Roland Drum Machine Rhythm Dictionary Ocr

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I

I@ Roland
RHYTHM DICTIONARY
by SANDY F ~ LOSTE IN
This new edition includes information on the
ROLAND RHYTHM COMPOSER TR-727
Rhythm patterns and fills for every
style of music -
ROCK, JAZZ, LA TIN,
SPECIAL DANCES

Rhythm Patterns in the style of
today's most popular drummers -
APPICE, PORCARO, COLLINS,
CADD, VAN HALEN, plus 10 more
Tips on multi-track recording
Tips on how to create your own
patterns and t racks
'
.
)!i
I;;; ~ , . , , { . .,
[.j "
[';, ''!
ROL/IND' S DRU."1 ,\,\A(HINE DICTIONARY will provide any musician:
drummer. arranger, VOCdlbtJ etc. with the basic drum
ior e--ery style o( mu>ic.
As technology keeps adv,mcing. it is possible lo use rhese great machines to lay
dnw1' tracks ior recorrlingor' i' li ve periorrnanct situa1ions. However, if
y()u ;ue not il schoolecl drummer \vho knmvs the ri ght pattCI'O$ to input for
of music: .. }'OU tal<<? hours fi nding. the ri ght bent or fc('l fo a specitl c sonR.
This l1<>ok answers that problem. II contains good soundi nil beats for all styles of
music ils well il$ suggestions (or developing your own beats and for
recording. these as st.lrting rlaccs. II Is suggested that you
listen to your i avorite r<'cordln;lS and try to analyze rhe b<:ars being played. " Plug
them in"" to )"Our drum machine and keep adj usting till you halt(' it as dose as possi
blc. Then use the manuscripr in the bac-k oi this book to write them down so
}<OU c. 1n usc then> agai n al a larer date. You can make photo copie.< of thc<c
manuscripr dMrts and enter each new beat on a separate chart. You may want to
i nclude a note al>mJt where you got the idea forth<> bc<> t or the type of tune or feel
I hat you tried to capture. In essence you will be developi ng your own Rhythlll
Dic:tion;uy.
II is assumed that you know basics of how to usc your Dr...1m Machine. li not,
refer to Roland' s Drumotix TR-606 Guide or the Dr. Rhythm Graphic Handy
Cuklc for basic informatiun rei;"Jtccf co inputting beab and tracks on your Drum
Machine. Additional techniques needed to play all oi the rhythms in this dic1ionary
arc included in the trht >ection this book.


THIS DICTIONARY IS DESIGNED
<
/\11 v( the beats in ROLAN 0'5 DRUM MACHINE RHYTHM OICT10NARY can be
playi?cl the Drumatix TR606, Or. !Joss Rhythru DR I"IO, Rhythlll Colllposer
TP.-707. TR727, or the Rh}'1hm C<:>mposer TR909.
Each hear is wrincn out musically and graphically ior the TR606 and the DR 110 on
(acing pages.

m\\'AIIf ((')1'1111\D
. " j: ' . """ .. " .
"" ...... ...... ,._
... -..-...:-+ - . +---
"<" ' '
'"' ...
HO L:; I
..... 1.!.
'.., . !
' ' ' I o '
I
--r-
...............
c.o)_

J_ ._ .


t .. . . . ...
r l

''" . ' -r:--
, -- I
:: .: ' . :
o I t o o t .. IS'I(:

..
" I ,-: ...... ,:::i_
' " .r.-J I .r.-) 1- J

I
I
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'
I
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l
I
Ul\' 1 4".4nD
I f 0 > H I U .. <O'(
.... .
It
n t ' '
::: f-1: !l ;
0 I 0 0 0 I o o I !11110 11 011010
r..wo
o)Hh> ' >
o!il
. . . .
,,.
I
.
' U
I

'"' .
[ :.
...
H'- I . '
f "'
' u:
-
I ! ) OI ) / 1
.'77': :--"'! g . <
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=-1
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s, _.__J 1'.

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The lefthand pgc is for lhe TR606
-- --- ---

0 > 0 o 0 I
... ... .. ,,
<
... . t .. .! ..... - r-rt
g;@ -;l :t-_g. mir:l .

- -
"
-
""
' ::-:"l,
.,
- - I
_ _ ...:...m.l/'0
1 li.un (:Aom
'
: .. ' ' .. ' ................ .
'" jt ;j:fm T ! j
.I! ' ' ' - -t
... 0 - M
"-' --:- i'-+-1 I
o:: l- ---
+-L: .... ..1..+
' ..
c: I --1
_.._, ,, , o#
.,_..::....o
.. ,'.' '. ' < ... .... ...... ..
--------..J.... -
- , - + .
'
- :: = - 1- r
I 0 o o 0 0 0 0 I ..... H ':.NO)tO
"
. .
The pa8t! is ior the DR-11 0
I( you are the proud "'"""' oi the TR707 or TR-909, pages 12 through 19 give you
more.> and show you how to ac/ap! any TR-006 beat (or \'OUr special
instrument. A new section on TR.n7 begins on p.1ge 112.
3
.ROC!<
TRCIJ6 . .
OR : . .
Hf\1-W 'ROCK:
TRf10f .
. . . \ . . } . : .
1/\ZZ ROCK -... .
. .
. _,
.- .....
. , ...
-. -
. '
:_ , .
. .
_,..,
TWELVE BASE RHYTHMS
1-'rogrturming a rhythru with a puls<7 ot bf.'et1S. rn ,.., hilr a ttoc:hniquC'
m<'d ior rh)'thnrs with.;.
Si1ce a jazz iee: is ba5-r.tf M 3 (lriplel.sj r.tlht't than 4 wtnN'd to .1
IAI>e pub .. oi 12 .,.,,,. p<.'r bolr rathr liMn 16.
ted
4 .l
14 I 2
": J J
J .1
3 4 5 6 j
To Uo thi;: iollmV rhe ;:.,,me do in ;JII of your Olhrr \<\:ril ing.,
('x(:cpl you milke ont!' c.: hdi1H(' whC'n p rr:p<1ri ng tht> DR. I H.Vr.
PREPARING TO WRITE (INPUT)
'I , Thi> i; th<! 1am". Holt! SlllfT down P'"" 4 (STEP WRITE;. You
\\:ill 'iee it <Hl lht' ')<.:n:.en.
2. This procedure is tne :, .. une. Prt-ss l3l\ NK Sf.LECrnR loA. Yov will 5-CC' .A. on the
under LV\NK.
). If you \Vilnt to save whal yvu i c'l StLCl OR 1, J>ir.:k d ncv"' OR
n umb<-.,-. li not. this i; 11'\(" Press 1. You will$('(' 1 on r-he
under RHYTIIM.
4. Thi> wocNiur<' i< rhe lluld SlllrT down .1nd 7 iPJ\TI(R)'o. CLeAR) .
. i. NEW PROCEDLI RC. I l<1ld I down and pr 6 ( 12! I (,J <clcr.!lng 12.
. WRITING (INPUTIING) THE BEAT
You t>nltor bl?at the \ ..... ay you \\:ould enter an}' other one.
1. Press the Closed lli-h,\t button. Press STAt< r .1nri STOP so the dots on lhe screen
wrrespond lo those on the graphic chart (4 & 1 Oi.
2. Rep-eM s.1me procedure to entE! r all ol the other
'
CH
OH
SD
BD
CY
HC
AC
CH
OH
SD
BD
CYM
HC
JAZZ BEAT
GKAPHtC CHART
1 2 3 4 5 6 7 8 9 10 11 12
I
I
J
I
I
I
I
-
I
1 2 3 4 5 6 7 8 9 10 11 12
MUSIC NOTATION
J 0
l

J LLj
,__

)
j
I
J J
I
I
..
3 -1
J J

J J

J I
'
-
t
J
J

'
J
. ..
Entering rhythms with a 12 b<.lse <.illov\:s you to play j.:ta beats and rock beats in thC'
;ame t<?I11J)<) . Hold down and p reS$ 2 (1'.-\I TEI<N r'LAYi. Pre" START and
.5\vitch bel\\'ccn your j.177. bc.n .1nd rock he.u you h<1ve previousl y entered. You
'<viii notit:e that the ternpo i::> the Thi::> you can switch betv .:t j a77.
cmr.l (0(.1< fed vvi thi n th(' same song.
To enter <.t 3/4 you \'\,.Ould also u$e base '12.;\ waltz h()S J bcilt5 (1nd a pulse oi
sixtC'C' th (4 l)f:'f bect). 3 bcMs times 4 pulse$ cqu.1 ls 12 subdivisions.
7
8
,. il -
' rot
/.' .. .. .. /. . .. , -
1,1. -
.4t c. '.'i..f;.Y,t
, "'
ABOUT THE DRUMATIX TR-606
'
TWELVE BASE RHYTHMS
Ci wilh a basE' pui'SE> or twelve to <t is a
mcri for \vith .1 j.177. f<'r.L
Since- c'l j.:1.ZZ i('el b.:St'd on 3 (tripltots; lh.:m 4 (si;dEt.;oothsj, ... ,t> nt-t'd to ..1
pul-;e of i L. per h;u r;;thrr th;;n I h.
Jan feel
14 .J
4 1 2
.3
.J
"'
J
'
3'
4 5 6
J J ; J
J
7 8 9 10 11 12
ro do lhis. follo'<v the sane ,urot:E:tlurt> do in all of '.\riting,
t:><c:epr you m.1k<"" rwo c.hil v .. 4lCI''I prep<H ing th( DRU!vl!\ TIX.
PREPARING TO WRITE (INPUT)
I. I his procedure i; thr.- Set !vlODE >eleclor lo PATTERN WRITE.
2. This procdur i> I he same. Pre>S PATTERN C. ROl!Pto 1, it will light.
:t If you \VMH to SilVC you i n ')( L[CTOR # 1 .. pi<.:k a nE:''.\' SELECTOR
numtwr. If not .. thi s proc('dl.t r(' is lhe same. Pres; SElECTOR sv .... iLch L il \vi ii
ilash.
4. This procedure is the Hold SELI:CH) I< S\vitch 1 dm.vn and press
Cl.f./\1{.
This pt<><:edure the silme. (Lights \Viii SCM'l across from
r - 16.;
6. NEW .. Sr.; switch 1)11 J. IIi; up viH,.II Iy w il11
the of 3 (triplets:.
I()R
(f ri:>f, I <
-
7. Thi> procroure is the same. Press HJNCTIO'l buuon.
8. "EW PROC(DUKE. Hold FUNCIION tlnwn and IJ(ess SH >witch 12.
Steps 6 ntl 8 tell the memory rh.11 you ore dividing ynur 4i4 m..a..<urc into 12
p;ons "ith a tripl.t or jazz fccl.
'
.. ..,.,. _ .....
. ::@' . .'. .. ,__ " """
. . , , , . '. . .....
. . ..
FLNCTION IU.TION
H'>K 1 J
WRITING (INPUTTING) THE BEAT
You enter tht;> Ueat the s.1me \vay you would enter any other one.
I. SN 11'\S IRUMENT to Cll (Closed Hi-h.u}.
2. Pres$ the S(LECTOR switches indicated by the dnl< on the graphic chart (4 & .
'IOi.
3. Repeat lhe sarnC' to enter all of the OlhN
4, RL!NiSTOP to slop and S!illl the potlern.
8 CH
7 OH
6 CY
5 HT
4 LT
3SO
2 BO
1 AC
IAZZ BEAT
GRAPHIC CHART
1 2 3 4 s & 1 a s 10 11 12
--
-
'
I
--
I
--
-
--1--
1 2 3 4 5 6 7 8 9 10 11 12
'
10
MUSIC NOTATION .
J
..
CH

