Slate"Digital"FG-X"Virtual"Mastering"Console" 1"

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FG-X
Virtual Mastering Console
Dynamics Rack
- User Guide -

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©" 2010" Slate" Digital" LLC." " " All" rights" reserved."
Slate"Digital"FG-X"Virtual"Mastering"Console" 2"

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Slate"Digital"FG-X"Virtual"Mastering"Console"

Dynamics"Rack"Version"1.0"

Advanced"AlgorithmsTM"by"Fabrice"Gabriel"

"

"

" Fabrice(Gabriel:( Algorithm"Design"&"Tuning"

( Plugin"Design"
" ( GUI"&"Feature"Design"
Steven(Slate:( Plugin"Design"
" ( Algorithm"Design"&"Testing"
Vincent(Travaglini:( DSP"Coding"
" ( Plugin"&"GUI"Development"
Yannick(Bonnefoy:( GUI"Design"
( 3D"Modeling"&"Rendering"
"
Denis(Rolland:( Metering"and"Panels"Development"

"
"

"

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Thanks'Jesse'Dean,'Deborah'&'Audrey'Lintz,'Alex'Siegel,'to'all'beta'testers;'and'special'thanks'
to'Jay'Baumgardner.'

'
User'Guide'by'Steven'Slate'&'Fabrice'Gabriel''

©Slate'Digital'LLC.'All'rights'reserved.'
Slate"Digital"FG-X"Virtual"Mastering"Console" 3"

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"
I." Introduction"............................................................................................................................"4"
II." Loudness"vs."Necessity"..........................................................................................................."4"
III." Quick"Start".............................................................................................................................."5"
IV." FG-X"Dynamics"Rack"..............................................................................................................."6"
IV.1." FG"Comp"........................................................................................................................."6"
IV.1.1." In"Use"......................................................................................................................"7"
IV.1.2." The"FG"Comp"as"a"Leveler"......................................................................................."8"
IV.1.3." FG"Comp"Settings"...................................................................................................."8"
IV.2." FG"Level".........................................................................................................................."9"
IV.2.1." Transient"Section"...................................................................................................."9"
IV.2.2." Gain"......................................................................................................................."10"
IV.2.3." Dynamic"Perception".............................................................................................."10"
IV.2.4." ITP"–"Intelligent"Transient"PreservationTM"............................................................"10"
IV.2.5." Constant"Gain"MonitoringTM"................................................................................."11"
IV.2.6." Dither"and"Ceiling"Settings"..................................................................................."11"
IV.2.7." In"Use"...................................................................................................................."12"
V." Metering"Section".................................................................................................................."13"
VI." A"Note"for"Mixing"Engineers"................................................................................................."15"
VI.1." RMS"Level"....................................................................................................................."15"
VI.2." Distortion"......................................................................................................................"16"
VII." Preset"Toolbar"......................................................................................................................"17"
VII.1." Global"Settings".........................................................................................................."18"
VIII." System"Requirements"&"Installation"...................................................................................."19"
VIII.1." Installation"Instructions"............................................................................................"19"
VIII.1.1." iLok"License"Downloading"................................................................................."19"
VIII.1.2." Installing"the"FG-X"............................................................................................."19"
IX." Conclusion"............................................................................................................................"20"
 Slate"Digital"FG-X"Virtual"Mastering"Console" 4"

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I. I NTRODUCTION
Thank" you" for" purchasing" the" Slate" Digital" FG-X" Virtual" Mastering" Console" Dynamics"
Rack."

This"FG-X"line"of"mastering"processors"was"created"to"provide"you"with"the"most"precise"
tools" for" the" mastering" stage." " These" processors" use" Slate" Digital’s" “Advanced"
Algorithms”." " This" term" describes" a" unique" and" complex" communication" system"
between" the" DSP" algorithms" that" make" it" possible" to" achieve" new" heights" in" signal"
processing."""

This"manual"will"help"you"understand"the"FG-X"Dynamics"Rack,"and"give"you"some"tips"
on"how"to"use"the"processors"in"the"mastering"stage."

II. L OUDNESS VS . N ECESSITY

As" you" are" about" to" witness," the" FG-X" Dynamics" Rack" will" give" you" the" capability" of"
making" mixes" very" loud" without" the" degrading" artifacts" that" a" mastering" engineer"
commonly"deals"with"when"using"peak"limiting."""

