CAE Reading and Use of English Practice Test 4 Printable-Các Trang Đã Xóa
CAE Reading and Use of English Practice Test 4 Printable-Các Trang Đã Xóa
CAE Reading and Use of English Practice Test 4 Printable-Các Trang Đã Xóa
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CAE Reading and Use of English – Practice Test 4
Nordic Walking
Nordic walking is an 0__________ technique that uses poles to bring the upper body 0 EFFECT
into more use and boost the calorie-burning effects of walking. It was 17__________ 17 ORIGIN
devised in Finland by elite cross-country skiers as a way to keep their fitness levels up18 SEE
during the summer. 19 TRAIN
20 WORK
At first 18__________, Nordic walking may look like skiing without the skis - or the 21 NECESSARY
snow. But although, to the 19__________ eye, striding around the local park with a 22 MAXIMUM
pair of poles may look a bit silly, it actually offers a serious 20__________ for people 23 STRONG
of all ages and abilities. You don’t 21_____ have to go faster to get more out of it - 24 ENTIRE
just put in more effort with the poles. The poles, which can be made from aluminium
or carbon fibre, are specially designed to 22__________ the work done by the upper
body. And because Nordic walking is also a weight-bearing exercise, it's great for
23__________ bones and joints. But the best news is that because the effort is spread
across the 24__________ of the body, Nordic walking can actually feel easier and less
tiring than normal walking.
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CAE Reading and Use of English – Practice Test 4
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CAE Reading and Use of English – Practice Test 4
leaves. 'I had always assumed that autumn leaves were waste baskets' said Dr. David Wilkinson, an
evolutionary ecologist at Liverpool John Moores University in England. 'That’s what I was told as a
student.'
During spring and summer, leaves get their green cast from chlorophyll, the pigment that plays a major role
in capturing sunlight. But the leaves also contain other pigments whose colours are masked during the
growing season. In autumn, trees break down their chlorophyll and draw some of the components back into
their tissues. Conventional wisdom regards autumn colours as the product of the remaining pigments, which
are finally unmasked.
Evolutionary biologists and plant physiologists offer two different explanations for why natural selection
has made autumn colours so widespread. Dr. William Hamilton, an evolutionary biologist at Oxford
University, proposed that bright autumn leaves contain a message: they warn insects to leave them alone.
Dr. Hamilton’s 'leaf signal' hypothesis grew out of earlier work he had done on the extravagant plumage of
birds. He proposed it served as an advertisement from males to females, indicating they had desirable genes.
As females evolved a preference for those displays, males evolved more extravagant feathers as they
competed for mates. In the case of trees, Dr. Hamilton proposed that the visual message was sent to insects.
In the autumn, aphids and other insects choose trees where they will lay their eggs. When the eggs hatch the
next spring, the larvae feed on the tree, often with devastating results. A tree can ward off these pests with
poisons. Dr. Hamilton speculated that trees with strong defences might be able to protect themselves even
further by letting egg-laying insects know what was in store for their eggs. By producing brilliant autumn
colours, the trees advertised their lethality. As insects evolved to avoid the brightest leaves, natural selection
favoured trees that could become even brighter.
'It was a beautiful idea' said Marco Archetti, a former student of Dr. Hamilton who is now at the University
of Fribourg in Switzerland. Dr. Hamilton had Mr. Archetti turn the hypothesis into a mathematical model.
The model showed that warning signals could indeed drive the evolution of bright leaves - at least in theory.
Another student, Sam Brown, tested the leaf-signal hypothesis against real data about trees and insects. ‘It
was a first stab to see what was out there,’ said Dr. Brown, now an evolutionary biologist at the University
of Texas.
The leaf-signal hypothesis has also drawn criticism, most recently from Dr. Wilkinson and Dr. H. Martin
Schaefer, an evolutionary biologist at the University of Freiburg in Germany. Dr. Wilkinson and other critics
point to a number of details about aphids and trees that do not fit Dr. Hamilton’s hypothesis. Dr. William
Hoch, a plant physiologist at the University of Wisconsin, argues that bright leaves appear on trees that have
no insects to ward off. ‘If you are up here in the north of Wisconsin, by the time the leaves change, all the
insects that feed on foliage are gone’ Dr. Hoch said. In their article, Dr. Schaefer and Dr. Wilkinson argue
that a much more plausible explanation for autumn colours can be found in the research of Dr. Hoch and
other plant physiologists. Their recent work suggests that autumn colours serve mainly as a sunscreen.
Dr. Hamilton’s former students argue that the leaf-signal hypothesis is still worth investigating. Dr. Brown
believes that leaves might be able to protect themselves both from sunlight and from insects. Dr. Brown and
Dr. Archetti also argue that supporters of the sunscreen hypothesis have yet to explain why some trees have
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CAE Reading and Use of English – Practice Test 4
bright colours and some do not. 'This is a basic question in evolution that they seem to ignore' Dr. Archetti
said. 'Idon’t think it’s a huge concern,' Dr. Hoch replied. 'There’s natural variation for every characteristic.'
