CUSTOM DESIGN GUIDE

HOW TO USE
THIS GUIDE

1 Select your body shape

2 Select your Lowden build series

3 Select your woods

4 Add any additional features

5 Submit your order

1
 FOREWORD

I began making guitars professionally in 1974.

When I first told my father that I planned to
make a living building guitars, his response was
simple… ‘In that case you had better make them
well” he replied.

Every day in our workshops here at George Lowden Guitars I

give guidance and training to our team of skilled craftspersons

who build Lowden Guitars according to my designs. I do not

consider us to ever have ‘arrived,’ instead I continue to scour the

world for the finest woods and tweak both the designs and the

building techniques to make this year’s guitars even better than

those before with uncompromising quality of craftsmanship.

George Lowden

2 3
 THE LOWDEN
BODY SHAPE

O F S WL
(The Original) (Flatpicking) (Small body) (Wee Lowden)
The first standard soundbox design created The ‘F’ model was first designed Originally designed in 1994 for The Wee Lowden was designed
by George (after much experimenting) in 1982 and then redesigned in Nick Webb of Acoustic Alchemy, by George to be a guitar that is
in 1976 and the design has remained 2003. The smaller soundbox shape the S model is, tonally, the most as compact as possible without
unaltered since. The second largest of the produces more projection and surprising of the Lowden range. compromising tone. To that end the
Lowden models after the Baritone, the midrange response than the ‘O’ Normally, small guitars have low Wee Lowden has a 610mm scale
‘O’ has been likened to a ‘Jumbo’ style making it perfect for flat pickers but volume and and have a tendency length, but the internal bracing
guitar. While at first glance this may seem it has also found its way into the to sound boxy. However, the ’S’ is arranged for maximum bass
accurate, the ‘O’, like all Lowdens, has a hands of finger style players, blues is possibly the loudest of all the response, a common short coming
unique design and voice of it’s own. The guitarists and others. The soundbox Lowden models, having a bass of other small guitars.
soundbox geometry and the voicing of geometry is designed, and the response and sustain that defies its
the bracing are both designed to increase bracing voiced to have a flat bias, size. The ’S’ is designed and braced
treble response, which balances the natural favouring neither treble or bass. for Bass bias.
bass-heavy tonal characteristics of such
large-bodied guitars.

4 5
 THE CORE
COLLECTION
The Core Collection is comprised of three series’ that
make up the backbone of the Lowden range.

Unlike a lot of guitar Each series is differentiated by the use of

different species of wood, the grade of
manufacturers, the Core
the materials used, and the intricacy of
Collection is organised not
their aesthetic appointments (bindings,
by their body shapes, but by
purflings, rosette and head stock facing).
their series.

F
32
6 7
 MODEL
LABELLING
Each Lowden model (except for the Stage Edition) is labelled with the
body size first: O, F, S or WL. Then a number designates the model (for
the original series) or the series (35 and 50) of the guitar. In the 35 and 50
series’ two sets of two letters separated by a ‘/‘ signify the woods used for
the back and sides and the top respectively.

For signature models, the guitar is Examples:

usually labelled either with the Artist’s ‘O-25c’ = A guitar from the original series,
name (e.g. Richard Thompson) or with a specifically the ’25’ model, in the ‘O’ body
2 or 3 letter designation (RT). size with a cutaway.

For special models (The Jazz, the ‘F-35ff KO/RW’ = A guitar from the 35
Baritone and the Stage edition) please series in the ‘F’ body size with the Fan
see below for labelling information. Fret option.

There are also letters that describe the ‘S-50c ff x AB/RW’ = A 50 series guitar in
custom options or that the guitar is part the S body size with African Blackwood
of the Jazz series: back and sides, a Redwood top, a
‘c’= Cutaway cutaway, the Fan Fret option, and a non-
‘ff ’= Fan Fret standard custom option (eg. a custom
‘J’= Jazz fingerboard inlay or a custom neck
‘x’= Non-standard custom option width).

F
35

8 9
 ORIGINAL SERIES
THE ORIGINAL
SERIES
Unlike the 35 and 50 series’, each Original Series model has its own two-number
model designation: the 22, the 23, the 25 and the 32. The Original series features
understated aesthetic appointments; a seven-piece wood rosette, single piece
binding and three-piece purfling on the top, rosewood front-head facing and an
ebony fingerboard.

22: 25:
Size available: O, F and WL Sizes available: O, F, S and WL
Back and sides: Mahogany Back and sides: Indian Rosewood
Top: Cedar Top: Cedar
Bindings: Sycamore Bindings: Mahogany
Purfling: Sycamore, Rosewood Purfling: Sycamore, Rosewood
and Mahogany and Mahogany
Neck: 5 piece Mahogany with Neck: Five piece Mahogany
Maple splices with Rosewood splices

23: 32:
Sizes available: O, F and S Sizes available: O, F and S
Back and sides: Walnut Back and sides: Indian Rosewood
Top: Cedar Top: Sitka Spruce
Bindings: Sycamore Bindings: Sycamore
Purfling: Sycamore, Rosewood Purfling: Sycamore, Rosewood
and Mahogany and Mahogany
Neck: Five piece Mahogany Neck: Five piece Mahogany
with Rosewood splices with Rosewood splices

0
25

10 11
 ORIGINAL SERIES
BACK AND SIDES

American Mahogany Claro/Bastogne Walnut East Indian Rosewood

SOUNDBOARD

Red Cedar Sitka Spruce

* Shades of wood and the wood grain may vary from images shown.

