It's Good To Blow Your Top: Women's Magazines and A Discourse of Discontent 1945-1965 PDF
It's Good To Blow Your Top: Women's Magazines and A Discourse of Discontent 1945-1965 PDF
It's Good To Blow Your Top: Women's Magazines and A Discourse of Discontent 1945-1965 PDF
mericans of the Cold War years are often remembered for their zealous commitment to domesticity. One prominent source identified
with this cult of domesticity is women's magazines. As such, they became
targets of feminist criticism. Beginning with The Feminine Mystique (1963),
Betty Eriedan condemned women's magazines for their "happy
housewife" images. She accused them of representing women as "gaily
content in a world of bedroom, kitchen, sex, babies, and home," while
women experienced pain, dissatisfaction, and self-loathing.' Building
upon these complaints, radical feminists took direct action against the
magazines. In the 1970s, for example, feminists occupied the offices of the
Ladies Home Journal.^
To this day, women's magazines of the Cold War era remain symbols
of antifeminism.''Scholarly and popular accounts portray them as containing grossly distorted images of womanhood. They criticize them for
"depict[ing] happiness where there was frustration," portraying the
"home" as a "haven," and "promulgating a happy-housewife syndrome,"
in the service of what popular writer Marcia Cohen described as the "all
was peach nectar heaven" editorial standard."* Whether women's magazines relentlessly filled their pages with images of happy women is an
important question, not only because these images can tell us much about
a powerful ideology directed primarily at white middle-class American
women during the Cold War era, but also because they can shed light on
the context out of which recent feminism emerged.
In accounts of this emergence. Cold War women's magazines occupy
a critical place. According to feminist historiography, women's magazines
misrepresented women as fulfilled, thereby keeping them in the private
world of home and bedroom, in contrast to feminists who presented
women with the truth about their condition, encouraging them to free
themselves from the bondage of domesticity. Students of women's history
emphasize the role of Betty Friedan and feminists in the Civil Rights
movement and the New Left in exposing the myth that domesticity fulfills.
One historian describes these women as among those "finally willing to
say that the emperor had no clothes";^ another as those who "like the
proverbial child who points out that the emperor had no clothes" first
realized "the discrepancy between myth and reality."^
1996 JOURNAL OF WOMEN'S HISTORY, VOL. S N O . 3 (FALL)
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research suggests that these magazines did not merely promote "the
happy housewife" image. Indeed, far from imagining the home as a
haven, the women's magazines often rendered it as a deadly battlefield
on which women lost their happiness, if not their minds. Images of
unhappy, angry, and depressed women figure prominently in these
magazines, and this is found to be particularly evident in marital
relations. In monthly columns such as "Can This Marriage Be Saved?,"
"Making Marriage Work," and "Why Marriages Fail," the magazines
document women's discontent.
This discourse of discontent requires that we rethink the dichotomy
between women's magazines as mythmakers and feminists as unveilers.
While it is beyond the scope of this essay to theorize the distinctive
contribution of recent feminist rhetoric, I would like to suggest that the
conceptualizafion of feminism as a "eureka" moment against a background of the magazines' silence about women's unhappiness is inadequate. Instead, I propose that we recognize women's magazines'
discursive contribution to this problem. I also suggest that the rhetorical
continuities between women's magazines and recent feminism are worth
examining, because the shared use of psychological discourse can help us
understand not only the historical context for, but also some of the political
limitations of, 1960s and 1970s feminist rhetoric.
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Figure 1. Danger Signal: When daily demands make you want to scream,
"How much more can I take?" From "Have You Reached Your Emotional
Breaking Point?" Cosmopolitan January, 1957.
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Figure 3. If, like most people, you are searching for a way to live your daily life
free from worry and depression, this exclusive report on autoconditioning is
the most important article you will ever read. From "Autoconditioning Can
Make You a Happy Person." Cosmopolitan January, 1956.
