Exploring Kumbhaka (Breath Retention) in Krishnamacharya's Intermediate 'Series' Inc. Practice Sheets Primary-2nd Series

Exploring Kumbhaka ( breath retention) in
Krishnamacharya's Intermediate 'series' inc.

Practice Sheets primary- 2nd series
For much of last year I found myself exploring Krishnamacharya's asana

descriptions in Yoga Makaranda, culminating in a reordering of the
asana from that text into Ashtanga Primary series order. That allowed
me to follow, in my own practice, the regular sequence with which I'm
so familiar and yet bring in other elements of Krishnamacharya's
approach, the longer stays, slower breathing and in particular his
employment of kumbhaka (breath retention).
For the coming year the plan is to take a similar approach to Ashtanga
2nd series. So what we have below is a slight reordering of the table
from Krishnamacharya's 1941 book Yogasanaglau to bring it into line
with current Intermediate series. ( I've also included the reordered
table for Standing primary and Finishing sequences).
Looking forward to exploring second series again, have missed it. I've
often included in my practice this year the backbend section from 2nd
series whether in an Ashtanga context or Vinyasa Krama but pretty
much abandoned everything after that. My lotus comes down in
Karandavasana still but is reluctant to go back up.
I added most of this post to the previous one as an update but want to
make it available as a separate post so anyone else wants to play can.
The beauty of this approach I think is that you can introduce as much
or as little of Krishnamacharya's approach into your own practice as
you wish. Explore the kumbhaka option perhaps in one or more asana,
or better, explore the kumbhaka option in, say, a different group of
five postures each practice. Choose perhaps a similar group of five
postures and explore slowing the breathing right down, we do
something anyway with our standing and finishing postures where the
breathing is often slower. And we can choose to explore longer stays in
certain postures, choose a different posture or two and stay for ten
full breaths rather than the usual five. All options to explore and
approaches that Krishnamacharya chose to present in what was
essentially a manual
For me, approaching my whole practice this way, it'll be a case of

splitting the series into two allowing me to take it slower and include
the longer stays and kumbhaka's, perhaps with a longer full 2nd on
Tuesdays and full Primary on Sunday.
In the rediscovered Pattabhi Jois Yoga Therapy article Vamana's use of

Vinyasa is translated as 'inhalation and exhalation' in keeping with the
current presentation of Ashtanga in which no Kumbhaka is employed.
Pattabhi Jois also states in the article
'This method can be learnt only from an experienced yogi well versed
in Yoga Shastra'.
Breath in the arms come up,

breath out the arms go down,
breathe in - come up,
breath out - bend forward....
It's actually quite intuitive, how about the breath
'equal but otherwise, free breathing'.
Why do we need an 'experienced guru well versed in the shastras' to

teach us something that appears so intuitive?
I have theory (what, another one)....

This year I've been exploring, through practice, Krishnamacharya's

approach to asana, in particular, his employment of kumbhaka. I've
slightly reordered the Primary Group asana from the table found in
Krishnamacharya's Yogasanagalu (1941) to bring it more in line with the
current Ashtanga primary series sequence. I'm presently doing
something similar for the middle group also, bringing the Yogasangalu
table order in line with current Ashtanga Intermediate series. The plan
is to explore this approach to 2nd series in my practice this coming
year.
Krishnamacharya doesn't seem to have followed a fixed series although

clearly there are sequences and subroutines that closely follow
sections within the current practice of Ashtanga, that's to be expected
of course much of it is intuitive, one asana often logically follows
another. The Primary group asana table in Yogasanagalu is almost

exactly the same as we find in the current Ashtanga Primary series, the
Middle group is close, very close, however the Proficient group is more
'lumped together'.
The story goes that when Pattabhi Jois was invited to teach at the
Sanskrit college he came to Krishnamacharya with the asana he had
been taught by Krishnamacharya grouped into Primary, Intermediate,
Advanced A and Advanced B. Krishnamacharya is said to have given his
approval.
I'm familiar with the Ashtanga series having practice Primary to

