English Literature - Meghdootam - Kalidasa
English Literature - Meghdootam - Kalidasa
English Literature - Meghdootam - Kalidasa
More
India English American UGC-NET French PWA Russia German African Greek Pakistan Subaltern Theory China Sri Lanka
13h Century 15th Century Anglo Saxon Augustan Caroline Chaucer Commenwealth Elizabethan Jacobian Modern Norman Saxon Post Mode
Silence! The The route that indicated by Kalidasa is the route of monsoon. Here, the poet says that while traveling towards
Court is in
North the cloud will come across the region of Mala, then it will float towards Norh-Westand will pass through
Session
Amarkoot Hill; then it will touch the foothills of Vindhyachal, where, where Reva or Narmada is flowing in
The Trial
between the zigzag motion. Then the cloud will pass through Darshan, whose capital was Vidisa. Then take a straight route
humanists and and turn towards Ujjaini, the capital of Avanti. Then the description of number of number of rivers, hills,
the anti-humanists in Vijay states, temples, and flowers. The description shows that the poet might have visited these places of India
Tendulkar's play 'Silence! The personally, and the artist in him was at his best when he describes these parts in this poem, which makes it
court is in Session'. Vij...
immortal masterpiece of the poet.
Touchstone
Method: Arnold In the second part, the cloud has to deliver the message to yaksha’s wife. Yaksha’s message is that she should
"Poetry is not yield in grief. He calls him “gentle friend” and asks him to convey his “Unwidowed Lady”:
interpretative by “Man’s fate on the earth is like a rim of wheel
having natural Goes down and comes up again”.
magic in it, and
literarism.blogspot.com/2011/03/meghdootam-kalidasa.html 1/4
11/23/2019 English Literature: Meghdootam: Kalidasa
moral profundity". He also tells her that the remaining period of his exile will end soon. The time of abhisar that is “meeting” and
Touchstone Method is a short “mating” is near. When the time of exile will ends “we two shall taste together every desire”. Thus, ends the
quotation from a re...
message that yaksha desires to sent to her beloved through the cloud. The poem ends with the words for the
“wanderer at will”:
Tara: Mahesh
Dattani “May you never parted from your light
Mahesh Dattani Even for an instant”.
has presented
the bizarre If one analyses Meghdootam as a romantic poem one has to identify the central figure of the poem. The
reality of the yaksha whose claim to the title is most potent, is quite surprisingly, not even named in the poem. The poet
woman playing second fiddle
simply calls him “A certain Yaksha”, and his wife/beloved also not been identified. There is no attempt of
to man. This play opens with
Chandan changed into Dan characterization. The whole of “Purvamegha” and “Uttarmegha” are devoted to the natural sceneries between
in... Ramgiri and Alaka. The love interest takes backseat.
The Transitional Poets Thus, we can say that the apparent thematic simplicity of “Meghdootam” is quite misleading. It would be a
Link gross fallacy to read the poem Simply as a love message. The actual message is rather thin and predictable.
http://neoenglishsystem.blog Whether the message delivered or not is left unsaid, it shows that message is not at the focal point of the
spot.in/2010/12/precursors-
poem. The cloud’s journey takes place in yaksha or the poet’s mind. The poem is poetic rendition of the state
of-romantic-revival-or.html
http://www.angelfire.com/n of yaksh’s mind with the aid of countless metaphors including myth, legend and tales. In its imaginative
m/nighttime/poetry/t... process the poem makes the semantic boundaries of love as emotion. Chandra Rajan has rightly says:
“Meghdootam is more than a poem of longings and separation, with glowing description of nature, including
Development of myth and legend, dream vision and literary reminiscences, are blended with topographical and conversational
Indian English dimensional to give love poem depth and multi-laired texture”. After reading the poem one can say: “Who is
Drama
not delighted when Kalidasa’s perfect verses spring forth in their sweetness like the honey filled clustered of
Source: http://li
teraryindia.com/ flowers.”
print/810.html
Drama in India has had a You might also like:
rich glorious tradition. It
The Ring and the Book
begins its journey with the
The Jungle Book
Sans...
The Poet and the Murderer
Macbeth: Shakespeare
Johnson's Johnson's Preface to Shakespeare
Preface to
Shakespeare Linkwithin
“The Preface is
the impartial
Posted by Kashyap Deepak
estimate of
Shakespeare’s virtues and Labels: India, Kalidasa
defects by a powerful mind”.
(Halliday). Johnson’s Preface
to Shakespear... 2 comments:
Battle of the
Books
T he Battle of
Comment as: aditink38@gma Sign out
the Books
(1704), a prose
satire by
Jonathan Swift written in Publish Preview Notify me
1697 when he was residing ►
with Sir W. Tempe, and
published in1...
