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com/x-pro2/
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©2016 FUJIFILM Corporation

David Alan Harvey
For the unseen photography
ALWAYS EVOLVING IMAGE QUALITY

X- Pro2 A commitment to photographic creativity,

developed from more than 80 years of film
production
The X-Pro2: delivering a new level of X-series photo quality by combining As a film manufacturer, Fujifilm has conducted exhaustive
the brand new X-Trans CMOS III sensor and X-Processor Pro engine research into delivering photo quality results for more than
80 years. Without this experience, it would have been
impossible to come up with the technical capability to reproduce
colours and tones that emphasise the texture of the subject and
deliver a three-dimensional look to images.
The creative attributes of film that cannot be measured by
resolution alone are alive and well in the X-Pro2.

The first model to feature a newly-developed

sensor for outstanding image quality
The newly-developed 24.3MP X-Trans
CMOS III APS-C sensor boasts the highest 1

ever pixel count for an X-Series camera.

Combined with an XF lens, it delivers
2
images with a perceived resolution far
greater than the number of pixels used.
In addition, the phase detection pixels 3

have been positioned over a larger area

for a faster, more precise phase detec-
tion AF performance. High ISO sensitiv- 5 4
ity performance has also been improved
to the point that the whole sensitivity

ACRO S
range – up to the maximum ISO 12,800 The unique random colour filter array reduces moiré

Grainy Effect
and false colours without the need for an optical
– can now be used with confidence.
low-pass filter.
The sensor readout speed is now approximately twice as fast, delivering high-speed continuous 1 Micro-lens 2 X-Trans color filter 3 Shielding layer

shooting, precise AF tracking, playback and higher quality movies. 4 Phase detection pixel 5 Photo diode

ACROS Film Simulation

Two strengths of grain effects
The X-Pro2 features the new ACROS Film Simulation
The X-Pro2 has the ability to reproduce graininess typically unique to mode. Its features include smoother gradation, deep
film-based images. There are two strengths: Strong or Weak, which can blacks and beautiful textures. Ultra high-quality
be combined with each of the different Film Simulation modes. The ef- monochrome images are possible, adding extra creativ-
fects are also possible through in-camera RAW development. ity to the general monochrome mode.

New processing engine increases speed and image processing capabilities

Thanks to the newly-developed X-Processor

Pro engine, processing speeds are now ap- Start-up time 0.4 sec.
proximately four times faster than a conven-
tional model. This maximises the capabilities
Film Simulation
of the X-Trans CMOS III sensor to ensure it Shooting interval 0.25 sec.
delivers the highest image quality with super- The foundation of Film Simulation
fast response times. In addition, thanks to the
Shutter time lag 0.05 sec. colour reproduction
high-speed reading technology of the sensor,
the conventional EVF's display speed of 54fps Using the knowledge gained from accurately reproducing colour in film
has been increased to a maximum of 85fps*. AF speed 0.06 sec. manufacturing, Film Simulation allows the user to change colour and tone
This substantially reduces the image delay settings to match the subject, scene and creative intent, just as if shoot-
phenomenon when tracking a moving subject. ing with a roll of film. There are a total of 15 modes including PROVIA /
Blackout time after release has also been re- Live view (EVF) SXGA
  85fps Standard, Velvia / Vivid and ASTIA / Soft.
duced by approximately half and compressed
RAW is supported, improving the ease-of-han- The X-Pro2 features a new CPU for high-speed processing. The Buf-
dling of RAW data. fer memory has also been increased for an even faster response.

