0510 s13 RP 5
0510 s13 RP 5
0510 s13 RP 5
Cambridge IGCSE®
World Literature
0408
For examination in June and November 2015
Cambridge Secondary 2
Changes to syllabus for 2015
This syllabus has been updated. Significant changes to the syllabus are indicated by black vertical
lines either side of the text.
Cambridge International Examinations retains the copyright on all its publications. Registered Centres are
permitted to copy material from this booklet for their own internal use. However, we cannot give permission
to Centres to photocopy any material that is acknowledged to a third party even for internal use within a
Centre.
1. Introduction .................................................................................................................... 2
1.1 Why choose Cambridge?
1.2 Why choose Cambridge IGCSE?
1.3 Why choose Cambridge IGCSE World Literature?
1.4 Cambridge International Certificate of Education (ICE)
1.5 How can I find out more?
1. Introduction
Excellence in education
Our mission is to deliver world-class international education through the provision of high-quality curricula,
assessment and services.
More than 9000 schools are part of our Cambridge learning community. We support teachers in over 160
countries who offer their learners an international education based on our curricula and leading to our
qualifications. Every year, thousands of learners use Cambridge qualifications to gain places at universities
around the world.
Our syllabuses are reviewed and updated regularly so that they reflect the latest thinking of international
experts and practitioners and take account of the different national contexts in which they are taught.
Our systems for managing the provision of international qualifications and education programmes for
learners aged 5 to 19 are certified as meeting the internationally recognised standard for quality
management, ISO 9001:2008. Learn more at www.cie.org.uk/ISO9001
Our aim is to balance knowledge, understanding and skills in our programmes and qualifications to enable
candidates to become effective learners and to provide a solid foundation for their continuing educational
journey.
Through our professional development courses and our support materials for Cambridge IGCSEs, we provide
the tools to enable teachers to prepare learners to the best of their ability and work with us in the pursuit of
excellence in education.
Cambridge IGCSEs are considered to be an excellent preparation for Cambridge International AS and
A Levels, the Cambridge AICE (Advanced International Certificate of Education) Group Award,
Cambridge Pre-U, and other education programmes, such as the US Advanced Placement program
and the International Baccalaureate Diploma programme. Learn more about Cambridge IGCSEs at
www.cie.org.uk/cambridgesecondary2
Prior learning
We recommend that candidates who are beginning this course should have previously studied some
creative writing (prose/poetry and/or drama) in the medium of English, whether in translation or not.
Progression
Cambridge IGCSE Certificates are general qualifications that enable candidates to progress either directly to
employment, or to proceed to further qualifications.
Candidates who are awarded grades C to A* in Cambridge IGCSE World Literature are well prepared to
follow courses leading to Cambridge International AS and A Levels in English and/or other world literatures,
or the equivalent.
The Cambridge ICE is awarded from examinations administered in the June and November series each year.
2. Teacher support
You can also go to our public website at www.cie.org.uk/igcse to download current and future syllabuses
together with specimen papers or past question papers and examiner reports from one series.
For teachers at registered Cambridge schools a range of additional support materials for specific syllabuses
is available online. For Teacher Support go to http://teachers.cie.org.uk (username and password required).
The resource lists can be filtered to show all resources or just those which are endorsed or recommended
by Cambridge. Resources endorsed by Cambridge go through a detailed quality assurance process and are
written to align closely with the Cambridge syllabus they support.
2.3 Training
We offer a range of support activities for teachers to ensure they have the relevant knowledge and skills to
deliver our qualifications. See www.cie.org.uk/events for further information.
3. Assessment at a glance
For the Cambridge IGCSE in World Literature, candidates take three compulsory components: Portfolio,
Paper 2 Unseen, Paper 3 Set Text.
AND
AND
Availability
This syllabus is examined in the May/June examination series and the October/November examination
series.
Please note that Cambridge IGCSE, Cambridge International Level 1/Level 2 Certificate and Cambridge
O Level syllabuses are at the same level.
4.1 Aims
The syllabus aims, which are not listed in order of priority, are to encourage and develop candidates’ ability
to:
• enjoy the experience of reading world literature
• understand and respond to literary texts in different forms and from different countries and cultures
• communicate an informed personal response appropriately and effectively
• appreciate different ways in which writers achieve their effects
• experience literature’s contribution to aesthetic, imaginative and intellectual growth
• explore the contribution of literature to an understanding of areas of human concern.
AO4 5% 0 0 5%
Grade C
A Grade C candidate will have demonstrated the ability to:
• make a reasonably sustained/extended response with detail of narrative and situation
• show understanding of the authors’ intentions and some of the deeper implications and attitudes
displayed in the texts
• show some thoroughness in use of text for support
• make some response to the way language works in the texts
• communicate an informed personal response to the texts.
Grade F
A Grade F candidate will have demonstrated the ability to:
• make a few straightforward points in terms of narrative and situation
• show a few signs of understanding of the authors’ intentions and the surface meanings of the texts
• make a little reference to the texts
• show evidence of a simple personal response to the texts.
5. Syllabus content
Candidates will submit a portfolio of two written assignments AND one oral assignment.
This component as a whole requires study of at least two different forms (poetry/prose/drama), with texts
drawn from at least two countries/cultures.
The portfolio as a whole is marked out of 65: candidates will gain a mark out of 25 for each written
assignment, and a mark out of 15 for the oral assignment.
The assignments are set by the teacher(s), and internally marked (and internally moderated where there is
more than one set). They are subsequently externally moderated by Cambridge.
Assignments should usually follow a programme of study undertaken by a teaching group. Assignments may
be completed at any stage during the course. It is advised that each candidate undertakes more than two
written assignments during the course to provide a choice of work towards her/his portfolio, and that the
teacher and the candidate discuss which are the best assignments to submit.
