In this Wallace Foundation post, the foundation's vice president of research talks with youth arts expert Erica Halverson on what makes the arts so powerful as a learning tool.
About us
The National Endowment for the Arts (NEA), established in Congress in 1965, is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing equitable opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the United States. The NEA’s primary activities include grantmaking to nonprofit arts organizations, public arts agencies and organizations, colleges and universities, federally recognized tribal communities or tribes, and individual writers and translators. Grant applications are reviewed by panels of arts experts and individuals from across the country. All grants must be matched one-to-one by nonfederal sources, except for individual grants to writers and translators. NEA funding is appropriated by Congress annually. While the NEA’s primary activity includes grantmaking, it also is a national leader in the field and a convener on issues important to the arts community and people working at the intersections of arts and other fields such as health, community development, and education, among others. The NEA is an important resource for research on the value and the importance of the arts, and shares that information with stakeholders and the public.
- Website
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http://arts.gov
External link for National Endowment for the Arts
- Industry
- Government Administration
- Company size
- 51-200 employees
- Headquarters
- Washington, DC
- Type
- Government Agency
- Founded
- 1965
Locations
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Primary
400 7th Street SW
Washington, DC 20506, US
Employees at National Endowment for the Arts
Updates
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Interesting story from School Library Journal... https://lnkd.in/eHFXvUEP
Native Narratives: Native Authors on Recent Gains in Children’s Publishing
slj.com
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"While technology as such wasn’t always part of my practice, innovation and pushing the boundaries have been." In the latest NEA Tech Check, poet Lillian-Yvonne Bertram makes the case for using #AI and other tech as part of their art practice. https://lnkd.in/ejn8ksbf
NEA Tech Check: Poet Lillian-Yvonne Bertram
arts.gov
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"While many of us bemoan the ways that screens shrink our attention spans and distract us from so many things, including reading, social media has also provided a wealth of opportunities for readers to find community with one another and to find out about books they may love." — Ruth Dickey, National Book Foundation To mark the one-year anniversary of two NEA research reports about how Americans engaged with art during the COVID-19 pandemic, the NEA Office of Research & Analysis commissioned a series of thoughtful essays about the reports’ findings and implications—from the perspective of arts practitioners. The two surveys chronicle a historic phase of transition in our nation’s cultural life. These essays further explore these trends, discuss what they mean for the future of the arts and—most important of all—share practical insights from a cross-section of the nation’s arts and cultural leaders. In her essay “A Time of Hope and Worry: Unpacking the 2022 NEA Survey Results about Reading” National Book Foundation Executive Director Ruth Dickey writes about the challenges and bright spots about reading revealed by the latest data. https://bit.ly/3Z6xxgK
A Time of Hope and Worry: Unpacking the 2022 NEA Survey Results about Reading
arts.gov
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It is with great sadness that we acknowledge the passing of saxophonist Lou Donaldson, recipient of a 2013 Jazz Master Fellowship, the nation's highest honor in jazz. Our full statement: https://lnkd.in/ec_2yk8r
National Endowment for the Arts Statement on the Death of NEA Jazz Master Lou Donaldson
arts.gov
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“[W]ith theater there's something direct and visceral, and I think it affects us on a just a base neurological level.” We are revisiting our convo with Theater of War Productions’ Bryan Doerries on the Art Works podcast! Listen: https://lnkd.in/eqdR6zCv
Revisiting Bryan Doerries
arts.gov
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“BAD Ballet is not only a love letter to our community but it’s also our response to our struggles with capacity building.” On the blog: BAD Ballet’s Tyde-Courtney Edwards discusses their commitment to empowering Black and Brown women trauma survivors through dance! Get the story: https://lnkd.in/eP9se3BK
ArtsHERE Grant Spotlight: BAD Ballet (Baltimore, Maryland)
arts.gov
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“I make these hollow eyes…figures are hollow, they have these clay walls, they are vessels and there's something in there that's aware.” Artist Rose B. Simpson joins us on the Art Works podcast! Listen: https://lnkd.in/eBNKX-ij
Rose B. Simpson (Santa Clara Pueblo)
arts.gov
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It is with great sadness that we acknowledge the passing of musician/producer Quincy Jones, recipient of a 2010 National Medal of Arts and a 2008 Jazz Master Fellowship, the nation’s highest honor in jazz. Read our full statement at: https://lnkd.in/eCbzjukJ
National Endowment for the Arts Statement on the Death of NEA Jazz Master and National Medal of Arts Recipient Quincy Jones
arts.gov
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"We are grateful for the many Native American and Alaska Native artists who have kept their traditions and histories alive, continue to expand their creative expressions." Here's the full Native American Heritage Month statement from NEA Chair Maria Rosario Jackson, PhD: https://lnkd.in/ebzA2yNS
Celebrating National Native American Heritage Month 2024
arts.gov