Torpedo Captor X User S Manual
Torpedo Captor X User S Manual
Torpedo Captor X User S Manual
Compact reactive load box, tube amp attenuator, miked cab simulator, IR
loader and stereo expander
The complete electronic version of this manual, as well as the Two notes Audio Engineering software
and hardware products, are subject to updates. You can download the most recent versions of the
products on the Two notes Audio Engineering website.
This manual describes the Torpedo Captor X and provides instructions for its operation. It is highly
recommended that you read this document before using the product. The contents of this manual
have been thoroughly verified and it is believed to accurately describe the product at the time of
shipment from the factory or downloaded from our website.
OROSYS SAS
76 rue de la Mine
34980 Saint-Gély-du-Fesc
France
Tel: +33 (0)484 250 910
Fax: +33 (0)467 595 703
Contact and support: http://support.two-notes.com
Website: http://www.two-notes.com
This document is the exclusive property of OROSYS SAS. In the interest of product development,
OROSYS SAS reserves the right to change technical specifications, modify and/or cease production
without prior notice. OROSYS SAS cannot be held responsible for any damage, accidental or
otherwise, that results from an inappropriate use of the Torpedo Captor X Please refer to the safety
instructions included in this manual. The reproduction of any part of this document is strictly
forbidden without the written authorization of OROSYS SAS.
All product names and trademarks are the property of their respective owners. Product names and
trademarks found in this document were used during the development of the Torpedo Captor X
product but are in no way associated or affiliated with OROSYS SAS.
Foreword
1. Safety instructions
Before using the product, it is necessary to carefully read and to bear in mind the following
information. Keep this document in a safe place as it is important for the protection of both
user and product. Should you suspect any malfunction of the device, always seek the assistance of
a qualified technician.
Please verify that the voltage required by the mains power adapter matches the voltage in your
country. If not or if unsure, do not connect the unit to the wall outlet. This could result in damage to
the mains power adapter, the unit and injuries to the user. This product must not be used when there
is lightning. In case of severe weather with a risk of lightning, unplug the power adapter to reduce the
risk of electric shock and fire.
The mains power adapter provided with the machine complies with the standards of the country
where you purchased the product. If replacement is needed, please use a standard compliant mains
power adapter.
The Torpedo Captor X must never be used near a heat source, near a flame, in the rain, in damp
areas, near any kinds of liquids. When transporting the unit, care needs to be taken to avoid any
shocks that could cause damage that would require the assistance of a qualified technician. Exposure
to moisture is basically a very bad idea. You could release the magic tone smoke and once it’s been
freed from it’s mortal constraints, you can’t put it back, it’s an independent sentient being that
doesn’t conform to your, or our, wishes for it to return. Keep the unit dry, keep that tone smoke in its
rightful place.
1.4 Cleaning
Always use a dry and soft cloth with no alcohol or solvents for cleaning. Please keep the unit clean
and free from dust. Do your housework.
1.5 Maintenance
All maintenance operations must be done by service centers approved by OROSYS SAS. Never try to
repair the unit by yourself.
The complete electronic version of this manual, as well as the Torpedo Remote and Torpedo BlendIR
softwares are subject to updates. You can download the most recent versions of these products on
the Two notes Audio Engineering website.
3. Declaration of conformity
5. Warranty
OROSYS SAS warrants that this TWO NOTES AUDIO ENGINEERING product shall be free of defects in
parts and workmanship when used under normal operating conditions for a period of two (2) years
from the date of purchase. This warranty shall apply to the original purchaser when purchased from
an Authorized TWO NOTES AUDIO ENGINEERING dealer.
SALES RECEIPT.
Defective products that qualify for coverage under this warranty will be repaired or replaced, (at
OROSYS SAS's sole discretion) with a like or comparable product, without charge. In the case that
warranty service is required, Please contact your authorized TWO NOTES AUDIO ENGINEERING dealer
in order to obtain a Return Merchandise Authorization (RMA) to return the complete product to the
Authorized TWO NOTES AUDIO ENGINEERING Service Center closest to you, with proof of purchase,
during the applicable warranty period.
Transportation costs to the service center ARE NOT INCLUDED in this limited warranty. OROSYS SAS
will cover the cost of standard ground return transportation for repairs performed under this warranty.
This limited warranty becomes void if the serial number on the product is defaced or removed, or the
product has been damaged by alteration, misuse including connection to faulty or unsuitable ancillary
equipment, accident including lightning, water, fire, or neglect; or if repair has been attempted by
persons not authorized by OROSYS SAS. Any implied warranties, including without limitation, any
implied warranties of merchantability or fitness for any particular purpose, imposed under state or
provincial law are limited to the duration of this limited warranty. Some states or provinces do not
allow limitations on how long an implied warranty lasts, so the above limitations may not be
applicable.
OROSYS SAS ASSUMES NO LIABILITY FOR PROPERTY DAMAGE RESULTING FROM ANY
FAILURE OF THIS PRODUCT NOR ANY LOSS OF INCOME, SATISFACTION, OR DAMAGES
ARISING FROM THE LOSS OF USE OF SAME DUE TO DEFECTS OR AVAILABILITY OF SAME
DURING SERVICE.
