Episode 2 Cal Newport
Episode 2 Cal Newport
Episode 2 Cal Newport
Transcript
I'm Cal Newport and this is deep questions where I answer queries about work technology and the deep
life. Now these questions come from my mailing list. If you want to submit one of your own, you can
subscribe to this list at Cal. Newport.com. OK, let's get started. Time for work questions.
Well, Justin, here's what I have observed. Burnout is caused by too many days in a row of high stress. In
the work context, stress is almost always created by not having enough time to get things done. It's
deadline driven, so you have a report that you promised by tomorrow and you don't have what you
need to get it done, or you have a book manuscript due on Monday and you still have 30,000 words to
go. That's what gets that stress reaction going.
You get that stress reaction going enough. Your body's going to burn out. So how do you do lots of
things without burning out? You do them in a way that avoids. The stress reaction. So that means you
spread it out, you give yourself more than enough time. You don't do too many things in parallel. Maybe
you finish one project before doing the next. But you make steady progress every day, work, work,
work, work, work. I always used to tell the students I gave advice to writing a paper is not stressful.
Writing a paper when it's due in 12 hours is. So if you are working a lot, but very rarely under time
pressure or very rarely putting too much on your plate to actually get done when it needs to get done,
you're not going to be stressed out. So you just repeat that Formula Day after day, week after week and
lock it's. Done right. So I'm 37. I've published a lot of books. I've published 6 books of the. 7th coming
out. Alright, that seems like a lot book writing seems stressful, but I've been doing it since I'm 20 years
old. 17 years where I have very rarely gone for a stretch where I'm not riding at least a little bit almost
every day. That's 17 years of work with very little actual stress, and yet it still adds up to a lot of results.
I assume what you mean here is producing peer reviewed academic papers outside of your clinical
shifts. That seems to be the most common deep work scenario. Here from doctors. The most basic
answer is pretty straightforward. You do it outside of your shifts and you do it on a regular schedule. You
have your research hours. It's in the morning. It's in the afternoons. If you are on 3, on three off or
whatever your shifts are, you take the off days. You make sure that you always have time. It's just the
consistent application of effort in a in a in a time period that you expect. It adds up to something deeper.
I will say, however, when I hear people talking about doctors and deep work, I like it because it's an
opportunity to do one of my favorite activities, which is going back and marveling at a young Michael
Crichton. So so my goal here is to make anyone out there who is a doctor somehow feel much worse
about themselves because I went deep diving. Into the press archives of articles that were published in
the Boston area about Michael Creighton around the time he was emerging as a force in fiction
literature. All right, here is one such article I'm quoting now. Michael Crighton spent four years at
Harvard Medical School. And what does he have to show for it? 7 novels, a movie, several more
manuscripts and screenplays, and a fast-paced, provocative book of nonfiction on the state of American
Hospitals, which was published last week. When that article came out, Michael Creighton was 27 years
old. All right, let's see what else we can find out about Michael Creighton. He sold the movie rights. He
sold the movie rights for the Andronis strain during February of his senior year at Harvard Medical
School. I looked it up. Those rights sold. I believe this was 1969 or 1970 for $500,000. That's about 3.3
million. If we adjust for inflation. So that's a pretty successful side hustle for a medical student. What a
lot of people don't realize about Criton is that the andronis strain was not his first book. He had actually
written five books before that under a pseudonym. All throughout medical school to help pay his bills at
Harvard Medical School, he was writing pot boiler style. Techno thrillers I owned three of them. They
republished them a few. Years ago. They're OK. I mean, they're not great, but you can see criton
polishing his craft using a pseudonym, which he says he did because he did not want his professors at
the medical school to get upset with him. I have a sort of similar tale. When I was a graduate student at
MIT, I didn't tell anybody that I was writing books. My doctoral advisor found out that I was writing
books because she saw one of them on the table in the MIT bookstore. So are you writing? Books she
did not get as mad as I feared, maybe creightons professors would not have gotten mad as he feared,
though with a $3.3 million. Movie right? Advance a guest who cares? So he wrote five books with a
pseudonym while in medical school. They got better. How do we know they got better? The 5th book he
wrote the final book under a pseudonym before he wrote the androgynous strain, a case of need one
Edgar Award for Best Mystery in 1969. So by the time that astronomist training book came out during
his senior year at Harvard Medical School, he'd been honing that craft for a while. All right, so how did
he? How did he do it? Right. I mean, this is let's get back to Abby's question. We'll talk about deep work
while a doctor. I mean, that's a lot to do while in Med school. And in that first year internship. Here's
another quote I found from a contemporaneous article as a student, Criton took his typewriter during
summers and Christmas vacations. And into medical courses in which he had no interest, anyone who
wanted to look at my transcript, Mr. Creighton said with a boyish grin, could see when I was working on
a book. All right. So I guess he was in what I would call in the book Deep Work. The journalistic mode of
deep work wherever you get time to do it right, get that work done. Be obsessive about it. Be relentless
about it. I've heard apocryphal, perhaps tales of him riding on the shuttle bus in Cambridge that went
between the various Med school campuses there in the Boston area. I've also heard stories, perhaps
apocryphal. During his internship year 4th year Medical School of Writing in the The Room where you
would go to sleep, you know at the night shift when you're waiting to be. Called in. So this was a guy
who worked a lot. Another quote I found from the time he said that he writes when the fit hits me and
then the article goes on to say this is a New York Times article from June of 1970. It goes on to say,
Michael, Mr. Creighton can write 16 hours a day for a week or two, often turning out 10,000. Words a
day, 1970. So this article would correspond with the year after Criton left Harvard Medical School. He
did one year as a postdoc and left that fellowship because he was just having way too much success as a
writer. All right, Abby, so you have the boring answer and the exciting answer. The boring answer is find
regular time outside of your clinical shifts and allow the deep work to accrete. Build up day by day,
week by week, so those papers come out. The exciting answer is be like Michael Crichton and write 16
hours a day. Somehow bring a typewriter. Into your classes. I'm not quite sure how that worked and
make $3 million by the time you graduate, right? So there we go. Two different ways of thinking about
that challenge.