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In "Ask Yourself: Is Your Life Satisfying?," for example, women could rate
their level of satisfaction by answering a few simple questions such as,
"Are you usually happy and contented?," "Does the future have real
purpose (meaning) for you?," and "Do you look forward to each new
MOOD-METER
1 3 ECSTATIC
l ' l - TRIUMPHANT
1 3 JUBILANT
1 2 ELATED
t 1 DELIGHTED
1 0 JOVFUL
9
CAY
LICHTHEARTED
HAPPY
6 PLEASED
E ENCOURAGED
4, CHEERFUL
ALERT
PURPOSEFUL
1 DETERMINED
O
- 1
__o
- 3
\VORRLED
ANXIOUS
LONELY
UPSET
FRUSTRATED
- 6
DO^VNCAST
-4
- T GLOOMY
- 8 DISILLUSIONED
- 9
-lO
-11
-12
-13
-1-1
-13
DO\VNHE.'\.RTED
DISCOURAGED
DISGUSTED
DESPAIRING
DEPRESSED
DESPERATE
MISERABLE
I>ST1UCT1ONS
I Coin" liotli up ai>l !l""
ero space on ilie M-ocl-.Meicr. i>iU a
cl,k mark opp.>M.e rad, ^^orc^ ^s uc .
dc'cril)e= llic *^ay y
all tlicliappv ivordi aiiii all ihe unliappy
onirs wliich are corrfcl for vour prcient
mood. Alv.cvi be sincere when you clieck
llie lisl: ollier^siic. lliii initrument will
be ot no value to you.
2 . Now noie the number which appears at llic lcfi of the higli<.-[ word
above 0 which you lia^e checked. Enier
thai number in the space opposite ihc
words "Top Plus Number" at ihe bottom
of the .Miiod-.Meter. II rhr highefl word
which you checked has a minus number,
enter 0 here.
I- Do the same for tlie number of the
word farthest behiw 0 vhicii you have
cliecked. entering this numher oppoiiie
the words "Loivest Minu- Number." If
\ou ciiecked no word bilow 0, enter 0
here.
I. iNow find the sum of these t o numbers. If both the wordi have positive
numbers, the total will be positive. If
both have negative numbers, the total
will be negative. If one number is positive and the other negati\e. the smaller
number must be subtracted from the
larger one. and the difference mui take
the sign of the larger. The answer is your
mood-score. Put a circle | 0 ) at the level
of that score.
SUM - S C O R E
Figure 4. From " Au toconditioning Can Make You a Happy Person." Cosmopolitan January, 1956.
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Figure 5. Psychological Mini Test: "Is Your Life Satisfying?" Ladies Home
Journal June, 1954.
1996
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75
1 OM ;
L
2.
li.
t.
5.
6.
I t e s l l e s s , a n d li = Siiti->liO(l u i t l i life?
I t u r c d !>>' >t)iir I U X I ^ C I I D I I I n x i l i i i t - . '
IM\io(i:i o f t h e ri"ee4li>ni m e n h a v e ?
\ t . ' r y foiul (if li\el> e v c i t i i i g p a r t i e s ?
L iicei t:iiii o f ^ u u r l i n e I n r ) <mr l i i i s b a t u i ?
Tliiiiking i n n r e aixjut tomorrov* t h a n
to<la> '
7. K c l i i u t a i i t o r he^^itaiit a b o u t niLtkiiiL:
that:
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> oil?
2. (Dl'tcn feel downcast and uni* anl t-il.'
3.
1.
5.
6.
T,
t.
9.
10.
11.
12.
1^.
II.
Figure 7. Psychological Mini Test: "Do You Enjoy Life?" Ladies Home Journal
April, 1953.