*in High Performance mode Classic Chrome Film Simulation

FINDER FOCUSING
Compose images in the viewfinder using Focusing system combines fast and
one of three different viewing options accurate AF with simple MF
Photographers love looking through a viewfinder to take Accentuate your subject. For photographers, focusing is
photos, which is why X-Series models have used finders an important job. Although AF now reacts faster than the
from the very start. Combining the advantages of both an human eye, the appeal and level of trust in MF will never
OVF and an EVF, Fujifilm has perfected the Advanced disappear. Manually operating the focus ring to pick out a
Hybrid Multi Viewfinder with three viewing options. Now specific element in the frame is often crucial. Speed isn't
you can return to the roots of photography with the only always everything.
viewfinder of its kind in the world.

Electronic Rangefinder
Electronic Rangefinder (ERF) simultaneously displays a small EVF window in the optical viewfinder.
Advanced MF Mode AF Point Expantion
Driving MF forward Phase Detection AF area expanded to 7x7
The EVF is simultaneously displayed as a
small window in the optical viewfinder. It
can be displayed in three different ways: The X-Pro2 comes equipped The number of selectable
100% field of view, 2.5x magnification with different types of MF focusing points has been
and 6x magnification. This allows the user assist including Digital Split expanded from 49 on pre-
to check focus, the angle-of-view, exposure Image, which is reminis- vious models to 77. Approx-
and white balance in real-time, even when cent of old rangefinders, imately 40% of the imag-
taking photos through the OVF. As it can and Focus Peaking where ing area is now covered by
also be used with MF assist, precise MF is colour is used to show the fast, precise phase detec-
possible in the OVF mode. parts of the image that tion AF pixels, which means
are in focus. focusing speeds when pho-
Digital Split Image can be selected in both monochrome The motion prediction algorithm has also been improved tographing moving subjects
and colour options making fast, precise continuous tracking possible. have improved dramatically.
Finder switching lever on the front of the body - easy to operate
while shooting

Eyesight Adjustment Depth of Field Scale Focus Lever

Depth of Field scale supports zone Focus Lever allows you to instantly change
Advanced optical viewfinder system
focusing in MF the focus area
The optical design of the The Depth of Field Scale The new Focus Lever on the back of the camera can be moved like
viewfinder has been im- can be selected for film a joystick in eight directions to instantly move the focus area. Now,
proved, moving the eye point reference display in addi- rapid focus area changes can be made, even when composing an
from 14mm on the previ- tion to conventional pixel image. Not only is this available to move the AF point during AF
ous model to 16mm. A di- reference. With film refer- mode, but it can also be used during MF mode to quickly move the
opter correction dial is also ence, photo viewing from enlarged display area when using MF assist.
included, which makes the printing becomes a prereq-
viewfinder even more com- uisite for depth display, al-
fortable to use. lowing the user to use it in
Optical viewfinder diopter correction is not only available on a sense of depth of field The Depth of Field Scale, displayed as a blue bar in the dis- Clicking the focus lever in the centre will instantly return the focus area back to the central point.
the EVF, but also when using the OVF and ERF. similar to film photos. tance index, gives a visual guide when manually pre-focusing.
OPERABILITY RELIABILITY
A body design that maximises practicality The FUJIFILM X-Pro2 will allow field
photography without the typical worries
No photographer wants to take their eye from the
about weather, season or environment.
viewfinder for fear of missing the perfect shot. With this
in mind, key design aspects have been concentrated on the
Reliability is one of the most important considerations
camera's right side. The major exposure settings are
when choosing a camera, regardless of where you are and
available on a dial for quick fingertip control. Changes
what type of scene you want to photograph. That's why
can also be made while the camera is switched off, so
the camera body of FUJIFILM X-Pro2 is made from
users will always be ready for the next photo opportunity.
magnesium and designed to be dust-resistant, splash-
Thanks to the simplicity of the X-Pro2, you'll soon be
resistant and freeze resistant up to -10°C, along with a
creating masterpieces.
highly durable focal plane shutter and dual card slot.