In case you have to send your TWO NOTES AUDIO ENGINEERING product to any other location, it is of
vital importance to retain the original packing materials. It is very difficult to avoid damage if shipping
the product without these materials. OROSYS SAS is not responsible for damages to the product due
to improper packaging and reserves the right to charge a reboxing fee for any unit returned for
service without the original packing materials. THE FOREGOING CONSTITUTES THE ONLY WARRANTY
MADE BY OROSYS SAS WITH RESPECT TO THE PRODUCTS AND IS MADE EXPRESSLY IN LIEU OF ALL
OTHER WARRANTIES EXPRESSED OR IMPLIED
In the normal use of a tube amplifier, it is highly recommended that you always connect its power
output to a speaker cabinet prior to powering it up. The speaker cabinet (4, 8 or 16 Ohms) must
always be connected to the corresponding speaker output of your amplifier. Not doing so can lead to
Most tube amplifiers makers protect their products with fuses or other protection systems, however
some amplifiers are still insufficiently protected. It is impossible to predict the behavior of all the
amplifiers on the market in case of use without a load (a speaker cabinet or a load box).
The electronic term that describes the speaker cabinet with respect to the amplifier is the “load”: we
say the cabinet “loads” the amplifier. The term “load box” is used to describe any product that
provides a load to the amplifier. The main parameter of the load box is its impedance, expressed in
Ohms. An 8-Ohm load box must be plugged to the 8-Ohm speaker output of the amplifier.
The power sent to the load is turned into heat, so please follow the cooling recommendation of the
load box — otherwise overheating may cause damage, both to the load box and to the amplifier.
The Torpedo Captor X is a load box. This term indicates that the Torpedo Captor X is a load which can
electrically replace the speaker cabinet while dissipating (transforming into heat) the power coming
out of the amplifier.
The Torpedo Captor X is a reactive load. A reactive load simulates the complex impedance of a real
speaker.
The correct use of your amplifier with a load box requires some precautions. Because of the silence
while playing, it is much easier to accidentally run your amplifier beyond the reasonable limits set by
the manufacturer than when using a real speaker cabinet with it. This can lead to faster tube wear
and, in some cases, more serious and permanent issues.
When first testing the amplifier at high volume, monitor the color of the
tubes and the general state of the amplifier. Red-glowing tubes or any
appearance of smoke are signs of a problem that may result in partial or
complete destruction of the amplifier.
Keep in mind that the “sweet spot” - the perfect running point of the amplifier, the one that will give
you the tone you’re looking for - is rarely obtained at maximum volume – here is a great video
showing this. In addition, the volume control of the amplifier is usually logarithmic, which means the
volume goes up quickly on the first half of the potentiometer rotation, reaches its maximum at 12
o’clock, and doesn’t change much beyond this point. Therefore, you can reach the maximum volume
of your amplifier even if the volume potentiometer is not set at maximum.
By reaching the maximum output power of your amplifier, you will hear a lot of distortion, which may
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not sound as cool as you may hope. In fact, most amplifiers sound pretty bad at maximum volume.
Always keep in mind that your amplifier may not have been conceived to be used at maximum
volume for a long period of time. Running an amplifier at high volume will cause premature wear of
the tubes and possible malfunctions or damages at the output stage.
The fact that the volume control of your amplifier is not set at maximum
doesn’t mean your amplifier is not running at maximum volume. A good
habit is to keep the usual volume setup you would use in rehearsal or on
stage, rather than just following what the volume potentiometer indicates.
We usually talk about “silent recording” when a load box is involved. If we compare the load box
solution to a traditional cabinet miking solution, it is obviously several orders of magnitude quieter,
but you will still experience some minor sounds, noises, that have to be taken into account:
Your guitar or bass strings can be heard. This is obvious, but it can be disturbing, depending on
your environment.
You may hear some noise coming out of your Torpedo when playing, like there is a tiny speaker
inside the box. This is perfectly normal and there is no reason to worry. The sound is produced
when power goes through the coil of the reactive load embedded in the Torpedo Captor. The
vibration is related to what power comes out of the amplifier connected to the Torpedo and to
the signal’s frequency content (notes played are heard). Your amplifier may also produce
similar noise, at the output transformer’s level. Such noise is usually not heard, simply because
it is normally overcome by the sound coming from the loudspeaker. You are actually hearing
the amp actually working for the first time and it can be alarming!
The Torpedo Captor X embeds a fan, as there is quite a lot of power dissipated into heat inside
the box. We always use a “silent fan”, but as it is running extremely fast, it is never entirely
silent. This said, in normal use (hearing your guitar through monitors, or headphones), you can
barely hear that fan.
Playing your tube amp in a great sounding room with an exceptional choice of perfectly matched
speaker cabinets and microphones is truly joyous and an unparalleled experience. The Torpedo
Captor X is for tube amp lovers who crave this every time they play – no matter the environment. You
can play your tube amp at its sweet spot and control your volume with the attenuator, anywhere. You
can even enjoy your 100 watt rig in silence with an immersive headphone experience. Fed up with
lifting heavy cabinets, inconsistent sound and stage volume issues? Go direct to the PA and audio
interface with our legendary studio-grade cabinet simulations. The Torpedo technology was created
as an answer to the high pressure musicians have to deal with: lack of time, limited gear availability,
loud amplifiers that can't be played at desired volume, as well as bulky and heavy cabinets to carry.
In addition, many musicians are more comfortable with their analog amplifier and effect pedals, and
don't want to perform using digital modeling systems, which may compromise their playing style and
sound.