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17
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Figure 8. From "It's Good To Blow Your Top." McCall's January, 1950.
magazines of the postwar era have been read in most accounts as having
functioned to depoHticize discontent; they have been condemned for
suggesting that women deal with their dissatisfaction by autoconditioning or crying instead of protesting.^^
There is, however, another way to understand this chapter in
women's cultural history. By focusing public attention on the plight of the
American housewife, turning her into a national social problem, these
magazines contributed to a discourse of discontent. They documented on
an unprecedented scale the difficulty women had in finding satisfaction in
their homes and personal lives. In an admittedly oblique way, they
pointed to a problem that Betty Friedan would later name, "the problem
that has no name." More radical feminists, a few years later, would name
this problem sexism and develop a comprehensive set of strategies to
combat it.
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Figure 9. From "Can This Marriage Be Saved?" Ladies Home loumal October,
1953.
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81
happily adjusted marriage. We strongly advocate premarital counseling as the basis for insuring; happy
marriage witbout crises later on. The instittile slaff
now includes 37 counselors; the one responsible for
this case was Dr. Fenna B. Simms."
PAUL POPENOE, Director
Figure 10. Paul Popenoe, Director of the Institute of Family Relations and
Author of "Can This Marriage Be Saved?".
The marriage counseling sections of women's magazines provided
the most detailed glin:ipse of women's dissatisfactions with marriage.
Through such columns as "Can this Marriage Be Saved?," "Making Marriage Work/' and "Why Marriages Fail?," women's magazines investigated the friction of domestic life. Indeed, they represented, sometimes in
gruesome detail, the explosive strife men and women experienced in their
daily interactions. Far from obscuring women's tortuous relationship to
domesticity and denying their right to achieve satisfaction, women's magazines and the experts who wrote for them brought the issue of women's
marital unhappiness into sharp focus.
Marriage counseling columns of the postwar period normalized marital conflict by writing about it as an almost universal social problem.
Marriage counselor Clifford R. Adams in his column, "Making Marriage
Work," for example, explained that "Alice Rand is an unhappy woman
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and she and her husband have a thoroughly unhappy marriage." But he
assured readers, "Alice is not unique."^^ Marriage counselor David Mace
went further: after recounting an example of what he called "a spiralingdown marriage interaction pattern," he informed his readers that "similar
conversafions go on day after day in thousands of homes."-^ Others
explained that marital difficulfies were the "daily dilemma of millions of
married couples in the modem world."'^
These difficulties were generally related to domesficity and its concomitant strict division of sex roles. In "Is My Marriage a Mistake?," for
example. Mace told the story of Thelma who was very unhappy and
harbored strong feelings of resentment against her husband Joe. But she
felt that anyone looking at her situafion would not understand; "As the
world sees him, he's a steady, hard-working, up-and-coming young executive in a safe job with good prospects. . . . Ibut to me] he's just a big
disappointment. I feel thwarted. I get mad at Joe. Not a fighting madjust
a dull, growing anger. Yet its hard to justify this. As I said, he doesn't beat
me up or run around or come home drunk." Even her friends could not
understand Thelma's feelings of desperafion: "My girl friends say 1 should
feel fortunate to have such a husbandso steady and dependable, so
hard-working. When they say that, 1 get even madder still. I say to myself,
'If only you could know how I feel inside!' " Thelma went on to explain
that " 'it's a shut-in kind of feeling. . . . I feel trapped, and somehow Joe is
to blame.' " Thelma described herself as plagued by vague feelings of
dissatisfaction, frustration, and anger. She remained unable to name feelings that Betty Friedan would call "the problem that has no name" about
5 years later.'^^
Though the marriage counselor sought to solve Thelma's and Joe's
problem by promoting communication and understanding, most of which
must be done by Thelma, he did not avoid the quesfion of the source of
Thelma's trouble. His exploration of her feelings led to the discovery that
her marriage entailed sacrifice. Apparently, her resentment and unhappiness stemmed from her having to give up activifies that gave her an
independent sense of identity and accomplishment. As Thelma explained,
"I had a lot of dreams before I got married.... I was in college. I was keen
on literature. I wanted to write. I even started a novel. And, of course, there
was my music.... Getfing married squelched all that. I didn't even graduate. I quit college to marry Joe."^^ Although Mace documented Thelma's
dissatisfaction with an impressive attention to detail, drawing out the
myriad manifestations of her unhappiness, he cursorily summed up the
solufion to the problem: "understanding." Once Thelma recognized that
all Joe did was actually for her, the counselor had solved the problem.