J

J
I
OH
J i :
CY _1 __ . I
o{
J
J
'

J

I
I
J ' .:..
:-...
' '"
I
HT
- - ..... '
LT
J
--

so
l J

J.
I
.\ ,

l
_j_ '
J
. I
I
'
80 :..._ ---...
Ent('ring in s<.:ale 3 allo\', .. 5 you to plcl}' jazz beo:. 'ILS and ro<.:k beats in the s.1mc
tempo. Turn MOUE to P;\TTERN PLAY and 'witch your beat anti any
rock beat you enlered . . You \viii notice th<lt the tempo is the same.
This rneans c;:m belweton a j.:.u:z and rock !eel \\ .. itl)in the song.
If you w.:.nl Lo input <J 9 hilsc rhythm (u5ed a jaZL \V;:, lhz) .. . in .Step :}) under
TO WRITE (INPUT) .you would SELECTOR switch 9 .
J
. J
1 2 3 4 5 6 7, s -9
To enter a straight 3i1 waltz, you WO(IId u><? Scalti 1 ('ixteenth base). In
procedure H on the previous page, pre<s SF.I.F.CTOR switch 12.
- ,, .3 <>....:...t!jt______._J __._ J _ jL.__----11 '
)-4 ; 2 3 4 .5 6 7 8 9 10 11 '12
.
.. .
-
Chaining l)(ltt('tnS on the TR-6f.lb is (1. simple tcchhique.\vhich <.;m fllilkr. the
of $pCci(ic. It i;; in: two:me.1sure
ust=d.jn Latin music and you'.JI want to knov\: hoo,o, lodo il for many oi
Lali" beats in the diclionar\' section of this book. -
Up co four rhy1hms can be chaine-d together v..-ithin the four rhyrhm hlot ks of
SELECTOR switches (numbers 1-4, .;-8, 9-12. onrl l.l- 16).
OLOCK I u
1.- Set MOI)F. to PATTf.I{N PL\Y. , '
2: .Select TIERN GROUP L-
. ....
3. Press SELECTOR >witch 1.
'
Oi..OC!( IIi
. '
' '
4. Press RUI"iSTOP wi ll hear the boat which is stored. iri SElECTOR '1.
... .
s. "Press SELECTORS 2 & :1 simultaM r.>usly. You will hear the stored in
SELECTOR 2 followed by the boot <torod in SELECTOR :1. The two beat< will
keep i n
6. Now press 1 & J You ''ill hear !leal #'I followed by
Beat it2 iollowed by Rei>! ll:l. They will kCCI). r<2'peating i n th,1l ord<2'r.
7. Press RUN/S'IOI' to $!OP the rhytlun. The <.haining concepl o.oill \vo: k H ')>'OU
press iiny lwo SELECTORS You cannor chain rhyrhnis froi'n one
block to c'H'IOlhef: ror 2 and 7 would not \\:ork.
'
j
'II

,
ABOUT THE RHYTHM COMPOSER TR-909
12
The a "full-blown" IJrofessionol ver$ion of the other drum
milc:hi nc$. It offers an numher of ton,JI fl$ well as indi\'idual
t:()ntrol of decay volume. alld .. Kuml fur drum s.ound. It's C<' l1
be loaded to tape, it can syn<. ro other MllJI instrumenl:i, and can send tri gger
out.
The basic functions oi the TR-909 closely parallel those of the TR-606. The added
features make it a sul"'fb drum machine.
BASS
I \ \'ill :<:<.:nl
2 v.ilhour ,l(.(.f"':t
!N :rrr.a. t vciJtnCJ
S. 'tAIU DR\JM
} a'CCtU
1 . w !h,.... ;1,_'f1t
SOUND SOURCES
lOW TOM MI IJTC) M Ill TOM
$1 7. 9. \\:i th
6. K, 10 \'l;ilhuut accent
RIM
SHOI
11
HANIJ 14 Clccd
CLAP hi h.11 wil ,uu!
1:Z l(""t
.,_..,...,.,
I)& I' -c

Ol111.:ft I ti-hat fin
llO''In.!.l .. cLme:.
SOUNL> CONTROLS
13tdng t o <.:Onlrol E'(l.th ;ound offer$ you lOlil COI'.Uol of your.rJrum p<ltterns.
C:..1nhnl-. in llu .Suund S('(.li()l'l
knnl1
ir. pro.iO;;cl ic' C\'i.:ti s:;ou; d ,me
<"u:ttl. 1d1 \o>lnm!.
&\!\."i
Attack
This h tu cun::,1l :h<: .:)11 . 11;k .. l.

l11i, ;;:Jj .. !, 1l1o ::-< ,\: !.11 fo. li w i:\h t f > f!\ ul fo
kkt. c'r .. m r:.1t<.k ,.,n:)b
1'11111!1::< !:wkwio.! I 0 :.
Tuua
Thi:> is to cvn:,.,.>l th: 1:,
SNARE ORlJM
l()tl e"
1'.1 ch.;n;,w ui lho ;uo.:d . A, yo: ..
'<JUte :In;. : ... n,,b, :i-,; .... ill bC'C(.'r-1"'
TunE'
Tbi:> i : :o C>)ntrt.l :!:; IJi:t:h :.1( lnl Dr .. n:

!,n . SIIII)'
Thi: to ):O.:.ppi ne:s olthe Snare
I )I ,,1'1.
l OW TOM/,\UI) TOM/Ill TO.\\
TuM
lhl: 1:-"t;. ( () : incr.n::e; e
; tl: . til: IJi .o::h -:oi -<n l
f :lfl :s<' 111<'111 , , Vulo:o:; l ofl l.
Decay
ntil> ;1r.:'jtz-.:h 11w tirn:: . It 'l'.IU wi!>l"o lo m .. ;e
l h e I <IIU z<l ll t! ll1i
a,un:t'!rd,:>.-(r : O L
HIH:\(
Ck. <:a.y
I i i!. t llii C 1-:ih:;l ;,..und. li ;:f:IJ wi ; h
lli-h;.i nd. :.'lt.ltc lhis dcd<whc ( () ,
CRASII/RIOI!
Turuo
Tl'ois is 1::1 adju.;: lite.., Y.>unc..
concepts-of 9 and 12 bJse .1nd d1<lining on th<"' ,1::; on the
TR-606 :$1?'1? p(lgE'S o.: J I;..
n
'flt$lflf(iE DICTIONARY FOR THE TR-909
V\<'ilS me-rHiOnE:-d un :i, th<' beats in the di<.:tion;uy wnneo out ior the-
TR.f>Oei on thr. left h11cl anrl for the f.JRllf) on th., hand pogo. 1 h<:'
TR-909 r.:<m pl<l}' a::; the TR-60b. Hnwr.vcr, -; iuce tht- TR-909 has
n'lnr( C<l p<tiJilititos. you <;;an p t! hi'lllC.(' Of lht' W ., rJv,1ntt1ge of the
f<"'arwcs or thh rl rurn fnachim:.
HARD ROCK BEAT FOR TR-606 EMBELLISHED FOR THE TR-909
4 7 10 1112 141$ 16


I .
SHT

JSO
2 80
I AC
4 s 6 1 a 9 10 11 12 13 14 1s 16
CH J J J
I

..J
J J

OH
CY_.._
J
I

J
HT
LT
SD -f
80 .. J . J
Here's. <ln of ('mbcl lishing <1 slow rock fil l. The small d'l<!ng' of only 1 notes
will greatly enh;mc:e the :;ound of th<"' fill.
SLOW ROCK FILL FOR TR-606 EMBELLISHED FOR THE TR-909
3 4 131415 16
70H-

Hoomrimr
HT
3 so
2 80
1 AC
CH
OH
CY
HT
LT
so
80
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
J
J_
--!

-
I
.fJ
I
ThE> .. of c;.pabll? on ilre only l imited bv own
c::r(';.rivity.
15
16
Th" TR-707 combines el"rn"nls ol lh" TR-909 and the DR-'111) 10 make il> program-
nling lhan i.i ll Y of druiJI Jllat:hini?S. llS futlCtiOI1S c1r('
to rhr. In fa<J it h .. H morr. o' rum Mlding cmvhell 11nd

E<1ch imtnuncnt's sound i!' pre-set }'OU c:;m' t control its tone .:\son TR-909.
Tht:n: is a mixing paneL hO\vever .. th.:1t allows you to <.:unlrol lhe vulurnt' oi E?ach, .
indtopend(?nlly oulpul of c'l ll sounds.
--
I TR-707 conlains 8rilphic \\:indow \vhi<:h you (I vis,u(ll p1cture of
i11l of the you MC pcrfmrning. It shov.:s tht.> i nput .,r thr. p.1tter ns .. tht:!
l'l'l<:"lmnome tempo .. and tht nlOc.Jt> you MC \vorking in. \Vht n wrilinH or pl('l yi ng
tracks. it !ihows lhe numhr:r ;md n1easurt.> numbe-r .
As Vvi th the graphic scree-n on 1hr. 1)1(. 110. w me Jines are used {or
more lh"n one instrument & tambourine, rionshot & co"b<:IQ.
STEP 1 2 3 4 5 6 7 8 9 10 11 12 13 141516
CYMBAL
HoHAr
.
HCPJTAMB
Rl M/COWem
HoloM
MooT OM
Low Tow
SNARE DRIIM
BASS DRUM
ACCENT
.
[TRACK 1

I concepts of 9 and chaining on thC' 11< 707 :lre I he s<lme as on lht'
TR-909 '""I TR-60r, r>S<'< H- I li.
'17
;"""'ri:l

THE DICTIONARY FOR THE TR-707
.A.::. .,., . ,:; mentioned on 3. thf:' in Lhe dictiorhJIY ;m; \Vritten o ut for lh.:o
TR.606 on I <tml ror the- DR 11 0 on the right ha nd ThE>
TR-707 Gm pl"'y the .;x(K l -;(1m(' bC(ts ;15 th(' and TR-909. HO\VE' \
1
f:' f. -;incc
thE' mor<" .. }'OU c:<m any uf 1,1kc ilrivan
t;Jgc of the of dnur. mM:hine .

