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Adrian Searle encounters

A fortnightly column in which the Guardian's critic gets intimate with every aspect of the art world
  • Without a trace … Philippe Parreno’s rendering of Tino Sehgal’s performance piece Annlee.

    Through the trap door: Tino Sehgal's mesmerising mind maze

    Adrian Searle goes beyond the beaded curtain into a theatrical world of flooded rooms and whispering strangers at the Palais de Tokyo
  • Powered down … a houseplant sits on an unoccupied desk in Yuri Pattison’s User, Space.

    Silicon nightmare: it's lonely work in Yuri Pattison's ghost office

    Lights flicker, shelves gather dust and cables twist like snakes – all that’s missing from this high-tech workspace are workers, leaving you feeling like a lab rat in a maze
  • Controversial, award-winning French author Michel Houellebecq stands next to his x-rayed skull as he visits his exhibition at Manifesta 11, the roving European Biennial of contemporary art, on June 10, 2016 in Zurich.

Houellebecq shows X-rays and other visual results of his head and body in an exhibition entilted "Is Michel Houellebecq OK ?" / AFP PHOTO / FABRICE COFFRINIFABRICE COFFRINI/AFP/Getty Images

    Wake up and smell the Manifesta: piles of poo and a look inside Houellebecq's head

    The art biennial known for pushing boundaries of taste has outdone itself in Zurich, sculpting a day’s worth of excrement, medically exhibiting the French author and making a Paralympic champion wheelchair on water
  • Maria Eichhorn, 5 weeks, 25 days, 175 hours (2016), Installation view, Chisenhale Gallery, 2016.

    Nothing to see here: the artist giving gallery staff a month off work

    German artist Maria Eichhorn has closed a London gallery and sent all its staff home – an empty gesture or a profound critique of our working lives?
  • Brickbats by the Paris-based Claire Fontaine collective at AV festival.

    From Marx to Brexit: Tyneside's AV festival paints the whole world red

    Socialism is the theme of this year’s multimedia festival, with George Orwell, the Jarrow Crusade and a worrying Muscovite blogger among its inspirations
  • John Akomfrah’s Vertigo Sea.

    John Akomfrah's Vertigo Sea: human and natural history meet at the abyss

    Recurring images of historical horrors – from slave killings to drowning migrants – are cut with nature in Akomfrah’s new video installations in Bristol and London. Past and present dissolve, leaving us stranded, waiting for the future
  • Excerpt of Projekt 6 by the Slovene group OHO/Naško Križnar, 1969.

    An ashtray for President Tito: after the fall, the staying power of Yugoslav art

    The UK’s largest-ever show of art from communist Yugoslavia has plenty to say about the purpose and political usefulness of culture today
  • Alex Katz Double Sarah B

    Tightrope Walk: the show that sums up art in 67 paintings

    As De Keyser’s last works brood at the David Zwirner, a sweeping account of modern painting from Chris Ofili’s sexual fireworks to Lucian Freud’s meaty closeups lights up London’s White Cube
  • Chantal Akerman at Ambika 3

    The last picture show: how Chantal Akerman's suicide alters her final artwork

    The Belgian film-maker took her own life a month ago, and her final installation is full of painfully private moments and hauntingly empty scenes. But it’s full of life too – in all its extraordinary ordinariness
  • Spike Island by Charlotte Prodger

    Charlotte Prodger's elegy to time, loss and casual sex

    Nina Simone on the edge, sex at a trucking stop, land art and a coffin road: the artist’s new film Stoneymollan Trail is like stepping inside another person’s brain. What a moving, perplexing experience
  • Pierre MOLINIER 1900-1976Skin d'Amourdo, 1960

    Pioneer of perversity: Pierre Molinier's extreme exposures

    High-heeled, corseted, impaled, auto-fellating ... Molinier’s fantasy photographs open a window on a forbidden world – and have made him a cult figure. Do not try this at home
  • ‘A painter of brute matter and even more squalid inclinations’ ... The Hill (1971) by Philip Guston. Courtesy the estate of Philip Guston/Timothy Taylor

    Morbid monsters and the Ku Klux Klan: the crude cartoonish genius of Philip Guston

    Guston, who would have been 102 this week, lives on in artwork so gruesome and squalid it makes many of today’s painters look flimsy
  • Magic mushroom ... a clip from Bruce Conner's Crossroads

    Horribly compelling: Bruce Conner's nuclear test film still holds us in rapture

    As we watch Crossroads, we collude in a chilling event despite ourselves
  • Detail from Hack Wit - fool's rainbow, 2014 by Roni Horn.

    Adrian Searle encounters: Roni Horn's mysterious drawings that just won't leave you alone

    Words and names erupt from nowhere like a William Burroughs cut-up, clouds collide and paper seems to mutate into abstract sculpture before your very eyes in this major exhibition of the American artist’s drawings
  • Nikko (2014) by Luc Tuymans

    Nazis, cake and the Wizard of Oz: a drawing show with a difference

    We are invited to make up stories to connect the disparate, uneasy – and sometimes funny – drawings of Andrzej Wróblewski, René Daniëls and Luc Tuymans
  • Carol Bove Noodle sculpture

    Carol Bove's seductive sculptures force us to confront our inner animal

    Using everything from 30-million-year-old trees to white loop the loops, Bove’s easy-on-the-eye artworks could easily be plopped down in a corporate plaza. But they’re so much more intriguing than that
  • Juan Muñoz at Fondazione HangarBicocca, Milan.

    If there’s a joke, it’s on us: Juan Muñoz’s playful optical illusions

    Fourteen years after the Spanish artist’s death, a retrospective of his dramatic installations, full of strange grey figures, shows he’s still toying with us
  • Gusmão and Paiva, Papagaio

    Mad, magical and mesmerising: Gusmão + Paiva's labyrinth of silent films

    Portuguese artists have transformed a London gallery into a whirring maze of silent films and optical tricks to get lost in
  • Whisky, or ambrosia? Untitled (2015) by Danh Vo.

    Art among the ruins: Danh Vo's perverse empires

    Danh Vo was rescued at sea aged four as his family fled Vietnam. Now, he’s an expert arranger of flotsam and jetsam ... from crates of Carnation milk to a Madonna possessed by the devil and Queen Victoria’s puppy Looty, writes Adrian Searle
  • Jockum Nordström Garcon

    Jockum Nordström's art: sex, secrets and shame in an age of innocence

    From the figures who smoke pipes and wear frock coats to the couples that copulate behind closed doors, Nordström’s prurient pictures belong to an old-fashioned age. Adrian Searle peeps through the keyhole
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