Candidates do not have to produce written assignments under timed examination-type conditions.
In the portfolio as a whole there should be work on at least two different forms (poetry/prose/
drama), and the texts should be from at least two different countries/cultures.
Assessment
• There are separate sets of criteria for the assessment of the three different portfolio tasks. See Section
5.3 Assessment criteria.
Each question asks candidates for a critical commentary on (and appreciation of) previously unseen writing
printed on the question paper.
One question is based on a passage of literary prose (such as an extract from a novel or a short story);
the other question is based on a poem, or extract of a poem. The material will be taken from writing either
originally in English or in English translation.
Candidates are advised to spend around 20 minutes studying the paper and planning their answer before
starting to write.
Questions will be set on a range of prose and drama texts in English translation, or originally written in
English.
On each set text there will be two questions: one extract-based question and one general essay question.
Candidates answer two questions: one question from each section. They may answer both of their
questions on the same set text, or on two different texts.
This is a ‘closed books’ paper: set texts may not be taken into the examination room.
Extract-based questions focus on one section of the text asking candidates to re-read a specific passage
from the set text before answering. The passage will be printed on the question paper.
Essay questions require a more general approach to the set text as a whole, or a significant element/
character within it.
All questions encourage an informed personal response and test the first three assessment objectives. This
means that candidates will have to demonstrate:
• their personal response, sometimes directly (answering questions such as ‘What do you think?’, ‘What
are your feelings about…?’) and sometimes by implication (such as ‘Explore the ways in which…’)
• their knowledge of the text through the use of close reference to detail and use of quotations from the
text
• their understanding of characters, relationships, situations and themes
• their understanding of the writer’s intentions and methods.
Texts will normally be kept on the syllabus for three years (i.e. six assessment series).
Because there may be several different translations/editions available, a particular edition is usually
nominated for a text. Centres are not obliged to use the nominated edition (unless this is stated to be a
specified edition, e.g. in cases where differences between editions are known to be particularly significant),
but it should be noted that it will be the one used as the basis for setting the passage printed on the
question paper.
The Paper 3 set texts for the examination in 2015 (June and November series) are:
Jean Anouilh Antigone (specified edition: translated by Barbara Bray (Methuen))
** Dai Sijie Balzac and the Little Chinese Seamstress (specified edition: translated by Ina Rilke
(Vintage) )
Athol Fugard ‘Master Harold’... and the Boys (Oxford)
** Henrik Ibsen Hedda Gabler (specified edition: translated by James McFarlane and Jens Arup, in
Ibsen, Four Major Plays (Oxford World’s Classics) )
* Selection from Stories of Ourselves: The University of Cambridge International Examinations Anthology
of Short Stories in English (Cambridge University Press, ISBN 978-0-521-72791-4)
The following ten stories:
Alex la Guma, ‘The Lemon Orchard’
V.S. Naipaul, ‘The Enemy’
Bessie Head, ‘The Village Saint’
Bernard MacLaverty, ‘Secrets’
Borden Deal, ‘The Taste of Watermelon’
Patricia Grace, ‘Journey’
Morris Lurie, ‘My Greatest Ambition’
Paule Marshall, ‘To Da-duh, In Memoriam’
Amid Chaudhuri, ‘Real Time’
Ahdaf Soueif, ‘Sandpiper’
Yukio Mishima The Sound of Waves (specified edition: translated by Meredith Weatherby (Vintage) )
Candidates may answer their two questions on one text, or on two different texts.
6. Portfolio assessment
Each written assignment is to be marked out of a total of 25, and the Oral response is to be marked
out of 15 in accordance with the criteria in 6.2. (The maximum mark possible for the component is
therefore 65.)
If a candidate submits no assignment, a mark of zero must be recorded for the relevant assignment(s).
Internal Moderation
If several teachers in a Centre are involved in internal assessment, then the Centre must make sure that
all candidates are assessed to a common standard in order to produce a reliable order of rank. Centre
assessments will then be subject to external moderation.
External Moderation
External moderation of internal assessment is carried out by Cambridge and Cambridge must receive
internally moderated marks for all candidates by 30 April for the May/June examination and by 31 October
for the October/November examination. These marks may be submitted as described in the Cambridge
Administrative Guide.
BLANK PAGE
Please read the instructions printed overleaf and the General Coursework Regulations before completing this form.
Portfolio assessment
Signature and date TOTAL (OUT OF 65)
Portfolio assessment
Cambridge IGCSE World Literature 0408. Syllabus for examination in 2015.
Please read the instructions printed overleaf and the General Coursework Regulations before completing this form.
Portfolio assessment
Name of internal moderator Signature Date
0486/02/CW/S
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Portfolio assessment
Cambridge IGCSE World Literature 0408. Syllabus for examination in 2015.
7. Other information
The standard assessment arrangements may present unnecessary barriers for candidates with disabilities
or learning difficulties. Arrangements can be put in place for these candidates to enable them to access the
assessments and receive recognition of their attainment. Access arrangements will not be agreed if they
give candidates an unfair advantage over others or if they compromise the standards being assessed.
Candidates who are unable to access the assessment of any component may be eligible to receive an award
based on the parts of the assessment they have taken.
Information on access arrangements is found in the Cambridge Handbook which can be downloaded from
the website www.cie.org.uk
Language
This syllabus and the associated assessment materials are available in English only.
Entry codes
To maintain the security of our examinations we produce question papers for different areas of the world,
known as ‘administrative zones’. Where the component entry code has two digits, the first digit is the
component number given in the syllabus. The second digit is the location code, specific to an administrative
zone. Information about entry codes, examination timetables and administrative instructions can be found in
the Cambridge Guide to Making Entries.
*0614364684