Dr. Hamilton’s students and their critics agree that the debate has been useful, because it has given them a
deeper reverence for this time of year. 'People sometimes say that science makes the world less interesting
and awesome by just explaining things away' Dr. Wilkinson said. 'But with autumn leaves, the more you
know about them, the more amazed you are.'
31 What is stated about the colours of autumn leaves in the first two paragraphs?
A There has previously been no disagreement about what causes them.
В The process that results in them has never been fully understood.
C Different colours from those that were previously the norm have started to appear.
D Debate about the purpose of them has gone on for a long time.
32 The writer says that Dr Hamilton’s work has focused on
A the different purposes of different colours.
В the use of colour for opposite purposes.
C the possibility that birds and insects have influenced each other’s behaviour.
D the increased survival rates of certain kinds of tree.
33 Dr Hamilton has suggested that there is a connection between
A the colours of autumn leaves and the behaviour of insects.
B the development of brighter leaves and the reduced numbers of certain types of insect.
C the survival of trees and the proximity of insects to them.
D the brightness of leaves and the development of other defence mechanisms in trees.
34 What is said about the work done by former students of Dr Hamilton?
A Neither of them was able to achieve what they set out to do.
В Mr Archetti felt some regret about the outcome of the work he did.
C Both of them initiated the idea of doing the work.
D Dr Brown did not expect to draw any firm conclusions from his work.
35 Critics of Dr Hamilton’s theory have expressed the view that
A it is impossible to generalise about the purpose of the colours of autumn leaves.
В his theory is based on a misunderstanding about insect behaviour.
C the colours of autumn leaves have a different protective function.
D his theory can only be applied to certain kinds of insect.
36 In the debate between the two groups of people investigating the subject, it has been
suggested that
A something regarded as a key point by one side is in fact not important.
В further research will prove that Dr Hamilton’s theory is the correct one.
C both sides may in fact be completely wrong.
D the two sides should collaborate.
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CAE Reading and Use of English – Practice Test 4
demotivated, and in this regard it can be said that the more freelancers there are out there, the better it is for
companies. To ensure the smooth running of this set-up, companies need to manage carefully their
relationship with the freelance workforce - a coherent and mutually acceptable attitude needs to be
developed for dealing with people who cannot be treated in the same way as permanent employees. For
freelancers, making a sustainable career can be a nerve-racking business, as it can largely depend on chance
encounters, word-of-mouth information from other freelancers and unexpected approaches from potential
clients. It is this high-risk factor that puts many employees off the idea of going freelance.
Which writer ...
37 expresses a similar view to writer C on the consequences for companies of employing a large number of
freelancers?
38 takes a different view from the others on the desirability of an increase in the number of people
becoming freelancers?
39 takes the same view as writer В on the attitude of employed people to freelance work?
40 has a different opinion from the others on the extent to which freelancers are in control of how
successful they become?
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evaluated, alongside psychological questionnaires that were to become the benchmark of this selection
process - hundreds of repetitive questions, aimed at ensuring consistency of answers over a long duration.
43 …
Historically, around 50 per cent of candidates fail the exacting medical requirements. Although good
physical fitness is a strong attribute, the medical selection was not looking for potential Olympians. Instead,
it was intended to select those individuals who pose the least risk of having a medical occurrence during
their career. Space is no place to become ill.
44 …
As it happens, the medical selection caused exactly 50 per cent attrition, with failure to meet cardiovascular
and eyesight requirements being the two main causes. Having endured the most gruelling week of my life, I
was delighted to be among the 22 remaining candidates.
45 …
The remainder of the selection process consisted of formal interviews, culminating in the final 10 being
invited to meet ESA’s Director General, Jean Jacques Dordain. That was one month before that sunny
evening in 2009, and I wondered who the lucky few would be. I suspected that I would not be one of them:
an ESA press release had already announced that the new candidates would be presented at ESA
headquarters in Paris on Wednesday. It was Monday night, I had not been contacted and time was getting
tight.
46 …
This was a decision that would affect not just me but also my family. Thankfully, there was no time to dwell
- I had to book a flight to Paris for the following day.
A It was also good to find that there were five British people in the group. Considering that, at the time, the
UK was still in the shadow of a historical government policy not to participate in human spaceflight, it was
encouraging to see the high level of interest regarding this astronaut selection.
В Other skills include being trained to perform spacewalks for external science and maintenance tasks and
to manipulate the robotic arm in order to capture and berth visiting resupply vehicles. Then there is the
medical training, communications skills training, emergency training - the list goes on.
