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Thiago Pinho 15
Thiago Pinho 15
Thiago Pinho
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from variations of a metaphysics of presence. Objects end up becoming a mere
by-product of a delirium, a great theoretical fiction, a speculative flight that
went too far, without any conditions for a concrete and prudent landing, as
Whitehead would say. The autonomy of things, people and circumstances dis-
appear in the exact measure that language literalizes the world (Harman, 2010).
That is why Freud draws a close link between paranoia and philosophy, at least
the more classical Kantian philosophy: “the delusions of the paranoid have an
[…] internal familiarity with the systems of our philosophers” (Berthold-bond,
1989, p. 285).
However, talking about transcendentalism is a bit vague because it “receives
different forms or names […] eidos, arche, telos, energeia, ousia, (essence, ex-
istence, substance, subject) aletheia, transcendentality, consciousness, God […]
and so on” (Derrida, 1978, p. 280), but especially the most famous transcenden-
tal ever created and also the center of this whole essay: the transcendental man.
The human, in Social Theory, is not just a concept, or a word, but a structure
of meaning, a condition of possibility for knowledge itself, an inevitable tran-
scendental structure. If you do not believe me, if what you just read seems so
exaggerated, let’s take a simple example, a quick story about something that
happened to me some years ago. While attending a lecture on the novel The
Trial, at the Federal University of Bahia (UFBA), the lecturer conducted his
entire talk in a way that was too problematic, although I confess it did not sur-
prise me: he basically said that Kafka was a bourgeois writer and his writings
were nothing more than a reflection of capitalism and its bureaucratic relations.
Now, imagine The Trial as a universe, a huge aesthetic space full of fictional
objects, like tables, people, buildings, chairs, clothes, and so many other things
that walk through its arrangement of words. Imagine that this whole universe
suddenly finds itself trapped within a single chain of interpretation, dominated
by a single signifier, a structure of reasoning that reduces everything around
it. This is the problem with limitless transcendentalism, when its provisional
epistemic arrangement is taken too seriously, turning into an ontological matrix
that stifles the autonomy of everything that exists. Its paranoid tendency lurks
in every imaginable space, waiting for the right moment to take semiotic and
material control of everything it touches. In other words, epistemic paranoia
is basically the instant when epistemological structures, mere comprehensive
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tools directed at the world, lose this pragmatic foundation and monopolize the
contours of reality itself, nothing more than a renewed version of Heideggerian
ontotheology. We can say that epistemic paranoia is the ontologization of episte-
mological structures, at least thought of here at the borders of a Social Theory.
Within a transcendentalist (paranoid) structure, especially human transcenden-
talism, meaning is reduced to a single denominator, a single signifier. Because
of this, there is no excess of objects, or even of the world, nothing that can
surprise or seduce us (Harman,2010).
The fact that this paranoia is not individual, much less clinical, but insti-
tutionalized, makes it difficult to track or even to fight against it. As Freud
showed in his “Civilization and its discontents” (Freud, 2010) about neurosis,
there are both an individual modality, specific to psychologists and their com-
prehensive apparatus, as well as there is also its institutionalized face, proper
to the universe of social theorists, as is typical of Freud in the last years of his
career. The difference between the two levels of neurosis, as with the structure
of paranoia itself, is only in the level of acceptance, nothing more than a sec-
ondary difference. The former is seen as a problem, a deviation, while the latter
is embraced as part of institutions and their cultural by-products, that is, em-
bedded in the language structure as a whole. When we follow up to psychosis,
such as paranoia, we can see something equivalent. In an essay called “Claims
of psycho-analysis to scientific interest” (Holowchak, 2013), Freud compares
the transcendental structure of philosophers to paranoia, although we can also
expand the reasoning to the more empirical lands of Social Theory.
Many share, and wish to share, this paranoid (transcendental) atmosphere as
a kind of surplus enjoyment (Ẑiẑek, 2006), so to speak. In other words, paranoia,
disguised astranscendentalism, and especially transcendental man, is not just an
epistemic element, but a concrete form that materializes in the structure of the
world itself, organizing varied instances, such as universities, courts, schools,
and congresses. Fighting against it is not only fighting concepts and proposi-
tions, it is not simply invading the space of philosophical theories surrounding
the 19th century, but it is also an onslaught against experiences, expectations,
and beliefs. As already stated at the beginning of our essay journey, transcen-
dentalism is useful, convenient, and even fundamental, but its exaggeration,
its “monification”[2] (Savransky, 2021), thus not recognizing its own epistemic
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limits, leads us into a dangerous space on every imaginable level, from the po-
litical to the scientific. Despite all this reductionist atmosphere, perhaps there
is still a way to escape the paranoid cage that has trapped Social Theory for
so many decades, by recognizing theontological merit of other species, objects,
and circumstances, while decentering the limits of the “transcendental man.”
Harman’s posthumanism not only invades epistemology and compromises
its transcendental man, or the ethics associated with it, but also delves into
aesthetics, being aplace where OOO shines most brightly. “This means that
aesthetics becomes the first philosophy” (Harman, 2007, p. 221).
So, is that all we need to know? Is a work of art nothing more than a
reflection of human relations and underlying historical conditions? Perhaps
something is missing here, something in art itself as such, what we could call
its mode of existence, its autonomy. Harold Bloom, an American critic and
very much aligned with OOO formalism, presents very well what this missing
element would be when he analyzes Shakespeare’s works, synthesizing at the
same time what Harman, OOO, and the posthumanists are trying to say:
Aesthetics in OOO is not just an important detail, but its fundamental
core. Philosophy follows the path of art as a way of understanding the world,
mainly by not simplifying the contours of what happens, by guaranteeing its
autonomy, its capacity for rupture and surprise. Moreover, aesthetics ceases to
be just a pretext within some well-defined theoretical arrangement or any kind
of transcendental structure and becomes an extension of philosophical doing
itself, which resembles approaches such as those of Badiou and Deleuze.
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disciplines to do just that. There is something about these works
that resists reduction in either direction, opposing the literal para-
phrase of which knowledge always consists (Harman, 2017, p. 12).
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suggested by Latour himself in his AIME (An Inquiry Into Modes of Existence)
in 2011, at which point he reevaluates many of the postings of his earlier works,
in particular “We were never modern” (1991).
[1] As I said at the beginning of this essay, transcendental reasoning is in-
evitable, and even important, within Social Theory or any other arrangement of
relations. What is being criticized is the exaggeration, when this transcenden-
talism goes over the edge, becomes “ontologizing”, monopolizing and suffocating
the possibilities of meaning in the world and even in other human groupings.
[2]”monification of the world: the disqualification and devastation of differ-
ences […]” (Savransky, 2021 p. 6).
[3]The last Durkheim, the more Kantian and author of Elementary Forms of
Religious Life (Durkheim, 1912), changed so much his approach that reminds us
of Wittgenstein’s path and his two great phases. If Wittgenstein oscillated from
a more logical approach to a more pragmatic path in maturity, Durkheim started
as a materialist and ended his career diving into more Kantian approaches,
being, therefore, a profound change of direction.
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