Channel 4

Channel 4

Broadcast Media Production and Distribution

London, London 229,882 followers

Channel 4 is a publicly-owned and commercially-funded UK public service broadcaster.

About us

Channel 4 is a unique and distinctive part of the UK. Publicly owned but entirely commercial and self-sufficient, our public-service remit mandates us to take risks and offer alternative programming, commissioning all of our programmes externally. We’re home to the UK’s biggest free streaming service, and a network of 12 television channels. We have the youngest-skewing PSB channel in the UK – and we reach more 16-34-year-olds than any other commercial broadcaster across TV and streaming. Through Film4, we back creative excellence and invest in British filmmakers, to huge critical acclaim – Film4 films have produced 138 Oscar nominations and 35 wins in our 38-year history. We bring to life new creative ideas and, in the process, create thousands of jobs and support hundreds of independent production companies across the UK. Channel 4 is built on strong foundations. Since we were created in 1982, we have been at the centre of national conversations and have been instrumental in creating a truly world-beating production sector. Channel 4's new Future4 strategy builds upon our strong track record of digital innovation and will accelerate Channel 4’s pivot to digital by driving both online viewing and new revenues. It’s an ambitious and comprehensive plan to transform Channel 4 into a digital PSB that retains its distinctive brand and public service impact. Channel 4 will never request bank details from job applicants in connection with a job offer. Any official job offers will only be made through Channel Four Television Corporation directly, and not through any subsidiaries. Please remain cautious and report any suspicious communications claiming to represent Channel 4.

Industry
Broadcast Media Production and Distribution
Company size
1,001-5,000 employees
Headquarters
London, London
Type
Public Company
Founded
1982
Specialties
Broadcast Media, internet, entertainment, online, TV, Film, commissioning, digital, VOD, commercial, employer, advertising, marketing, public-service, content, technology, on-demand, careers, talent, and creative

Locations

Employees at Channel 4

Updates

  • View organization page for Channel 4, graphic

    229,882 followers

    The Paris 2024 Paralympic Games might be over, but its impact continues 🏅 We’re thrilled to share new research that shows how Channel 4’s coverage of the Games shifted public perceptions and challenged prejudice around disability. ·      94% of viewers felt the Paralympics helped positively shift perceptions of disabled people ·      76% said the Paralympics gave them a new perspective on the challenges faced by disabled people ·      Nearly half voiced that the Games challenged their own prejudices Read all about it here: https://lnkd.in/ecDjFjbD

  • Channel 4 reposted this

    Kicking off our arrival to LinkedIn, marking recognition at this year's #BritishJournalismAwards. We are so proud of Yousef Hammash for winning the prestigious Marie Colvin Award, alongside the programme being named News Provider of the Year. Huge congratulations to the whole team for work ranging from reporting inside Gaza, the Post Office scandal and the undercover investigation into Reform UK this summer. Follow us for latest updates and award-winning content from across our newsrooms.

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  • Channel 4 reposted this

    View organization page for Which?, graphic

    33,223 followers

    We're excited to announce that today Which? is partnering with Channel 4 and launching an innovative, contextual advertising campaign that helps viewers to buy with confidence. Kat Chinnock, Which? Head of Brand and Communication Planning, said 'It’s a challenging time for a lot of people, with constant pressure to spend, spend, spend. Yet we’re getting ripped off left, right and centre - from shrinking groceries to Christmas gifts not turning up as advertised, and hidden fees taking the shine off holidays. We are delighted to be working with Channel 4 to expose these poor practices and remind viewers that we’re here to help them avoid the pitfalls and make the right choice, while our team continues to investigate and lobby for change behind the scenes' #GetItRight #ConsumerRights

  • “Congratulations to Mike Leigh’s Hard Truths, Thea Sharrock’s Wicked Little Letters and Rose Glass’ Love Lives Bleeding. These films represent the broad range of bold, original, independent filmmaking coming out of the UK, and Film4 is thrilled to have backed them." - Ollie Madden, Director of Film4 & Channel 4 Drama 🎉 🎉