For these players, the Torpedo Captor X offers a “virtual” alternative to traditional miking, using a
technology derived from the convolution reverberation, to achieve a degree of realism never
experienced previously with simulators. The Torpedo Captor X is the perfect line output everybody
should have after their amp section to send the sound directly to a PA or a recorder.
The Torpedo Captor X is a compact reactive load box, tube amp attenuator, miked cab
simulator, IR loader and stereo expander for home, live and studio use.
The Torpedo Captor X comes with a large library of 32 cabinets and 8 perfectly matched microphones
per cabinet. You can also upgrade and add many other cabinets through the Two notes Store, our
online virtual cabinet store. The virtual miking is achieved by choosing one cabinet and two
microphones, and fine-tuning the position of each microphone in front (or behind) of the cabinet. The
Torpedo Captor X allows the user to assume the role of the sound engineer in a professional studio.
The Torpedo Technology: To bring you realism and playing comfort, Two notes has developed a
unique technology based on an adaptation of convolution techniques. Starting with the measurement
of an actual cabinet + microphone setup, the Torpedo Captor X can accurately reproduce the system
as it was measured, as well as the microphone's position in space. In order to take full advantage of
these digital algorithms, the highest quality audio design assures a perfect analog-to-digital
conversion and a huge dynamic range to retain the ultimate playing experience.
This product has been thoroughly tested in professional studios and stage environments and is the
alternative many musicians are looking for, to achieve a professional sound capture of their amplified
instruments. The Torpedo Captor X will give you the elusive sound of the greatest recording studios
and producers, anytime, anywhere.
The Torpedo Captor X is a standalone unit you can bring with you in any situation, whenever silent
playing is needed or if you wish to control the level coming out of your cabinet.
The role of the Torpedo Captor X is to replace the following elements of the traditional guitar or bass
setup:
In order to provide a signal that is the closest possible to a traditional guitar/bass miking in a
professional studio environment.
At each step, Two notes Audio Engineering implements its vast experience to offer the most advanced
simulations available and ensure absolute realistic quality both for the musician (in terms of playing
feel and reaction) and for the listener (in terms of sound quality). You can load up to 32 Two notes
cabinets into the Torpedo Captor X. Download the free Torpedo Remote software (Mac OS X and
Windows PC) from the Two notes Audio Engineering website, and you will be able to add or remove
cabinets to and from the Captor X. There are currently more than 350 Two notes cabinets available in
the Two notes Store that you can try in real time and purchase with Torpedo Remote (requires a
working Internet connection).
1- Monitor the input and output levels with the grill LED (red = clipping (not in a good way) signal);
2- Control the level of the headphone and XLR DI outputs;
3- Adjust your global tone depending on tube amp choice and playing environment;
4- Add room space to widen the stereo effect on the headphone and XLR DI outputs;
5- Ensure the vent is kept clear (as this allows air to travel through for cooling);
6- Plug your headphones here;
7- Set the input level to avoid clipping of the signal; and
8- Instantly switch between your favorite presets;
A- Power the unit with the supplied adapter (only use correctly rated power supply);
B- Send Stereo, Dual Mono or Dry/Wet signals through the XLR DI outputs;
C- Eliminate unwanted hum caused by ground loops;
D- Ensure the fan is kept clear;
E- Connect the supplied ⅛” jack to MIDI cable adapter for MIDI control;
F- Control Torpedo Captor X from a computer (Windows or macOS) via Torpedo Remote. USB cable
supplied;
G- Connect speaker cabinet here with a ¼” jack SPEAKER cable;
H- Choose your cabinet volume level:
I- Connect your amplifier's output here with a ¼” jack speaker cable (100W RMS max admissible
power)
Here are the most common user cases to setup your Captor X and the rest of your equipment.
Connect your
amp's output
to the
SPEAKER
INPUT of the
Captor X,
indicated by
a red bolt -
ONLY use a
speaker
cable for this
connection.
Connect your
cabinet to
the SPEAKER
OUT of the
Captor X
(ONLY use a
speaker
cable for this
connection).
Set the
desired
sound level
of the
cabinet with
the VOLUME
LEVEL
switch. The
Torpedo
processing
(cabinet
simulation,
effects)
cannot be
heard in the
physical
cabinet.
Connect
your amp's
output to
the
SPEAKER
INPUT of the
Captor X,
indicated by
a red bolt -
ONLY use a
speaker
cable for
this
connection.
In Torpedo
Remote,
select the
DUAL/MONO
routing and
bypass the
Torpedo
Processing
on the
RIGHT
output. The
left XLR
output will
send the full
Torpedo
signal, while
the right
XLR output
will send
the dry
signal of the
amp to the
interface,
adding the
cabinet
simulation
with
Torpedo
Wall of
Sound in
your DAW.
The Torpedo Captor X has several quick access knobs to make on the fly editing quick and easy. The
OUT LEVEL sets the global output level of the unit, VOICING is fast global EQ, PRESET allows you to
have access to 6 presets straight from the unit.
To edit all the parameters of the Torpedo Captor X, you will need to use Torpedo Remote on your
computer (USB connection) or your mobile device (wireless connection). The 2 next sections will guide
you through the process for the USB and the wireless connection.
Use the supplied USB cable to connect the Torpedo Captor X to your computer.
Connect the micro USB end to the Torpedo Captor X and the other end to your
computer.