Exposure Compensation Dual-Functioned Dial Dual SD Card Slot 1/8000 sec. Shutter Speed
Exposure compensation dial in Focal plane shutter with a
One dial for both ISO and shutter speed Dual Card Slots
the C position maximum speed of 1/8000 sec.
As it's used so frequently, exposure The shutter speed and ISO dials The X-Pro2 is the first mirrorless camera to offer dual SD card slots The X-Pro2 comes equipped with a focal plane shutter boasting a
compensation has been made into a have now been combined into one for highly reliable data storage. Slot 1 is compatible with UHS-II durability of 150,000 shots, a maximum speed of 1/8000 sec and a
dual-purpose dial. Compensation up dial, which is reminiscent of those standards for excellent write flash sync speed of 1/250sec.
±3 stops in 1/3 steps is possible even found on old film cameras. Chang- speeds. One of three record- Furthermore, the camera also
with the camera to your eye thanks to ing the ISO is done by lifting the ing methods can be select- includes an electronic shutter
the dial's knurled shape. But if the C outer portion of the dial. Now all ed: sequential, backup and with completely silent opera-
position is selected, exposure com- exposure settings can be performed RAW / JPEG sorting. tion and a maximum speed of
pensation of up to ±5 stops is possi- with dials. 1/32,000 sec, allowing users
ble using the front command dial. to select maximum apertures
Accurate exposures are possible, even in situ- In addition to Auto (A), Low (L) and High even in bright conditions.
ations with large variations in brightness, (H), manual selections can be made from Images can be copied between SD cards within the cam- Reliable mechanical shutter. The X-Pro2 can be set to Mechanical + Electronic mode, automatically switch-
thanks to ±5 stops of exposure compensation. ISO 200-12,800. era, making image data backup possible without a PC. ing to an electronic shutter when the correct exposure exceeds 1/8000 sec. in Aperture Priority (AE) mode.

Front Command Dial Great Versatility Magnesium Body

For more comfortable handling Highly customizable menus Durable magnesium body

The X-Pro2 features a new front A maximum of 16 frequently used Coated in the same semi-gloss paint as the X-Pro1, the luxurious
command dial. It is used to set in- menu items can be registered to the body of this new flagship model is made from highly robust
termediate shutter speeds that are new My Menu feature. When com- magnesium alloy, which feels both solid and reliable in the
not available on the shutter speed bined with the Q Menu, which in- hand. The dials are milled from aluminum and operating with a
dial when shooting in Manual or stantly brings up the main menu, re-assuring click.
Shutter Speed Priority modes. It's and the six Fn Buttons, a total of 38
also used to shift programmed expo- shortcuts can be created for a truly The re-designed GUI is now easier to see
sure combinations when shooting in impressive level of customization. and use.
Program mode.
Precise exposure settings that cannot be
made with dials are now possible.
System Chart Technical Notes Specification X-Pro2 Specification

Model name FUJIFILM X-Pro2

Number of effective pixels 24.3 millions pixels

Shoe Mount Flash External Microphones instax SHARE printers Image sensor 23.6mm×15.6mm (APS-C) X-Trans CMOS with primary color filter.

Wireless LAN SP-1 Sensor Cleaning system Ultra Sonic Vibration

Storage media SD card (~2G)/SDHC card (~32G)/SDXC card (~256G) UHS- /UHS- (Only Slot 1)(*1)

MIC-ST1 File format Still image JPEG:Exif Ver.2.3, RAW:14bit RAW (RAF original format)/RAW+JPEG
Smartphone
Movie MOD (MPEG-4 AVC/ H.264, Audio: Linear PCM/ Stereo sound 48KHz sampling)
EF-X20 EF-20 EF-42 Tablet
Wireless LAN HDTV Number of recorded pixels L: <3:2>6000×4000 / <16:9>6000×3376 / <1:1>4000×4000