Therefore" you" hold" in" your" grasp" a" great" power," and" we" ask" that" you" use" it" wisely.""
Regardless"of"the"processor"used,"a"record"at"-7dB"RMS"(more"on"RMS:"VI.1"RMS"Level,"
p.15)"will"never"sound"as"good"as"one"at"-10dB"RMS.""Luckily,"the"general"music"buying"
population" has" now" even" become" wise" to" the" loudness" wars" and" is" demanding" that" it"
stops.""We"hope"that"you"can"use"the"FG-X"processor"sensibly,"and"not"as"a"tool"to"show"
clients"how"loud"you"can"now"go"without"turning"the"mix"into"squash.""If"we"all"aim"for"
an"RMS"goal"of"-10dB"to"-9dB,"music"will"sound"better,"and"maybe"instead"of"“loudness"
wars”"we"can"have"“loudness"parties”.""
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 Slate"Digital"FG-X"Virtual"Mastering"Console" 5"

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III. Q UICK S TART
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Preset(Toolbar( FG(Comp(
• Choose" a" preset" • Choose" a" Ratio" between" 1" and" 5" to" smoothly" compress" the"
" "
which" suits" best" your" whole" song" dynamics," adjust" the" Threshold" to" get" a" gentle"
mastering"goals." compression"gain.""
• Use" the" A/B" section" • By" pressing" the" FG" Comp" settings" button," you" can" adjust" the"
to"compare"your"settings." Ratio"and"Threshold"ranges."
VII"Preset"Toolbar,"p."17" IV.1"FG"Comp,"p.6"

FG(Level( Metering(Section(
• Push"the"gain"to"get"the"desired"RMS"level,"adjust" • Adjust" the" Vu" Meter" settings"
the" LoPunch" and" Detail" parameters" to" enhance" according"to"your"needs,"and"use"the"
transients."" Reference" RMS" Level" visualization" to"
• Then" adjust" the" Dynamic" Perception" and" ITP" adjust"the"FG"Level"Gain."
parameters"to"get"the"desired"sound"flavor." • 1," 2" and" 3" buttons" gives" you"
• You" can" adjust" the" gain" range" in" the" FG" Level" direct"access"to"3"different"settings."
setting" panel," and" adjust" the" output" but" resolution" • Opening" the" Settings" panel" lets"
with"the"dither"options." you" fully" customize" the" Metering"
" Section."
IV.2"FG"Level,"p.9" V"Metering"Section,"p.13"
 Slate"Digital"FG-X"Virtual"Mastering"Console" 6"

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IV. FG-X D YNAMICS R ACK

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The" FG-X" Dynamics" Rack" consists" of" two" main" processors," the" FG" Comp" and" the"
FG"Level." " The" FG" Comp" is" a" world" class" mastering" compressor" that" combines" several"
compression" topologies" to" create" the" ultimate" in" transparent" dynamic" control." " The"
FG"Level" is" a" loudness" processor" that" uses" a" revolutionary" new" algorithm" to" add" level"
without" adding" degrading" artifacts." " The" FG" Level" also" contains" a" dithering" algorithm,"
which"retains"the"sound"of"your"higher"bit"rate"audio"files"in"their"final"16"bit"output."

IV.1. FG C O M P

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The"FG"Comp"is"an"extremely"transparent"compressor"aimed"at"mixbuss"and"mastering"
duties." " Its" algorithm" is" based" on" two" different" compression" topologies," photo" optical"
cell,"and"VCA."

Its" controls" are" the" same" as" are" commonly" found" in" compressors." " The" ATTACK"
parameter" controls" how" fast" the" gain" reduction" reacts" once" the" signal" passes" the"
threshold." " The" RELEASE" parameter" controls" how" fast" the" reaction" time" should" be" for"
the" original" signal" to" return" to" its" original" level" once" the" signal" drops" below" the"
Slate"Digital"FG-X"Virtual"Mastering"Console" 7"

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threshold.""RATIO"controls"the"amount"of"gain"reduction"applied"once"the"signal"passes"
the"threshold."""

IV.1.1. I N U SE

The"FG"Comp"can"add"a"tight,"glue-like"effect"to"your"mix.""Start"with"both"attack"and"
release"at"twelve"o’clock"and"adjust"from"there,"with"the"attack"generally"going"slower"
and"the"release"going"faster.""For"adding"more"punch,"slow"attack"and"fast"releases"are"
suggested.""For"more"transparency,"you"can"slow"down"the"release"till"the"compression"
feels"in"time"with"the"song."""