LATIN ROCK BEAT FOR THE TR-606 EMBELLISHED FOR THE TR- 707
4 7 9 10 11 12 13 14 15 16
8CH
7 OH
6 CY
5 HT
4LT
3 so
2 BO
1 AC
1 2 4 6 7 8 10 12 14 15 16
CH-f-
OH
CY
HT
LT
so
"
J
-;
' '
BO
J

- J
" J
I
'
'
: J J.
j
I
THE TR-707 HAS ADDITIONAl SOUNDS
16
Here> an example of embellishing a fast rock till.
FAST ROCK FILl FOR THE TRA606
EMBELLISHED FOR THE TR-707
t 2 s 4 5 6 7
15 16
mmmmmt==

HTootma=
350
280
1 AC
CH
OH
CY
HT
LT
so
1 2. 3 4 5 8 7 8 9 10 11 12 13 14 1S 16
J


The variety oi sounds you are capable of producing on the TR-707 is greatl}'
enh;mced by your creative U!>t u( the instrum<'nts.
19
8 CH
7 OH
6 CY
5 HT
4LT
3 so
2 BO
1 AC
1 his is designed to Rive you beat:; that iit every style of music. They
good (1nd \Viii \VOt k as \vritrcn. .. \vii i fi ll ior (1.1'1}' type of rnusi<.
that you want to play.
A.$ \\lith thC'm. you will lind ones VOl l ike bC'llC'r tharl
the ones you like best and try ro write your o\vn using your favonte:; ilS an
.,
You \vi sh to the C'l<i$ting br.-Ms. 1-<'el to ch.1nge p;m of (1 hem :..
or add Wrnt> lhinn> unt.kt> i l and ft>t>l The xivt>n t \m Ut>
liberill ly o1dju:;red to fti your song.;; .1nrJ your
ror xarllpl . I lik the fl of thi' bat in th stvl of Stw Gaud. but it'' a lillie too
. .
bu:.y ior n'lr tun('. 1 ran cdj1..1st it li ke thi.,:
ORIGINAL FOR TR-60& ADJUSTED'
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 111213 141516
.
'

-r-
...
-- 1-.!..
"1
.. .
I I i
I ;

.
- - -
.... _L
I
....
_L_
- - -
.. .
;
- - ,-- - 1-
- . -- -
- - -
- -
-
I i
--
i I ;
1 2 3 4 s 6 7 8 9 10 11 1213 14 15 16

8 CH
7 OH
6 CY
5 HT
4 LT
3SD
2 BO
1 AC
'
t-
t+
I
' -
--
_,
.. L...._
I
'
...
-
..
-
I
+
r ;
-

-i-
I
..
j- ---
I
. .
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1 2 3 4 5 6 7 8 9 10 11 12 13141516 .

CH u u JJ J J JJ J J J J. CH j]J J . .ll .. _ I
OH 1 OH
CY - ------- --- ---
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-- 1
HT - ---- - - ------ - - --l

LT _ _ _
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1
TRACKS
On ;-.11 of Roland drun1 mac;hines: you r .. 1n (nmpiNc rhythm tracks into
ior I'E'COnling or live Althmrgh kvlgrh nf rhe dnd the
.,gc nption5- vaf1 on eo.c.:h rn .. .-chinf!. cnnccpis ;uc the : rhc
.. Klual oi writing :xpliiint-d in lht' R()kmU Drumatix and Dr.
l<hyihn'l llancJv
outlini ng your v,,..j fl htolp yuu ones th<lt are morC'
musi1.:al th.:\1 totally fit your tun('.
HELPFUL HINTS WHEN WRITING TRACKS

I
2. 1\dd rn.:\leri al to givP you C.UC'S styl'. length, tempo .. etc.
RllJES FOR TR-707
lnU<>
MO<Iernre Rock ( J = 120i
3

l
3. pattern!. you want to .. md "'her(' 'Otored.
in!:n
Moder:Ut) Ruck
Pmt m 1
I
BLUES FOR TK-707
Fill 1

C.llorus
IIJ P.,ttcrn 2
S<:lt:ctor 2
5
6
6
ll

4. L.:-.bC' I the t"'ncir' tune. Thb is J. S(trnple oi .:1 f2-b(lr with d 4
4
1.Mr inlro ..=.nd <,
endinJ.;.

'nt:o
Moderate
1
J Se-lt-et(): 1

Fill 2
l Scle1:tor .5
Pu ttm 2
1
Sdectut 2
13 1<
BLUES FOR TR-707
s
P:atu.!rn 3
1
Selc..:h.lr 3
9
15
Fill l
l Stle.ct or 1
I
4
10
(:jb 1
1Sriec-w4
16
h't
0
Pamrn 2
IJ Seloctu: 2
6
Fill 3
ll
1
SclctHJr 6
Cm.linr;.
P.llltrn 1 Fill 4
Sdcct or 1
17
I Sdc:ctUf 1
13
5. Rcmembcr to l.llx-1 I he' tr;')(k v . ftcre you are entering this tune and keep il (or
reference. ti you \ \ ',1nl ro m.1ke changei later: you will know wftal )'OtJ
did. li your drum 111achine ha> oil-line ca>seue or canridgc sroragc. you moy
to pull rhis ofi-llnc ior iuturc L.tbel rhe Colssette carefully.
Nothing is more frustrating than trying to iind .. 1 recordl?d uack rh(Jt
ha; not been labeled <orrectly.
The r:h.1rt' on these l\".:0 pages are for you to use. You moly m;lk<"'
IJholocopies of them to hegi n to riC''vclop your O\vn lil mtry uf Lracks. This pap,e
cont.1ins t\vo charl-:. : for 1-churus .. 12-bar b1ues. and one for ;1 1-l':horm.,
32-bar At\B.:\ tune. The next pilgc is ;1 bh'<'k charllhal you can l.ill in and adjusl lo
your
0
I
0
l
0
I
I
11
7
10

8
I I
19 20 21
27 29
4 5 6
11 12
II
7
"
15 I (o
I
JO J l II
-
Drum rnat:hines are ver{ popul;u '.vith v,:ho rlo multi-track rec:ordi ng.
The-y il possible ror you Lu re<.:ord' a very .urofe!:sional sounding dernu
home'.
V'/hcn doing l'l'H.Ifti-lrack recordinH .. il is lu 11rsl a ur d iLk
on the tape you h;we ,, rhythmi c point oi for future tr.h;k.;. Ynu Ciln
do this by <my sound produc:ed hy your drum mac:nine, plitying 4 hear5 to
the rlleasurt' lern(JU you \\'ant. In this eXiHnple, r rn pulli ng lhe pul!>e on \Vith
the dru111
-
BCH
7 0H
BCY
SHT
4LT
s so
2 BD
1 AC
EXAMPLE ON TR-606
1 2 3 4 5 6 7 8 9 10 I t 12 13 14 15 16
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1 2 3 4 s 6 1 a g 10 11 12 13 14 1s 16
Hf ____________________________ -1


so _____________ __
-----1
'
)'ou C(ln afso pu! (l dick l n1ck on lhE> la(Je by a mel ronome. \Vi th lh'
.f.R.?07 <md TR-909, you c:.1 n pur " pulst? on thC' tr(la.,; k. (This pul5<: C()n (1lso
other instruments litter on.) Putti ng thC' cli ck tr.Kk on you tl r xi -
bi lily. You Lan nuw lrat:ks i n <my order you wi!ih. For example,. you
m<1y \v<1nt to p1..1t lhC' clrufn lrack on nt:oXI, or you tuay wanL to the har mOfl) .. or
tune. Some mmic:itlns I if<<' to put thC' b(1ss line down r'irst. ordr-r you
choose. )' OU \viii al\".:ays the- d ick lrat'k a of reference.
25
..
' - hi . :rr.; .....
;j
WHEN RECORDING DRUM MACHINES
1. Relord \vith., lo\v rrading on the VU meter. fl he tr.'lnSi<'nt sound given oul by
th<' drum n1a<.:hine the meter lo
. ., Record \vilh the f ... u.l.:r Llll .1nd mike g<1in down.
:t If you \v..inl to add Ilk<' I'CVetb. E" l<: ... du il htdore you mix d()\Vrl. Once- y01.1
mix cio\Vn ot boun('t' to an open rr.1ck, you'll have to <tdclthe to the \vhoiC'
track .. . not just rhc drum>.
4. U \'00 the TR-7U7 or TR-909, )'OU can record diifr.rent drum sounds diret.1ly
Ol'llO trade ...
,.,, II 't'Ou want to have mort" of a ' 'rtoal'' sound, play your rhum n1.rtchi ne- throux.h a
:-.ei of $pC'akers a1ld the corning o ut c.>l the spe.1kers . . , his \viii Hive
you. more room sound and will cfir(J oi ' ' live drununer.
A BASIC FOUR-TRACK RECORDING
A. RECORD
I r<1Ck 1 - dit:k track
Tra<:k 1 - pCt rt
Track 3 -- guitar p.111
now rnix 2 and 3 onto I r.1r.k 4
B. RECORD
rrclck 2 - drum mar.hnl<'
Track :{ - keybo.rd
now mix 2 <lnd .i onto Track 1 clic:k tr11cki
C. RECORD
I f(1Ck 2 --
novv lllix 1, 2 and 4 onto ) Hor master)
Tr .. 1c...k 'I did Track I - mix of 1 & )
T tdc'A 2 - biJSS fr;ar..k 2 - drums
.
I 3 - }luilor
-1 - rnix of l & 3 lr.;u:lc 4 - rnix of 2 & J
1 rad. 1 - mix of 2 .. 3
I f('Ck 2 - \'OCal
-, r<'1r.k 4 - nlix of 2 & 3
Kr:ep log of (1U of r mcordi 11g procedures and your l apeo;. Tht:>11 \"-:he fl you
go (':>.Kk ro tJ demo, VOl.. \viJI k;)O\<v exactly \vhM you did in the origi n.11
recording sr:'s;;ion.
A chart lu lhb will vE:ry . il lo fil your nt'E>c.k
TAPE NO. SONG/TITLE TAPE COUNTER N(l.
.
'1st T,,kc Mix Down 2nd l;Jkt: Down Jnl Take Mix Down
TRACK 1
TMA(K 2
TRACK)
TRACK 4
Our for a four track rt!<:ording, which appeared on paw: 26, \VOuiU look
like on the c:hart:
TAPE NO. SONG/TITLE TAPE COUNTER NO.
1 BASIC FOUM-TRACK MEC:OROING 001 .
1sl Take A1ix Down 1nd Take Mix Uown :1rd Take Mix Oown
drur'11S &
TMA(K 1
click keyboard
2 &3
TMACK 2 h;'J$1, drums \lOt; ill
TRACK 3 guililr kt:}:luMrd
final mi"
1, 2, & 4
TRACK 4
'l & :l
bas1o & };Uii<Jr
You rna)' \Vhih LO volufllE' selti flSS. f.)erlormiug, eiff:!cls .. or
othc( of nn bck oi yout
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BACK BEAT
(Big Band Tw.-h:P. Ba!if"
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BEBOP
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1 2 3 4 s 6 7 8 9 10 11 12
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FAST TEMPOS
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1 2 3 4 s & 1 a g 10 11 12
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1 2 3 4 s e 1 a s 10 11 12
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SlOW BlUES
1 2 3 41 5 8 7 8 8 10 II 12
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so
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Bar 1
SltiW rempos- 2-U...r Pattern
J
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l
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1 9 10 11 12 13 14 1$ 16