1996
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83
Figure 11. From "Can This Marriage Be Saved?" Ladies Home jourtial January,
1953.
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Figure 12. From "Can This Marriage Be Saved?" Ladies Home journal December,
1953.
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rest of us to doubt our own eyes" eru-aged many of them.*'" They were "fed
up with being studied and analyzed, praised and damned"^^ and wished
"educated people would quit analyzing and studying us as though we
were microbes in a test tube."^^
Ironically, while Friedan saw herself in opposition to the experts who
promoted the "feminine mystique," many housewives perceived her as
yet another expert analyzing and complaining about the state of women's
lives.^3 j^y wanted Friedan and the magazines to "stop knocking the
homemaker."^"^ Signing their letters with closures such as "from a veiy
happy, contented, but obviously without knowing it, trapped housewife,"
some even insisted that they would cancel their subscriptions, if the
magazines did not stop pubUshing "Friedan-type articles."^^ Readers did
not appear to make a distinction between Friedan's critique of domesticity
and that of the magazines; instead, they found continuity.
While readers overlooked some very real and substantial differences,
they were not completely off the mark. Betty Friedan, like many of the
anfifeminist and afeminist writers for women's magazines that came
before her, viewed women as unhappy, frustrated, and stifled. Both
focused on the psychological effects of domesticity and emphasized the
importance of self-fulfillment. But whereas women's magazines and the
experts who wrote for them sought to help women be happy within the
confines of domesticity Friedan categorically rejected both. She did so, I
suggest, not by uncovering "what lay buried and unspoken of," but by
speaking in new ways about what had already been identified as a problem and taking what was a constant concern of women's magazines and
putting it to new political uses. Friedan described domestidty and the
effects of experts in pathological terms. She insisted that the psychological
effects of domesticity were so damaging that only a wholesale rejection of
it would save women from obliterating their sense of self. While Friedan
firmly rejected the adjustment strategies promoted by women's magazines, her critique of domesticity and political demands relied heavily
upon a psychological discourse that itself emphasized unhappiness and
self-fulfillment.
That psychological discourse was an essential aspect of Friedan's
politics should not be surprising, given her educational background and
the general enthusiasm for psychological and therapeutic thinking during
the post-World War II period. Friedan majored in psychology as an undergraduate at Smith College, spent summers studying with Kurt Lewin at
the University of Iowa, studied as a graduate student with Erik Erikson at
the University of California at Berkeley, underwent psychoanalysis in
New York City where she explains "she began to focus on her rage," and
worked for a while at the Westchester mental health facility. Friedan also
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NOTES
The author thanks the Mary Lizzie Saunders Clapp Fund Fellowship of The Arthur
and Elizabeth Schlesinger Library on The History of Women in America, Radciiffe
College for its financial support, Thanks to Ron Walters and Louis Galambos for
their helpful comments on an earlier draft of this essay. Spedal thanks are also
extended to Walter Michaels whose critical insights enormously improved the
essay. Finally, I would like to thank the anonymous readers for their comments and
suggestions.
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1 Betty Friedan, The Feminine Mystique (New York: Dell Publishing Co.,
1963), 30.
2 Incident described in Marcia Cohen, The Sisterhood: The Inside Story ofthe
Women's Movement and the Leaders Wlw Made It Happen (New York: Fawcett Columbine: 1989), 185.