Download Torpedo Remote from the Torpedo Captor X webage. Choose the appropriate version in
regards to your OS (Windows or macOS). Once Torpedo Remote is launched, you will be prompted to
register the unit to your account or use it as a Guest (we advise registering the unit, for firmware
updates, etc.). Receive exclusive presets and 3 additional cabinets when you register the Torpedo
Captor X to your account. The additional 3 free cabinets are only available for the first-hand owner of
the Torpedo Captor X. Once the unit has been registered to an account, it is not possible to redeem
the 3 free cabinets in another account (if you are a second-hand owner for example).
When you are in Guest mode you cannot import cabinets from your personal Two notes license to the
Torpedo Captor X. You also cannot remove cabinets from the Torpedo Captor X.
You will connect to the Torpedo Captor X from your mobile device via Bluetooth. The connection has
to be done in the following order:
TROUBLESHOOTING:
If after inputting the pin code the Torpedo Captor X does not show up in the “Devices” menu in
Torpedo Wireless Remote, you will need to unpair the Torpedo Captor X in the list of devices that are
paired in the bluetooth menu of your phone. Once you have done this, please redo the procedure
detailed above. You cannot pair the Torpedo Captor X from the phone or tablet OS, it has to be done
by Torpedo Wireless Remote. Some phones need to have the Location (GPS) activated to allow for
Bluetooth pairing. Try activating the Location if you find yourself unable to pair with just the Bluetooth
activated on your phone or tablet.
Control everything in the Torpedo Captor X with Torpedo Remote. The software is built around 2
environments: Virtual Cabinet and IR Loader mode. Virtual Cabinet is designed for working with Two
notes Virtual Cabinets. The Torpedo Captor X is delivered with 32 cabinets already installed. When
you registering the Torpedo Captor X to your Two notes account, you are offered 3 additional
cabinets, as well as exclusive presets. The additional 3 free cabinets and additional exclusive presets
are only available for the first-hand owner of the Torpedo Captor X. Once the unit has been registered
to an account, it is not possible to redeem the 3 free cabinets in another account (if you are a second-
hand owner for example). IR Loader is for the use of 3rd party IRs in .wav format. Both modes feature
the same effects, and the same routing for the XLR outputs. Here is the global layout of the Torpedo
Remote when used with a computer (Windows or macOS).
A preset contains:
- a cabinet
- two (selected from a choice of 8) microphones and their positions within the room
- effects settings (eq, Enhancer, Reverb, Twin Tracker)
- levels for left and right outputs
All Two notes Virtual Cabinets come with an individual collection of 8 microphones specifically
matched to the cabinet. You access the list of microphones by clicking in the blue window above the
fader of the mic channel. Microphones are described by their technology: DYN is a dynamic
microphone, CND is a condenser microphone and RBN is a ribbon mic.
2.2.1 Positioning
You can move the microphones anywhere in the trapezoid highlighted area, in front
or behind the cabinet. Select Mic A or Mic B with the switch and move the microphone
with your mouse (when using a computer) or your finger (when using a mobile
device) by pressing on the mic or the mic stand.
Use the fader to set the volume level, front/back switch to place the mic in front or
behind the cabinet, Bypass button to send an unprocessed signal (B), Mute button
(M), Phase button, Distance and Axis knob to position the mic.
Torpedo Captor X has many tools to polish your sound before going to the Public Address system (PA)
or the audio interface.
The noise gate is useful if you are using a high gain amp and want to keep your signal quiet
when you are not playing, or use vintage style single coil pickups. The threshold sets the
level where the noise gate is active: if you are over this level the noise gate is off, if you are
under, the noise gate is active. The Learn button automatically sets the Threshold level.
Keep your guitar volume to the maximum, mute your strings with your hand and click on the
Learn button. The Noise Gate will listen to the input sound and set the threshold level
accordingly. Make sure to mute your strings for at least 3 seconds so the Learn can properly
analyse the input signal.
2.3.2 EQ
The EQ section has 3 modes of operations: guitar, bass and custom. Guitar and Bass are
5 band eqs, with a gain range of -20dB to +20dB. The Custom mode gives you access to
a 5 band semi parametric eq and a high pass filter.
Guitar mode: 120Hz, 360Hz, 800Hz, 2000Hz, 6000Hz (centre frequency of each band from the lower
to the highest).
Bass mode: 50Hz, 120Hz, 360Hz, 800Hz, 4000Hz (centre frequency of each band, from the lowest to
the highest)
Custom mode: the bands are as follow:
2.3.3 Enhancer
The Dry/Wet allows you to balance the cab sim signal and the processed signal by the Enhancer. At
zero (knob turned all the way down), only the cab sim signal is heard. At halfway position, the level of
the cab sim signal is equal to the level of the enhancer. At full (knob turned all the way up), you are
only hearing the signal processed by the Enhancer.
Body is a compressor with a high-pass filter (set at 100hz in Guitar mode and 150hz in Bass mode). It
only affects the low-mids and above frequencies of the signal. Body will render your tone fuller and
more present. Thickness and Brilliance emphasize the low end and high end of the tone, respectively.
Thickness is centered at 400 Hz in Guitar mode and 150 Hz in bass mode.
Brilliance is centered at 1500hz in Guitar mode and 2000hz in bass mode. Both Thickness and
Brilliance have a gain range between 0 and +15dB.
2.3.4 Reverb
When using the Custom Reverb, you have access to the following parameters:
Dry/wet: adjusts the level of the incoming signal and the reverb. With the know at halfway,
both levels are equal.