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1 2 ! 41 s 6 7 8 9 10 ,, 12 13 14 15 16 1 2 3 4 S 6 1 8 9 10 11 12 13 14 IS 16
8 CH
7 OH
ICY
S HT
HT
sso
280
lAC
CH
OH
CY
HT
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SD
80
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6 7 9 10 11 f2 13 14 1$ 16
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8 CH
7 DH
6 CY
5 HT
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350
2 80
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CH _L
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CONGA
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B.u 1 8M2
1 2 3 .. s a 1 a 9 10 11 12 1l,.. ts '' 1 2 3 4 5 $ 1 I 9 1D 11 12 13 1 15 1$
CH
OH
so
80
cv
HC
AC
1-
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1 2 3 4 56 7 8 910111213 141518
CH >
OH r
so J
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HC
AC
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CONGA
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so
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CY
HC
AC
CH
OH
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80
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h\t t .. ft,dlcrn
Bar 1
1 2 3 4 5 6 7 8 9 10 1' 12 13 14 15 16
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 IS IS

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GUARACHA
Bar 1
lB.lt Pattrm
Bar 2
t 2 3 s & 1 a 10 '' 12 t 3 ts 11 1 2 3 4 5 & 7 8 I 10 U 12 13 14 IS 11
ICH
70H
ICY
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l so
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CH
OH
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Bar 1
8.-se (..)-2-B.u Pantrn
2
I CH
7 OH
ICY
5 HT
HT
3$0
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1 AC
CH
OH
CY
, 2 3 4 5 6 7 8 9 10 11 12
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CH
OH
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80
I 2 3 4 5 6 7 8 9 10 1 1 12
I
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1 2 3 4 S 6 7 8 9 10 It 12

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CH
OH
so
80
CY
HC
AC
CH
OH
GUARACHA
Bar 1
l-Rar Pattf"rn
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
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-
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
i
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CH
OH
so
80
CY
HC
AC
CH
OH
Bar 2
1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
I ' I
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1 2 3 4 5 6 7 8 9 10 I 1 12 13 14 15 16
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80
CYM
HC
CH
OH
so
80
CY
HC
AC
CH
OH
so
80
CYM
HC
so J
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J
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CYM
,_
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JOROPO
l\llchrc Base Palt.-rn
Har 1
1 2 3 4 5 6 7 8 9 10 11 12
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1-
r-
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1 2 3 4 5 6 7 8 9 10 l1 12
0
J
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CH
OH
so
eo
CY
HC
AC
CH
OH
so
80
CYM
HC
S.u 2
1 2 3 4 5 6 7 8 9 10 11 12
I
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1- -
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17
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MAMBO
Bar 1
2-Rar Pattern
Bar 2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 IS 16
SCH
TQH
6CY
SHT
4LT
3 so
280
1 AC
-

I
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f--
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r
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i

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1 2 3 4 $ 6 7 3 9 10 11 12 13 14 15 16
CH J
OH
CY - -....
HT
LT

80 J
J
R
J
L _.:;
..
I
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+ -
"

I
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J J I
8CH
1 OH
6 CY
5 HT
4LT
3SO
2 80
1 AC
CH
OH
, 2 3 4 s 6 1 a 9 to,, 12 13 14 1s 16
I
+
r- 1-
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--

f-
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1 2 3 4 s. 6 1 a 9 10 11 12 13 14 1s t s
a
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LT ....i J
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MERENGUE
Thi> 1 hylhw wnll-.:n 1n !.:'4 l lrra<. lh u-.ing ;.i>.tP.E'n h.l:.P., .m PCJUi \,'lif! n: of 2 h:.;r-. fur each of !he paur..rns
ht=-low.
8 CH
1 OH
6 CY
5 HT
4LT
3 so
2 BO
1 AC
CH
OH
CY
1 2 3 4 S 6 7 8 9 10 11 12 13 14 IS 16
- - -

-- -- - -
.
I
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1 2 3 4 5 6 7 8 9 10 II 12 13 14 t .S 16

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HT - -
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so
J,


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80 J
I

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48
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
8CH
70H
6CY
S HT
4LT
3 so
2 BD
1 AC
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...
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1 2 3 4 5 6 7 8 9 10 1T 12 13 14 tb 16
CH + - --L
OH
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MAMBO
CH
OH
so
BO
CY
HC
AC
CH
OH
so
80
CYM
Bar 1
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
,_
=t
--
+
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r
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---
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
0
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CH
OH
so
BD
CY
HC
AC
CH
OH
so
Kar 2
1 2 3 4 s 6 1 e 9 10 1112 13 14 1s 1s
-:-
_lj'_
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--
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
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r
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MERENGUE
Thi$ i;. in 2:1 Ry 1..15ing .:> si:<IP.en v.:e .;re inpuning thP. E'quiv.llenl of 2 br:r.;. fur ..:.t:.:h vf th(
belnv:.
CH
OH
so
BO
CY
HC
AC
CH
OH
so
BO
CYM
1 2 3 4 s 6 1 8 9 10 11 12 13 14 15 16
I
-
--
J
1-
.
- - --1- -
...
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i
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-
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1-
.
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- ---
---
-
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, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
..
I
'J J n J J
..
I
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--1

....__
-
--- 4
HC .... .- - 1.... j _ _:. ..

I
CH
OH
so
BO
CY
HC
AC
CH
OH
, 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
!- I
I
'
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+
.
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16


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MONTUNO
Bar 1
:J!-Uar P<l tlcrn
Bar 2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
BCH
70H
BCY
5 HT
4 LT
3 so
2 SO
1 AC
CH
OH
-
-
1

I
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-
I
2 3

cv ____
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LT -
5
J
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6 7 8 9 10 11 12 13 14 15 16
I
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so i
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1 2 3 4 S 6 7 8 t1iJ 10 11 12 13 t4 tS 16
- BCH
1 OH
BCY
5 HT
4LT
3 so
2SO
1 AC
---
1
,
1 2 3
CH

OH
cv - -
HT .
LT
so
-
so
J
I
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4 s
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1-+
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6 7 8 9 10 '1 t2 13 14 15 16
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y
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SON-MONTUNO
:l-Uar Yattcrn
Bar 2 6ar 1
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
8CH
70H
BCY
5 Hr
4LT
3 so
2 90
1 AC
..
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-
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1 2 . 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CH .
-- ---1 OH
CY J J J J J :
HT
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r
J
LT
SO - /
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
BCH
70H
6CY
5 HT
4LT
3 so
2 so
1 AC
- -
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.
--
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f-
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I
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-
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0
CH

J
I
J
I OH
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cv .l __
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J J
I
HT
< ---1
LT
f- -
J
I

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J
I
so J
___ .. ____ J .. J
I
CH
OH
so
eo
CY
HC
AC
CH
OH
so
eo
CYM
HC
MONTUNO
2RJr P.Htern
Bar 1
1 2 s 4 5 6 7 8 9 10 11 12 13 14 15 16
' '
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T
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~
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-
.
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'
1 2 3 4 S 6 7 8 9 10 11 12 13 14 IS 16
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r.

r
0

J

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J
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CH
OH
so
eo
CY
HC
AC
CH
OH
so
eo
CYM
HC
Bar 2
1 2 3 4 5 ~ 7 8 9 10 11 12 13 14 15 16
I
- 1- 1-
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.
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--
.
-
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.
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I
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
; I
l

J

J

J
J
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~
- 1
SON-MONTUNO
:Z-IJar P.1ttern
CH
OH
SO
80
CY
HC
AC
CH
OH
Bar 1
1 2 s 4 s 6 7 8 9 10 11 12 13 14 15 16
'
-+
'
I
-1-
t
-
-
~ -
-- -
-
_j
.
- I- 1-
I
1- ! . .
T I I
1 2 3 4 s 6 1 a g 10 ,, 12 n t4 ts ts
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r
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f
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80 ~

I
CYM
-
J J
;
I
HC
--i
CH
OH
SO
80
CY
HC
AC
CH
OH
so
eo
CYM
Bar 2
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
- ~
-- 1-
- f-
..
-
I
.
i
1- -
I
I

t 2 3 4 s 6 1 a 9 to 11 12 13 t4 15 16

r .
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I
31
ryt ...
PASA DOBLE (Spanish March)
is in 2/4 lilll<.'. IJy u>inn a sil<IC<.'n
IJdM!. ' rpl:tfq; thP. ()f 2 1),1'$.
1 2 3 4 s 6 7 & 9 10 11 12 l3 14 15 16
8CH
70H
6CV
SHT
4 LT
3 so
290
1 AC
CH
OH
CY
HT
lT
-
-
'

-
'
so.J
90
I I I
I
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-
r
-r
.
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...
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--
I
I
I I I I I
2 3 4 s 6 1 8 9 10 11 12 13 14 15 16
J .!



J
'
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;
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:
J
I
- 1
RUMBA
6CH
70H
6CY
SHT
4lT
3SD
290
I AC
PASA DOBLE (American)
Rast (V..)
1 2 3 4 5 6 7 8 9 10 11 12
-
I I
-
-
L
I

1- j-
'
- -
'
I
I
- -
1-I
-
-
.
- -
I
Bar 1
2-R.:tr
Bar 2
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
8 CH
70H
6CY
S HT
4LT
3SO
2 90
1 AC
.
1
'
i
I
I
I
I
2
.
3 4 s 6 1
CH+-
J
OH
CY
. ..
HT


-'----
LT
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SD

n

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80
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-
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I
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I
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.
I I
8 9 10 11 12 13 14 15 16
i
'
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..
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1

I

J
1 2 3 4 56 7 8 910111213141516
8CH
70H
6CY
S HT
4lT
3 so
2 60
1 AC
CH
OH
CY
HT
-
I
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-
LT _ _
so
J
80 J
2
- 1. .
I
:
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I
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3

5 6 1
J
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-
I
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f- - f- -
. .
. .
1- - , +-
8 9 10 11 12 13 14 15 16
i
..
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--1

..
..
. - "


J J
I
PASA DOBLE (Spanish March)
rh)1hm b \'lfllfcn in 2>4 :irre. li; o.Unr.:: .l
b.v.#, MP f"M'- klul.,l!Pilt t'lf .' !\o.ll).
1 2 3 4 5 6 7 8 9 10 11 12 13 15 1$
l
I
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.
-
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.
1- -
I
I
'-
CH
OH
so
80
CY
HC
AC
- -
,_
f-
I
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1 2 3 4 5 G 7 3 9 to 11 12 13 1.:1 IS 16
CH
-
1 OH
1
D
-
so


'
J

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I
so J J
!
J
I

CVM _
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HC - -
,.