ADDITIONAL OPTIONS ORIGINAL SERIES

See full list of options available on page 64

Fan Fret
Left 12 String Cutaway Custom
Handed O, F All models Neck
models only except WL
and 12 string Pickup

12 13
 35 SERIES
35 SERIES

The 35 Series is comprised of 23 different models that are

delineated by their wood combination. There are 9 woods
available for the back and sides and 6 for the top, however, no
one back and sides wood is available with all of the top woods.

The woods used in the 35 series are also of the top, an abalone/ebony rosette, a maple
a higher grade (always AAAA if not higher) bound ebony fingerboard, ebony front and
and the aesthetic appointments are more back headstock facings and a 1mm thick
complex. back centre seam. 35 Series models also
benefit from upgraded tuners in the form of
The bindings of the 35 Series are usually gold Gotoh 510 machine heads.
figured maple or Tasmanian Blackwood,
depending on what looks best with the Finally, the 35 series also has more custom
back and sides and top. 35 Series guitars options than the Original Series, as listed
also have purflings on the sides as well as on page 19.

F
35C

14 15
 35 SERIES
F
35

F S
35 35

16 17
 35 SERIES
BACK AND SIDES SOUNDBOARD

East Indian Rosewood Claro/Bastogne Walnut Chechen Red Cedar Sitka Spruce Redwood

Tasmanian Blackwood Madagascar Rosewood Guatemalan Rosewood Adirondack Alpine Spruce Lutz Spruce

ADDITIONAL OPTIONS 35 SERIES

Left 12 String Cutaway Soundboard Custom

Handed O, F All models Bevel Neck
models only except WL
and 12 string

Cocobolo Koa Ancient Bog Oak

Pickup Fan Fret See full list of options available on page 65

* Shades of wood and the wood grain may vary from images shown.
18 19
 50 SERIES
50 SERIES
The 50 series can be described as the Lowden Custom Shop.
With the 50 Series, customers have the opportunity to choose
any combination of woods in any body size as well as offering
an expanded choice of tone woods not available in the 35 Series;
Cuban Mahogany, Ziricote and Brazilian Rosewood.

Moreover, the woods that are used are highly figured wood bindings, purflings
Master Grade tone woods; the best of the on the top, sides and back, a seven piece
best tone woods available anywhere chosen hand inlaid back centre seam, an abalone
for their exceptional tonal and visual and figured wood rosette, a maple bound
properties. ebony fingerboard and ebony front and
back head facings. Several custom options
The aesthetic appointments become even are available in the 50 series that are not
more complex and intricate in this series; available in the 35 or Original Series.

S
50

20 21
 50 SERIES
BACK AND SIDES BACK AND SIDES

East Indian Rosewood Bastogne Walnut Fiddleback Mahogany Ziricote Ancient Cuban Mahogany African Blackwood

Tasmanian Blackwood Honduras Rosewood Madagascar Rosewood Ancient Bog Oak Reclaimed Brazilian Rosewood*
(CITES certified))

* Rare woods such as Brazilian Rosewood can not be guaranteed to be Master Grade

Guatemalan Rosewood Cocobolo Koa

* Shades of wood and the wood grain may vary from images shown.
22 23
 50 SERIES
SOUNDBOARD

Red Cedar Sitka Spruce Alpine Spruce

Redwood Adirondack Lutz Spruce

* Shades of wood and the wood grain may vary from images shown.

“When we receive our tone-woods into our workshops we re-grade them

several times and only the rarest and exceptional pieces we reserve for
our 50 series. Every 50 series guitar benefits visually and in tone from this
very special wood. These are simply the very best we can make!”
George Lowden

F
50C

24 25
 50 SERIES
NECK WOODS

Cherry Walnut Mahogany Rosewood

Maple

ADDITIONAL OPTIONS
50 SERIES
See full list of options available on page 68

Left 12 String Cutaway Soundboard Custom

Handed O, F All models Bevel Neck
models only except WL
and 12 string

Maple
Neck
Pickup Fan Fret Inlay Packages Gold Waverly Tuners

F
50

Soundbox bevel
26 27
28
F
50

50 SERIES
29
 JAZZ COLLECTION
THE JAZZ COLLECTION
Based on the ’S’ model, the Jazz model is a nylon string
‘cross-over’ model that is designed to be used for a variety of
playing styles.

The neck is wide enough to accommodate All Jazz models are referred to as ‘SxxJ’
the nylon strings and yet the ebony where ‘xx’ is the model/series number,
fingerboard is cambered to allow easy this is because, although the body shape
playing for steel string players. The voicing is the same as a regular ’S’ with a cutaway,
of the guitar allows for a great acoustic it is voiced differently. There are four
response while not being overly lively and Jazz models available, two are Original
overpowering while amplified. All Jazz Series models, one is a 35 Series model
models also come with a fishman matrix and there is also a 50 series Jazz. Each of
infinity and cutaway as standard. these models have the series-appropriate
aesthetic appointments.