Size: adjusts the size of the room. From tiny to gigantic.
Echo: adjusts the level of the reflections.
Color: adjusts the tone of the reverb from darker to bright.
To import or remove cabinets in the Torpedo Captor X, you need to register your Torpedo Captor X via
Torpedo Remote to your Two notes account. You cannot import or remove cabinets when using
Torpedo Remote in Guest mode. Use the CABINET MANAGER tab to manage the Two notes Virtual
Cabinets in Torpedo Captor X. The Left panel indicates the cabinets available on your computer. The
right panel shows the Virtual Cabinets stored in the unit.
The Torpedo Captor X comes with its internal memory for Virtual Cabinets at full capacity with 32
DynIR cabinets already loaded. To import a cabinet that is stored in your computer to the unit, you
need to free space by unloading one or more cabinet located on the right panel. (Note: The cabinet is
only removed from the Torpedo C.A.B. M+. You still have it in your license, and can reimport it at any
time with Torpedo Remote). Drag and drop any cabinets from the left panel (your computer) to the
right panel for the import in the Torpedo C.A.B. M+, or click the load button to move the cabinet from
the left panel to the right panel.
In CABINET MANAGER, you can rearrange the order of the DynIR cabinets in the Torpedo Captor X.
Select one cabinet, and move it up and down the list to change its designated slot.
The preset rack at the top of the screen lets you save
and load presets in the Torpedo Captor X. There are
128 memory slots for presets.
Use the PRESET MANAGER tab to manage the presets in Torpedo Captor X. The Left panel indicates
the preset folders on your computer. The right panel shows the presets stored in the unit.
Move the presets up and down to change their order in Torpedo Captor X. The first 6 slots are
accessible by the PRESET knob at the front of the unit. Remove presets by dragging and dropping
them in the bin below. Drag and drop presets from the left panel (your computer) to the right panel
(internal memory of the Captor X).
The Torpedo Captor X can load up to 512 IRs. All imports of IRs are done by Torpedo Remote through
the IR manager (via computer). Upon upload into the Captor X, the IRs length can be set to 20, 40,
100 or 200 ms long. If the IR is longer it will be shortened by Torpedo remote to the selected length. If
it is shorter it will be extended (filled with zeros) to the selected length. The internal memory has the
following allowances regarding the length of the IR:
3.1 IR choice
To use custom made IRs with Torpedo BlendIR or 3rd-party IRs, you need to select IR Loader mode in
Torpedo Remote. The window will have a similar layout to the Virtual Cabinet. you can load one IR per
channel, and have the same control on each channel: mute, bypass, phase, and volume with the
fader. You will then be able to shape the tone with the EQ, the Enhancer and the Reverb.
To import or remove 3rd-party IRs in the Torpedo Captor X, you need to register your Torpedo Captor
X via Torpedo Remote to your Two notes account. You cannot import or remove 3rd-party IRs when
using Torpedo Remote in Guest mode. To load a file into the Torpedo Captor X internal memory, use
the IR Manager window.
The left panel is the files on your computer. You can browse the folders where you have stored your
IRs. The right side represents the IR files that are loaded in the Torpedo Captor X. You can drag and
drop the IRs from the computer (left) to the Torpedo (right). If you wish to free memory slots in the
pedal, you can drag and drop the IRs to the bin at the bottom. (this does not delete the IR from your
collection, only from the Torpedo Captor X).
You have access to some options to modify the IR file for the transfer:
IR length: increasing the IR length will improve the resolution of the Torpedo processing (more
precision will lead to better accuracy in the low end). Please note that a 40ms IR will take 2 slots
in your Torpedo Captor X' s internal memory.
IR offset: you have access to 3 options that will change the way the IR file will be processed:
Min Phase: an algorithm will move the samples in the file so it will sound in phase with
any other IR file (provided you use that function to transfer the other files as well).
Min. IR Latency: the file is cut so there is no silence before the first sample, this can
lead to a change in the sound but your latency will be minimal.
Original: the samples in the file remain untouched. You may experience phase
It is possible to use IRs that are stored on your computer's hard drive directly. When doing so, you will
be in Preview mode.You will only be able to use one IR at a time, in IR A. You will be able to save the
preset on your computer using this IR, but not to the Torpedo. To have full capacities when using IRs,
import the files in the Torpedo.
4. Output Routing
The Torpedo Captor X allows for different routings of the XLR outputs. They can be set to
STEREO or to DUAL/MONO. To change routing, click on the purple button above the output
level knob.
In Stereo, both outputs send the same cab sim signal. In Stereo, you have access to the Twin Tracker
and all reverbs are stereo.
Twin Tracker is an automatic double tracker. Your mono amp sound is routed to the left
output and Twin Tracker creates another track (a virtual guitarist) on the right channel in
real-time. The slight differences in timing and attack contribute to a beefed-up tone and
massive sound.
It has 2 parameters:
Balance: sets the level of the twin tracker. If turned all the way down, you will only hear the left
output of the Torpedo Captor X.
Tightness: sets the delay of the virtual guitarist. The latency can reach 70 ms. (if you plug only
the right XLR output and notice an enormous amount of latency while playing, check that you
are not in Stereo routing with the Twin Tracker on and that the Tightness parameter is at its
highest point).
The Twin Tracker is only available in Stereo routing. When on, the Width of the reverb is automatically
set to 100%.
In stereo, you can set the stereo size of any rooms with the Width parameter: from mono (knob
turned all the way to the left) to full wide stereo (knob turned all the way to the right).