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'
CH
DH
so
UD
CY
HC
AC
CH
OH
so
80
CYM
HC
RUMBA
P.Hl<"rn
Oar 1
1 2 3 4 5 6 7 8 9 10 r1 12 13 14 IS HI
CH
OH
so
BO
CY
HC
AC
' ; -- 1-
I
I
I
I
- -
J
. .
I
, 2 3 4 s & 1 a 9 10 11 12 13 14 1!. 16
CH I

1

_ _J
OH - r
::
Jj
J J
so
'

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so
_J _ J
J
CYM ___
.- ...
HC


J
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CH
OH
SD
BD
CY
HC
AC
CH
OH
so
BO
CYM
HC
PASA DOBLE (American)
T,..'f'h.'f' {1-il
1 2 ' 4 5 6 1 8 9 10 11 12
I I I
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, 2 3 4 s s ' a o 10 11 12 13 111 1s 16
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(Hah.a.nera Tempo)
Tnk th'"1hm tJ "'rittcn in tinw.- 6y uiii);S Shctfft''
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of 1M (W!Uef'N below.
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2&1r P.lllntl
Bar 2
1 2 3 4 5 6 7 8 9 10 t 1 12 ., 3 14 15 18 1 2 3 4 s 51 9 910 11 121314 15 16
8 CH
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BOSSA-ROCK
REVEKSEO C:lAVf. FUL-:2-Uar Pattern
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Bacl Rar 2
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RF.VF.RSEr'l CI.AVE FEEL-2-R.u P.ulern
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Bar 1
1 2 3 4 $ 6 7 B 9 10 11 12 13 14 16 1&
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HC :::=i ; _ _.jl ,___.j'--- ....L J
BREAK (STREET) DANCES
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;' + I I I
I
- - r"' - 1--

I I
'
i
2 ;3 4 .s 6 7 8 9 10 11 12 13 IS 16
-
FOLk (ilallail)
1 2 3 4 s 6 1 a a 1D",, 12' n 14 t's t&
CH
-=- 1 i I 1 - r '
OH H--t-' + -[ '"'! r
SBDD- ' ,, I ---- - I _ _

- 1:-h++-l+
CY I ::t't "i iiit
HC - ._J__. - !'";-" -- ....
Ac
! ; Lei-
1 , ! -. ''T 1 ! .
_L -' __.J'-'-_.JL-:..0 ' 4L
0
-'''-':._ ! __; '' L: .. .'---1
SD
i ' i
< .....; ... ___
. BD __J _ ____ _,_; _- _. ._ ' --"-J - -'_'!_ ..
CYM ... . - - -----
' .
/' I
I
HC
., .
FOLK ROCK (Ballad)
f. - -f-:- - . =-:::
I !
9 10 11 12 13 14 15 16
CH J J J J J ; __ I
. OH .
1
SD_f .' i 0 I
so J_. -.l, .J---1
CYM - - --'-;. . - . ; .. ......... . I
HC _
6J
'
; ....
. ..
"
-
" .
FUNKY ROCK.
2 3 4 S 6 .7 B 9 10 111213'14'.15 16 ...
' I -. l I ! !

1 ol I 1
7 OH _, _ ::-1-n - _ _
6_ c:v - -+-1-rih-+4'-+-+--Hl--!-++++-
1 . ! . I 1
HLTT "" : r:--- -t i I . ! ;:-
1 ! -.-1-r---
. . ... 3 __ , , :
1
-_';": .... ....
. i J
""", 2 e_o __ - "' . r-- .,
j- 1 . ;
. ; ..
- 1 ... -J--l---i--+-+- :f- - ..........
.,. . - ' -. , : .. ,.. : r
j 2 : 3 ' 4 5 6: '1 ' 8 9 .:10.111213.141516
;:.,,
--.::-. .
'-:c .--:
" "
) J H_.=:=Jr=;J .l ... _.t --
, ...
_:,
., ...
':
.-_ ..
;/,. )7--7._,. ...
" '
FUNKY ROCK
I 2 3 5 6 7 8 g- 10 11 12 I S 14 15 16
CH ' I
OH
so
' I
I
80 .
-
CY
HC
-
.. -1-l--: -J-t-+-1-
AC


l I : 1 1
1 2 3 4 5 6 a-g: ,o 11 i2 13 14 1$ 16

J CHJ J J J J
OH .. 1
so __ f:_, ____
-:<' I
80 ...... _ --:- , I
CYM .. J ' ; . J I
HC n < _:j . j . : y
CH
OH
so
80
CY
HC
AC
1 2 3

- 1-
-
-
' .
4
-
FUNKY ROCK
5 6 1 & 9 10 , 1 12 13 " 16 16
.
I
I
.
I
.
T -
--

I
f. ..
I
-
.!*
- -
-
t
.
'
I
--- ( -
I
-
I I
'
-r I
'
'
'
I I
1 2 3 '1 $ 6 1 .8 9 10 11 12 13 14 IG fG
'
CH JJ
OH
CYM ..
HC L
HARD ROCK
1 2 3 4 s 6 7 ' 9 10'11 12 13 14 15 ,.
i
.
CH
OH
so
80
CY
HC
AC
-

-
1-
-
1
'

-
I
I
..
--
--
'
I
-
' I
-
' '
I
' '
.
..
. -
.... ,
..
--f-.
.
. l
--
___ ... ,,
r.
-
'
;
I
.
- '
.

,. . ..
'
.
.. .,
'
1 2 3 4 6 7 8 g tO 11 12 13 14 I S t 6
-:
CH
J

J .. .. J J
- OH
,.
-
.. I
1J - - J.
j
.
J. J so
j
I
---,
J
=
).
80

a J
,
I

1
'
CVM _._
-i
HC
-1
..
HARD: ROCK ..
1 2 3 4 5 & 1 S 9 10 11 12 13 14 I.S 16
.
.
CH
O.H
s_o
80
CY
HC
AC
.

-
l-
I
f-f
f-
'
i ..
'
i
-
I
I
.
'
.
.. ,_
1- 1- -
. -
.
.
.
- .
.
I
-
:
I 2 3 4 $ G 1 8 9 101t12 .13H1016
. .
.... :
. ..; '


' J n.
-L.J_

SQ

.... .....
"':

_n.
J
I
J

J


j
. .._..__..,__11....-'L..-'"--
CYM_ ..........
.; .. _ . J
_ ...... J
J - I '- . '
-HC _ ._ _ _ _ !i, __ __l..:A-"-- -- - - --,
. t
...
6S
' .
1 -2 3 5 6 7 8 9 10 11 12 1:} 14 15' 16
.
.
.
- ..
. ..
' ..
.
''


..
-:
:
,.
..
. ;. ! '
a CH -
70H-.-:....--+
_tH J 'J J J ; .J .J. I
OH' . .
cv


.
HT ; ... I
LT n J t
' . ...
. .. . =-}- --:-: _j_..--- 1
. 80 c ,; j ) J ,)
-
JAZZ-ROCK
1 2 3 4 5 6 7 8 9 10 11 12 T3 14 15 16
' l I I : 1 ; 1
a CH- - -- - ...
70H . ! J : .. -... --}- -
6 CY -1--- - " r ,
1
-
HT ' 1--CJ--++++t-
' l ' I I
HT - "'i - - j . i- .
. .. ;- --- . ' - .... f- ...
1 AC -+-i-i .. <t' -++-<f'-+-
1
'-
_r:--- . 1 1 L i
1 2 3 4 5 G, 7 8 9 10 11 12 13 14 1$ 16
i J
..

j
' .
'
BD ;:, ,l
' .
f>b .
. .
RO(X
...
1 2 :4 5 6., '1 3 9 10 1,1 12 13 14 15 16
I , I I
. 8CH
70H i . '' -,' I
I : . .
&cr- T - ., ... r I -
5 HT : - --r-: -- ; ::-+-. -: _,__, l - -- -
4lT ,,- i r ,
3SO
1
, ., i .
280 . I +. - .. ..
1 AC ..:. - j -.;.. - . ._. ...:_ 1
. 1 2 3 4 s 6 1 8 g 101'1 ,1213141$ 15 -

CH i J 'j .. -- J i : .
OH (' - r
1
.....,..1' ' r.-:1
.
. n ;.- n_ , j .
cv_f! _ _.._.:__. t'
-

LT J
8 CH
7 OH
6CY
S HT
4lT
3 so
2'80
1 AC.
. .
LATIN ROCK .
1 2 3 4 5 6 7 8 . 9 tO 11 12 t3 14 15 16
-
j - --
- -
-
. L ..
--
'l
f-
. I
I
'
- .. -
I
-
- -- --
..
-- -
--
i
-+-
I
....
- -
-
.
-
1-
I-
-
-I
'
-.
--- T. -
--
--
,.
I

-
-
I
H---H-
-
I IT
.,.,-
1 - 2 3 4 5 7 B 91011 121314' 15'16
.. -
-
! . . - ,_
CH ,; .. I
OH - .
Cy
J:J .. j .... J L;J -;;--- I :I
-- .. ... ..
. - . ' J - = ;:. .. J
-
HT ----------------+-------''- ' ---'.'- . '
_. -...
l T
' J. I " 2 .. . J_. :" so - -:--.-::- __ ,__ _ _.___.:__ __;_J __ -"; __ -1
BD r J. J ; r -
1
-
..
CH
OH
so
80
CY
HC
AC
JAZZ-ROCK
1 2 3 .o .s e 1 e 9 10 11 12 13 1<1 15 1s
I
,_
-
I
.i_
'
I
.
'
I
I
-

I I
'
- - -
'
I -l
.
;

I
1 2 3 4 5 (l 7 8 9 10 11 12 13 14 1!> 15
CH J J

J

J
'

OH _,.
.-
so
o,
c
- ...... -- ---,
60 d

JrjT- " - . - .
CYM -f--- L..---f'---.IL-'- -j
_ _ -;
CH
OH
so
so
CY
HC
AC
JAZZ- ROCK
1 2 3 4 s e 7 a 9 10 ,, 1213 14 15 16
'
I I


I
-
I
1- -
l I
- -
' I
r
.
--
.
- 1 -
i
- - -
I
I
I I
I I I .
1 2 3 .. s ' 7 9 10 11 12 1l 14 15 16
:::) .. , .. :?.-. ... J I
SD _.._J J :; J
.J 7 . .J._J.. : ' . n I
=
BO :. J
'
CYM ===; - }:;=: . ::::;-'J";::::;;ll
.J J .,J :HI
. ., 7 . -'-----'-'-"--"'-"--l
-- --- -
LATIN ROCK
1 2 3 4 5 6 7 8 9 tO 11 12. 1l14 IS 16
1 2 3 4 s 6 7 8 9 10 11 12 13 14 1; 15
0
.... 0
so J : =-1
eo .I J J ; :i J J 1
CYM 0
). _ b ;r--=;:;=' ;
I
HC _.J...__ ..,j ...
LATIN ROCK
.
1 '2 3 4 s 6. 7 & 9 10 11 12 13 14 l5 16
CH
01<
50
80
CY
HC
AC
-
-
-
-
-
'
.
-
'
- j -
. .
,_
..
-
I
1-
-
.
I
'
I
I
-:
"'1

-
'
i
I I
I 2 3 4 S 6 1 I 9 10 11 12 13 14 15 16
'
'
n.
CH -+=.::;:::: _J---,
OH
Sl) J . J .. .,1 : -l
-
. BO ..J ..
... . J .. I
:;jl HC -- ..
r
/.
.1

. .- ' . -:-:
.. ,; '
. , ____ J. _, - I
eo
...
BD
' r
l

)
;._
.,
. :::...:. _____ ___ .
.... ...... ::: .......
- ;: ., ' '
REGGAE , :: REGtA{ ; ::,!_; ; ...
!: ;. - .. -- . : ... : ..
?-;!!_;_:,;:_: .. - 1 .2 .3 4 s. 6 . 1. =- 10. t1 12 13 141 .1S 16 1 2 3 4 s s;. 1 a 9 jo 1'1 \2 13 t4 ts is::..