3 The one scholar who has recently sought to reevaluate women's magazines is Joanne Meyerowitz. In her study entitled "Beyond the Feminine Mystique:
A Reassessment of Postwar Mass Culture, 1946-1958," Meyerowitz examines
issues of eight popular magazines (several of which were geared specifically
toward a black audience), including three women's magazines, for the purpose of
"test[ingl generalizations about postwar mass culture." Meyerowitz takes issue
primarily with the view that Cold War popular magazines were uniformly critical
of women's rotes outside of the home and never presented positive images of
politically active women. She thus rebuts the claim that popular magazines portrayed women's activities outside the home seldom and negatively. In this article
I do not reevaluate this aspect of the women's magazines. Rather, I take up an even
more prominent aspect of the traditional view of Cold War popular ailture, and
one that has yet to be critically reexaminedthe claim that women's magazines
always portrayed women as blissfully happy.
^ Sara Evans, Personal Politics: The Roots of Women's Liberation in the Civil
Rights Move^nent and the New left (New York: Vintage Books, 1979), 213; Clenna
Matthews, "Just A Housewife": The Rise and Fall of Domesticity in America (New York:
Oxford University Press, 1987), 212; William L. O'Neil, Feminism In America: A
Histori/ (New Brunswick, New Jersey: Transaction Publishers, 2nd ed.,1989), 308;
Cohen, The Sisterhood, 196. See also, Elaine May, Homeward Bound: American Families
in the Cold War Era (New York: Basic Books, 1988); Winifi-ed Wandersee, On the
Move: American Women in the 1970s (Boston: Twayne, 1988); Leila J. Rupp and Verta
Taylor, Survival in the Doldrums: The American Woman's Rights Movement, 1945 to the
1960s (New York: Oxford University Press, 1987); Cynthia Harrison, OH Account of
Sex: The Potitics of Women's Issues, 1945-1968 (Berkeley: University of California
Press, 1988); Peter G. Filene, Him/Her Self Sex Roles in Modern America (Baltimore:
Johns Hopkins University Press, 1975); Susan M. Hartmann, The Homefront and
Beyond: American Women in the 1940s (Boston: Twayne, 1982); Annegret Ogden, The
Creat American Houseiuife: From Helpmate to Wage Earner, 1776-1986 (Westport,
Conn.: Greenwood Press, 1986); and Maureen Honey, Creating Rosie the Riveter:
Class, Gender and Propaganda During World War ll (Arnherst: University of Massachusetts Press, 1984).
5 May, Homeward Bound, 209.
^ Evans, Personal Politics, 212.
^ My effort to reevaluate women's magazines is part of a more general effort
by scholars working in a variety of disciplines to reevaluate the Cold War era.
Rejecting a reductionist portrait of the 1950s, they have portrayed the period as
more complex and contradictory than previously thought, often finding within the
Cold War era the seeds of its own destruction. Political scientist Michael Rogin, for
example, in his provocative article, "Kiss Me Deadly: Communism, Motherhood,
and Cold War Movies" in Ronald Reagan, the Movie and Other Episodes in Political
Demonology (Berkeley: University of California Press, 1987), finds that postwar
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^5 Barbara Benson, "Would You Marry Your Husband Again?," Ladies Home
Journal, February 1947, 26.
16 "What Makes Wives Unliappy," Ladies Home Journal, lanuary 1949, 26.
'^ Before presenting the results of surveys and in-depth interviews, the
magazines often instrticted women to measure their own responses against those
of the nation's. One article, for example, recommended that "before reading the
replies of other husbands and wives, you might jot down your answer to these
questions. Express your honest opinions, frankly and in detail." Benson, "Would
You Marry Your Husband Again?," 31.