S
32J

30 31
 JAZZ COLLECTION
S25J
Back and sides: East Indian Rosewood
Top: Cedar
Bindings: Mahogany
Purfling: Rosewood, Mahogany
and Sycamore
Neck: Five piece Mahogany with a Walnut
centre stripe and two Purpleheart splices.

S32J
Back and sides: East Indian Rosewood
Top: Alpine Spruce
Bindings: Sycamore
Purfling: Rosewood, Mahogany
and Sycamore
Neck: Five piece Mahogany with a Walnut
centre tripe and two Purpleheart splices.

S35J
Back and sides: Reclaimed Brazilian Rosewood
Top: Alpine Spruce
Bindings: Figured Maple
Purfling: Rosewood, Mahogany
and Sycamore
Neck: Five piece Mahogany with
a Walnut centre stripe and two
Purpleheart splices.

S50J
See 50 series options.

S
32J

32 33
 SPECIALITY COLLECTION
THE SPECIALITY
COLLECTION

Models within The Specialty Collection are designed to fit the

needs of players who require a custom instrument beyond
those offered within our Core Collection.

Many of these instruments feature bespoke appointments

or custom features not usually available on any one specific
model and as such they have earned themselves a place in
our range as part of the Specialty Collection.

Some of the models in this collection are available in different wood combinations not
listed. Contact your nearest Lowden dealer to discuss your needs.

WL
FF

34 35
 SPECIALITY COLLECTION
THE 12 FRET
The 12 Fret model is based on our S size
body. Whilst the scale length (630mm)
remains the same as the regular 14 fret S
model, the bridge has been relocated and
the soundbox uniquely voiced to create a
guitar that offers something different to
anything else in the Lowden range.

The location of the bridge on the soundboard

increases the guitars midrange punch and despite
its more compact feel, the 12 Fret offers projection
and vibrancy more akin to a guitar with a much
larger body.

MODEL SHOWN: S-35C 12 Fret

Back and Sides: Cocobolo
Top: Adirondack
Bindings: Tasmanian Blackwood
Neck: 5 piece Mahogany with
Rosewood splices
Fingerboard: Ebony bound with
Maple and Ebony
Size Available: S

S
35

36 12 Fret 37
 SPECIALITY COLLECTION
THE 12 FRET

MODEL SHOWN: S-35 12 Fret

Back and Sides: Walnut
Top: Red Cedar
Bindings: Figured Maple
Neck: 5 piece Mahogany with
Rosewood splices
Fingerboard: Ebony bound with
Maple and Ebony
Size Available: S

12 FRET MODELS AVAILABLE IN THE 35 SERIES:

Indian Rosewood / Sitka Spruce
Indian Rosewood / Adirondack
Walnut / Red Cedar
Madagascar Rosewood / Alpine Spruce
Cocobolo / Adirondack
Other combinations available upon request
- subject to custom charge.
Available in any 50 Series wood combination.

S
35c

12 Fret
38 39
 SPECIALITY COLLECTION
THE S35 M THE S-35 W

The S35 M is our first commercially available Following in the footsteps of the all mahogany S-35M,
guitar with a hardwood top. This model is I was curious to see if there were other hardwoods
made with AAAA Fiddleback Mahogany for the that might offer something a little different to the
back, sides and top with a slightly adjusted traditional soundboard wood choices.
bracing to compensate for the harder top. The very first ’S’ model I ever made used walnut for the back and
This model is also our first to feature hand sides so I liked the idea of revisiting this original idea all these
years later.
made Robson Open Gear tuners.

Walnut is a fantastic tone wood known for having a very clear,

bright character that offers good note separation. Using a
Back and Sides: AAAA Fiddleback Mahogany hardwood like walnut makes for a stiffer soundboard which when
Top: AAAA Fiddleback Mahogany carefully voiced, offers a warmth and punchiness to compliment
Bindings: Indian Rosewood those already present traditional walnut characteristics.
Neck: Five Piece Mahogany with
Rosewood splices
Fingerboard: Maple bound Ebony Back and Sides: Figured Walnut
Machine Heads: Robson Open Gear with Top: Figured Walnut
Ebony buttons (optional)
Rosette: Abalone, pear wood
Sizes Available: S
Bindings: Maple
Neck: 5 piece: cherry / walnut
Purfling: Pau ferro, mahogany, maple
Fingerboard: Maple bound Ebony
Bridge: Pau ferro
Machine Heads: Gotoh 510 with Ebony buttons
Sizes Available: S