    View organization page for Film4 Productions, graphic

    10,327 followers

    🏆The British Independent Film Award goes to…   Last night at the BIFAs Marianne Jean-Baptiste won Best Lead Performance for Mike Leigh’s Hard Truths and Thea Sharrock’s Wicked Little Letters was also awarded Best Ensemble Performance by the BIFA jury. This follows the craft award announcements which saw Ben Fordesman win Best Cinematography for Rose Glass’ Love Lies Bleeding. Congratulations! 🎉 🎉   “Congratulations to Mike Leigh’s Hard Truths, Thea Sharrock’s Wicked Little Letters and Rose Glass’ Love Lives Bleeding. These films represent the broad range of bold, original, independent filmmaking coming out of the UK, and Film4 is thrilled to have backed them.    “Mike Leigh is one of the very best filmmakers working today, and it’s wonderful that the incomparable Marianne Jean-Baptiste has been recognised for her tour de force performance. Thea Sharrock’s smash hit comedy Wicked Little Letters captivated audiences with its winning ensemble cast, so it’s fabulous news the jury has chosen to reward these expert performances.” - Ollie Madden, Director of Film4 & Channel 4 Drama

    • On a white background it says WINNER HARD TRUTHS on the right hand side and beside it BEST LEAD PERFORMANCE, with MARIANNE JEAN-BAPTISTE underneath in red. There are three images (two beneath and one beside the text) of Marianne in Hard Truths speaking on the phone. At the top are the Film4 and BIFA logos.
    • On a white background it says WINNER WICKED LITTLE LETTERS on the right hand side and beside it BEST ENSEMBLE PERFORMANCE. There are three images (two beneath and one beside the text) of Jessie Bulkley shouting at a shocked looking Olivia Colman from the film Wicked Little Letters. At the top are the Film4 and BIFA logos
    • On a white background it says WINNER LOVE LIES BLEEDING on the right hand side and beside it BEST CINEMATOGRAPHY with BEN FORDESMAN underneath in red. There are three images (two beneath and one beside the text) of someone filming Katy O'Brian from Love Lies Bleeding. At the top are the Film4 and BIFA logos.
  • View organization page for Channel 4, graphic

    229,882 followers

    How did a social app help Last Leg presenter Adam Hill run the 100m as fast as Jamie Peacock?!   This was one question Joe H., Distribution & Partnerships Senior Lead at Channel 4, answered at C21Media's Content London. During his panel he discussed how platforms like Snap are empowering publishers and content creators to build fan-first experiences and what he expects the future of sports content to be, alongside Kahlen Macaulay and Ellie Hooper.   The Paris 2024 Paralympic Games – which had 41 million views across digital platforms – is a perfect example of how we reach a wide range of fans and encourage connection on a deeper level. This is demonstrated perfectly by Adam Hill in the below clip as he tries out the AR generated content on Snap. This lens was used over 5 million times during the games and achieved a share rate three times the norm of snap lenses. This is just one example of how we look to continually innovate and adapt formats on our existing programming, but also how we bring new bespoke content to every platform for viewers to enjoy wherever they’re watching as part of our wider Fast Forward strategy.

  • *NEW JOB ALERT: INSIGHTS BUSINESS PARTNER - COMMERCIAL DIVISION - LONDON* You will be supporting the Commercial division of C4, the team responsible for the majority of revenue generation. Our revenue generation comes from advertising sales, brand partnerships, sponsorships and with an increasing focus on digital. This role is to translate it for those stakeholders and drive recommendations that challenge and enable Leaders to make profitable business decisions for C4!   Apply today! https://lnkd.in/eDCS4gBu

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  • We’re excited to announce the next phase of Channel 4 Sales’ Private Marketplace! 📈 The marketplace is expanding through a new partnership with programmatic platform, StackAdapt. Its platform will bring Channel 4 streaming inventory into play for overseas-based brands working with independent and enterprise advertising agencies. 🌍Private Marketplace allows brands to buy advertising around Channel 4 streaming via real-time bidding based on its specific needs. “Today’s news is another step in Channel 4 Sales’ effort to create the best advertising experience in the market, building on the unique ability of broadcaster VOD (BVOD) services to captivate and retain desirable audiences. Through the enhancements to our private marketplace, we’re giving advertisers more choice in buying brand-safe broadcaster video programmatically across platforms.” - Fatima Dowlet, Head of Streaming & Social Propositions, Channel 4 Sales https://lnkd.in/g-zBjuMr

    • It shows a laptop and an iphone side by side and on it shows the Channel 4 homepage with the Made in Bondi spotlighted and on the phone Peep Show.

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