Advanced series for a number of years, it makes sense to me to
practice Krishnamacharya's instructions for asana in an order I'm
familiar with as well as allowing me to offer it to others as an option
to explore in their own practice.
Looking at this section of the 2nd series table that I'm currently
working on, with it's employment of different kumbhaka depending on
the asana, we can probably agree that this is significantly more
complex.
Actually it's even more complicated than the table suggests. In Yoga
Makaranda Krishnamacharya gives instructions for different kumbhaka
at different stages of the vinyasa of a single asana. We can see
perhaps why the assistance of a guru well versed in the shastras ( here
I read those related to pranayama practice) is advised particularly as
there is an intimate relationship between kumbhakam and the
employment of the different bandhas. I have been fortunate in that
my teacher, Srivatsa Ramaswami, Krishnamacharya's student of 30
years still teaches, to some extent, the use of kumbhaka in certain
asana vinyasas, within the Jois Ashtanga lineage however this element
of the tradition seems to have been misplaced. Manju Jois went so far
as to tell me recently that Krishnamacharya was mistaken in his use of
kumbhaka in asana, perhaps he is right. However we are not talking
about one reference in passing to kumbhaka. Yoga Makaranda is all
about the breath, each individual element of the breath, we find
kumbhaka's described in almost every asana.
Perhaps the employment of kumbhaka is something that

Krishnamacharya didn't teach to his student Pattabhi Jois, and yet we
find it detailed in Yoga Makaranda (1934) written while Patabhi Jois

was Krishnamacharya's student and even in some cases teaching

assistant (It is thought Pattabhi Jois, being a senior student, would
have led the Mysore boys in their classes while Krishnamacharya
would, on occasion, teach a more Vinyasa krama approach on a one-
to-one basis in another room). Perhaps kumbhaka was not intended for
the young boys of the palace or beginners.
Yet kumbhaka is everywhere in Yoga Makaranda (1934), in almost every

asana description detailed instructions are given, likewise in
Yogasanagalu (1941) and its presentation within the form of a table.
These were texts Krishnamacharya was instructed to write as
pedagogic manuals for schools and elsewhere. Krishnamacharya
wanted to share this approach to asana, he wanted us to practice
asana this way.
Section of the 2nd series table I'm presently working on
Krishnamacharya Yogasanagalu (19410 table in

Ashtanga 2nd series order
Number in Asana
yogasanaglu Asana Vinyasas position Breathing notes
table
1. Pasasana 14 7-8

Bhaya kumbhaka

2. Krounchasana 22 7-8-14-15

Bhaya Kumbhaka
6. Shalabasana A and B 10 5-6
Antah Kumbhaka
10. Bhekasana 9 5
Antah Kumbhaka
3. Dhanurasana 9 5
Antah Kumbhaka
4. Parshva Dhanurasana 12 6-7-8
Antah Kumbhaka
9. Ushtrasana 15 7-8-9
Antah Kumbhaka
12. Lagu Vajrasana 15 7-8-9
Ubhaya Kumbhaka
15. Kapotasana A and B 15 8
Antah Kumbhaka
11. Supta vajrasana 18 9-11

Ubhya Kumbhaka
FIRST DRAFT
Note - Length of Kumbhaka's
Extend the natural/automatic mini kumbhaka between the inhalation and exhalation or between the exhalation
and inhalation to 2-5 seconds in the postures indicated, certain more 'meditative' postures the kumbhaka might
be extended to those employed in regular pranayama.

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Exploring Kumbhaka ( breath retention) in

Krishnamacharya's Intermediate 'series' inc.

For much of last year I found myself exploring Krishnamacharya's asana

For me, approaching my whole practice this way, it'll be a case of

In the rediscovered Pattabhi Jois Yoga Therapy article Vamana's use of

Pattabhi Jois also states in the article

Breath in the arms come up,

It's actually quite intuitive, how about the breath

'equal but otherwise, free breathing'.

Why do we need an 'experienced guru well versed in the shastras' to

I have theory (what, another one)....

This year I've been exploring, through practice, Krishnamacharya's

Krishnamacharya doesn't seem to have followed a fixed series although

another. The Primary group asana table in Yogasanagalu is almost

I'm familiar with the Ashtanga series having practice Primary to

Perhaps the employment of kumbhaka is something that

was Krishnamacharya's student and even in some cases teaching

Yet kumbhaka is everywhere in Yoga Makaranda (1934), in almost every

Section of the 2nd series table I'm presently working on

Krishnamacharya Yogasanagalu (19410 table in

1. Pasasana 14 7-8

2. Krounchasana 22 7-8-14-15

11. Supta vajrasana 18 9-11

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