The Process of Animation

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THE PROCESS OF

ANIMATION
THE TRADITIONAL ANIMATION
PROCESS
1. Story Sketch
• It is the first and the most important stage.
• It is also called the film script but it differs from the live-action film script as dialog is less
important and complicated dialog should be avoided as much as possible.
• The story sketch should show characters, attitudes, feelings, entertainment, expressions, type
of action, as well as telling the story of what is happening.
THE TRADITIONAL ANIMATION
PROCESS
2. Story board – this is the stage where the director produces the storyboard.
• It is a series of drawn images that graphically portrays the action described in the script.
• When a director works on the storyboard, deficiencies in the structure and format of the
story are detected and corrected.
• The director makes decisions but is aided by his layout man, supervising animators, and
possibly, the story sketch man stand by to quickly make changes when needed.
THE TRADITIONAL ANIMATION
PROCESS
3. Recording
• Animation relies totally on perfect synchronization of the picture to the soundtrack, the
animator must receive the initial recorded track before beginning to draw.
• The animator will not be able to time the action accurately without the soundtrack.
THE TRADITIONAL ANIMATION
PROCESS
4. Track Breakdown
• After the soundtrack has been made, an editor assembles it into the precise working length
of the film and then breaks down the track.
• A cartoon cutter’s job is concerned with keeping, marking, and storing all of the simplest
film with four tracks: two dialogs, sound effects, and music.
• The breakdown is a simple process of analyzing the dialog phonetically (by sound) and
documenting the precise position of each sound in relation to the films frames.
THE TRADITIONAL ANIMATION
PROCESS
5. Designs
• During the track break down, the director selects one or more file designers to produced
visual interpretations of all the characters featured in the film.
• After approval, each character is drawn from multitude of angles and placed on a single
sheet of paper called the model sheet.
THE TRADITIONAL ANIMATION
PROCESS
6. Story Reel
Under the supervision of the director and using the bar sheets and storyboard, the layout artist
proceeds with the story reel of the whole film. In traditional animation, a Leica reel produced.
• A Leica reel or animatic is a filmed storyboard, which can be projected in synchronizations
with the final soundtrack.

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