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    Basic Rhythm Exercises For Pick Style Guitar: Tma Music 9

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    Iikeysroom
    The document is a book that provides basic rhythm exercises for pick style guitar playing. It is divided into three parts that cover eight note, triplet, and sixteenth note rhythm patterns. The patterns use alternate picking and are notated with symbols to indicate downstrokes, upstrokes, chords, percussive notes, and accents. All examples are to be played with a D9 chord to simplify the left hand. The book contains over 75 pages of short rhythm exercises to build proficiency in reading and playing various note subdivisions.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Basic Rhythm Exercises For Pick Style Guitar: Tma Music 9

    Uploaded by

    Iikeysroom
    124 views54 pages
    The document is a book that provides basic rhythm exercises for pick style guitar playing. It is divided into three parts that cover eight note, triplet, and sixteenth note rhythm patterns. The patterns use alternate picking and are notated with symbols to indicate downstrokes, upstrokes, chords, percussive notes, and accents. All examples are to be played with a D9 chord to simplify the left hand. The book contains over 75 pages of short rhythm exercises to build proficiency in reading and playing various note subdivisions.

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    The document is a book that provides basic rhythm exercises for pick style guitar playing. It is divided into three parts that cover eight note, triplet, and sixteenth note rhythm patterns. The patterns use alternate picking and are notated with symbols to indicate downstrokes, upstrokes, chords, percussive notes, and accents. All examples are to be played with a D9 chord to simplify the left hand. The book contains over 75 pages of short rhythm exercises to build proficiency in reading and playing various note subdivisions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    124 views54 pages

    Basic Rhythm Exercises For Pick Style Guitar: Tma Music 9

    Uploaded by

    Iikeysroom
    The document is a book that provides basic rhythm exercises for pick style guitar playing. It is divided into three parts that cover eight note, triplet, and sixteenth note rhythm patterns. The patterns use alternate picking and are notated with symbols to indicate downstrokes, upstrokes, chords, percussive notes, and accents. All examples are to be played with a D9 chord to simplify the left hand. The book contains over 75 pages of short rhythm exercises to build proficiency in reading and playing various note subdivisions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 54

    BASIC RHYTHM

    EXERCISES FOR
    PICK STYLE GUITAR

    TMA MUSIC 9
    ISBN 978-82-92985-03-8
    ISMN 979-0-706693-09-5
    BASIC RHYTHM EXERCISES FOR
    PICK STYLE GUITAR 1
    THE BASICS:

    The fundamental structure this method is built around, is dividing all rhythms into
    groups of 2, 3 and 4. This means thinking eight notes, triplets and sixteenth notes.
    The idea is to get used to thinking the basic subdivisions of grooves in popular, western
    music styles. This theory is no stranger to drummers and hopefully, you will reconsider
    your attitude towards rhythm guitar as something structured and not accidental.
    This book will help you structure your rhythm guitar playing both
    in terms of analyzis and performance.

    The book has three parts. These are:

    1. Eight note rhythm patterns (1/8)


    2. Triplet note rhythm patterns
    3. Sixteenth note rhythm patterns (1/16)

    All examples are written in 4/4 time

    THE SYMBOLS:

    The method is built around alternate picking played with down and upstrokes.
    Downstrokes are written using this symbol:
    Upstrokes are written using this symbol:

    The rhythms are written with the following symbols:


    1. Chord slashes. Indicates playing a chord.
    2. Percussive notes. Indicates muting the chord with your left hand.
    3. Accents. Play a heavy beat on the accents indicated.

    Ex. 1

    All examples are played with one chord, D9, only! Obviously, you can play with any
    chord or chord combination. The meaning is just to simplify the burden of your left
    hand.