40 41
 SPECIALITY COLLECTION
WEE LOWDEN THE 38
FAN FRET
In 2016 George took time to design several new The 38 has been a stalwart of the Lowden
models and among them was the Wee Lowden Range for almost 30 years. George
Fan Fret. Combining the comfort of a small body designed it to showcase the very best
guitar with the tonal advantages of a Fan Fret of what Lowden had to offer, whilst
(even greater bass response),not to maintaining a simple, elegant look with
mention better upper fret access, the use of Original style appointments
makes this model one of the most contrasting the abalone inlay work.
tonally unique and ergonomic
Back and Sides: Reclaimed Brazilian Rosewood (CITES certified)
guitars in our range.
Top: AAAA Dark Cedar
Bindings: Original Style Maple with Abalone
Back and Sides: Indian Rosewood purflings on the top
Top: Redwood Neck: Five piece Mahogany with
Bindings: Maple Rosewood splices

Neck: Five Piece Mahogany Fingerboard: Ebony bound in Ebony with

with Rosewood splices Abalone Leaf Inlays

Fingerboard: Maple bound Ebony Sizes Available: O, F and S

Sizes Available: WL

42 43
 SPECIALITY COLLECTION
THE BARITONE THE BARITONE
FAN FRET
The Baritone model is based upon the
O size but with a longer scale length The scale length on the Baritone Fan Fret

(700mm rather than 650mm), and a has been changed from of one of our

deeper body (130mm rather than 125mm). normal Fan Fret guitars, so the bass scale

These changes are to enhance the tonal length changed from 680mm to 710 and

characteristics of a guitar detuned to C on the treble scale from 635 to 670.

or B. The Baritone is available as a stand- Due to the extra scale length you will get extra depth to the
tone and in some ways, slightly extra power..a bit like the
alone model with these specs:
difference between a Baby Grand and a Concert Grand piano.

MODEL SHOWN: BAR-50 FF

Back and Sides: Master Grade African Blackwood
Back and Sides: Figured Claro/Bastone Walnut
Top: Master Grade Sinker Redwood
Top: Sitka Spruce
Neck: Five Piece Mahogany with
Bindings: 35 Style Maple Rosewood splices
Neck: Five Piece Mahogany with Fingerboard: Ebony bound in Maple and Ebony
Rosewood splices
Scale: Bass: 710mm,
Fingerboard: Ebony bound in Maple and Ebony Treble: 670mm (27.95” / 26.37”)

50 Series Custom Baritones are also available, Available in both the 35 and 50 Series.
please refer to the price list for details.

44 45
 SPECIALITY COLLECTION
THE FM THE STAGE EDITION
Model shown has Cocobolo back and The Stage Edition (32 SE) is designed
sides and a Sitka Spruce Soundboard. to be played on stage and primarily as
The FM is available in the 35 and 50 an amplified rather than purely acoustic
series range. instrument.

With a reduced body depth over a standard F model, the FM A pickup and cutaway are standard and the neck is thinner
is voiced to project bright clean lead lines or fingerpicking (43.5mm at the nut) to make playing more comfortable.
runs with extra emphasis on the lower mids. The perfect Aesthetically, the 32 SE is somewhere between an F32c and
guitar to cut through the mix. an F35c IR/SS; it has an abalone rosette and abalone dot
fingerboard inlays as standard and the Bindings
All FM models feature our shallow neck carve are Original Style Sycamore.
and narrow neck dimensions as standard.
Back and Sides: Indian Rosewood
Top: Sitka Spruce
Back and Sides: AAAA Cocobolo
Bindings: Original Style Sycamore
Top: AAAA Sitka Spruce
Neck: Narrow five piece Mahogany
Bindings: Maple with Rosewood Splices
Neck: Narrow five piece Mahogany Fingerboard: Ebony with Abalone dot inlays
with Rosewood Splices
43.5mm at nut / 56mm at 14th fret
Fingerboard: Ebony bound in Maple
and Ebony bindings Neck Profile: Shallow carve

43.5mm at nut / 56mm at 14th fret

Neck Profile: Shallow carve

46 47
 CUSTOM OPTIONS
CUSTOM OPTIONS
Apart from self-explanatory options such as the cutaway or
left-hand options, some of the custom options available in our
range are explained below and on the following page. Special
options exclusive to the 50 Series are outlined on page 26.

FAN FRET
The Fan Fret design is such that each of the strings has a scale length (i.e. the strings
get longer toward the bass side) which increases bass and treble response. However,
to maintain tuning, the frets have to be placed at an angle (apart from the 7th which is
straight). The effect of this is to make the guitar sound bigger and more open. Available
on Original, 35 and 50 Series.

SOUNDBOX BEVEL
(35 and 50 Series’ only)

The soundbox bevel was first introduced on the Pierre Bensusan signature model and
has since become one of our most popular options. The bevel is a curved piece of wood
that forms part of the binding on the upper bout but is wider and at an angle so as to
make the guitar more comfortable for the arm to rest on.

F
50C

Fan Fret
48 49
 CUSTOM OPTIONS
PICKUPS

Pickups are an additional and popular option on all our guitars.

We have several available to choose from, see page xx for full list.

LR Baggs Anthem LR Baggs VTC

Highlander IP-1 Highlander IP-2

Fishman Matrix Infinity

S and WL models only
50 51
 SIGNATURE COLLECTION
THE SIGNATURE
COLLECTION
Our signature models are made to recognise artists who are
both exceptional musicians and dedicated Lowden players. These
models are made to their exact specifications in order to produce
the sound that they love and be as playable as possible. As such,
the only custom option available on these models is a pickup.