"

The"FG"Comp"requires"VERY"little"gain"reduction"to"be"useful.""Generally"in"the"mastering"
stage,"1"to"2"dB"of"reduction"will"work"fine,"but"even".5dB"of"reduction"can"give"just"the"
amount"of"tightness"needed."

Be"aware"that"many"mixers"use"a"mixbuss"compressor"and"that"there"are"cases"where"
there"will"be"NO"NEED"for"any"additional"compression"during"the"mastering"stage.""Don’t"
use"the"FG"Comp"just"because"it's"there,"use"it"because"your"ears"feel"like"the"mix"needs"
some"extra"leveling."

One" reason" that" compression" has" been" common" in" the" mastering" stage" is" because"
mastering" engineers" have" to" reduce" peaks" before" using" peak" limiters" to" bring" up" the"
level" of" the" mix." " Because" peak" limiting" is" so" destructive," reducing" peaks" first" with" a"
compressor"allows"them"to"use"LESS"peak"limiting.""However,"as"you"will"soon"hear"with"
the"FG"Level"processor,"there"is"much"less"need"to"reduce"peaks.""
Slate"Digital"FG-X"Virtual"Mastering"Console" 8"

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Having" said" that," you" may" find" that" the" FG" Comp’s" sound" can" add" an" extra" touch" of"
magic"-"even"on"compressed"mixes.""Let"your"ears"decide."

IV.1.2. T H E FG C O M P AS A L EVELER

On" very" slow" Attack" and" Release" parameters," the" FG-Comp" acts" like" a" leveler," as" if"
someone"moves"a"gain"slider"according"to"the"input"level."

The"leveler"mode"of"the"FG"Comp"algorithm"has"been"designed"to"retain"all"the"punch"
and"original"transients"of"the"mix,"while"reacting"in"an"intelligent"way"to"sudden"global"
loudness"changes"in"the"audio."

This"mode"can"be"used"in"2"ways:"
• With"a"high"ratio"and"threshold,"to"prevent"too"high"RMS"levels"in"loud"moments"
of"the"song."
• With" a" low" ratio" and" threshold," in" order" to" reduce" the" difference" between" the"
relative"RMS"levels"throughout"the"song."

IV.1.3. FG C O M P S ETTIN G S

Hit"the"settings"button"to"access"to"the"FG"Comp"settings.""

You"can"adjust"the"Ratio"and"Threshold"ranges"of"the"compressor."Please"note"that"these"
settings" will" be" saved" with" the" preset," but" that" the" resulting" values" from" the" DAW"
automation"will"vary"according"to"these"selected"ranges."

The" In/Out" metering" options" display" the" same" settings" than" the" Metering" Section"
options."There"are"two"additional"options"to:"
• Match(Metering(Section"settings:"the"FG"Comp"metering"will"then"have"the"same"
display"parameters"than"the"Metering"Section"
• Match(Output(Level:"the"FG"Comp"metering"level"will"be"displayed"according"to"
the"RMS"Reference"Level"and"the"FG"Level"Gain."This"allows"having"a"RMS"level"
display"which"matches"the"final"output"level"of"your"master,"and"thus"visualizing"
the"FG"Comp"and"Metering"Section"levels"around"the"same"0dB"reference"RMS"
value."

Adjust" the" Gain" Reduction" Metering" Settings" to" the" maximum" gain" reduction." You" can"
choose"between"Lin"and"Log"gain"reduction"display"scales."" "
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IV.2. FG L E V E L

The" FG" Level" can" be" used" to" make" a" mix" louder" while" retaining" the" dynamic" feel" and"
punch"of"the"original"mix.""It"accomplishes"this"task"by"means"of"a"new"process"called"
ITP,"or"“Intelligent"Transient"PreservationTM”."""

ITP"uses"a"complex"algorithm"to"analyze"peaks"individually.""It"then"creates"an"optimized"
set"of"algorithm"parameters"to"“absorb”"the"peak"in"the"most"transparent"fashion.""For"
instance," ITP" will" optimize" a" particular" curve" that" best" accentuates" midrange" punch"
when"processing"the"peak"of"a"snare"drum.""It"will"optimize"a"curve"for"low"end"energy"
when"processing"a"kick"drum"peak.""The"result"is"loudness"processing"that"is"transparent,"
and"keeps"the"original"punch"and"dynamics."