C So when the phone rang and I was offered an opportunity to join the European Astronaut Corps, there
was what can only be described as a wild mix of emotions - elation, excitement, shock and trepidation, due
to an overwhelming realization that I was about to take my first steps down one of life’s major forks in the
road.
D It was interesting to meet the other candidates from all over Europe and to acknowledge the plethora of
diverse career paths that had led us to this common goal. While it is fair to say that the best chances of
success are to have a solid foundation in the core sciences or experience as a pilot, there really is no single
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route to becoming an astronaut - it has more to do with being passionate about what you do and being as
good as you can be.
E Yet that situation changed when the European Space Agency (ESA) announced a selection for a new class
of astronauts in 2008, and UK citizens were eligible to apply. My application joined the pile of nearly
10,000 others, and soon there followed an invitation to Hamburg to begin the testing process.
F During the previous five years working as a military test pilot, I had become much more involved in the
space sector - aviation and space are intrinsically linked and share many similar technologies. However, I
had not seriously contemplated a career as an astronaut, since the options to do so were extremely limited.
G Although the Soyuz spacecraft offers an emergency return to Earth in less than 12 hours from the
International Space Station, this is an absolute last resort. Also, it is not available once a spacecraft has
reached out beyond low Earth orbit.
Roland Paoletti
An architect who revolutionized the lives of London's commuters
A Roland Paoletti was the driving force behind the dramatic, award-winning stations on the ?3 billion
Jubilee Line Extension (JLE) to the London Underground system, the most ambitious building programme
on the Tube for many decades. An irascible Anglo-Italian, Paoletti possessed the persuasiveness and
tenacity to take on the vested political interests at play in the planning of the 10-mile Jubilee Line Extension
to ensure good design and innovation. Historically, architects employed on Tube projects had been restricted
to ‘fitting out’ the designs of railway and civil engineers with few or no aesthetic concerns, and whom
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Paoletti dismissed as visionless ‘trench-diggers’. The Jubilee line would be unique in that for the first time
the architects would be responsible for designing entire underground stations.
В As the commissioning architect in overall charge, Paoletti’s approach was to let light flood down into the
stations along the line. The project’s centrepiece was the extraordinary huge new station at Canary Wharf,
designed by Norman Foster and Partners to handle up to 40,000 passengers an hour at peak times.
‘Everybody keeps saying that it’s like a cathedral,’ complained Paoletti. ‘They’re wrong. It actually is a
cathedral.’ Explaining his approach to designing underground stations, Paoletti likened the Jubilee line to
architectural free-form jazz, the stations responding to their different contexts as dramatic variations on a
theme. Instead of uniformity, Paoletti envisaged variety achieved in the beauty of raw materials like
concrete, and the architectural power of simple, large spaces for robust and practical stations.
C He procured the most talented individual architects he could find to design 11 new stations along the line,
creating a unique variety of architectural statement pieces - notably different but all beautiful - in what had
been a largely desolate stretch off urban east London. ‘For the price of an underground ticket,’ he promised,
‘you will see some of the greatest contributions to engineering and architecture worldwide.’ Paoletti’s
sweeping vision did not disappoint. With their swagger and individualism, the stations have been widely
acclaimed as a tour de force in public transport architecture.
D In pressing for a seamless marriage between architecture and engineering, Paoletti was concerned to
make the stations pleasing to the eye, and the daily grind of commuters using them as uplifting an
experience as possible. The result was generally reckoned to be the finest set of stations since the classic
designs for the Piccadilly line by Charles Holden In the 1930s. In Holden’s day, design stopped at the top of
the escalators leading down to the platforms, a symptom of the Tube’s tradition of treating architecture and
engineering as separate disciplines. From the start Paoletti promised ‘a symbiosis of architecture and
engineering’ throughout. This is particularly evident at Westminster station, where Michael Hopkins solved
structural difficulties by designing fantastic supporting structures redolent of science-fiction - what Paoletti
called ‘engineering that expresses itself as architecture ... in which people can delight’.
E He wanted the designs of the JLE stations to have a uniformity of voice, or, as he put it, ‘a philosophical
uniformity’. Paoletti contrasted the drama of MacCormac Jamieson Prichard’s design for Southwark station
with the vast glass drum of Ron Herron’s Canada Water station, intended as a response to the area’s
bleakness, ‘a big, splendid beacon that has transformed the area from a wasteland almost overnight’. To
critics who complained about the expense of these grand designs, Paoletti pointed out that the same cut-and-
cover, box-station design that allowed his architects a free hand with their various structures also saved
London Underground millions in tunnelling costs. ‘In any case,’ he noted, ‘you have to decide at the
beginning whether you’re going to see an underground station as a kind of vehicular underpass that happens
to have people in it, or whether it’s a building; a building with some other kind of job to do, like making
people comfortable.
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