'" For some further examples see, "How Do You Beat the Blues?," Women's
Home Companion, March 1948, 153-155; "What Do You Do When Worries Get You
Down?," Women's Home Companion, December 1952, 9; "How to Live With Yourself," McCatl's, March 1960, 116-117; "I Can't Stand It Anymore," Good Housekeeping, March 1961,86-87; "Why Do Women Cry?," Ladies Home journal, October 1948,
44; "How to Recognize Suicidal Depression," Ladies Home journal, September 1964,
26; "Blues and How to Chase Them," McCaWs, August 1960,98; "How to Cet Over
Feeling Low," Better Homes and Carden, October 1950, 66-67; "When Don't You
Need a Psychiatrist?," Coronet, March 1956, 93-97; "Lonely Wife," Women's Home
Companion, June 1956, 16-18; "You Can Be Happier Than You Are," Better Homes
and Gardens, February 1956, 31; "Are You Afraid You're Going Crazy?," Good
Housekeeping, August 1957, 118-121; "Do You Need a Psychiatrist?," Coronet,
December 1954, 31-34; "Emotional Upsets Are Good For You," Colliers, September
1953, 88-93.
15 Karl Huber, "Crying as Catharsis," McCaU's, November 1960, 46,48.
20 "How Emotions Cause Unnecessary Surgery," Cosmopolitan, November
1955, 20, 24.
21 Cosmopolitan, January 1956,18. Though there was more of an emphasis on
glamour than homemaking in Cosmopolitan than in other women's magazines, the
shift toward sex and the single girl did not occur until the end of the Cold War
period, after 1962 when Helen Curley Brown published a book with that title.
Throughout the period from 1945 to 1965 the magazine had a readership interested
in marital discontent and psychological unhappiness. See, for example, "Survey of
American Marriage," Cosmopolitan, June 1954, 8-14; "Are Marriage Counselors
Any Good?," Cosmopolitan, January 1953,104-107; "Tests That Tell You All About
You," Cosmopolitan, September 1957, 40-44; "When a Wife is Second Best" Cosmopolitan, January 1958, 62-65; "Where to Take Your Troubles," CosmofJolitan, April
1958, 54-61; "Psychological First-Aid Kit For You," Cosmopolitan, December 1958,
70-73; "What You Should Know About Psychiatry," Cosmopolitan, March 1955,
64-69; "Why They Fight About Money," Cosmopolitan, December 1955,70-73; "Live
With Your Nerves and Like It," Cosmopolitan, February 1957,40-45; "What It Means
to find Yourself," Cosmopolitan, January 1959, 24-29; "American Wife: Symposium," Cosmopofli, January 1958, 20-73.
-- "Autoconditioning," Cosmopolitan, 20.
" Clifford R. Adams, "Making Marriage Work," Ladies Home journal, June
1954, 26.
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95
^-t Kate Holliday, "It's Good To Blow Your Top," McCall's, January 1950, 59,
4.
^^ This normalization of discontent contrasts with the claims made by many
scholars that women's magazines defined unhappy women as abnormal. Historian Clenna Matthews, for example, explains the logic she found at work in
women's magazines and other forms of popular culture: "The 'normal', feminine
woman would be happy staying at home. One who was unhappy was, in fact, by
definition not normal." Matthews, "lust a Housewife," 2\\.
^'^ As Elaine May explains, for example, this rhetoric and its therapeutic
corollary "undermined the potential for the political activism and reinforced the
chilling effects of anticommunism and the cold war consensus," May, Homeward
Bound, 14. For examples of works not already cited that treat women's magazines
as obstacles to feminist protest, see Maureen Honey, Creating Rosic the Riveter;
Cynthia White, Women's Magazines, 1693-1968 (London: Joseph, 1970); Janice Winship, Inside Women's Magazines (New York: Pandora, 1987); Ester R. Sineman,
"What the Ladies Were Reading," (Ph.D. dissertation. University of Chicago,'
1976); Marjorie Ferguson, "Imagery and Ideology: The Cover Photographs of
Traditional Women's Magazines," in Hciirth aiul Home, ed. Gaye Tudiman, Arlene
Kaplan Daniels, and James Bonet (New York: Oxford university Press, 1978); Joy
Leman, "The Advice of a Real Friend: Codes of Intimacy and Oppression in
Women's Magazines, 1937-1955," Women's Studies J)itcrnational Quarterly 3 (Fall
1980); Susan M. Hartmann, "Prescriptions for Penelope: Literature on Women's
Obligations to Returning World War 11 Veterans," Women's Studies 5 (1978): 223239; Maureen Honey, "Images of Women in the Saturday Evening Post, 1931-1936,"
/oin;7/o/P(7;;i/)-C//rc 10 (1976): 352-358.