L
New Criticism Materialism Culture Dalit Lliterature Daruwalla Darwin Dattani Death of the Author Deconstruction Deridda Derrida Desai Desani
Dickens Dilip Chitre Doctorow Donne Dostoevsky Dryden Durkheim EB Browning Ecology Edmund Wilson Eliot Elizabethan
Literature, Censorship and
the State Ellison Emile Emily Bronte English Epitaph essats Essays Esslin Ethics Eugene Ionesco Existentialism Ezekiel Faiz Fanon
Literary Criticism & Theory Farrel Faulkner Feminism Feminist Criticism in the Wilderness Ferber Fitzgerald Foregrounding Formalist Approach Forster Foucault
Literary Criticism Frankfurt School French Freud Frost Frye Fyre Gandhi Gender German Germany Ghosh Gilbert Adair Golding Gordimer Greek
literarism.blogspot.com/2011/03/meghdootam-kalidasa.html 2/4
11/23/2019 English Literature: Meghdootam: Kalidasa
Joyce: Extrinic Approach to Gulliver’s Travels Gunjar Halliday Hard Times Hardy Hawthorne Hemingway Heyse Hindi Literature Historical Materialism History P
Stuty
Homer Horace Hunt Huxley Ibsen In Memoriam India Indian. Gadar Indra Sinha Interview Ireland Irish Jack London Jane
Indian Women Drama Eyre Japan JM Synge Johnson Joyce Joyce on Criticism Jumpa Lahiri Jussawalla Kafka Kalam Kalidasa Kamla Das Karnard Keats
Indian Themes Kipling Langston Hughes Language Language of Paradox Larkin Le Clezio Lenin Lessing Levine Life of PI literary Criticism Luckas
Indian Epic Lucretius Lyrical Ballads Macaulay Magazines Mahapatra Mahima Nanda Malory Mandeville Manto Manusmrti Mao Marlowe Martel
Home & Exile Martin Amis Marx Marxism Mary Shelley Maugham McCarry Medi Media Miller Milton Moby Dick Modern Mona Loy Morrison
Movies Mulk Raj Anand Mytth of Sisyphus Nabokov Nahal Naipaul Narayan Natyashastra Neo-Liberalism NET New Criticism new
Consciousness & Novel
historicism News Nietzsche Nikita Lalwani Niyati Pathak Niyati Pathank Nobel Prize O Henry Of Studies Ondaatje Orientalism
Camus: Myth of Sisyphys
Orwell Pakistan Pamela Paradise Lost Pater Pinter Poems Poetics Poets Pope Post Feminism Post Modern Post
Absurd Drama: Esslin Structuralism post-Colonialism Poststructuralism Preface to Shakespeare Present Prize Psycho Analysis Psychology and Form
Publish Pulitzer Prize Puritan PWA Radio Ramayana Rape of the Lock Renaissance Restoration Revival Richardson Rime of
Writers Ancient Mariner RL Stevenson Rohinton Mistry Romantic Roth Rousseau Rushdie Russia Russian Formalism Sartre Sashi
Despandey Satan Sati Savitri Seamus Heaney’ Shakespeare Shaw Shelley Shiv K.Kumar Showalter Sibte Hasan Slavery Slow Man
Achebe Addison Adiga Albee Alberuni
Socialism Spender Spenser Sri Lanka Stage of Development Steinbeck Stories Subaltern Sufis Surrealism Swift Tagore Tamil
Ambedkar Amrita Pritam Anand Literature Ted Hughes Tennyson Tennyson. Victorian Terms Tess of the D’Urbervilles The March The Metamorphsis The Order of
Aristotle Arnold Aurobindo Discourse The Outsider The Playboy of the Western World The Politics The Satanic Verses The Scarlet Letter The Transitional Poets The
Ghosh Backett Bacon Badiou
Waste Land The Work of Art In The Age of Mechanical Reproduction The Wuthering Heights Theatre of Absurd Theory Theory of
Bardsley Barthes Bejnamin Belinda
Criticism Theory of Evolution Theory of Literature Thomas McEvilley Thoreau To the Lighthouse Tolstoy Touchstone Method Tughlaq Tulsi
Webb Bellow Blake Braine Brooks
Browne Browning Buck Burke CA Badrinath Twain Two Uses of Language UGC-NET Ulysses Untouchable Urdu Victorian Vijay Tendulkar Vikram Seth
Duffy Camus Charlotte Bronte Vivekananda Voltaire Voyage To Modernity Walter Tevis Webster Wellek West Indies Wharton Williams WJ Long Woolfe Wordsworth
Chaucer Coetzee Coleridge Conard World Wars Writers WW-I WW-II Wycliff Xingjian Yeats Zadie Smith Zaheer Zizek Zoe Haller
Darwin Dattani Deridda Derrida
Desai Desani Dickens Doctorow
Donne Dostoevsky Dryden EB
Mahapatra Malory
Mandeville Marlowe Martel Martin
Amis Marx Mary Shelley Maugham
McCarry Miller Milton Morrison Mulk
Raj Anand Nabokov Nahal Naipaul
Narayan Nietzsche Nikita Lalwani O
Henry Ondaatje Orwell Pater Pinter
Pope Richardson RL Stevenson
Rohinton Mistry Roth Rousseau
Rushdie Sartre Sashi Despandey
Shakespeare Shelley
Showalter Spender Spenser
Steinbeck Swift Tagore Ted
Hughes Thoreau Tolstoy Tulsi
Badrinath Twain Vijay Tendulkar Vikram
Seth Voltaire Walter Tevis Webster
Wellek Wharton WJ Long Woolfe
Wordsworth Wycliff Xingjian Zaheer
Zizek Zoe Haller
Follow by Email
literarism.blogspot.com/2011/03/meghdootam-kalidasa.html 3/4
11/23/2019 English Literature: Meghdootam: Kalidasa
Alll rights are reserved to LITERARISM. Deep'ak, JNU, Delhi, India. Travel theme. Theme images by hdoddema. Powered by Blogge
literarism.blogspot.com/2011/03/meghdootam-kalidasa.html 4/4