IV.2.1. T R A N SIEN T S ECTIO N

The"first"section"of"FG"Level"is"the"TRANSIENT"section.""This"
section"has"two"controls,"LOPUNCH,"and"DETAIL.""LOPUNCH"
can"raise"the"level"of"the"low"end"punch"of"the"mix"a/k/a"the"
kick" drum" level." " Detail" will" raise" the" level" of" the" high" end"
punch,"such"as"snare"drum.""These"controls"are"intended"to"
be" used" to" customize" the" amount" of" final" transient"
articulation"in"the"final"master.""It"is"recommended"to"leave"
them"all"the"way"down,"and"to"apply"them"AFTER"the"GAIN.""
By" hitting" the" Settings" tab" to" the" left" of" the" TRANSIENT"
knobs,"you"can"link"both"parameters."

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IV.2.2. G A IN

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The"GAIN"knob"controls"how"much"gain"is"added"to"the"mix.""
As"peaks"approach"the"ceiling,"they"are"processed"via"ITP"as"
described"earlier.""The"GAIN"automatically"goes"to"a"built"in"
ceiling"which"can"be"adjusted"from"-1"to"0dB."

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IV.2.3. D YN A M IC P ER CEP TIO N

The" Dynamic" Perception" algorithm" is" a" new" process" that"

adds" perceived" dynamics" to" mixes," even" with" very" little"
dynamic"range.""Using"this"processor"can"add"even"more"life"
and" “movement”" in" your" masters." " Like" the" TRANSIENT"
knobs," start" with" it" all" the" way" off" and" gradually" increase" it"
after" you" have" applied" your" desired" gain" with" the" GAIN"
knob." " Setting" the" Dynamic" Perception" at" around" nine"
o’clock" can" add" extra" “movement”" within" the" mastered"
song."

IV.2.4. ITP – I N TELLIG EN T T R A N SIEN T P R ESER V A TIO N TM

The"ITP"slider"can"be"considered"the"most"important"control"
in" the" FG" Level." " By" moving" the" ITP" slider" up" or" down," you"
change" the" global" characteristics" of" the" saturation" curves"
created"by"the"ITP"processor.""When"you"raise"the"slider,"the"
ITP" processor" uses" more" aggressive" curves" throughout" the"
frequency" spectrum," adding" a" slightly" “hard”" sound" to" the"
transients.""The"lower"you"push"the"ITP"slider,"the"gentler"the"
saturation" curves" become," making" the" final" master" sound"
smoother." " Generally," placing" the" slider" in" the" middle" leads"
to"the"most"transparent"results.""For"modern"pop,"rock,"and"
metal," moving" the" slider" up" is" recommended" for" the" most"
punch.""For"big"bassy"R&B"or"hip"hop,"the"middle"or"slightly"
lower"settings"can"retain"a"lot"of"sub"bass."
Slate"Digital"FG-X"Virtual"Mastering"Console" 11"

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IV.2.5. C O N STA N T G A IN M O N ITO R IN G TM

The" Constant" Gain" Monitoring" button" will" decrease" the"

output"of"the"processor"by"the"same"amount"as"you"add"via"
the" GAIN" knob." " This" allows" you" to" easily" compare" the"
original"mix"vs."the"processed"mix"by"enabling"and"disabling"
the"power"button"on"the"FG"Level.""This"simple"feature"can"
help" you" evaluate" what" FG-X" is" doing," without" the" added"
gain" inherent" in" the" process." " This" way," you" are" comparing"
the"affected"and"unaffected"audio."

IV.2.6. D ITH ER AND C EILIN G S ETTIN G S

By"hitting"this"button,"you"are"given"a"tab"to"customize"your"
ceiling" setting" and" dither" bit" value." " It" is" recommended" to"
keep" the" ceiling" from" -0.3" to" -0.1." " For" CD" masters," make"
sure"to"put"the"dither"settings"at"16bits."

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IV.2.7. I N U SE

It" is" suggested" that" when" first" using" the" FG" Level," you" push" the" Constant" Gain"
Monitoring" button." " This" will" allow" you" to" start" processing" the" mix" while" maintaining"
transparency.""

Please" note" that" the" Metering" Section" still" displays" the" master" output" levels" with" the"
Constant" Gain" Monitoring" engaged." You" can" change" this" behavior" in" the" Metering"
Section"options."

Start"by"adding"level"to"the"mix"via"the"GAIN"knob.""The"inner"meters"in"the"meter"panel"
will" show" you" the" RMS" level." " Start" by" pushing" the" GAIN" so" that" during" the" loudest"
passages"of"the"mix,"the"average"RMS"levels"are"about"-10"dB"FS."""