M: <3:2>4240×2832 / <16:9>4240×2384 / <1:1>2832×2832

Hot shoe cover S: <3:2>3008×2000 / <16:9>3008×1688 / <1:1>2000×2000

Lens mount FUJIFILM X mount

Impact Sync Cord Sensitivity AUTO1/AUTO2/AUTO3 (up to ISO12800)/ISO200~12800(1/3 step)(Standard Output Sensitivity)
Leather Case Cable release Extended output sensitivity:ISO100/25600/51200

Exposure control TTL 256-zone metering, Multi / Spot / Average/ Center Weighted
Image Management and
Processing Software Exposure mode P(Program AE)/A(Aperture Priority AE)/S(Shutter Speed Priority AE)/M(Manual Exposure)
SD/SDHC/SDXC HDMI cable
memory card Exposure compensation -5.0EV~+5.0EV 1/3EV step(Movie: -2.0EV~+2.0EV)
MyFinePix Studio
third-party suppliers
Image Stabilizer Supported with OIS type lenses
RAW FILE CONVERTER EX
BLC-XPRO2 Powered by SILKYPIX Shutter type Focal Plane Shutter
third-party suppliers
Shutter speed Mechanical Shutter 4sec.~1/8000sec(P mode), 30 sec.~1/8000 sec.(All modes) Bulb mode(up to 60min), TIME:30sec.~1/8000sec.

Electronic Shutter 1sec~1/32000sec(P/A/S/M modes) Bulb mode:1sec. fixed, TIME:1sec~1/32000sec *2

Computer
Mechanical + Electronic Shutter 4sec~1/32000sec(P mode), 30sec~1/32000sec(All modes) Bulb mode(up to 60 min), TIME:30sec.~1/32000sec. *2

USB cable Synchronized shutter speed for flash 1/250sec. or slower

Continuous shooting Approx. 8.0 fps(JPEG:83 frames Lossless compression RAW:33 frame Uncompressed RAW:27 frames)

Approx 3.0fps(JPEG:endless Lossless Compression RAW:endless Uncompressed RAW:36frames)

third-party suppliers * recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames

Hand Grip
Auto bracketing AE Bracketing(±2EV/±5/3EV/±4/3EV/±1EV/±2/3EV/±1/3EV) Filmsimulation bracketing(Any 3 types of film simulation selectable)
Battery chargers
Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV/±2/3EV/±1EV) White Balance Bracketing (±1/±2/±3)
Rechargeable Printer
Li-ion batteries Remote Shutter Release Focus mode Single AF / Continuous AF / MF

type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

Body caps AF frame selection Single point AF:EVF/LCD/OVF:11x7/21x13(Changeable size of AF frame among 5 types),
BCP-001 Zone AF:3×3/5×5/7×7 from 77 areas on 11x 7 grid, Wide/Tracking AF:(up to 18 area) *AF-S:Wide *AF-C:Tracking
MHG-XPRO2 BC-W126 NP-W126 RR-90

White balance Automatic Scene recognition/Custom1~3/Color temperature selection(2500K~10000K)/

Preset : Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater

Self-timer 10sec/2sec

Interval timer shooting Yes (Setting : Interval, Number of shots, Startinng time)

Flash modes Red-eye Removal OFF Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander
AC power adapters DC couplers Macro Extension Tube FUJINON lenses Mount adapters
Red-eye Removal ON Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Red-eye Reduction & Slow Synchro / Suppressed Flash / Red-eye Reduction & Rear-curtain Synchro / Commander

Hot shoe Yes (Dedicated TTL Flash compatible)

Viewfinder (Hybrid Viewfinder) OVF everse Galilean viewfinder with electronic bright frame display Coverage of frame area v.s. capturing area: approx.92% Magnifications approx x0.36/x0.60
MM ADAPTER
EVF 0.48-in TFT color viewfinder Aprox 2.36 millions dots(4:3) Coverage of viewing area vs. capturing area : approx. 100%

