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    Allusion of The Waste Land

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    Rahma yunita
    This document provides an overview of the many literary, philosophical, historical and pop culture references made throughout T.S. Eliot's modernist poem "The Waste Land." It discusses references to works by Shakespeare, Wagner, Ovid, Dante, Milton and others. Religious texts like the Bible and Upanishads are also referenced. Historical events like the Battle of Mylae and religious figures like Buddha are alluded to. Pop culture of the time like tarot cards, ragtime music and London hotels are incorporated into Eliot's critique of post-WWI society. The poem pulls from a vast array of sources to capture the fragmented experience of modern life.

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    Allusion of The Waste Land

    Uploaded by

    Rahma yunita
    178 views5 pages
    This document provides an overview of the many literary, philosophical, historical and pop culture references made throughout T.S. Eliot's modernist poem "The Waste Land." It discusses references to works by Shakespeare, Wagner, Ovid, Dante, Milton and others. Religious texts like the Bible and Upanishads are also referenced. Historical events like the Battle of Mylae and religious figures like Buddha are alluded to. Pop culture of the time like tarot cards, ragtime music and London hotels are incorporated into Eliot's critique of post-WWI society. The poem pulls from a vast array of sources to capture the fragmented experience of modern life.

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    Allusion of the Waste Land

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    This document provides an overview of the many literary, philosophical, historical and pop culture references made throughout T.S. Eliot's modernist poem "The Waste Land." It discusses references to works by Shakespeare, Wagner, Ovid, Dante, Milton and others. Religious texts like the Bible and Upanishads are also referenced. Historical events like the Battle of Mylae and religious figures like Buddha are alluded to. Pop culture of the time like tarot cards, ragtime music and London hotels are incorporated into Eliot's critique of post-WWI society. The poem pulls from a vast array of sources to capture the fragmented experience of modern life.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    178 views5 pages

    Allusion of The Waste Land

    Uploaded by

    Rahma yunita
    This document provides an overview of the many literary, philosophical, historical and pop culture references made throughout T.S. Eliot's modernist poem "The Waste Land." It discusses references to works by Shakespeare, Wagner, Ovid, Dante, Milton and others. Religious texts like the Bible and Upanishads are also referenced. Historical events like the Battle of Mylae and religious figures like Buddha are alluded to. Pop culture of the time like tarot cards, ragtime music and London hotels are incorporated into Eliot's critique of post-WWI society. The poem pulls from a vast array of sources to capture the fragmented experience of modern life.

    Copyright:

    © All Rights Reserved
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    of 5

    Literary and Philosophical References

    The Bible: Ezekiel, Ecclesiastes, Isaiah, Psalms (20, 23, 25,


    182, 354, 426)
    Throughout the text, Eliot alludes to the books of Ezekiel (20), Ecclesiastes
    (23, 354), Isaiah (25, 426), and Psalms (182). For Eliot, the Bible is an
    incredible tool for holding together and making sense of our day-to-day lives,
    but as with any other great spiritual tool, the Bible is underused in
    contemporary society (according to Eliot).

    Richard Wagner (31-34, 42, 266-291)


    Wagner was a great composer from the 19th century, whose operas and
    music are still spread throughout movies and pop culture today. In "The Burial
    of the Dead," Eliot quotes four lines from Wagner's opera Tristan und
    Isolde (31-34, 42). In "The Fire Sermon," Eliot uses the song of the "Rhine-
    Daughters" from Wagner's Götterdämmerung opera, and replaces the original
    words with his own, leaving the original "Weialalal leia" (266-291).

    Madame Sosostris (Sesostris) (43-59)


    This fortune-teller is actually a character from Aldous Huxley's satirical
    novel Crome Yellow, which was published in 1921 to good reviews, one year
    prior to "The Waste Land." In Crome Yellow, Madame Sesostris is basically a
    fraud who dresses up as a gypsy and visits country fairs to tell people's
    fortunes for money.

    Charles Baudelaire (60, 76)


    Charles Baudelaire was a 19th-century French poet who was infamous for
    bringing immoral material into "high" poetry. Eliot quotes from Baudelaire's
    collection Fleurs du Mal, in lines 60 and 76 of "The Burial of the Dead."

    Dante Alighieri (62-65, 293-295, 412-415)


    Dante Alighieri was a poet from Italy who wrote in the 13th and 14th centuries.
    He is most famous for his trio of epic poems, Inferno, Purgatorio,
    and Paradiso. Eliot refers to the Inferno (62-65) and the Purgatorio (293-295,
    412-415) throughout "The Waste Land" in order to give the reader a sense of
    the hellish, purgatorial existence of modern life.

    John Webster (75, 118)


    John Webster was a playwright who wrote around the time of Shakespeare
    (1600) and is best known for his tragedies, particularly The White Devil. Eliot
    alludes to this play in line 75 of "The Burial of the Dead." In line 118, Eliot
    alludes to another of Webster's plays, called The Devil's Law Case. Man, this
    Webster guy sounds like he really loved to write about the devil.

    Thomas Middleton (137)


    Thomas Middleton was also a playwright who wrote at the beginning of the
    1600's, and the second section of "The Waste Land," no doubt refers in
    general to Middleton's plays A Game at Chess and Women Beware Women.
    In the second of these plays, the game of chess represents the moves made
    in the seduction of a woman.