On the front panel, the SPACE knob allows you to control one parameter on the fly. You will
assign the behaviour of SPACE in Torpedo Remote, through the purple button below the
SPACE knob in the software.
There are two possible behaviours. Either, Twin Tracker is OFF. The SPACE knob is assigned
to the width of the reverb. Or, Twin Tracker is ON. The Space knob is assigned to the
Tightness of the Twin Tracker. The Width of the reverb is automatically set to 100%.
The SPACE Knob is assigned to the Dry/Wet level of the reverb.
This routing allows you to send independent signals from each XLR outputs. You will be able to set a
different EQ and dry/wet reverb level to the right XLR output. The layout of the Torpedo Remote will
show you an additional EQ next to the right output fader.
4.2.1 Additional EQ
You can set a different EQ on the right output. All the parameters of the EQ are the
same as the general EQ. See section 4.2.3.2 for the description of each mode,band,
and setting.
You can set 2 different Dry/wet reverb levels for each XLR outputs. The parameter in the reverb rack
is only editable through Torpedo Remote. Depending on the SPACE knob assignment, the Dry/wet in
the reverb rack will affect the Left or the Right XLR output.
SPACE knob
Behavior
assignement
The SPACE knob controls the Dry/Wet Reverb level for both XLR outputs.
The SPACE knob controls the Dry/Wet Reverb level for the Left XLR
outputs.
The SPACE knob controls the Dry/Wet Reverb level for the Right XLR
outputs.
When the Bypass button is activated on the Right output channel, the whole Torpedo process
is bypassed. The Right XLR output is sending the dry amp sound. This is an ideal setup when
you wish to record your amp. You will record the full cab sim signal from the Left XLR output,
while at the same time recording the dry amp sound from the Right XLR output.
5. Tuner
Access the tuner by clicking on the fork button at the bottom of the
Room image. The tuner is fully chromatic. You can set the base tuning
point in the Setup Manager anywhere between 410hz and 490hz,
defaults at 440hz.
6. Voicing knob
On the front panel of the Torpedo Captor X, the VOICING control allows you to adjust
the global sound of the unit coming out of the XLR outputs. It is a simple one band
equaliser that is centered at 900 Hz with a -12 to +12 dB range.
7. MIDI control
Torpedo Captor X can be controlled by MIDI, with any regular MIDI controller. To
control the Torpedo Captor X via MIDI use the supplied MIDI to mini jack converter
cable. You will be able to control any parameters of the Torpedo Captor X through
Control Change, or change presets through Program change. You can see the MIDI
mapping in the section of the owner’s manual.
The Torpedo Captor X is equipped with a red LED to signal the following events or issues with your
Torpedo Captor X:
It is possible to overload the input or output stages of the Torpedo Captor X. The red LED will then
light up, according to the signal. Start by turning the Output Level down. If the LED is still lighting up
when you play, you are clipping the input of the Torpedo Captor X. Engage the IN LEVEL switch see
front panel image, element N°7 to the LOW position. It activates a -15dB pad on the input signal. If
the LOW switch is engaged and you are still clipping the input stage of the Captor X, turn down the
volume of the amp until the red LED turns itself off.
With Torpedo remote, you can see the input and output levels through the dedicated vumeters.
When a file transfer is occuring between the Torpedo Captor X and the Remote software, the red LED
acts as a progress indicator: it flashes when a certain percentage of the data is actually sent. This
allows to check if the transfer is occuring normally, or stalled.
This happens when transfering virtual cabinets, IR files, and firmware files (during firmware updates).
The Torpedo Captor X red LED flashes when an error is detected inside the firmware of the unit.
To differentiate system error LED flashes from input or output clipping errors, turn off your amp, and
disconnect it from the Torpedo Captor X. If the Captor X keeps flashing red light while being
unplugged from the amp, this shows a system error. You can decipher the flashes with this article on
LED report. Please submit a ticket on the helpdesk with the transcription of the LED report.
User Cases
The attenuator allows you to dim the volume level of the cabinet connected to the SPEAKER OUT of
the Torpedo Captor X. The use of a cabinet is not mandatory with the Torpedo Captor X. As it is a load
box, your amp is provided with a safe load at all time when connected to the SPEAKER INPUT.
To use the attenuator, you need to connect a cabinet to the SPEAKER OUT of the
Torpedo Captor X. You will activate the attenuator with the Volume Level switch.
FULL: the attenuator is bypassed. The full power delivered by the amp is passed on to the
cabinet. Also, the impedance seen by the amp is the cabinet’s. If you are using a 16 ohm
cabinet, you will have an impedance mismatch. All the guidelines on impedance mismatch here.
“HALFWAY” (unlabelled): the attenuator is activated. The level is dimmed by 20dB. The amp is
seeing the impedance of the Torpedo Captor X. This level is considered to be very useful to
keep your cabinet on stage.
LOW: The attenuator is fully activated and the level is reduced by 38dB - the amp is seeing the
impedance of the Torpedo Captor X. This level is designed to allow you to play your tube amp at
home. In most situations this will fully attenuate your amplifier, but it may be the fact that some
signal still comes through your cabinet.
The Torpedo Captor X is a reactive load box. This allows you to play your tube amp without using a
cabinet. This is ideal at home to record at any time of the day or night practice, etc. You just need to
connect your amp to the SPEAKER IN of the Torpedo Captor X. You can listen to your tube amps
through the headphones output, or with your monitors using the XLR DI outputs.