. ' , ' +-f-<! '' ' - . :; o' ' ;, ' : "'


'":'-'- 8CH , : .

a_CH - __. .. ..... , , ."' -9 - - .;..-


. .. ..'. _:: 7 oH "+++.++'-i'-,1-l-ll'- ' -_,,-lH Hf-f-f-1--"- I I -: - I . "":M :r. -., H ' :
, "' '.6 t-Hf-:1-t- t-
1
- +.-- :.:. -1'--1-r2 . ' i -
I -. I .... - I ... , -.:
: .+.+(-++:... HHH-1-+'-+-+-++++- ! -'f..:+-_+
1
.+++.+++4-,C_.+ -:... .+! -++.++-
' 1 . ! I .,. ,, >": .. ,,
.: . 3SD:. ... . .. -- 3SD .
-t .: :" : l .
..
. .
.,
-- .
.....
..
:. : .
' .
. :_,.
-: .'
... ..
..
;.<<.
--2-BD-'+-+' . +++-1-'H""+-+++++.-++-
fAC -
-- , , --- -r '
1 :.2 . 3 4 s 1 a g t0""' 111213'14 ts
;
"
-_-:-
.
I
cv.---. .--..
SD .-.;'
-
' ... _ ' k - . .

' ..... ,
'
'
REGGAE
CH
OH
SD
80
CY
HC
AC
CH
OH
SD
eo
'
1 2 3 4 5 6 7 8 9 10 It 12 13 14 15 16
I
.
I I I I
I '
I
' I
I
-- -
_!_
-
I
--
_j
- -t .. -
I '
'
I t 1
- d -1:-
_ I I
' -
..
I i I
'
1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16

j
.
I

.
---
t

..
)
J
'
CYM _ _ _ ._.__,___
HC
CH
OH
so
80
CY
HC
AC
- - - ----,- -1
REGGAE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
-
I _]_
+-
--- <-j--.
--
I
:{- - ---
' - -
- r- -
-+-
- -
I
! '
I
'
I
I
I
'
_J_,_
r-
- -
' --
+--
- -
'
1-
I

-
I I I I
1 2 3 4 5 6 7 8 9 10 11 12 13 14 tS 16
J ____ ._ l - --1
:--

BD J (
J
CVM __ _.
-

CH
OH
SD
80
cv
HC
AC
-
-
Har 2
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
1- ' I I ' '
'
I
'
T I
;
I ! I
.
i
l I . I I
I I
I . 1
I . i I
'
.
1 2 3 4 5 6 7 8 9 10 , , 12 13 14 15 16
CHL J J
'
i
OH
____ J__
so
-
$
80
J

J
' I
CYM

"! ""':"" - -- -
CH
OH
SD
80
CY
HC
AC
REGGAE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
'
I
..
-
i
'
'
- -
I
-
1-
-t-
-
I
-
--
! '
.. . . -- 1--
i
. I
-
r--
--+--
--
--
i -
.
I
-
1:- -
_,
; I
1 2 3 4 5 G 7 8 9 10 11 12 13 14 15 16
CH .__r...__.__..._, ---1n__._.;'"- . _.::;__J __ r._
1 OH
SD. ,, J ---'1- . J 'i J I
80 __.).___ ,,.__ i _ ___LJ _ ___.J.__--11
CYM _____ ___ - -- --11
'
(
'f'Jf ... rd())S,_ - __
ROCK 'N' ROll
In SO'!!: Roc< ,. Rol . thP Pigl'tlh nolfi' k with
;..a. ":d. Lt,(. d lwct\-c
t 2 3 4 s & 1 a t to '' 12
OCH
7 OH
6 CY
5 HT
HT
3 so
2 80
1 AC
-
'
-
'
-
-
I
'
I I
! i
-
I
-
- -
- - -
. -
-
1- -
I .
1 2 3 4 5 6 7 8 t 10 11 12
CH
'

I OH
.J ,J


..
J


J
cv

.
HT - - -
LT
- -
so - /-

-f
J
I
BO

J

-l
ROCK 'N' ROLL
, 2 a 4 s 6 1 a s 10 ,, 12
8 CH
7 OH
8 CY
5 HT
LT
3SO
2 80
1 AC
- 1--
-
I
I
1-1-
..,-
I i
I
i
- - i
f-
I
-
1-t-- -
t 2 3 4 5 G 1 8 9 10 11 12
-3
I

'
J
CH l .
OH - r
CY J L_L . __ ... -:::-----1
HT -
l
1-"-1
;
,.
.
. .

J
LT
so

J
' I
BO
J
J J J
70
8C'H
70H
6 CY
5 HT
4 LT
3 so
2 80
1 AC
CH
OH
CY
SALSA ROCK
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
-
+
-

'
- - 1-
-T
-
. ...Ll-.
I I
-
_I_
.
l
I
__ ,
r - ....
1
- - 1- t-- - - T
I l I
1 2 ' 4 56 1 6 91011121314 1516

a

J
--
---
-
'

s


I I



J J

-
HT _,-


n
J
" :.
LT


J
so -'1- J _[J__; :. J Of ..

' '
J
J. J J
-
J
80
-

SALSA ROCK with a 6/8 feel (Nanigo)
Tweh'e Base
. 2 3 1 5 6 7 8 9 10 11 i2
I I
-
- -
'
I
l-
-
-
t-- f- .
l
8 CH
7 OH
6 CY
5 HT
HT
3SO
280
1 AC
-
.
1 2 s 4 s 6 1 8 9 10 ,, 12
.. - J
a

CH
J
-"!--
,i
J
I OH
CY
J J J
-1
HT _.L J

I
' LT
3 3 I
so
J J : J

! : J J
'
I
80
J J J J
ROCK 'N' ROLL
In 50':. Rv::k ' n' f\oll. t ht. nut<: b pla;:cd with <1
j,l77 f.-.-1. IJ!>t=- ,) h'of' loot boO$.;-.
CH
OH
so
BD
CY
HC
AC
CH
OH
so
BO
CYM
HC
CH
OH
so
80
CY
HC
AC
CH
OH
so
BO
CYM
HC
1 2 3 4 5 6 7 8 9 10 11 12
J I !

'
j I
I I I
'
f
I I I I
L
-
i I
I
I
I
I
-
--
-
- --
-
I
--
-- -
---
1 2 3

5

T a 9 10 11 12
J
f --L
'
f -,
. ..
-
J
J J
---
J
'l
J J
"

ROCK ' N' ROLl
1 2 3 4 5 6 1 8 9 10 11 12
'
I
I
I I
I
- --
__ L_
!
-
!
1 2 3

5 6 T 8 9 10 11 12
J >
l

I
I
J
-
:1
--
-i
'
J J
I
'

J
J
J
I

J .1
J
J -'!-'- "---;_ ]::J-i
-
'
J J
I
'
'
SALSA ROCK
1 2 3 4 s 6 1 8 9 10 11 12 13 14 15 16
I
----
I I
' I I
.
-
-T --
I
-
- I
I I
CH
OH
so
BD
CY
HC
AC
I
! _ +-
-

+
---,-
I
-
' - !..-

I
' ...
-
-
I
! ..
I
-
I I I
1 2 3 4 5 6 7 6 9 10 11 12 13 14 15 16

',. --
. .. ' ..
; __ J
I
CH
. ,
r
J
'

' -
'
I OH
_J
:J

J-i
so _j
.. f ...


.
'
'j
J
-
ao _.i_.


I
CYM _J
-
J J
I
..
.i
: ..
'
I
HC
---
.. .
. .
,
'
SALSA ROCK with a 6/ 8 feel (Nanigo)
CH
OH
so
BO
CY
HC
AC
CH
OH
so
80
CYM
,.
HC
Twd1re IJasc
1 2 3 4 s 6 1 6 9 10 11 12
-
--L
-
1- - -- ---1- -
-
-
-
-
-
- - r-- -
--
.
- -
r-
-
f
I .
1 2 3 4 5 6 7 8 9 10 II 12
I r--J -.
--f---J

.. J . J

__._ ---
.1 J J
'
'
J

J J J
'
J
' {
J
I

'
.
_.._
J J
I

I
J J

I
,
I
J J .. i
c
I
7'1
_,::..__ _____
SHUFFlE ROCK
Twci\'C Uasc
1 2 3 4 5 6 7 8 9 10 11 12
I l _t- 1 - 1
8 CH -t-- -- - 1- - r HHHI-
1-+--l- - i-
6CY
SHT
i
4LT
3 so -+-+- , + ...... ++++! -+ ...... +-+-
280
1AC


1 2 3 4 5 6 7 8 9 10 11 12
CH
I
I
J
I

OH ___:c
;
.1
;
J
.
J J



I
CY . '
4
'
3

J
.
;
I
HT
. I
LT
---------- - 1
:--
.

I
so
..

.J :1
80
'

;
LJ. . " I -4
'
____ . ;_ ; __ ..
SHUFFlE ROCK
I 2 3 4 5 6 1 8 9 10 11 12
8 CH
70H
&CY
5 HT
4LT
350
2 BO
1 AC
-
-
- -
'
I
I
I
I
I
1-
' --
----
!
I
-
-
-
-
I i
' '
'
'
'
- ---
!-
-
I i
,.
I
.
4
--
I
I
, 2 3 4 s 6 1 a 9 10 11 12

J
CH __1_.:.__. J
..
OH
CY
J
_J_
.. J
I
J
HT
J
--4
LT
'
L.L
I
.J
....
J 3

3'
so _ ; _::,_] J
.,
; : ). 'i I
'
ti

H_ .._. ... __...!
J
l '
80
J J J J


72
TWIST
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
. .... I
I
'
I I t
--I.e-
I
r
- -
i I
-
I I
- 1-

.
--!.
1--l
1 I
;
' I
I
!
'
1
;
I
'
I
-
.. L
'
-
.
' ! > I
'
. r 1-- -.,.-
8CH
7 OH
&CY
S HT
4LT
3 so
2 80
1 AC
I
... .. J
-
I I I
. '
-
I
1 2 3 4 5 6 7 6 9 10 11 12 13 14 15 16
CH ..J
OH
I
CY .
J J r J
_ __ ._; _ _.Jl__ __ I

i ---- --" I

so
soL _ __ )
I
TWIST.
For Slow Terilj:flls
1 2 3 4 $ 6 7 8 9 10 11 12 13 15 16.
I
. I I i 1 I I I
.. . t=J .. +. l-:::r:
6 CY + . ....
5 H T I - !-+- f--1-...;:'--f-+-'-+1-
4 L T - l
3 so .. ':--1--hf..-.l--l--- 1- - I
2 80 1 ,_- Hf--++-+-+-H-
1 \
1 AC -- - - ------1--H>-t-++
1 l ; I .
12 3 4 5 1 a 9101112-1314.1516
-1;;;;;;;;;; " -. - f J -- . -i
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SHUFFLE ROCK
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HC
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(h,o'M>i'5h)
1 2 a s s 1 a t to u 12 t3 ,. ts ' '
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1 2 3 4 ' 6 7 8 9 10 11 12 13 14 1$ 1$
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MEXICAN HAT DANCE
T...,<-dH? BallE> (This j;, rE>JIIy R'JII.:ll :<1 1 t;;<:t
b\1"$ '
' 2 3 4 5 6 1 8 9 10 ,, 12
I
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8CY
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2 80
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1 2 3 4 S 6 7 8 ? 10 1 f 12 13 14 1S 16
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280
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80
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REEL
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1 2 3 4 5 6 7 8 9 10 11 12
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7 OH
6CY
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4 Ll
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2 80
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CH
OH
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MEXICAN HAT DANCE
TwPI\'P Ra'if> (This me-J)Uf( 1c.al' y 4 fa!>l