Disable" the" power" button" to" hear" what" effect" is" being" added" to" the" mix." " Many" times"
you’ll"find"the"process"is"extremely"transparent"with"no"other"tweaking"needed.""In"some"
cases"you’ll"need"to"adjust"the"TRANSIENT"knobs"in"order"to"match"or"even"amplify"the"
original"mix’s"punch.""You"can"also"dial"in"the"DYNAMIC"PERCEPTION"knob"to"add"better"
perceived"dynamic"feel"to"the"master."

Once"you"have"gotten"the"master"to"your"desired"level,"turn"your"monitor"volume"down,"
disengage"the"Constant"Gain"Monitoring,"and"turn"on"the"DITHER.""Now"you"are"ready"to"
export"your"master."
" "
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V. M ETERING S ECTION
The"FG-X"meters"allow"you"to"view"the"mix"peak"and"RMS"levels"in"real"time."""

The"bargraph"displays"the"Peak"and"RMS"output"levels,"and"the"VU"meters"display"the"
RMS"output"level."The"1,"2"and"3"buttons"give"you"direct"access"to"3"display"settings"of"
the"metering"section."

"

" RMS( Bargraph( Peak(Meters( Maximums(

meters(( Adjust"the"range"in"the"setting" Hold" indefinitely" the" maximums."
panel." Click"to"reset"the"value."
"

"

"

"

"
Metering( Quick( access( to( 3( RMS(VU(meters(
" Section(settings(( Metering(Settings( Use" a" relative" RMS" reference" level"
for"a"better"visualization."

"

"

You" can" control" many" of" the" details" of" the" metering" section" by" hitting" the" SETTINGS"
button"on"the"meter"interface.""From"there,"you"can"customize"the"meters"in"a"variety"of"
ways"to"best"suit"your"workflow."

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Slate"Digital"FG-X"Virtual"Mastering"Console" 14"

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The"global"metering"options"let"you"adjust:"
• The(Reference(RMS(Level:"the"RMS"level"which"will"be"used"as"the"0dB"display"
reference"of"the"metering"section"VU"meters.""
• The( Constant( Gain( Monitoring" behavior" regarding" the" level" display." Keep" it" off"
will"just"keep"the"metering"the"same"display"level"as"if"Constant"Gain"monitoring"
button"was"turned"off."
• Bargraph(Peak(Meter"&"Bargraph(RMS(Meter:"adjust"the"release"and"maximum"
value"hold"time.(
(

"

You"can"adjust"for"each"of"the"Settings""
• The"bargraph"display"range"
• The"display"scale:"
o Linear(dB:"gives"a"better"precision"across"a"limited"range"
o Log(dB:"gives"a"wider"range,"with"more"precision"in"the"upper"range"
 Slate"Digital"FG-X"Virtual"Mastering"Console" 15"

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• Display(mode:"
o Absolute:"use"this"mode"to"read"the"absolute"level"on"the"meter"scale."
o Relative:"use"this"mode"to"read"the"level"in"a"relative"way."The"0dB"of"the"
scale"is"set"according"the""Reference"RMS"level""setting."
• Range:"select"the"range"according"to"the"RMS"dynamics"of"the"song.(
• Needle(Velocity:"adjust"it"to"slow"if"you"need"a"more"average"display,"and"to"fast"
if"you"need""
• Reference( RMS( Level:" You" can" choose" for" each" setting" to" use" the" Global"
Reference"RMS"Level"or"to"set"a"particular"Reference"RMS"Level."

VI. A N OTE FOR M IXING E NGINEERS

The"FG-X"is"essentially"a"mastering"tool.""But"it"can"also"be"used"effectively"in"the"mixing"
stage,"either"as"a"buss"compressor"(using"the"FG"Comp"module)"or"as"a"powerful"tool"to"
give"your"clients"a"reference"mix"that"is"competitive"with"professionally"mastered"mixes.""
To"this"end,"please"be"aware"of"your"final"plans"once"the"mix"leaves"your"hands.""If"the"
song"is"intended"for"mastering,"you"should"remove"FG-X"before"sending"it"to"mastering,"
or"if"you"are"using"the"FG"Comp"as"a"buss"compressor,"you"should"bypass"the"FG"Level"
module." " Otherwise" your" mastering" engineer" will" not" have" enough" headroom" to" work"
with," since" your" FG-X" processed" mix" will" be" reaching" -10db," rather" than" the" -20" to" -
15dB"FS"preferred"level"of"an"unmastered"mix."