With the attenuator, it is possible to reduce the level of your physical cabinet suitable for home
playing with up to 38dB of attenuation. Connect your cabinet to the SPEAKER OUT of the Torpedo
Captor X. None of the effects or cab sim within the unit (Enhancer, Reverb, Twin Tracker, EQ) can be
heard through the cabinet. You need to connect the XLR DI outputs to an audio interface or a mixing
desk to listen to the audio treatment of the Torpedo Captor X on monitors.
With Torpedo Remote, you can set the Torpedo Captor X to send 2 different signals out of the XLR
outputs. Select the DUAL MONO routing with the purple button above the Output level knob (see
section 4.4 for output routings). The signal going out of the unit can have a different eq and a
different reverb level in DUAL MONO routing. See section 4.4.2 for all the options. You can send one
signal to the Front Of House and the other to the monitors. The Voicing knob impacts both outputs.
With the attenuator, it is possible to dim the level of your physical cabinet. The halfway position is
suitable for stage levels with its 20dB of attenuation. Your cabinet will be an added source to monitor
your sound. Connect your cabinet to the SPEAKER OUT of the Torpedo Captor X. None of the effects or
cab sim within the unit (Enhancer, Reverb, Twin Tracker, EQ) can be heard through the cabinet.
The DUAL MONO routing also allows you to send a dry signal of the incoming amp signal through the
right output of the Torpedo Captor X. Click on the BYPASS button above the fader of the RIGHT
channel. This will bypass the whole Torpedo processing of the unit. The dry amp signal will allow you
to add the cabinet simulation later in your mix with the plugin Torpedo Wall of Sound.
You are able to record two different amp signals at once in your DAW: the full Torpedo cab sim signal
from the LEFT XLR output of the Torpedo Captor X, and the dry amp signal from the RIGHT XLR
output.
Connect your favorite cabinet and mic it to have 3 different signals recorded at the same time. Use
the different Volume Level settings to adjust the level of the cabinet.
You can preview any cabinets that are not in your license when using Desktop Remote. This is why
when you browse the cabinets in the Remote the list is way bigger than what you have in your license
or in your Torpedo Captor X.
You will see 3 types of icons in front of the names of the cabinets :
Cabinets which are on your Torpedo unit.
Cabinets which are on your licence loaded in your computer
Cabinets which you do not own but can preview before buying them on the Two notes Store.
When you are previewing a cabinet that is on your computer (which means that you own it and it is in
your license stored in your computer), the Remote needs to load the cabinet first so you can edit all
the parameters. As you are previewing, you will only have access to one microphone for the cabinet.
Audio is still going through the unit, so you can use the Captor X as you would normally.
This box allows you to transfer the cabinet you are previewing from
your computer to your Captor X (as long as you have memory slots
available in your unit).
When you are previewing a cabinet that you do not own, random silences are inserted and you only
have access to one mic to preview the cabinets.
You can add the previewed cabinet in the Store Cart by clicking on the
trolley with the plus sign. This operation can be repeated for any
cabinets.
When you want to finalize the cart and buy the cabinets you have
selected, click on the trolley with the green tick and you will be taken to
the online Two notes Store. The trolley with the minus sign allows you to
remove the current cabinet from the cart.
For your security, no billing or information on the payment method is stored on the Remote.
.tur are proprietary files created with the Two notes Audio Engineering Torpedo BlendIR software. The
software is available for download from the Two notes Audio Engineering website. With Torpedo
BlendIR you are able to use the Torpedo technology to capture the sound signature of your own
cabinet and microphone in the deepest details.
To load a file into the Torpedo, place it in the default Impulse directory, or select the directory
containing the files through Torpedo Remote (this can be done in the menu). You can then load the
files into the Torpedo through the Memory Manager or directly listen to them through the main
Remote window.
Please note that with .tur files you do not have access to the microphone positioning parameter.
Setup Manager
This section of Torpedo Remote sets the hardware parameters of the unit such as the audio latency,
the MIDI mapping, the white LED, etc. You will also find the serial number of the unit, as well as the
firmware version. You will also set the reference point for the tuner. By default, it is set at 440 hz.
1. MIDI
The Torpedo Captor X handles both preset change commands (Program Change or PC) and parameter
change commands (Control Change or CC). This way, you can interact with all the parameters on the
unit from any kind of standard MIDI controller, like a MIDI pedalboard or a keyboard.
1. Select if the unit is to receive to Program Change and/or Control Change commands. For
example, if you plan to use the preset switching (PC), the CC receive can be Off.
2. Set a MIDI channel for the unit to receive. You can choose to receive all channels, which is
useful when you don’t know exactly on which channel the commands are sent.
3. With the MIDI monitor, check the correct reception of the commands by the Torpedo Captor X.
See section 7.1 MIDI Mapping for the tables concerning Program Change and Command Change.
2. Audio Performance
The indicated latency is the actual latency of the whole device, measured from the input to the
output. Even at the highest setting, the latency is low enough not to be noticed when playing.
However, latencies add up when using several digital products, which can lead to a point where it
becomes noticeable. In that case, lowering this setting can prove useful.