Eyepoint:approx 16mm(from the rear end of the camera’s eyepiece) Diopter adjustment:-4~+2m-1
XF23mm XF35mm XF56mm XF90mm Magnification:0.59x with 50 mm lens (35mm equivalent) at infinity and diopter set to -1.0m-1
AC-9V
CP-W126
MCEX-11 / MCEX-16 F1.4 R F2 R WR F1.2 R F2 R LM WR M Mount Lenses
Diagonal angle of view : approx 29.1°(Horizontal angle of view:approx 24.4°) Built-in eye sensor

FUJINON X Mount 21 Lenses, as of 15th Jan 2016 LCD monitor 3.0-inch, aspect ratio 3:2, approx 1.62 millions dots

Movie recording Full HD 1920×1080 60p/50p/30p/25p/24p up to 14 min. HD 1280×720 60p/50p/30p/25p/24p up to 28 min

* Use a card with SD Speed Class with class 10 or higher

Multi Views Film simulation mode 15 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black& White, Black& White+Ye Filter,
AE-L (exposure lock) button
Parts of the Camera Black& White+R Filter, Black& White+GFilter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter)

Diopter Focus stick (focus lever) Dynamic range setting AUTO, 100%, 200%, 400% ISO restriction(DR100%:No limit, DR200%:ISO400 or more, DR400%:ISO800 ore more)
adjustment Metering button
control Function button (Fn3) Rear command dial Advanced filter Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Viewfinder selector
Movie-record button Wireless transmitter Standard IEEE802.11b/g/n(standard wireless protocol)
Function button (Fn1) Front command dial Function button (Fn2) Viewfinder window AF-L
Encryption WEP/ WPA/WPA2 mixed mode
(focus lock)
Shutter button AF-assist illuminator / Self-timer lamp Eye sensor button Access mode Infrastructure

Microphone ON/OFF switch Wireless function Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print

Other functions Exif Print , PRINT Image Matching II , Language(35 languages including JP/EN), Time difference, exposure preview on LCD during Manual mode, EVF brightness,

EVF color, LCD brightness, LCD color, Mode effect on monitor, Customize. Digital Split Image *3

Terminal Digital interface USB2.0(High-Speed)/micro USB * connectable with Remote Release RR-90 (sold separately)

HDMI output HDMI micro connector (Type D)

Other Microphone / shutter release input: ø2.5mm, stereo mini connector Hot shoe, Syncronized terninal *Mechanical release S1 button

Power supply NP-W126 Li-ion battery (included)

Dimensions (W)140.5mm×(H)82.8mm×(D)45.9mm (minimum depth 34.8mm)

Weight Approx 495g(including battery and memory card)/Approx 445g(excluding battery and memory card)
Hot shoe
Operation Environment Operating Temperature -10ºC~+40ºC
Shutter speed dial/ Exposure Speaker Tripod mount Focus mode LCD monitor Q (quick menu) Operating Humidity 10%~80%(no condensation)
Sensitivity dial compensation selector button
dial Battery life for still images Approx. 250/350 frames (EVF/OVF, When XF35mmF1.4 R is set) *4
Battery Lens signal contacts VIEW MODE button Selector Starting up period Approx 0.4sec.
chamber DRIVE button/
Lens release button playback button Function buttons Accessories included Li-ion battery NP-W126, Battery Charger BC-W126, Shoulder strap, Body cap, Strap clip, Protective cover, Hot shoe cover, Sync terminal cover, Clip attaching tool,
MENU/OK button Owner’s manual, Warranty+D66
Strap eyelet Memory card slot Microphone/ delete button
remote release connector Indicator lamp
*1 Please see the Fujifilm website (http://www.fujifilm.com/support/digital_cameras/compatibility/card/x/) to check memory card compatibility. *2 The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used. *3 Digital
Micro HDMI connector Split Image is a trademark or a registered trademark of FUJIFILM Corporation. *4 Approximate number of frames / period that can be taken with a fully-charged battery based on CIPA standard.
Micro USB connector DISP(display)/BACK button