Been Right

    Switchback

    On the Sundial Bridge

    Way After Sappho

    Isidor Wright

    Loma Prieta

    Birth of the Blues

    Shipping News

    Weekend Pass

    He Didn’t Come

    In my dream thoughts

    Kidneys

    The Watsu Water Massage

    Norman Jacobson

    Awakening

    Ice

    The Lobsterman

    Seeing/Unseen

    Why Didn’t You Call?

    P.S. Do You Read Me?

    Anomie

    Whose Woods

    Rainy Day Rumblings

    David Carlson’s Quantum Quartet

    ALL

    Goodbye

    . . . for Sore Eyes

    Still Life

    The Grief Group

    A Conversation

    Mechanical Disadvantage

    Getting in Touch

    Once My Moon

    Note

    Acknowledgments

    About the Author

    About the Artist

    For Sam

    I miss you.

    An American Family

    the white birch sits where it belongs

    snugged within its shining family

    on the shore of the Merrimack


    a sister tree stands on the opposite coast

    blazing whiteness against

    the uncertain red of cold-snapped sequoias


    the Billerica summer house

    a mordant aroma of faded woodwork

    emptied rooms in dead-leaf brown


    the Miami daughter

    who can no longer stand

    sits in her wheelchair

    under a beetling

    waiting for help


    her New England sister

    leans out toward the parking lot

    of her subsidized apartment

    her Chevy wagon

    buried in snow


    the brother in Georgia

    reclines on his sectional

    both feet on the hassock

    flipping the remote

    trying to remember


    the father who smoked

    two packs a day

    sometimes three

    windows closed tight

    in his cobalt De Soto


    baby brother

    younger than he used to be

    dials long distance

    no message left

    and no one rings up in return


    mama’s gone missing

    she stands in the woods

    by a dying birch

    unable to see

    through cross-hatched glasses


    the eldest son

    refuses to be in this poem

    an undomesticated redwood

    blockades his back yard

    obstructing our view of his life

    An Eye for Taste

    like a platypus under water

    he eats with eyes shut

    the better to focus on the essence of the fare

    every crumb of Panko

    every shred of saffron

    every molecule of rose water

    and after dessert

    dilates on what he’s ingested

    takes pleasure in listing the ingredients

    in seldom missing one or

    mistaking one for another


    his eyes are also closed when he sings

    an Irish tenor with red hair wearing dark glasses

    at a Sears Roebuck upright

    crooning not the cèilidh melodies

    or step-dance ditties of the Old Sod

    but the ballads of McCartney and Lightfoot and

    medleys of folk tunes and klezmer laments


    in the ICU his eyes never close

    as far as anyone can see

    alone of the nurses

    he wears shades indoors

    against regulations

    the only male on the shift

    a giant among women

    his large body moving nimbly his voice

    a humming accompaniment to the

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