    William Shakespeare (48, 77, 172, 191, 257, 417)


    Eliot references William Shakespeare many times in this poem because, well,
    Shakespeare's the man, isn't he? More specifically, Eliot alludes to the
    plays The Tempest (48, 191, 257), Antony and Cleopatra (77), Hamlet (172),
    and Coriolanus (417).

    John Milton (98)


    What's a waste land littered with fragments of great English literature without a
    little bit of John Milton's classic poem, Paradise Lost? Eliot alludes to this in
    line 98.

    Ovid's Metamorphoses (99-104, 203-206, 218, 245, 429)


    For anyone who wanted an education in the classics of Western literature in
    Eliot's time, knowing the Roman poet Ovid was an absolute must. Ovid wrote
    around the time of Christ (43 B.C.E. to 17-18 C.E.), and is most famous for his
    collection of mythology in poetic verse, The Metamorphoses. Eliot refers
    specifically to the myth of the "Rape of Philomel," which you can get the
    goods on in the "Summary" section. Tiresias, the blind prophet, is also a
    character from Ovid.
    Edmund Spenser (176-184)
    As he continues to work his way through the list of English Lit. heavyweights,
    Eliot makes sure to include Edmund Spenser in his references. More
    specifically, Eliot quotes Spenser's "Prothalamion" in order to show how the
    Thames of 1600 was definitely a lot nicer than the Thames of 1922.

    Andrew Marvell (185, 196)


    Another big name (for people who know English Lit. as well as Eliot). Andrew
    Marvell was a poet who wrote around 1660, and Eliot mentions him mostly to
    refer to his greatest hit, "To His Coy Mistress."

    John Day, The Parliament of Bees, 1608-1616 (198)


    This poem was written by English dramatist John Day sometime between
    1608 and 1616, and Eliot references it in line 198.

    Anonymous. Brihadaranyaka—Upanishad, 5.1-5.3 (401-423)


    The Upanishads, the holy texts of Hindu belief, gave Eliot a ton of spiritual
    inspiration.

    Jessie L. Weston, From Ritual to Romance, 1920 (425)


    Eliot was extremely interested in Weston's history of ancient fertility myths,
    called From Ritual to Romance, especially her chapter on the British myth of
    the "Fisher King," whose sacrificial death was supposed to bring new life to a
    barren land. For the symbolic world of "The Waste Land," there has definitely
    been a death in Western culture; but for Eliot, it's not so clear if this death will
    bring new life or simply lead to the end of civilization.

    Paul Verlaine, Parsifal, 1886 (202)


    Eliot alludes to Verlaine's famous take on the Arthurian knight Perceval in his
    poem "Parsifal."

    Oliver Goldsmith, The Vicar of Wakefield, 1766 (254-256)


    The Vicar of Wakefieldis Irish playwright Oliver Goldsmith's masterpiece.

    Saint Augustine, Confessions, 398 C.E. (307, 309)


    When Eliot talks of a trip to Carthage, he's referring to Saint
    Augustine's Confessions—a classic of Christian theology.

    Herman Hesse, A Glimpse Into Chaos, 1920 (367)


    Famous German writer Herman Hesse (who also wrote Siddhartha) wrote a
    collection of essays called A Glimpse into Chaos, which Eliot draws on here.

    Historical References
    Battle of Mylae (70)
    Eliot refers to this battle from 260 B.C.E. when it would probably be more
    appropriate (in 1922) to refer to World War I (1914-1918). But in referring to
    this much earlier war, which was fought for financial gain, Eliot takes the
    combined greed and stupidity of human history and mashes it all together in
    "The Waste Land."

    The Fire Sermon (308)


    According to most accounts, the Fire Sermon was preached by the spiritual
    teacher known as Buddha. It was intended to encourage people to give up the
    "fire" of lust for sex and worldly possessions. Although looking at the world
    today, you have to wonder how well it worked.

    Pop Culture References


    Tarot Cards (46-55, 312-321, 430)
    After they're introduced to the poem by Madame Sosostris, the tarot
    cardsbecome a major way for Eliot to mix prophecy with criticism in his tone,
    since he both believes in the symbolic significance of the tarot pack (which is
    centuries old) and at the same time doesn't buy into fortune-tellers or psychic
    mediums. The tarot pack is still very much a part of pop culture today, and its
    wide appeal has made it just as popular in the 21st century as it was in the
    16th.

    The Shakespearean Rag (128-130)


    "The Mysterious Rag" was very popular in the United States around 1912, and
    Eliot no doubt would have heard it quite often. He probably cringed at the
    thing the way people now cringe when they hear Nickelback. Sorry, but you
    know it's true.

    Cannon Street Hotel and Metropole (213-214)


    The Cannon Street Hotel and Hotel Metropole were two luxurious hotels of
    Eliot's time, although both had reputations for being places of questionable
    sexual activities. Check out our "Summary" section for more information.

    Moorgate (296)
    A subway station in London.

    "London Bridge is Falling Down" (427)


    This famous nursery rhyme was prevalent in Eliot's time, and still well-known
    in many places today.

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