PB

52 53
 SIGNATURE COLLECTION
ALEX DE GRASSI RICHARD
THOMPSON
Body Size: F with extra deep cutaway Body Size: F cutaway
Back and Sides: AAAA Quilted Maple Back and Sides: AAAA Ziricote
Top: Sitka Spruce Top: Cedar
Bindings: Honduras Rosewood Bindings: Figured Koa
(older models have Snakewood)
Neck: Five piece Mahogany with Walnut
Neck: Five piece figured Maple with Walnut centre stripe and Purpleheart splices
centre stripe and Purpleheart splices
Inlay Style: Old 35 style (abalone rosette with 50 series
Inlay Style: Old 35 style style bindings and purflings.)

54 55
 SIGNATURE COLLECTION
PIERRE PIERRE
BENSUSAN BENSUSAN
Body Size: F cutaway Body Size: O cutaway (70s style flatter cutaway) ‘Old Lady’
Back and Sides: AAAA Honduras Rosewood Back and Sides: Ancient Cuban Mahogany
Top: Adirondack Spruce Top: Cedar
Bindings: Ebony with soundbox bevel Bindings: Sycamore
Neck: Five piece ‘Fingerstyle’ Figured Maple Neck: Five piece Mahogany with
with Rosewood splices maple splices
Inlay Style: Current 35 style Inlay Style: Old Original Series style
(Thicker bindings and purflings)

56 57
 SIGNATURE COLLECTION
PAUL BRADY THOMAS LEEB
Body Size: O Body Size: O cutaway
Back and Sides: Figured Bubinga Back and Sides: AAAA Bastone Walnut
Top: Sitka Spruce Top: Sitka Spruce
Bindings: Maple Bindings: Sycamore
Neck: Five piece figured Maple with Neck: Five piece Mahogany
rosewood splices with rosewood splices
Inlay Style: 35 style with no centre back inlay Inlay Style: Hybrid Original/35 style (Abalone
rosette but no centre back inlay)

58 59
 SIGNATURE COLLECTION
JON GOMM

Body Size: O Cutaway

Back and Sides: American Black Cherry
Top: ‘Hybrid’ Sitka Spruce and Cedar
Bindings: Sycamore
Neck: Five piece Maple with Rosewood splices
Inlay Style: Original Series style with special slim rosette

“My Hybrid Top signature model is the most

epic sounding guitar I’ve ever heard. Melodies
are breathtakingly clear, the bass is huge and
it all just fires out of the guitar like a rocket.
The spine-tingling harmonics and rich warm
midrange are gorgeous.”
Jon Gomm

60 61
 NECKS
NECKS
STANDARD NECK
Nut Width Known as the GL standard, Nut
Nut Width thisWidth
neck profile measures 45mm at
45mm 43.5mm 45mm
the nut extending to 57mm at the 14th fret.
57mm 56.25mm 60mm
14th Fret 14th Fret 14th Fret

Nut Width Nut Width Nut Width

NARROW NECK45mm 43.5mm 45mm

57mm 56.25mm 60mm

14th Fret 14th
This 14thstandard
Fretis narrower than our
neck Fret neck with a 43.5 mm nut
Nut Width Nut Width Nut Width
45mm 43.5mm width
45mm(rather than 45 mm) and 56.25 mm at the neck joint (rather

57mm 56.25mm
than 57 mm).
60mm
14th Fret 14th Fret 14th Fret
14th Fret 14th Fret
57mm 56.25mm
45mm 43.5mm
Nut Width Nut
Nut Width Nut Width
45mm
45/60 NECK Width
43.5mm
Nut Width
45mm

57mm 56.25mm 60mm

14th Fret (35 and 14th
50 Series’
Fret only) 14th Fret
45-60mm
This neck profile is wider (60 mm at the neck joint) in order to
43.5-56mm
Nut Width Nut Width Nut Width
45mm 43.5mm 45mm provide more spacing between the strings. The carve is shallower
57mm 56.25mm
14th Fret
60mm
14th Fret to compensate for the extra width.
45-57mm
14th Fret 14th Fret
57mm
14th Fret
56.25mm 45-57mm low profile

45mm 43.5mm
Nut Width Nut Width
Nut Width Nut Width Nut Width
45mm

57mm
43.5mm

56.25mm
SHALLOW NECK PROFILE
45mm

60mm
14th Fret 14th Fret 45-60mm
14th Fret
43.5-56mm This neck profile is a different carve than the standard Lowden
Nut Width Nut Width Nut Width
45mm 43.5mm 45mm shape, it is thinner and less ‘v’ shaped. It has been described as

57mm 56.25mm 60mm

45-57mm feeling more like an electric guitar neck.
14th Fret 14thFret
14th
57mm
Fret 14th Fret
14th Fret
56.25mm
45-57mm low profile
Stan
45mm 43.5mm 1st fr
Nut Width
Nut Width
Nut Width
Nut Width
Nut Width Image to the left shows rounded neck heel as seen on 32-SE Stage Edition models. 14th
62 45mm 43.5mm 45mm 63