CH
OH
SD
BD
cv
HC
AC
CH
OH
so
BD
1 2 3 4 s 6 7 8 9 10 11 12

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1 2 3 4 5 6 1 8 9 10 11 12
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CH
OH
so
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1 2 3 4 s 6 1 8 9 10 11 12
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CH
OH
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BD
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HC
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1 2 3 4 s 1 a s 10 11 12 13 u t5 16
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SHE R (Russian)
Thi1- rhy1hm b wrilh:n liiiL'. u:>ins <t sixle<-n
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fJ.ltt<;fll bl.'lt.ow
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
: - 8 CH
7 OH
6CY
SHT
4LT
3SO
2 eo
I AC
-
1-
1- 1-
-
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1-
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TARANTELLA
Twthre 63se (6/8-2 b<tr!S)
8 CH
1 OH
6 CY
5 HT
4LT
3 so
2 80
1 AC
CH
OH
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.
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1 8 9 10 11 12
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TWO-STEP
(Peabody)
1 2 3 .t1 s s 1 a s to 11 12 t3 t4 ts t 6
8CH
70H
6CY
5HT
4LT
3 so
280
I AC
-
--
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1 2 3 4 s 6 1 8 910111213141516
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OH
CY
HT

so
80
8CH
70H
6CY
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3SD
280
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3 4 5

7 8 9 10 11 12
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r
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1 2 3 4 5 6 7 8 9 10 11 12
CH _ ,
OH r
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LT
so
eo --"'------J'---4- -- -1
SHE R (Russian)
;., ' rh"tt h YoftCtcn in 2: -l ti"f'lE'. Br .D'r"t; ., .. i>,f'fJn
b,n,co ""',... "'" '--qur ... dcnt o 2 b.U' to tlu:
Nt"f'f'ft t..lh..\
t 2 3 5 6 7 9 10 11 12 13 14 15 ,,
I
1
CH
OH
so
80
cv
HC
AC
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1-
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1 2 3 4 5 15 7 8 9 10 11 17 13 14 15 ,,
CH+-

OH
SD


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HC
CH
OH
so
80
CY
HC
AC
CH
OH
so
80
CVM
HC

....,
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TARANTELLA
T\\othP (6/8-1 ban)
1 2 3 5 6 7 8 9 10 1 t 12
.
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r-
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1 2 s 4 5 6 7 8 9 10 11 12
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1 2 3 s 6 7 a 9 10 n 12 13 '" ts 11
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CH
OH
so
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cv
HC
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.
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t 2 3 4 5 s r a 9 to ,, t2 t3 t4 ts t&
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WALTZ

1 2 3 4 5 8 7 8 9 10 11 12
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2 3 4 $ 6 7 8 9 tO 11 12

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THE BEATS OF YOUR FAVORITE DRUMMERS
Tht> lollov\.ling s0c:tion rontain< br.:tts \vr ilhm in the ol m.my of today's top I m,)}' not
Ut> lht- toxact be.at on .1 sp<""r.ifk f(corcli ng. bul tht>y .ill the of the players' ;; tyl< .111d
\Viii giv<' yots thE> r ight ftoel lor tune m tlw of <'ithl"r th<1l playe-r or the- ;.;roup thto Urumrner 1s
a;,:,ociatt>c' w1th.
CARMINE APPICE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
8CH
70H
8CY
SHT
4LT
3SO
280
1 AC
-
-.-

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1 2 3 s 6 1 a 9 10 ,, 12 u u 15 t6
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CARMINE APPICE
1 2 3 4 s s 1 a g 10 ,, 1213 t4 ts 16
'

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70H
8CY
SHT
4LT
3 so
2 80
1 AC
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so
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Bill BRUFORO
1 2 3 4 5 6 1 8 g 10 11 12 13 14 15 16
8CH
70H
6CY
5 HT
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3SO
280
1 AC
CH
OH
CY
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THE BEATS OF YOUR FAVORITE DRUMMERS
The followi ng $(<:lion <.:ontainj wrillen in the style of of tod.1y .. s top dnunmt'l'>. Tl1toy not
hC' the exact h<'.U pl;1yf'n nr) a recordinH, Uul all capture the c;;sC'ncC' of th< pl(1yt:'J; ::-lylt' and
will you the ri ght if'el for ,, tunC' in thC' ;tyl( of E>ilhE?r lhat p!dvet or the grou; ) the <lrumn1('( i;
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CH
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CARMINE APPICE
1 2 3 ... 5 6 7 8 9 10 11 14 15 16
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1 2 3 5 6 7 8 9 10 11 12 13 14 15 16
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Bill BRUFORO
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5 6 7 8 9 10 11 12 13 14 15 16
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1 2 J 4 5 6 1 8 9 10 11 12 13 14 IS 16
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1 2 3 41 S 8 7 8 9 10 11 12 U 14 15 IG
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STEWART COPLAND
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
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280
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1 2 3 4 5 6 7 8 9 10 1l 12 13 14 15 16
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1 2 , $ 6 1 8 g 10 1t 12 , , 14 15 11
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1 2 3 4 s 6 1 8 9 10 11 12 13 14 15 16
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1 2 , 4 s, 6 1 8 9 10 11 12 13 , .. 1$ 11
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, 2 3 4 s ' r a 9 to,, 12 u u ts ''
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HENRY JONES
1 2 3 4 5 6 7 8 9 10 1t 12 13 14 15 16
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
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1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
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1 2 3 4 $ 6 1 8 9 10 11 12 13 141 IS HI
CH
OH
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1 2 3 4 $ 6 7 I 9 10 11 12 13 14 1$ II
CH
OH
so
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HC
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1 2 J 4 s & 1 a 9 10 tt t2 t3 14 t$ t&
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1 2 3 4 5 6 7 8 g 10 11 12 13 14 15 16
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BO J ; J l -.ll oi'--JI
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7 OH
6 CY
5 HT
4LT
3 so
2 BO
1 AC
STEVE SMITH
1 2 s $ ' 1 8 t 10 11 12 u 14 1$ ,.
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STEVE SMITH
1 2 3 4 s 6 7 8 ' 10 11 12 13 14 15 16
'
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8CH
7 OH
6CY
5HT
HT
350
2 BO
1 AC
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1 2 3 4 5 6 1 8 g 10 11 12 13 14 tS t8
CH J
OH
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OH
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BO
CY
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OH
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BO
CYM
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JEFF PORCARO
1 2 J s 6 7 a g 10 11 12 13 14 t5 ta
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
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1 2 3 5 6 7 8 9 10 11 12 13 14 15 16
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OH
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BO
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STEVE SMITH
1 2 3 4 S I 7 a 9 10 11 12 13 14 15 11
CH
OH
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BO
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HC
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, 2 3 s e 1 a & to u 12 JJ t4 ts 1s
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OH
so
BO
cv
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AC
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1 2 3 c $ 6 1 A 9 10 11 12 13 14 IS 115
CH J J ..

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OH
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6 CY
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3$0
280
I AC
CH
OH
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HT
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80
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1 OH
5CY
5 HT
HT
3$0
280
I AC
ROGER TAYLOR
t 2 3 4 S S 1 8 9 10 11 12 t) t4 IS 16
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1 2 3 4 5 6 7 8 9 tO 11 12 13 t.tl IS 16
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9 10 11 12 13 14 15 16

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1 2 3 4 S 8 7 a 9 10 11 12 13 14 IS 11
8CH
1 OH
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2 80
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LENNY WHITE
1 2 3 4 6 7 8 9 10 11 12 13 14 IS 16
6CH
7 OH
5CY
5 HT
HT
3$0
2 80
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CH
OH
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
CH
OH
so
80
CY
HC
AC
I
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I
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
0 0
CH
J J
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80
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 IS 16

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CH
OH
so
80
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HC
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OH 'r .-o: ' r
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J J J

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CH
OH
so
80
CY
HC
AC
lENNY WHITE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
I I
+
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+
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1 2 3 4 5 6 7 8 9 10 11 12 1314 15 16

CH ____
OH
so
1
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1 2 3 4 s s 1 a g to,, 12 13 14 ts t6
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CH J r; :f ,\.
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60

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ALEX VAN HALEN
o A.k, .. Otu: buill on?. !),ll p.; ttE'r'ls.
Bar 1
1 2 3 4 5 6 7 8 9 10 1l 12 13 14 15 16
SCH
1 OH
6CY
5 HT
4LT
3 so
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1 AC
CH
OH
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1 OH
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3 so
2 BO
1 AC
CH
OH
CY
HT
LT
so
80
Bar 2
, 2 3 4 s s 1 a 9 10 11 12 t3 t4 15 16
I
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1- -- f-
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1 2 3 4 5 6 7 8 9 1011 12 13 14 IS 16
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ALEX VAN HALEN
Bar 1
t 2 3 4 S 6 7 8 9 10 11 12 13 14 IS 16
8CH
70H
6CY
5 .HT
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2 80
1 AC - -i--
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Bar 2
1 2 3 4 s 6 7 8 910111213141516
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CH _,JL----ILh-li.JJ_ .. -; J n
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"-'"''1Y 01 Ao, Arf' or 1b.v :O..l'tPm\
CH
OH
so
80
cv
HC
AC
CH
OH
so
BD
CYM
HC
Bar 1
1 2 3 s 6 7 8 9 10 11 12 13 14 15 16
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CH
OH
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80
Bar 2
1 2 3 s e 1 e t 10 11 12 13 14 1s 11
t t
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ALEX VAN HALEN
CH
OH
SD
80
CY
HC
AC
CH
OH
so
Rar 1
1 2 3 5 6 7 9 10 11 12 13 14 15 16
I
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-
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1- '-
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1- r- -
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1 2 3 4 S 6 7 8 9 10 II 12 13 14 I S 18
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1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 ,,

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ROCK FILLS (SLOW TEMPOS)
t 2 3 4 s 6 7 8 9 tO 11 12 13 14 15 16
'

7 OH -+-+++-H-+-+++-t--1-
1
1- + c-
8 CY --t-t+++-t-Hf-; -1- .. }.; .. ++-',-+-

4 l T : - -
3 so-+-'-++ . .L . + +

1AC ; : :
CH
OH
CY
HT
lT
so
80
8CH
>OH
6CY
S HT
4LT
SSD
2 BD
1AC
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16
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f
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1 2 3 4 5 & 7 8 9 10 11 12 13 14 15 16
-
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+
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-
1-
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CH +--- -..Jtj_ - i _ _l_ ___ j
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cv _____________________ __,
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8 CH
1 OH
8CY
S HT
4 LT
3SO
2 80
1 AC
CH
OH
CY
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 16