VI.1. RMS L E V E L

RMS," or" “root" mean" square,”" is" considered" the" standard" for" measuring" loudness" in"
audio.""Typically,"a"mix"should"have"an"average"RMS"value"of"-20"to"-15"dB"FS"(FS"for"Full"
Scale,"i.e."0dB"or"16/24bits"digital"maximum).""This"leaves"plenty"of"headroom"for"you"to"
process"the"mix"further"in"the"mastering"stage.""By"printing"a"mix"higher"then"-15dB,"you"
are" not" leaving" enough" room" for" the" mastering" stage" processing." " Mixes" need" to" be"
MIXES," not" MASTERS." " If" you" are" comparing" your" mix" with" a" reference" of" an" already"
mastered"mix,"lower"the"mastered"mix"by"roughly"8dB.""Do"not"try"to"match"a"mastered"
song’s"level"during"the"mix"stage.""Leave(loudness(processing(to(the(mastering(stage.(

Mastered"songs"have"an"RMS"of"-11"to"-8"dB"FS.""Some"masters"are"pushed"louder"to"-7"
or"even"-6"dB"FS.""While"the"FG-X"can"certainly"make"these"types"of"loud"masters"sound"
better" than" typical" limiters" have" in" the" past," there" is" no" way" it" will" sound" as" dynamic,"
punchy,"and"“big”"on"the"bottom"end"as"a"-10"dB"FS"RMS."
Slate"Digital"FG-X"Virtual"Mastering"Console" 16"

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When"we"say"-11"dB"RMS,"this"refers"to"the"loudest"passage"of"the"song"(typically"the"
chorus).""For"instance,"a"typical"pop"rock"song"can"start"out"at"-12"dB"RMS"for"the"verse,"
get" to" -11" dB" RMS" for" the" prechorus" as" more" instrumentation" is" brought" in," and" then"
peak"at"an"average"of"-10"dB"RMS"for"the"chorus"as"all"the"elements"of"the"mix"are"in"
gear."""

VI.2. D IS T O R T IO N

In"the"rare"case"that"you"hear"distortion"via"the"FG"Level,"follow"these"steps"in"order:"
• Lower"the"ITP"slider.""This"will"make"the"curves"gentler"and"99%"of"the"time"will"
remove" the" distortion" without" affecting" anything" else." " If" you" find" you" like" the"
sound"of"the"ITP"slider"when"it"is"higher"on"a"particular"mix,"simply"automate"the"
slider"down"during"the"portion"of"the"mix"where"you"hear"distortion."
• Check" the" mix." " Often" times" distortion" is" caused" by" an" unbalanced" frequency"
response"within"the"mix.""Usually,"the"unbalance"is"in"the"low"end.""Ensure"that"
your" mix" doesn’t" have" sudden" bursts" of" extreme" sub" lows," or" long" low" end"
resonances" that" are" overbearing." " To" be" clear," healthy" sub" low" end" is" handled"
fine"by"the"FG"Level.""Excessive"distortion"of"your"mix"at"RMS"levels"of"-10"to"-
8.5dB" is" most" likely" an" INDICATION( THAT( YOUR( MIX( HAS( POOR( FREQUENCY(
BALANCE." " Make" sure" that" before" pushing" a" mix" louder" with" the" FG" Level" that"
you" have" properly" balanced" it" with" an" equalizer," such" as" the" upcoming" FG-Q"
mastering"equalizer."
• You’re"pushing"the"mix"too"loud.""As"powerful"as"the"FG"Level"is,"if"you"push"the"
processor"to"unruly"levels,"such"as"-5dB"RMS,"it"can"still"cause"bits"of"distortion.""
Push"the"mix"to"healthy"level"of"-10dB"RMS"to"-9dB"RMS."
" "
 Slate"Digital"FG-X"Virtual"Mastering"Console" 17"

"
VII. P RESET T OOLBAR
By"hitting"the"toolbar"at"the"top"menu"of"the"FG-X,"you"can"set"up"your"own"user"banks"
with"saved"FG-X"settings.""We"recommend"naming"the"bank"after"the"album,"artist,"or"
project," and" then" saving" each" song’s" settings" in" the" bank" as" a" preset." " This" way" if" you"
ever"have"to"revisit"old"masters,"you"can"confirm"a"certain"song’s"settings.""You"can"also"
save" your" favorite" presets" for" the" compressor." " Using" the" A/B" setting" switch" on" the"
upper"right"of"the"FG-X"can"allow"you"to"easily"compare"two"different"settings.""