57mm 56.25mm 60mm Narr

 SPECIFICATIONS
35 SERIES

BUILD SERIES MODEL

35 IR/RC
BACK & SIDES

East Indian Rosewood

SOUNDBOARD

Red Cedar
SIZES AVAILABLE

SPECIFICATIONS
35 IR/SS Sitka Spruce O, F, S
35 IR/RW Redwood F, WL
35 IR/AD Adirondack F

35 WA/RC Claro/Bastogne Walnut Red Cedar O, S

35 WA/SS Sitka Spruce F

35 CN/AS Chechen Alpine Spruce F, WL

35 CN/RW Redwood F, WL

35 TBLK/RC Tasmanian Blackwood Red Cedar O

35 TBLK/RW Redwood F

ORIGINAL SERIES 35 BO/LZ Ancient Bog Oak Lutz Spruce F, S

35 BO/LZ Redwood F
MODEL BACK & SIDES SOUNDBOARD SIZES AVAILABLE
35 MR/RC Madagascar Rosewood Red Cedar O
22 American Mahogany Red Cedar O, F, WL
35 MR/AS Alpine Spruce F, S
23 Claro/Bastogne Walnut Red Cedar O, F, S
35 MR/RW Redwood F
25 East Indian Rosewood Red Cedar O, F, S, WL
32 East Indian Rosewood Sitka Spruce O, F, S 35 GR/RC Guatemalan Rosewood Red Cedar O, F
35 GR/AS Alpine Spruce F
35 GR/RW Redwood O, F

ADDITIONAL OPTIONS 35 GR/AD Adirondack S

Cutaway All models except Wee Lowden and 12 String 35 CO/SS Cocobolo Sitka Spruce F
35 CO/RW Redwood F
Fan Fret
Custom Neck 43.5mm at nut / 56mm at 14th fret and/or Shallow Neck Carve (hand carved lower profile neck) 35 KO/AS Koa Alpine Spruce F
12 String Full body O and F size models only. All models have Sitka Spruce soundboards 35 KO/RW Redwood F, S
Left Hand 35 KO/AD Adirondack S
Custom Charge Any body style not offered as standard

ADDITIONAL OPTIONS
Cutaway All models except Wee Lowden and 12 String

Soundbox Bevel
Fan Fret
Extended curved fingerboard end
Custom Neck 43.5mm at nut / 56mm at 14th fret and/or Shallow Neck Carve (hand carved lower profile neck)

45/60 Neck Increased string spacing. 45mm at nut, 60mm at 14th fret with compensated neck profile.

12 String Full body O and F size models only. All models have Sitka Spruce soundboards

Left Hand
Custom Charge Any body style not offered as standard

Sinker Redwood Upgrade

64 65
 SPECIFICATIONS
50 SERIES

We are pleased to offer the exciting opportunity to mix and match from selected MODEL BACK & SIDES SOUNDBOARD SIZES AVAILABLE
and reserved Master Grade tone woods including some of the finest figured woods
50 HR/RC Honduras Rosewood Red Cedar O, F, S, WL
available with tonal responses to match. 50 HR/SS Sitka Spruce O, F, S, WL
50 HR/AS Alpine Spruce O, F, S, WL
50 HR/RW Redwood O, F, S, WL
All 50 Series guitars come with the following:
50 HR/AD Adirondack O, F, S, WL
• Figured wood and abalone soundhole rosette • Available in all body sizes (O, F, S and WL) 50 HR/LZ Lutz Spruce O, F, S, WL
• Ameritage custom hard case • Bookmatched front and back headfacing
50 MR/RC Madagascar Rosewood Red Cedar O, F, S, WL
• Master Grade tonewoods • Inlay pattern 1: As for the 35 Series plus hand
50 MR/SS Sitka Spruce O, F, S, WL
mitred side and back purflings.
• Extended and bound fingerboard 50 MR/AS Alpine Spruce O, F, S, WL
50 MR/RW Redwood O, F, S, WL

MODEL BACK & SIDES SOUNDBOARD SIZES AVAILABLE 50 MR/AD Adirondack O, F, S, WL

50 MR/LZ Lutz Spruce O, F, S, WL
50 IR/RC East Indian Rosewood Red Cedar O, F, S, WL
50 IR/SS Sitka Spruce O, F, S, WL 50 GR/RC Guatemalan Rosewood Red Cedar O, F, S, WL

50 IR/AS Alpine Spruce O, F, S, WL 50 GR/SS Sitka Spruce O, F, S, WL

50 IR/RW Redwood O, F, S, WL 50 GR/AS Alpine Spruce O, F, S, WL

50 IR/AD Adirondack O, F, S, WL 50 GR/RW Redwood O, F, S, WL

50 IR/LZ Lutz Spruce O, F, S, WL 50 GR/AD Adirondack O, F, S, WL

50 GR/LZ Lutz Spruce O, F, S, WL
50 WA/RC Bastogne Walnut Red Cedar O, F, S, WL
50 WA/SS Sitka Spruce O, F, S, WL 50 CO/RC Cocobolo Red Cedar O, F, S, WL