I
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1-
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1- -
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t 2 3 4 5 & 7 8 9 10 11 12 13 14 15 16
8 CH
7 OH
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5 HT
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3SO
280
1 AC
CH
OH
CY
HT
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8 9 10 11 12 13 14 15 16
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ROCK fillS (SlOW TEMPOS)
CH
OH
so
BO
cv
HC
AC
CH
OH
so
BD
CYM
HC
CH
OH
so
BO
cv
HC
A
1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
I
I
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..
+
I
1 2 3 4 5 6 7 8 9 10 11 12 13 Ul 15 16
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BD - "----'L-__ _ _.: y

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CH
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OH
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CVM
1 2 3 s s 1 a o 1011 12 13 ,,. ts ''
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1 2 3 & e 1 a g 10 11 12 13 '" 1s tl!l
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OH
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80
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HC
AC
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1 2 3 4 s 1 a a to,, 12 nuts t6
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CVM . y).
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10 1
1'W-.dOt:

ROCK FILLS (FAST TEMPOS)
8CH
7 OH
6CY
5 HT
HT
350
2 80
1 AC
1 2 3 4 5 $ 7 8 9 10 11 12 13 14 15 1&
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l
I
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i
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
CH
OH

LT -
so
8CH
70H
6CY
5 HT
4LT
3SO
280
1 AC
CH
OH
CY
1 2 3 4 s 6 7 3 9 10 11 12 13 14 15 16
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1 2 3 4 s 6 1 8 9 10 11 12 13 14 15 16


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so
80
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102
8CH
7QH
6CY
SHT
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3 so
280
1 AC
1 2 3 4 s 6 1 8 t 10 11 12 13 14 15 16
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1 2 3 4 5 6 7 8 9 10 11 12 Y3 14 15 16

CH J J JJ J J r:
OH O
CY


so ____________________________
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7QH
6CY
SHT
4LT
3SO
280
1 AC
CH
OH
CY
HT
LT
1 2 3 .. 5 6 1 8 9 10 f1 12 13 14 15 16
'
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I
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1 2 3 4 5 6 7 8 9 10 11 t2 13 14 15 16
=-
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JJ J J I
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so.

80
CH
OH
so
80
CV
HC
AC
CH
OH
so
80
CYM
HC
CH
OH
so
80
CY
HC
AC
CH
OH
so
80
CYM
HC
RUCK FILLS (FAST TEMPOSl
, 2 ' s s 1 a e 10 ,, 12 t3 14 ,,
I
I
-
-
-
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1 2 3 4 5 6 7 8 9 10 11 12 1:J 14 15 ,,
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 HJ 16
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1 2 3 5 6 7 8 9 10 11 12 13 14 1$ 18
J
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OH
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80
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HC
AC
CH
OH
1 2 3 5 7 10 11 12 13 , .. 1S ,.
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1 2 3 s 6 1 a 9 to ,, 12 '' ,. t$ 10
0
JJ J J J tl tl .J
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~
80
CVM
HC
CH
OH
so
80
CY
HC
AC
CH
.-
:=--1
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1 2 3 4 s 7 8 9 10 t t 12 13 14 15 16
I
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1-
f-
r
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1- 1-
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1 2 3 4 $ 7 8 9 10 11 12 13 14 15 ,,
OH- -
J
;
J
J
so
I
J
80
-
J
J
- ~
CYM
~ -
-
HC l'J
IUl
JAZZ FILLS (SLOW TEMPOS)
1 2 3 4 5 1 8 9 10 11 12
8CH
70H
SCY
5 HT
HT
so
260
1 AC
CH
OH
1
CY _)
HT -f.-
LT ..._
:-=
so
J
BO
I
I
2

4 5

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J J
l

I
6 7 6 9 10 11 12
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J
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r
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J
I
t 2 3 4 s s 1 a 9 10 ,, 12
8CH
70H
8CY
SHT
HT
3SD
2 BD
1 AC
CH
OH
CY
HT
LT
so
eo
104
j
I
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i
1 2 3 4 5 6 7 8 9 10 11 12
J
0
J
'
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3
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6CH
70H
GCY
S HT
4LT
3 so
2 BD
1 AC
CH
OH
CY
HT
LT
so
BO
8 CH
7 OH
6CY
5 HT
4 LT
3SD
2BO
1 AC
1 2 3 4 5 6 7 8 9 10 11 12
I
1 2 s 4 5 6 7 8 9 10 11 12
J J
-
J ..
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J J

I
J

J J J
I 3 J
J J J J J

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J J J
J
1 J
I
1 2 3 4 s 6 1 8 9 10 H 12 13 14 15 16
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I
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1 2 3 4 5 6 7 8 9 10 11 12 t3 14 15 16

OH



;').
so J
=
so . ;'). J
-
CH
OH
so
80
CY
HC
AC
CH
OH
so
80
CYM
HC
CH
OH
so
80
CY
HC
AC
CH
OH
so
so
CYM
HC
-------------- --
IAZZ FillS (SLOW TEMPOS)
1 2 3

s 6 1 8 9 10 11 12
1 2 3

6 6 7

9 10 11 12
'i
-
J
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.
J J
I

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J
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J
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1 2 3 4 5 6 1 8 9 10 11 12
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1 2 3 4 s 6 1 8 g 10 11 12
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J J .. J
3 C
;
t z 3 s a 1 a g to ,, 12
CH
OH
so
80
I
cv
HC
AC
I
I I
1 2 3 4 5 6 7 8 9 10 11 12
CH
OH .1 3 J
J J J J J J
I
so
i-
3
so
-
......... _. __
J. . _I:;:J-i
CYM
3
HC
_.;, ::J
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1 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16
L
--
.. .
-
-
- - -
-
!
I
I
CH
OH
so
so
CY
HC
AC - 1- -- -
1 2 3 4 $ 6 7 8 9 10 11 12 13 H 15 16
CH
OH
~
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so

:.,.
..
\
so
..
CYM
_J
HC
H ) ~
rYe-dOl _ ______________ _
IAZZ FILLS (FAST TEMPOS)
8CH
70H
6CY
SHT
4LT
3SD
280
1 AC
CH
OH
CY
HT
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MANUSCRIPT PAPER
16 BASE
12 BASE
1 2 3 4 s 6 7 8 9 10 11 12 13 14 15 18 1 2 3 4 s 8 7 8 9 10 11 12
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16 BASE
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12 BASE
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tJt&/lli:PP' /. !h ,.
ABOUT THE RHYTHM COMPOSER TR-727
lhe TR-727 is technically the samo as the TR'707. The is that the l R-717
is a LATI'I DRUM Mt\CI liNE capable of producing thE> great 'ounds of most L1tin
rhylhm instruments.
Similar to the TR-707. each instrument's ;;ound is pre-set so you <.:an'l <.:ontrol its
There is <l mixing pi!ncl. however, lhat aiJO\\'S you to c:ontrol the volume or
o,1(h track as as tho total output oi all sounds.
113
114
The 1 K-727 contains a graphic display wim.IO\v \ovhich gives you .-1 vio;ual picture of
all of the functions you are performing. It $hows-<ho tnptl t- ofth pallerns, tire
metronome and the mode you are \VorkinK i l). \Vher'f \"/riting or playing
tr.1c:ks, it shows the tra<.:k number and measure number.
As with the graphic scr('cn on the l L<-717, some lines of the di>play are us<?CI for
more than one instrumf'nt .. c:abas.a/m"uat: .. -\S).
$om(' li nes ;also used for different sounds of the instrument. {Hi & low
Bongo, Mule High Conga & Open High Conga, Hi & low Agogo, Short & long
\Vhistl'.) The and instruments ;ue by solid and .tl-Hhing dots.
SOliD DOTS
star chirne
short
cabasa
high
low timb.1lc
high timbale
low conga
mute conga
high bongo
STEP 1
QurJADAICHIME
WHISTLE
CABASA.IMAIIACAS
AGooo
LowTtMBALE
Ht TrMBALE
Low CoNGA
HtCONGA
BoNGO
ACcENT
FlASHING DOTS
quijada
long whistle
mM.1<:ilS
low sogo
open conga
low bongo
2 3 4 5 6 7 8 9 10 1112 131415 16
[TRACK l
________________ -Jl
Th<' concepts of 9 12 and chaining on the TR-7:.!7 arc <1s on the
TR-707, TR-909 and TR-606 (see poges 8-llj.
tmA

THE DICTIONARY FOR THE TR-727
I he TR-727 i> a unique l.ltin (frun> rnchine. It can play any of the rhythm> in this
nirtronary written ior the TR-I>Un, l R-'lO'l. and TR-707. All you have to do i; assign
your c:hoicc of instrument sound to th<' rhythm To he mosr effective.
TR 7l7 5houkl he used to ..tdd new sounds tH'Id rhythms to the basic
Used in rhis m(lnner, it <.:.tn add a c:ompl<'tc I <ttin auxilli .. try percu55ton S<'C
tion to your
The next four pages cootain b.tsK beats ior various styles of mu"'< !Rock. jazz. Lann
& Bus.a 'lc:wa). They are desiglled tu >upplement and blend wrth dny ul the beats in
this di<hunry that are of,, <imriM style. They will add rhythmrc dne nd unique
suunds to all oi your bedb nd when with any of th" uther drum machines
or with a Jive drummer. will crei'ttt an exciting full these
cl be-ginnint; and thC'm to fit your lhry will all
wund grr!<lt tiS written but .. de:.ignpcf so you can add yuur creative touch to
('lllbelli:.h them to fit each tune you write.
LATIN MUSIC AND THE TR-727
,\o\os( Latin dance music: i\ wrincn In two-mea';>Ure patterns which are h.1w.d on th<'
clave beat.
This heilt unrlcrl iC'S dll Lcttin lllu>it: and shoulrl built i nto dny pdttt?rns <.:re<tle.
rhc beat <.:<tn be reversed.
u:f
s
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1 beat Cdn ahu be altered os rn Kossa-Nova.
-lli

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The two-bar is alwys there. When creating latrn sounds on the TR-727,
remember to build your rhythms ruund the clave b<>at.
115
FAST LATIN
2-B;u Patttm
1 2 3 4 5 ' 1 9 10 u 12 13 14 15 ,,
1 2 3 4 5 I 1 8 t 10 11 12 1) t-4 tS tf
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Mor M81
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117
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t 2 3 5 6 7 8 9 tO 1 t 12 t3 14 15 16

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Bossa-Rock
dil\'e Fee-l (2-Rar Pattern)
This beal is specific<1lly to c:omhine with Bos::>a- reversed ci(IVC fe<-1
beallhat apP<'<1rs on pagr. sa of thi5 dictionary. you IJUl the hvo together you
will how the sounds and rhylhrns of the TR-727 c1rc u'cd to hlend and enhance
th l>a,ic b<?at. Use ideas to embellish ony of th basic bedts. With a few
adjustments they will hlend perfe<ily with any beat containE-d in this dictionory.
1 z 3 4 6 7 8 g 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
OJ
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