    1
    PART 1 - EIGHT NOTE PATTERNS

    BASIC PATTERNS I:

    1)

    2)

    3)

    4)

    5)

    6)

    2
    7)

    8)

    9)

    10)

    11)

    12)

    13)

    3
    14)

    15)

    16)

    BASIC PATTERNS II:

    1)

    2)

    3)

    4)

    4
    5)

    6)

    7)

    8)

    9)

    10)

    11)

    5
    12)

    13)

    14)

    15)

    16)

    17)

    18)

    19)

    6
    20)

    21)

    22)

    23)

    24)

    25)

    26)

    27)

    7
    28)

    29)

    30)

    31)

    32)

    33)

    34)

    8
    35)

    36)

    37)

    BASIC PATTERNS III:

    1)

    2)

    3)

    4)

    9
    5)

    6)

    7)

    8)

    9)

    10)

    11)

    10
    12)

    13)

    14)

    15)

    16)

    BASIC PATTERNS IV:

    1)

    2)

    11
    3)

    4)

    5)

    6)

    7)

    8)

    12
    PART 2 - TRIPLET PATTERNS

    BASIC PATTERNS I:

    1)

    2)

    3)

    4)

    5)

    6)

    13
    7)

    8)

    9)

    10)

    11)

    12)

    13)

    14
    14)

    15)

    16)

    17)

    19)

    20)

    21)

    15
    22)

    23)

    24)

    25)

    26)

    27)

    28)

    16
    29)

    30)

    31)

    32)

    33)

    34)

    35)

    17
    36)

    37)

    38)

    39)

    40)

    41)

    42)

    18
    43)

    44)

    45)

    46)

    47)

    48)

    49)

    19
    50)

    51)

    52)

    53)

    54)

    55)

    20
    BASIC PATTERNS II:

    1)

    2)

    3)

    4)

    5)

    6)

    21
    7)

    8)

    9)

    10)

    11)

    12)

    22
    13)

    14)

    15)

    16)

    17)

    18)

    23
    19)

    20)

    21)

    22)

    23)

    24)

    24
    25)

    26)

    27)

    28)

    29)

    30)

    25
    31)

    32)

    33)

    34)

    35)

    36)

    26
    37)

    38)

    39)

    40)

    41)

    42)

    27
    43)

    44)

    45)

    46)

    47)

    48)

    28
    49)

    50)

    51)

    52)

    53)

    54)

    29
    55)

    56)

    57)

    58)

    59)

    60)

    30
    61)

    62)

    63)

    64)

    65)

    66)

    31
    67)

    68)

    69)

    70)

    71)

    72)

    32
    73)

    74)

    75)

    76)

    77)

    33
    PART 3 - SIXTEENTH NOTE PATTERNS (1/16)

    BASIC PATTERNS I:

    1)

    2)

    3)

    4)

    5)

    6)

    34
    7)

    8)

    9)

    10)

    11)

    12)

    13)

    14)

    35
    15)

    16)

    BASIC PATTERNS II:

    1)

    2)

    3)

    4)

    5)

    36
    6)

    7)

    8)

    9)

    10)

    11)

    12)

    37
    13)

    14)

    15)

    16)

    17)

    18)

    19)

    38
    20)

    21)

    22)

    23)

    24)

    25)

    26)

    39
    27)

    28)

    29)

    30)

    31)

    32)

    33)

    40
    34)

    35)

    36)

    BASIC PATTERNS III:

    1)

    2)

    3)

    41
    4)

    5)

    6)

    7)

    8)

    9)

    10)

    42
    11)

    12)

    13)

    14)

    15)

    16)

    17)

    43
    18)

    19)

    20)

    21)

    22)

    23)

    24)

    44
    25)

    26)

    27)

    28)

    29)

    30)

    31)

    45
    32)

    33)

    34)

    35)

    36)

    37)

    38)

    46
    39)

    40)

    41)

    42)

    43)

    44)

    45)

    47
    46)

    47)

    48)

    49)

    50)

    51)

    52)

    48
    53)

    54)

    55)

    56)

    57)

    58)

    59)

    49
    60)

    61)

    62)

    63)

    64)

    65)

    66)

    50
    67)

    68)

    69)

    70)

    71)

    72)

    73)

    51
    74)

    75)

    76)

    77)

    78)

    52

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