50 WA/AS Alpine Spruce O, F, S, WL 50 CO/SS Sitka Spruce O, F, S, WL

50 WA/RW Redwood O, F, S, WL 50 CO/AS Alpine Spruce O, F, S, WL

50 WA/AD Adirondack O, F, S, WL 50 CO/RW Redwood O, F, S, WL

50 WA/LZ Lutz Spruce O, F, S, WL 50 CO/AD Adirondack O, F, S, WL

50 CO/LZ Lutz Spruce O, F, S, WL
50 FB/RC Fiddleback Mahogany Red Cedar O, F, S, WL
50 FB/SS Sitka Spruce O, F, S, WL 50 KO/RC Koa Red Cedar O, F, S, WL

50 FB/AS Alpine Spruce O, F, S, WL 50 KO/SS Sitka Spruce O, F, S, WL

50 FB/RW Redwood O, F, S, WL 50 KO/AS Alpine Spruce O, F, S, WL

50 FB/AD Adirondack O, F, S, WL 50 KO/RW Redwood O, F, S, WL

50 FB/LZ Lutz Spruce O, F, S, WL 50 KO/AD Adirondack O, F, S, WL

50 KO/LZ Lutz Spruce O, F, S, WL
50 TBLK/RC Tasmanian Blackwood Red Cedar O, F, S, WL
50 TBLK/SS Sitka Spruce O, F, S, WL 50 ZI/RC Ziricote Red Cedar O, F, S, WL

50 TBLK/AS Alpine Spruce O, F, S, WL 50 ZI/SS Sitka Spruce O, F, S, WL

50 TBLK/RW Redwood O, F, S, WL 50 ZI/AS Alpine Spruce O, F, S, WL

50 TBLK/AD Adirondack O, F, S, WL 50 ZI/RW Redwood O, F, S, WL

50 TBLK/LZ Lutz Spruce O, F, S, WL 50 ZI/AD Adirondack O, F, S, WL

50 ZI/LZ Lutz Spruce O, F, S, WL

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 SPECIFICATIONS
50 SERIES continued JAZZ SERIES
MODEL BACK & SIDES SOUNDBOARD SIZES AVAILABLE MODEL BACK & SIDES SOUNDBOARD DEFAULT OPTIONS

50 BO/RC Ancient Bog Oak Red Cedar O, F, S, WL S-25J East Indian Rosewood Red Cedar S Cutaway
50 BO/SS Sitka Spruce O, F, S, WL S-32J East Indian Rosewood Alpine Spruce S Cutaway
50 BO/AS Alpine Spruce O, F, S, WL S-35J Reclaimed Brazilian Rosewood Alpine Spruce S Cutaway
50 BO/RW Redwood O, F, S, WL
S-50J For 50 Series Jazz models (See 50 Series price list) S Cutaway
50 BO/AD Adirondack O, F, S, WL
50 BO/LZ Lutz Spruce O, F, S, WL

50 CMA/RC Ancient Cuban Mahogany Red Cedar O, F, S, WL

SIGNATURE SERIES
50 CMA/SS Sitka Spruce O, F, S, WL
50 CMA/AS Alpine Spruce O, F, S, WL MODEL BACK & SIDES SOUNDBOARD DEFAULT OPTIONS
50 CMA/RW Redwood O, F, S, WL
50 CMA/AD Adirondack O, F, S, WL Jon Gomm Figured American Black Cherry Hybrid

50 CMA/LZ Lutz Spruce O, F, S, WL Sitka Spruce + Cedar O cutaway

Options: Bill Keith Banjo Tuners
50 ABLK/RC African Blackwood Red Cedar O, F, S, WL
Fishman Rare Earth Blend
50 ABLK/SS Sitka Spruce O, F, S, WL
50 ABLK/AS Alpine Spruce O, F, S, WL Richard Thompson AAAA Ziricote Red Cedar F cutaway
50 ABLK/RW Redwood O, F, S, WL
Alex De Grassi AAAA Quilted Maple Sitka Spruce F cutaway
50 ABLK/AD Adirondack O, F, S, WL
Pierre Bensusan AAAA Honduras Rosewood Adirondack F cutaway / bevel
50 ABLK/LZ Lutz Spruce O, F, S, WL
Pierre Bensusan Ancient Cuban Mahogany Red Cedar O cutaway
50 BR/RC Reclaimed Brazilian Rosewood* Red Cedar O, F, S, WL ‘Old Lady’
50 BR/SS (CITES certif) Sitka Spruce O, F, S, WL Thomas Leeb AAAA Bastogne Walnut Sitka Spruce O cutaway
50 BR/AS Alpine Spruce O, F, S, WL Paul Brady Figured Bubinga Sitka Spruce O
50 BR/RW Redwood O, F, S, WL
50 BR/AD Adirondack O, F, S, WL
50 BR/LZ Lutz Spruce O, F, S, WL