"

" Bank(select( General(Settings(

"

"

"
Bank/Preset(Tools( Preset(select( A/B(Comparison(
"

To" save" a" new" preset," first" hit" "SAVE" AS"."" After" typing" in" your" preset" name," hit" the"
ENTER" KEY."" This" will" now" save" your" preset."" If" you" make" changes" to" your" preset" and"
want"to"instantly"save"them,"hit"the"SAVE"button."""

Please"note"that"you"can't"modify"the"factory"presets"which"are"installed"with"the"plugin."

"

" The" preset" tools" allow"

you" to" create," rename,"
delete"Banks"and"Presets,"
and"to"import"and"export"
Banks." You" can" also"
access" these" tools" by"
right"clicking"on"the"Bank"
or"Preset"fields."
Slate"Digital"FG-X"Virtual"Mastering"Console" 18"

"
VII.1. G L O B A L S E T T IN G S

You"can"adjust"several"global"settings:"
• Value(Display:"you"can"display"the"value"when"adjusting"a"parameter"
• Mouse( Wheel( Sensitivity:" click" on" a" knob" and" use" your" mouse" wheel" to" adjust"
the"value."Adjust"the"mouse"wheel"sensitivity"according"to"your"needs."
• Default(Preset:"use"this"options"to"load"the"FG-X"with"the"preset"of"your"choice."
" "
 Slate"Digital"FG-X"Virtual"Mastering"Console" 19"

"
VIII. S YSTEM R EQUIREMENTS & I NSTALLATION
PC"Requirements"
• Hardware:"any"Intel"or"AMD"processor"with"SSE2"support,"1"GB"RAM"
• Operating" system: Windows" Vista®" (32/64" Bit)," Windows" 7®"(32/64"Bit)

MAC"Requirements"
• Hardware:"Mac"PowerPC"G5"or"any"Intel"processor,"1"GB"of"RAM"
• Operating"system:"Mac"OS®"X"10.4"or"later"

VIII.1. I N S T A L L A T IO N I N S T R U C T IO N S

VIII.1.1. I L O K L ICEN SE D O W N LO A D IN G
• Before" downloading" the" iLok" license" for" FG-X" make" sure" you" have" installed" the"
latest"iLok"drivers"for"your"system."You"can"download"the"latest"installers"here:""
o iLok"drivers"for"Mac"OS:"http://sw.ilok.com/macextsx.dmg""
o iLok"drivers"for"Windows:"http://sw.ilok.com/DriverSetup.exe""

In"order"to"download"your"iLok"license"to"your"iLok"dongle,"please"visit"the"link"that"was"
given" to" you" in" your" email" receipt" and" enter" the" required" info" including" the" issued"
passcode." This" will" unlock" your" iLok" redemption" code." Use" this" code" via" your" iLok"
account's""Redeem"License"Code"."Enter"the"iLok"code,"and"then"download"the"license"
on"your"iLok"dongle.""

VIII.1.2. I N STA LLIN G TH E FG-X

Click"on"the"INSTALL"icon.""Choose"your"designated"VST,"AU,"or"RTAS"folder"(usually"the"
default"location"that"the"installer"insists"will"be"best).""" "
 Slate"Digital"FG-X"Virtual"Mastering"Console" 20"

"
IX. C ONCLUSION
We" hope" the" FG-X" Dynamics" Rack" helps" you" make" your" masters" even" better." " For" any"
support"related"issues,"please"visit"www.slatedigital.com/support".""

"

A"note"from"Steven"Slate:"
"It' all' started' when' Fabrice' Gabriel' and' I' sat' down' at' a' conference' table' in' early' 2008,' drinking'
coffee."The'coffee'in'the'US'isn't'quite'like'European'coffee",'he'said'to'me.'I'didn't'realize'how'right'
he'was'until'recently'visiting'the'Frankfurt'Music'MESSE'in'Germany.'European'coffee'is'just'amazing.'''

But' coffee' was' certainly' not' the' main' focus' of' our' conversation' that' day.' ' No,' Fabrice' and' I' were'
talking'about'music.'''