The effective impedance of the ensemble Torpedo Captor X + speaker cabinet (ie, the impedance
actually seen by the amplifier) is as follow:
Note: when the Volume Level switch is on FULL, the internal loadbox is disconnected as soon as you
plug a cable in the SPEAKER output of the Captor X. The amplifier connected to the Captor X is no
longer connected to its internal loadbox, but to whatever is connected to the other end of this cable.
As a result, if you connect a cable in the SPEAKER output of the Captor X with nothing else connected
to the other end, your amplifier will not be connected to a proper load.
If your cabinet has a different impedance than the Captor X, you will have an impedance mismatch
when the Volume Level switch is on FULL.
If you want or need to mismatch the impedance of the amp and load, we recommend the following:
even more carefully the Recommendation on the proper use of a load box with a tube amplifier
you'll find in the user manual of your Torpedo product.
This article about Impedance mismatch outlines all the precautions to take in making this match as
safe as possible.
Transistor (solid-state) amps are designed differently, and usually have a “minimum load” rating
rather than expecting an exact impedance match. This means you can use any speaker or load box
with an impedance equal or greater than this rating. A speaker output rated “8 ohms min” can safely
be used with 8 or 16 ohms loads.
Specifications
1. MIDI
The Torpedo Captor is supplied with a MIDI 5 pin DIN type A connector to TRS jack 3.5 mm (1/8“)
connector. The wiring of the cable complies with the standard set by The MIDI Manufacturers
Association (MMA) for use of TRS Connectors with MIDI Devices.
The wiring is as follow:
* Tip is connected to pin N°5
* Ring is connected to pin N°4
* Sleeve is connected to pin N°2
For all information on the standard as set by the MMA, visit their website.
Each preset on the Torpedo Captor X has a single program number. The preset 001 of the machine is
triggered by a MIDI PC 1, you can address the 128 presets, with MIDI PC 1 to MIDI PC 128. This way, it
is possible to randomly access the preset by sending the appropriate MIDI PC number.
The following table indicates the Control Change numbers for every parameter, as well as their range
and behavior.
User's manuals - https://wiki.two-notes.com/
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3. List of Microphones
Each cabinet in the Two notes library comes with a choice of 8 perfectly matched microphones. The
selection of microphones depends on the type and model of the cabinet and each had been carefully
selected for maximum response and tonal quality.
Don’t be afraid to try the bass mics on your guitar tone and guitar mics on your bass tones!
Designation Inspired by
Dynamic 57 Dynamic microphone Shure® SM57
Dynamic 421 Dynamic microphone Sennheiser® MD421
Knightfall Condenser microphone Blue® Dragonfly
Condenser 87 Condenser microphone Neumann® U87
Ribbon160 Ribbon microphone Beyerdynamic® M160N
Ribbon121 Ribbon microphone Royer® R121
Bass 20 Dynamic microphone Electrovoice® RE20
Bass 52 Dynamic microphone Shure® Beta52
4. Block diagram
5. Technical Data
Designation Characteristics
6.35mm (1/4 in) Jack unbalanced (TS, Tip/Sleeve)
IN LEVEL switch affects input sensitivity
SPEAKER IN
High: 0 dB
Low: -15 dB
SPEAKER OUT 6.35mm (1/4 in) Jack unbalanced (TS)
XLR Balanced
LEFT/RIGHT OUTPUTS
Maximum output level: 15 dBu. Impedance: 600 Ohms
PHONES 6.35mm (1/4 in) Jack balanced TRS, Tip/Ring/sleeve)
MIDI Input 1/8″ jack balanced TRS. Jack to MIDI cable adapter supplied.
Designation Characteristics
USB Micro USB B port. Micro USB-B to USB-A cable supplied.
Sampling frequency: 96 kHz
ADC/DAC
Resolution: 24 bits
Frequency response 30 Hz - 19 kHz
Min Latency 2.2 ms (LINE IN to LINE OUT)
THD+N ratio 0.03% (IN LEVEL 0dB, sine wave 1kHz 4dBu)
Signal to Noise Ratio 95dB
Power supply 100-240v AC / Output: 12V DC, 1A supplied.
128 (w) x 175 (d) x 64 (h) mm
Dimensions
Weight: 1.3 kg
Technical support
Should you encounter a problem with your product or need help regarding any technical aspects,
please note that Two notes Audio Engineering has developed on-line services to provide you with fast
and efficient technical support, the Two notes Help Desk.
Don't hesitate to browse the Knowledgebase, which contains all sorts of useful information, or submit
a ticket if you have any question or need assistance with a Two notes product.
news about the company and the products (news on the homepage),
comprehensive information about the Torpedo Captor X and its many applications (FAQ),
firmware and software updates to download (products/Torpedo Captor X/downloads),
access to the Two notes Store where you can buy new cabinets,
the Torpedo BlendIR software (products/Torpedo Captor X/downloads),
an official forum where you can share tips and advice with other Torpedo users (forum).
The Two notes Team often visits specialized forums to help out users.
Social Media
Please follow us on Facebook, Instagram (@twonotesaudio) and Twitter (@twonotesaudio) for the
latest updates and product news (we release new cabinets all the time). We love it when people share
photos of their Two notes loaded rigs and we often share them - make sure you use the #mytwonotes
hashtag to get our attention!
We also have a very useful community group on Facebook where we (and lots of our customers) like
to hang out, procrastinate, share ideas and generally give each other GAS.
Please subscribe to our newsletter to get early warning of new products and releases before the
general public!
2. E-mail
We do not offer technical support via e-mail. Please contact us via the Help Desk at the address
above.
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