ADDITIONAL OPTIONS
Cutaway All models except Wee Lowden and 12 String
Soundbox Bevel
Fan Fret
Figured Maple Neck 5 Piece with Rosewood splices
38 Style Soundboard Inlay Abalone inlay around edge of soundboard
Leaf Fingerboard Inlay Leaf shaped abalone inlays on fingerboard
Inlay Package 2 Headstock binding and additional side of heel binding
12 String Full body O and F size models only. All models have Sitka Spruce soundboards
Custom Neck 43.5mm at nut / 56mm at 14th fret and/or Shallow Neck Carve (hand carved lower profile neck)
45/60 Neck Increased string spacing. 45mm at nut, 60mm at 14th fret with compensated neck profile
Gold Waverly Tuners
S-50J (Jazz Package) 50 Series Jazz Models. (S body size only)
Left hand
Sinker Redwood Upgrade 290
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 SPECIFICATIONS
SPECIAL MODELS MODEL DIMENSIONS
BODY STYLE NECK WIDTH AT NUT NECK WIDTH SOUNDBOX WIDTH SOUNDBOX DEPTH SCALE LENGTH
MODEL BACK & SIDES SOUNDBOARD SIZES DEFAULT OPTIONS
AT 14TH FRET

THE 38 O 1 3/4” (45mm) 2 1/4” (57mm) 420mm 125mm 25 1/2” (650mm)

38 Reclaimed Brazilian Rosewood Red Cedar O, F, S, WL Leaf fretboard inlay, F 1 3/4” (45mm) 2 1/4” (57mm) 402mm 120mm 25 1/2” (650mm)
Abalone soundboard inlays
S 1 3/4” (45mm) 2 1/4” (57mm) 374mm 105mm 24 51/64” (630mm)
WL 1 3/4” (45mm) 2 1/4” (57mm) 335mm 100mm 24 51/64” (610mm)
THE S-35M
Jazz 1 7/8” (48mm) 2 3/8” (60mm) 374mm 105mm 25 1/2” (650mm)
S-35M Fiddleback Mahogany Fiddleback Mahogany S Robson Open Back Tuners
(Optional) Baritone 1 3/4” (45mm) 2 1/4” (57mm) 420mm 130mm 27 9/16” (700mm)
Stage Edition 1 11/16” (43.5mm) 2 13/64” (56.25mm) 402mm 95mm 25 1/2” (650mm)
THE S-35W FM 1 11/16” (43.5mm) 2 13/64” (56.25mm) 402mm 105mm 25 1/2” (650mm)
S-35W Figured Walnut Figured Walnut S Robson Open Back Tuners
(Optional)

THE STAGE EDITION

32-SE East Indian Rosewood Sitka Spruce F Cutaway, Shallow Body, NECK SPECIFICATIONS
LR Baggs Anthem
NECK TYPE WIDTH AT NUT NECK WIDTH SCALE LENGTH FINGERBOARD
THE FM AT 14TH FRET RADIUS

FM Available in any 35 or 50 Series wood combination F Shallow body (105mm)

Standard 1 3/4” (45mm) 2 1/4” (57mm) 650mm (S model 630mm) 16” (406mm)
Low profile neck, narrow neck
Narrow 1 11/16” (43.5mm) 2 13/64” (56.25mm) 650mm (S model 630mm) 16” (406mm)
THE WEE LOWDEN FAN FRET 45/60 (Fingerstyle) 1 3/4” (45mm) 2 3/8” (60mm) 650mm (S model 630mm) 16” (406mm)
WL-35 FF East Indian Rosewood Sinker Redwood WL Fan Fret 12 String 1 7/8” (48mm) 2 3/8” (60mm) 650mm 16” (406mm)
Jazz 1 7/8” (48mm) 2 3/8” (60mm) 650mm 20” (508mm)
THE BARITONE
Fan Fret (O, F) 1 3/4” (45mm) 2 1/4” (57mm) 680mm bass / 635mm treble 16” (406mm)
BAR Claro/Bastogne Walnut Sitka Spruce O
Fan Fret (S) 1 3/4” (45mm) 2 1/4” (57mm) 665mm bass / 625mm treble 16” (406mm)
Available on the 50 Series at no extra cost
Fan Fret (WL) 1 3/4” (45mm) 2 1/4” (57mm) 650mm bass / 610mm treble 16” (406mm)

THE BARITONE FAN FRET Fan Fret (Baritone) 1 3/4” (45mm) 2 1/4” (57mm) 710mm bass / 670mm treble 16” (406mm)

BAR-35 FF Claro/Bastogne Walnut Sitka Spruce O Fan Fret

BAR-50 FF Any 50 Series wood combination

THE 12 FRET ELECTRONICS

See page 38 for available wood choices S 12 Frets
LR Baggs Anthem
LR Baggs VTC
Highlander IP-1
Highlander IP-2
Fishman Matrix Infinity S and WL models only
Barbera Pierre Bensusan Signature range only

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 NOTES:

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Lowden Guitars
31-34 Down Business Park
Belfast Road
Downpatrick
BT30 9UP

Telephone: +44 (0)28 44 61 91 61

www.lowdenguitars.com