-" In addition to these columns. Women's Home Compa)iion had a column
entitled "Help for Love and Marriage: Case Histories." But all women's magazines
addressed the marital problems. See, for example, "How to Stay Married Though
Unhappy," Good Housekeeping, Eebruary 1953, 59; "Does a Blow-up Ever Help a
Marriage?," Better Homes ami Gardens, August 1962, 44-45; "Where to Get a Marriage Counselor When You Need One," Good Housekeeping, July 1959, 113-114; "Ten
Commandments for a Happy Marriage," Coro)ict August, 1949, 93-96; "What
Breaks it Up? Analysis of a Thousand Letters," CotKf HfiLSL'/ctr/i//i_^% May 1949,40-41;
"How to Get Marriage Counseling?," Women's Home Companion, August 1949, 36;
"How to Hold on to a Happy Marriage," Better Homes and Garden, August 1950,
12-13; "Happy Marriage Week," Good Housekeeping, July 1950, 49; "Happier Marriages," Rcdbook, March 1961, 42-43; "Before Love Goes Wrong," Ladies Home
Journal, June 1959, 31-32; "Where to Take Your Troubles," Women's Home Companion, October 1948, 36-37; "Check Up For a Happy Marriage" Women's Home Gwi/'7ii;o, September 1952,9-10; "Unselfisliness Could Spoil Your Marriage," Wwf/i-n'^
Home Companion, ju]y 1952, 4; "They Learned to Love Again," Ladies Home journal,
October 1952, 171-174; "What Do You Want From Your Marriage Today?," Women's
Home Companion, April 1956, 70-73; "Are You Afraid to Quarrel?," Women's Home
Companion, May 1953, 4.
2 Jacques W. Bacal and E. B. Foskett, "Divorcethe Lonesome Road,"
McCall's, December 1945,103.
2" bid., 60.
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S" The Schlesinger Library houses two important collections of letters written
to Betty Friedan. One group was written in response to her book. The Feminine
Mystique; the other to McCali's magazine in response to "The Fraud of Femininity"
published in its September 1963 issue. It is frequently assumed that Friedan
received an overwhelmingly positive and enthusiastic response from women. One
scholar who examined the letters claims, for example, that "a perusal of a small
sample of them confirms that Friedan touched a responsive chord in the minds of
many women." While it is true that responses to The Fetninine Mystique were by
and large positive, the same cannot be said of the responses to "The Fraud of
Femininity." My rough estimate indicates that about 80 percent of respondents
were displeased with Friedan's argument.
51 Class appears to be a determining factor in their respor^es. Many respondents talk about their struggle to achieve the status of housewife. Before they
became housewives they worked outside the home. Many appear completely
baffled by Friedan's assumption that work outside the home is creative or psychologically uplifting. They found their clerical jobs not only boring but oppressive.
Submitting to every whim of a boss did not compare to the independence and joy
of working for their families in the home. While many were confused, others were
downright angry. They found Friedan's outlook snobbish and humiliating. They
resented the interpretation given to their lives by experts. They strongly resisted
the idea that being a housewife and enjoying it meant that they were living a
pathological existence. Indeed some, in tum, considered experts like Friedan sick
and perverse.
52 Betty Friedan papers, Schlesinger Library, Raddiffe College (hereafter BF),
Box 744.
" BF, Box 743.
54 BF, B o x 744.
55 BF, Box 744.
56 BF, Box 742.
5? BF, Box 742.
5SBF, B o x 7 4 1 .
5s BF, Box 745.
i'O BF, Box 744.
61 BF, Box 741.
2BF, B o x 7 4 1 .
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