Both'he'and'I'had'played'music'from'an'early'age'and'we'had'shared'a'deep'passion'for'it.''Months'
later' we'd' be' in' my' studio' listening' to' classic' tracks' from' Michael' Jackson's' Thriller' and' Stevie'
Wonder's' Songs' in' the' Key' Of' Life.' But' on' that' day' I' brought' up' something' to' Fabrice' that' really'
struck'a'chord'in'him.'I'told'him'that'I'thought'peak'limiting'was'destroying'the'music'industry.'

His' eyes' lit' up' and' he' slammed' his' coffee' down' on' the' table' and' said' to' me' in' a' French' accent' "I'
know!'This'has'troubled'me'for'so'long!''There'has'to'be'a'better'way!"'

And'those'words'were'the'conception'of'the'FGZX.'Because'he'was'right,'there'had'to'be'a'better'way'
to'make'music'louder'in'the'mastering'stage'then'what'was'currently'offered.''And'to'be'honest,'the'
only'thing'currently'offered'was'this'barbaric'process'of'lookahead'peak'limiting'which'to'my'ears,'
was'a'one'way'ticket'to'making'any'mix'sound'WORSE.'

So' many' digital' plugin' companies' had' a' peak' limiter.' It' seemed' like' standard' procedure' for' every'
company'to'release'their'own.'We'tested'dozens'of'them'in'hopes'that'maybe'we'd'find'the'one'that'
would'sound'good'and'keep'the'audio'intact,'even'at'high'gain'additions.'We'failed'in'our'search.'

The'only'thing'left'to'do'was'to'build'an'entirely'new'mousetrap.'It'would'prove'to'be'one'of'the'most'
difficult' tasks' we' would' ever' undertake.' Starting' with' sketches' of' concepts' on' pieces' of' paper,'
leading'to'over'one'hundred'beta'prototypes,'with'thousands'of'listening'tests,'and'nearly'three'years'
of'constant'work,'the'FGZX'was'finally'born.'''

And'both'Fabrice'and'I'could'not'be'more'proud.'''

Finally,' a' tool' that' can' accomplish' something' that,' until' now,' has' never' been' accomplished.''
Congratulations'on'getting'the'FGZX.'We'have'found'a'better'way.."'

(Steven(Slate(
Slate"Digital"FG-X"Virtual"Mastering"Console" 21"

"
A"note"from"Fabrice"Gabriel":"
"Developing' the' FGZX' Dynamics' Rack' algorithms' was' a' big' challenge.' Every' step' of' making' this'
product' become' a' reality' has' been' a' very' long' process,' mixing' algorithm' innovations,' intense'
listening'sessions'and'a'constant'research'for'means'of'improvement.''

We' wanted' to' build' a' loudness' processor' which' delivers' the' best' sound' quality' with' the' most'
transparent' algorithm' processing,' while' giving' the' user' a' comprehensive' but' simple' set' of'
parameters'which'do'not'require'the'tedious'tasks'of'searching'for'the'right'settings'for'hours.'

I' still' exactly' remember' the' first' time' we' processed' a' mix' with' the' right' algorithm' adjustments' at'
Steven's'studio.'We'looked'at'each'other,'thinking'the'same'thing:'"WOW!'We'got'it!"'

I'm' also' very' proud' of' the' FG' Comp,' which' has' a' unique' character' and' behavior.' I' designed' this'
compressor' algorithm' with' a' mastering' and' transparency' goal' in' mind.' I' can't' believe' myself' how'
transparent'and'coherent'this'compressor'is,'even'with'high'compression'gain'reductions,'and'I'love'
the'intelligent'leveler'mode,'which'I'always'missed'in'every'compressor'I'tried.''

The'builtZin'metering'section'crystallizes'what'I'was'always'dreaming'about'with'regards'to'metering'
at'the'mastering'stage.'Last,'creating'the'look'and'feel'and'the'interface'to'ease'use'of'these'features'
was'a'major,'collaborative'effort.'''

Working' with' Steven' was' a' wonderful' challenge.' I' was' always' trying' to' fool' his' ears' by' giving' him'
some'blind'algorithm'tests,'with'some'fancy'option'names'to'scramble'the'things'even'more!''

Each' time,' he' was' able' to' pick' the' best' algorithm' settings,' in' both' technical' and' audio' quality'
standpoints.'That's'why'the'FGZX'is'far'more'than'just'a'processing'chain'of'algorithms:'it'has'been'
fineZtuned'by'Steven’s'masterful'ears."''

(Fabrice(Gabriel(

"

Thanks"and"happy"mastering!"

The'Slate'Digital'Team'

"